The English Hymnal - Wiki Music Experiment/Hymns51-100/157

From DPWiki
Jump to navigation Jump to search

Lily1 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

To upload a midi, go here: file-repository. You need a userid and password (see this project's main wiki page).

Then create a link in this section to that uploaded midi file.


Lyrics copied from P3 and perl-formatted --QMacrocarpa 13:19, 2 June 2007 (PDT):

"WEARY of earth and laden with my sin,"
"I look at heaven and long to enter in;"
"But there no evil thing may find a home,"
"And yet I hear a voice that bids me 'Come.'"
""
"So vile I am, how dare I hope to stand"
"In the pure glory of that holy land?"
"Before the whiteness of that throne appear?"
"Yet there are hands stretched out to draw me near."
""
"The while I fain would tread the heavenly way,"
"Evil is ever with me day by day;"
"Yet on mine ears the gracious tidings fall,"
"'Repent, confess, thou shalt be loosed from all."
""
"It is the voice of Jesus that I hear,"
"His are the hands stretched out to draw me near."
"And his the Blood that can for all atone."
"And set me faultless there before the throne."
""
"                            Part 2."
""
"O great Absolver, grant my soul may wear"
"The lowliest garb of penitence and prayer."
"That in the Father's courts my glorious dress"
"May be the garment of thy righteousness."
""
"Yea, thou wilt answer for me, righteous Lord;"
"Thine all the merits, mine the great reward;"
"Thine the sharp thorns, and mine the golden crown;"
"Mine the life won, and thine the life laid down."
""
"Naught can I bring, dear Lord, for all I owe,"
"Yet let my full heart what it can bestow;"
"Like Mary's gift, let my devotion prove,"
"Forgiven greatly, how I greatly love."

Lily2 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

%%%% 157.png
%%%% Hymn 91 Dalkeith. Weary of earth and laden with my sin.
%%%% Rev 2.

\version "2.10"
\header {
  dedication = \markup { \center-align { "THE CHRISTIAN YEAR - LENT"
	\hspace #0.1 }}	
	
  title = "91"
  
  poet = \markup { \small {  \line { \sans {"DALKEITH."} \hspace #1 \roman {"(10. 10. 10. 10.)"}} }}
  
  meter = \markup { \small { \italic {In moderate time} \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 80.} }
  
  arranger = \markup { \small \smallCaps "T. Hewlett, 1845-74." }
  
  tagline =""
}

%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros

%%% generates the breathmarks

breathmark = { \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
	\override Score.RehearsalMark #'Y-offset = #'4.0
	\override Score.RehearsalMark #'X-offset = #'-0.5
	\mark \markup {\fontsize #4 ","}
}

%%% merge. Macro to pull note slightly leftwards.  Used to produce those partially merged wholenotes 

merge = \once \override NoteColumn #'force-hshift = #-0.01		      


%%%%%%%%%%%%%%%%%%%%%%%%%%% End of macro definitions

%%% SATB voices

global = {
  \time 4/2
  \key d \major
  \set Staff.midiInstrument = "church organ"
}

soprano = \relative c' { 
  \partial 1 a'1 | fis2 e d d | e fis a2. g4 | fis1 \breathmark \bar "||" fis1 | \break
  fis2 fis d' d | cis a fis2. fis4 | eis1 \breathmark \bar "||" fis1 | a2 a a g | \break
  g fis e b' | a1 \breathmark \bar "||" d1 | d2. d4 d2 b | a gis a e | d1 \bar "||"
} 
   
alto = \relative c' {
  \partial 1 d1 | cis2 cis d d | d d d cis | d1 \bar "||" d1 |
  e2 d fis fis | eis cis cis bis | cis1 \bar "||" cis1 | fis2 fis fis e |
  e d e e | \merge a1 \bar "||" a1 | fis2 fis g d | d d d cis | \merge d1 \bar "||" 
}

tenor = \relative c {\clef bass 
  \partial 1 fis1 | a2 g fis a | b a b a | a1 \bar "||" a1 |
  ais2 b b a | gis a a fis | gