The English Hymnal - Wiki Music Experiment/Hymns101-150/171
From DPWiki
Lily1 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
To upload a midi, go here: file-repository. You need a userid and password (see this project's main wiki page).
Then create a link in this section to that uploaded midi file.
%%%% 171.png
%%%% Hymn 102. Alternative version. "O sacred head, sore wounded"
%%%% Rev 1.
\version "2.10.23"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - PASSIONTIDE"
\hspace #0.1 }}
title = \markup {"102" \small \smallCaps "(Alternative Version)"}
poet = ""
meter = ""
arranger = \markup { \center-align { \line { \small \italic "Harmonized by" \smallCaps "J. S. Bach." } \italic "in the 'Passion according to St. Matthew.'"}}
tagline =""
}
%%prints a repeat sign glyph comprising 4 dots. Used only to begin a repeat at the start of a piece where \bar ":" does not work
fdstartrepeat = {\once \override Staff.BarLine #'stencil = #ly:text-interface::print
\once \override Staff.BarLine #'text = \markup { \line { \hspace #0 \override #'(baseline-skip . 1.0)
\raise #1.4 \column { \with-color #black {
\fontsize #2 . \fontsize #2 . \fontsize #2 . \fontsize #2 .} }
} }
\bar "|:"}
%%%%%%%%
%%prints a repeat sign glyph comprising 4 dots and two thin bars
fdendrepeat = {\once \override Staff.BarLine #'stencil = #ly:text-interface::print
\once \override Staff.BarLine #'text = \markup { \line { \raise #1.4 \override #'(baseline-skip . 1.0) \column { \with-color #black { \fontsize #2 . \fontsize #2 . \fontsize #2 . \fontsize #2 .} }
\hspace #-1 \filled-box #'(0 . 0.15) #'(-2 . 2) #0
\hspace #-0.9 \filled-box #'(0 . 0.15) #'(-2 . 2) #0
} }
\bar "||"}
%%%%%%%%%
%%generates the breathmarks
breathmark = { \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'Y-offset = #'4.0
\override Score.RehearsalMark #'X-offset = #'-0.5
\mark \markup {\fontsize #4 ","}
}
%%%%%end of macro
global = {
\time 8/4
\key c \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' { \partial 2 \fdstartrepeat e2 \bar "|" a g f e \bar "|" d1 e2^\fermata \breathmark \bar "||" b' \bar "|" c b4(c8 d) c2 b4(a) \bar "|" a1.^\fermata \fdendrepeat \break
c2 \bar "|" b4(a) g2 a b \bar "|" c1 c2^\fermata \breathmark \bar "||" g \bar "|" a g a4(g) f2 \bar "|" e1.^\fermata \bar "||" \break
c'!2 \bar "|" b4(c) d2 c b \bar "|" a1 b2^\fermata \breathmark \bar "||" e, \bar "|" f e d g4(f) \bar "|" e1.^\fermata \bar "||" }
alto = \relative c' { \partial 2 \fdstartrepeat c2 \bar "|" c4(d) e2 a,4(b) c2 \bar "|" c2(b) c \bar "||" e \bar "|" e f e d4(c) \bar "|" c1. \fdendrepeat \break
e2 \bar "|" fis2 e f f \bar "|" g(f) e \bar "||" e \bar "|" e4(d) cis(d) e2 e4(d) \bar "|" d2(cis1) \bar "||" \break
a'2 \bar "|" g g g4(a) b(g) \bar "|" g2(fis) g \bar "||" c, \bar "|" d c d e4(d) \bar "|" d2(c b) \bar "||" }
tenor = \relative c { \partial 2 \clef bass \fdstartrepeat a'2 \bar "|" a4(b) c2 d g, \bar "|" a2(g) g \bar "||" b \bar "|" a a a gis \bar "|" e1. \fdendrepeat \break
a4(g) \bar "|" fis2 b c d \bar "|" c4(bes2 aes4) g2 \bar "||" c4(bes!) \bar "|" a!2 bes a a \bar "|" a1. \bar "||" \break
d2 \bar "|" d d4(e8 f) e2 d \bar "|" e(d) d \bar "||" g, \bar "|" g g g4(a) bes2 \bar "|" b!(a gis) \bar "||" }
bass = \relative c { \partial 2 \clef bass \fdstartrepeat a'4(g) \bar "|" f2 e d c \bar "|" fis,(g) c_\fermata \bar "||" gis \bar "|" a d e e2 \bar "|" a,1._\fermata \fdendrepeat \break
a'2 \bar "|" dis, e ees d \bar "|" e!(f) c2_\fermata \bar "||" c \bar "|" f e4(d) cis2 d \bar "|" a1._\fermata \bar "||" \break
fis'2 \bar "|" g4(a) b2 e,4(fis) g2 \bar "|" cis,(d) g,_\fermata \bar "||" c2 \bar "|" b c bes4(a) g2 \bar "|" gis(a e')_\fermata \bar "||" }
#(ly:set-option 'point-and-click #f)
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos { \voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
} %% close layout
%%%%%%%%%%%%%%%% Hymn Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 42 2)}}
}%%Score
\markup{ \hspace #18
\override #'(line-width . 85)
\justify { \small { "[" \italic { This version may be used, in connection with the other, for verse} 4, \italic {and must be sung by the}\smallCaps "Choir alone. " \italic { This version should only be attempted by good choirs.} "]" } }
}
Lyrics copied from P3 and perl-formatted --QMacrocarpa 15:01, 2 June 2007 (PDT):
"O SACRED head, sore wounded,"
" Defiled and put to scorn;"
"O kingly head, surrounded"
" With mocking crown of thorn:"
"What sorrow mars thy grandeur?"
" Can death thy bloom deflower?"
"O countenance whose splendour"
" The hosts of heaven adore."
""
"Thy beauty, long-desirèd,"
" Hath vanished from our sight;"
"Thy power is all expirèd."
" And quenched the light of light."
"Ah me! for whom thou diest,"
" Hide not so far thy grace:"
"Show me, O Love most highest,"
" The brightness of thy face."
""
"* I pray thee, Jesus, own me,"
" Me, Shepherd good, for thine;"
"Who to thy fold hast won me,"
" And fed with truth divine."
"Me guilty, me refuse not,"
" Incline thy face to me,"
"This comfort that I lose not,"
" On earth to comfort thee."
""
"In thy most bitter passion"
" My heart to share doth cry,"
"With thee for my salvation"
" Upon the Cross to die."
"Ah, keep my heart thus movèd"
" To stand thy Cross beneath,"
"To mourn thee, well-belovèd,"
" Yet thank thee for thy death."
""
"* My days are few, O fail not,"
" With thine immortal power,"
"To hold me that I quail not"
" In death's most fearful hour:"
"That I may fight befriended,"
" And see in my last strife"
"To me thine arms extended"
" Upon the Cross of life."
""
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%% 171.png
%%% Hymn 102 PASSION CHORALE. "Oh Sacred Head Sore Wounded"
%%% Version 2
\version "2.10"
\include "gregorian-init.ly"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - PASSIONTIDE" \hspace #0.1 } }
title = \markup { "102" \hspace #0.5 \small { \smallCaps "(Alternative Version)" } }
meter = \markup { \small { \column { \line { \sans {"PASSION CHORALE."} \hspace #1 \roman {"(7 6. 7 6. D.)"} }
\line { \raise #2 { \italic {Very slow and solemn} \general-align #Y #DOWN \note #"2" #0.6 = 42.} }
} } }
arranger = \markup { \small { \column { \line { \hspace #11 \italic "Harmonized by " \smallCaps "J. S. Bach." }
\line { \raise #1.8 { \italic "In the ‘Passion according to St. Matthew.’"} }
} } }
tagline =""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% %
% Macros %
% %
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
global = {
\key c \major
\time 8/4
% \autoBeamOff
\set Staff.midiInstrument = "church organ"
}
partmeasure = \set Score.measurePosition = #(ly:make-moment 5 2)
fdstartrepeat = {
% *** repeat sign comprising 4 dots
% *** Use at the start of a piece where \bar ":" does not work
\once \override Staff.BarLine #'stencil = #ly:text-interface::print
\once \override Staff.BarLine #'text = \markup { \line { \hspace #0 \override #'(baseline-skip . 1.0) \raise #1.4
\column { \with-color #black { \fontsize #2 . \fontsize #2 . \fontsize #2 . \fontsize #2 .} } } } \bar "|:"
}
fdendrepeat = {
% *** repeat sign comprising 4 dots and two thin bars
\once \override Staff.BarLine #'stencil = #ly:text-interface::print
\once \override Staff.BarLine #'text = \markup { \line { \raise #1.4 \override #'(baseline-skip . 1.0)
\column { \with-color #black { \fontsize #2 . \fontsize #2 . \fontsize #2 . \fontsize #2 .} }
\hspace #-1 \filled-box #'(0 . 0.15) #'(-2 . 2) #0 \hspace #-0.9 \filled-box #'(0 . 0.15) #'(-2 . 2) #0 } } \bar "||"
}
breathmark = {
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'Y-offset = #'-1.5
\override Score.RehearsalMark #'X-offset = #'-0.5
\mark \markup {\fontsize #4 ","}
}
shortenStem = \once \override Stem #'length = #4.5
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% %
% Music %
% %
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
soprano = \relative c' {
\partial 2 \fdstartrepeat e2 \bar "|" a2 g2 f2 e2 \bar "|" \once \override NoteColumn #'force-hshift = #1.7 d1 e2^\fermata \breathmark \bar "||"
b'2 \bar "|" c2 b4( c8[ d8]) c2 b4( a4) \bar "|" a1.^\fermata \fdendrepeat \break
c2 \bar "|" b4( a4) g2 a2 b2 \bar "|" \once \override NoteColumn #'force-hshift = #0.4 c1 c2^\fermata \breathmark \bar "||" g2 \bar "|"
a2 g2 a4( g4) \once \override NoteColumn #'force-hshift = #1.7 f2 \bar "|" \once \override NoteColumn #'force-hshift = #1.7 e1.^\fermata \bar "||" \break
c'!2 \bar "|" b4( c4) d2 c2 \once \override NoteColumn #'force-hshift = #1.7 b2 \bar "|"
\once \override NoteColumn #'force-hshift = #1.7 a1 b2^\fermata \breathmark \bar "||" e,2 \bar "|" f2 e2 d2 g4( f4) \bar "|"
\once \override NoteColumn #'force-hshift = #1.7 e1.^\fermata \bar "||"
}
alto = \relative c' {
\partial 2 \fdstartrepeat c2 \bar "|" c4( d4) e2 a,4( b4) c2 \bar "|" c2( b2) c2 \bar "||" e2 \bar "|" e2 f2 e2 d4( c4) \bar "|" c1. \fdendrepeat \break
e2 \bar "|" fis2 e2 f2 f2 \bar "|" g2( f2) e2 \bar "||" e2 \bar "|" e4( d4) cis4( d4) e2 e4( d4) \bar "|" d2( cis1) \bar "||" \break
a'2 \bar "|" g2 g2 g4( a4) b4( g4) \bar "|" g2( fis2) g2 \bar "||" c,2 \bar "|" d2 c2 d2 e4( d4) \bar "|" d2( c2 b2) \bar "||"
}
tenor = \relative c { \clef bass
\partial 2 \fdstartrepeat \once \override NoteColumn #'force-hshift = #1.7 a'2 \bar "|" a4( b4) c2 d2 g,2 \bar "|" a2( g2) g2 \bar "||"
b2 \bar "|" a2 a2 a2 gis2 \bar "|" e1. \fdendrepeat \break
a4( g4) \bar "|" \once \override Accidental #'extra-offset = #'(-1.3 . 0) fis2 b2 c2 d2 \bar "|" c4( bes2 aes4) g2 \bar "||"
c4( bes!4) \bar "|" a!2 bes2 a2 a2 \bar "|" a1. \bar "||" \break
d2 \bar "|" d2 d4( e8[ f8]) e2 d2 \bar "|" e2( d2) d2 \bar "||" g,2 \bar "|" g2 g2 g4( a4) bes2 \bar "|" b!2( a2 gis2) \bar "||"
}
bass = \relative c { \clef bass
\partial 2 \fdstartrepeat a'4( g4) \bar "|" f2 e2 d2 c2 \bar "|" fis,2( g2) c2_\fermata \bar "||" gis2 \bar "|" a2 d2 e2 e2 \bar "|"
\once \override Script #'padding = #0.5 a,1._\fermata \fdendrepeat \break
a'2 \bar "|" \once \override Accidental #'extra-offset = #'(1.3 . 0) dis,2 e2 ees2 d2 \bar "|" e!2( f2) c2_\fermata \bar "||"
c2 \bar "|" f2 e4( d4) cis2 d2 \bar "|" \once \override Script #'padding = #0.5 a1._\fermata \bar "||" \break
fis'2 \bar "|" g4( a4) b2 e,4( fis4) g2 \bar "|" cis,2( d2) g,2_\fermata \bar "||" \override Accidental #'transparent = ##t c2 \bar "|" b2 c2 bes4( a4) g2 \bar "|"
gis2( a2 \once \override Script #'padding = #2 e'2)_\fermata \bar "||" }
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% %
% Score %
% %
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
#(ly:set-option 'point-and-click #f)
\book {
\paper {
#(set-paper-size "a4")
between-system-padding = #0.0
print-page-number = ##f
% *** forces Lilypond to space out systems to fill the entire page
ragged-bottom=##t
ragged-last-bottom=##t
}
\score { <<
\new ChoirStaff <<
\new Staff = "upper" << \context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos { \voiceTwo \global \alto } >>
\new Staff = "lower" << \context Voice = tenors { \voiceOne \global \tenor }
\context Voice = bass { \voiceTwo \global \bass } >>
>>
>>
\layout {
ragged-right = ##f
% *** makes sure last system spreads right across the page
ragged-last = ##f
\context { \Score
\remove "Bar_number_engraver"
% *** uncomment this to remove system start bar
% \override SystemStartBar #'stencil = ##f
\override NonMusicalPaperColumn #'page-break-permission = ##f }
\context { \Staff
\override TimeSignature #'transparent = ##t }
}
} % *** end score
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% %
% Markup %
% %
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\markup { \small { \hspace #1 \column {
\line { \hspace #1.2 {[ } \italic { This version may be used, } \italic { in connexion with the other, } \italic { for verse 4, } \italic { and must be sung by} }
\line { \italic {the} \smallCaps { Choir alone.} \null \null \italic {This version should only be attempted by good choirs.} "]" }
\hspace #0.5
} % end column
} % end small
} % end markup
%%% Note: In order to generate the Fraktur title below, a Fraktur font is needed.
%%% HumboldtFraktur and GF Gesetz are examples of Fraktur fonts which resemble the original
%%% image and are free and downloadable from the internet.
%%% HumboldtFraktur works well on Windows and Linux
%%% but has been reported to give problems when compiling on Macintosh installations,
%%% thus GF Gesetz has been used below.
%%% If you use another Fraktur font, simply put the name into the font-name override below.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% %
% Lyrics %
% %
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\markup {
% *** change number as necessary to centre lyrics block
\hspace #34
\column {
% *** whole lyrics block is formatted into a single column
% *** heading section
\line { \small { \hspace #46 \center-align { \line { \italic "P. Gerhardt, 1607-76, based on" "Salve caput cruentatum" }
\line { "(" \italic "ascribed to St. Bernard" ")." \italic " Tr. Y. H."}
} } }
\line { \small { \lower #2 \hspace #2 \override #'(font-name . "GF Gesetz") {"O Haupt voll Blut und Wunden."}
} }
% *** lyrics section 1: double column of verses
% *** Create a line made up of two columns of verse separated by a vertical line
\line {
% *** first column of verse
% *** return to LH margin
\hspace #-30
\column {
\line { \hspace #2.2
% *** Drop Cap goes here
\column { \lower #2.4 \fontsize #8 "O" }
% *** adjust if rest of line is too far from Drop Cap - left is negative
\hspace #-1.3
\column { \raise #0.0 " SACRED head, sore wounded,"
" Defiled and put to scorn;" } }
\line { % *** adjust hspace until this line left edge is flush with Drop Cap
\hspace #2.7
% *** adjust this until the line spacing looks right
\lower #1.56
\column { "O kingly head, surrounded"
" With mocking crown of thorn:"
"What sorrow mars thy grandeur?"
" Can death thy bloom deflower?"
"O countenance whose splendour"
" The hosts of heaven adore." } }
} % *** end first column of verse
% *** create some space between first column of verse and the vertical line
\hspace #5
% *** vertical line
\column { \filled-box #'(0.0 . 0.1) #'(-22 . 0 ) #0 }
% *** second column of verse
\hspace #4
\column {
\line { "2 " \column { "Thy beauty, long-desirèd,"
" Hath vanished from our sight;"
"Thy power is all expirèd,"
" And quenched the light of light."
"Ah me! for whom thou diest,"
" Hide not so far thy grace:"
"Show me, O Love most highest,"
" The brightness of thy face." } }
\hspace #1
} % end second column of verse
} % end master line
} % end column that is entire lyrics section
} % end markup
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% %
% Page Break %
% %
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% *** fake score block to occupy space and force a pagebreak.
\score {
{ s4 }
\header { breakbefore = ##t }
\layout{
\context { \Staff
\remove Time_signature_engraver
\remove Key_engraver
\remove Clef_engraver
\remove Staff_symbol_engraver } }
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% %
% Page Two %
% %
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\markup { \hspace #32 %%add space as necc. to center the column
\column {
\hspace #1 % adds vertical spacing between verses
\line { "3 *" \column { "I pray thee, Jesus, own me,"
" Me, Shepherd good, for thine;"
"Who to thy fold hast won me,"
" And fed with truth divine."
"Me guilty, me refuse not,"
" Incline thy face to me,"
"This comfort that I lose not,"
" On earth to comfort thee." } }
\hspace #1 % adds vertical spacing between verses
\line {"4 "
\column {
"In thy most bitter passion"
" My heart to share doth cry,"
"With thee for my salvation"
" Upon the Cross to die."
"Ah, keep my heart thus movèd"
" To stand thy Cross beneath,"
"To mourn thee, well-belovèd,"
" Yet thank thee for thy death."
}}
\hspace #1 % adds vertical spacing between verses
\line {"5.*"
\column {
"My days are few, O fail not,"
" With thine immortal power,"
"To hold me that I quail not"
" In death's most fearful hour:"
"That I may fight befriended,"
" And see in my last strife"
"To me thine arms extended"
" Upon the Cross of life."
}}
}
} %%% lyric markup bracket
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% %
% Repeats and Midi %
% %
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% *** This next section of code is for unfolding the repeats and generating the midi
% *** Not needed for visual layout
\score {
\new ChoirStaff <<
\new Staff = "soprano" { \relative c' { \global
\unfoldRepeats {
\repeat volta 2 {
\partial 2 e2 \bar "|" a2 g2 f2 e2 \bar "|" d1 e2 \bar "||" b'2 \bar "|" c2 b4( c8[ d8]) c2 b4( a4) \bar "|" a1. }
c2 \bar "|" b4( a4) g2 a2 b2 \bar "|" c1 c2 \bar "||" g2 \bar "|" a2 g2 a4( g4) f2 \bar "|" e1. \bar "||"
c'2 \bar "|" b4( c4) d2 c2 b2 \bar "|" a1 b2 \bar "||" e,2 \bar "|" f2 e2 d2 g4( f4) \bar "|" e1. \bar "||"
} % unfold
} % relative
} % staff
\new Staff = "alto" { \relative c' { \global
\unfoldRepeats {
\repeat volta 2 {
\partial 2 c2 \bar "|" c4( d4) e2 a,4( b4) c2 \bar "|" c2( b2) c2 \bar "||" e2 \bar "|" e2 f2 e2 d4( c4) \bar "|" c1. }
e2 \bar "|" fis2 e2 f2 f2 \bar "|" g2( f2) e2 \bar "||" e2 \bar "|" e4( d4) cis4( d4) e2 e4( d4) \bar "|" d2( cis1) \bar "||"
a'2 \bar "|" g2 g2 g4( a4) b4( g4) \bar "|" g2( fis2) g2 \bar "||" c,2 \bar "|" d2 c2 d2 e4( d4) \bar "|" d2( c2 b2) \bar "||"
}
}
}
\new Staff = "tenor" { \relative c { \clef bass \global
\unfoldRepeats {
\repeat volta 2 {
\partial 2 a'2 \bar "|" a4( b4) c2 d2 g,2 \bar "|" a2( g2) g2 \bar "||" b2 \bar "|" a2 a2 a2 gis2 \bar "|" e1. }
a4( g4) \bar "|" fis2 b2 c2 d2 \bar "|" c4( bes2 aes4) g2 \bar "||" c4( bes!4) \bar "|" a!2 bes2 a2 a2 \bar "|" a1. \bar "||"
d2 \bar "|" d2 d4( e8[ f8]) e2 d2 \bar "|" e2( d2) d2 \bar "||" g,2 \bar "|" g2 g2 g4( a4) bes2 \bar "|" b!2( a2 gis2) \bar "||"
}
}
}
\new Staff = "bass" { \relative c { \clef bass \global
\unfoldRepeats {
\repeat volta 2 {
\partial 2 a'4( g4) \bar "|" f2 e2 d2 c2 \bar "|" fis,2( g2) c2 \bar "||" gis2 \bar "|" a2 d2 e2 e2 \bar "|" a,1. }
a'2 \bar "|" dis,2 e2 ees2 d2 \bar "|" e!2( f2) c2 \bar "||" c2 \bar "|" f2 e4( d4) cis2 d2 \bar "|" a1. \bar "||"
fis'2 \bar "|" g4( a4) b2 e,4( fis4) g2 \bar "|" cis,2( d2) g,2 \bar "||" c2 \bar "|" b2 c2 bes4( a4) g2 \bar "|" gis2( a2 e'2) \bar "||"
}
}
}
>> % choir staff
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 42 2) } }
} % end repeat and midi block score
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% %
% Amen %
% %
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\score { <<
\new ChoirStaff <<
\new Staff = upper <<
\new Voice = "sopranos" { \relative c' { \global \voiceOne f1 e1 \bar "||" } }
\new Voice = "altos" { \relative c' { \global \voiceTwo c1 c1 \bar "||" } } >>
\new Lyrics \lyricsto sopranos { \override LyricText #'font-size = #-1 { A -- men. } }
\new Staff = lower <<
\new Voice = "tenors" { \relative c { \global \voiceThree \clef bass a'1 g1 \bar "||" } }
\new Voice = "basses" { \relative c { \global \voiceFour \clef bass f1 c1 \bar "||" } } >>
>> % choirstaff bracket
>> % score bracket
% *** creates space between end of lyrics and amen score
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
indent = 15\cm
raggedright = ##t
ragged-bottom = ##t
packed = ##f
\context { \Score
% *** controls the amount of space between notes on the staff
\override SeparationItem #'padding = #3
}
\context { \Staff
\remove "Time_signature_engraver"
\override VerticalAxisGroup #'minimum-Y-extent = #'( -2 . 2)
fontSize = #-2
\override StaffSymbol #'staff-space = #(magstep -2)
}
} % *** end amen layout
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 42 2) } }
} % *** end amen score
} % *** end book
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. The L3 who declares the hymn "cleared" should upload the correctly-named files to the file repository. This ensures that what is checked and cleared is exactly what is uploaded.
styg 18:48, 20 July 2007 (PDT)
- Need curly quotes in the Arranger section of the header.
- 3rd system, bass note immediately after the double-bar should not have explicit natural sign.
- Need to indent the first line of the [Choir alone] note.
- midi tempo command (both midis) needs to be (ly:make-moment 42 2) instead of 42 8.
camilla 00:11, 23 July 2007 (PDT)
- Am trying to find an example of curly quotes to copy - can you think of one offhand?
- Have fixed the rest, thanks.
Jkenny 02:25, 23 July 2007 (PDT)
- A recent example is Hymn 120 at 192.png here: The_English_Hymnal_-_Wiki_Music_Experiment/Hymns101-150/192. In the arranger field around the word "Gesangbuch".
- You can also copy from this page, which also has lots of other symbols like em-dashes, daggers etc: Unicode Test Page. Look halfway down the page at Decimal 8216/8217 Hex 2018/2019.
camilla 10:29, 23 July 2007 (PDT)
- Didn't think of anything as simple as pasting in a Unicode character. <blush>
Lily3 cleared, files uploaded styg 20:08, 27 July 2007 (PDT)
Project History
- Lily1 - done by ebykm 14:05, 26 June 2007, UTC
- - (lyrics added)
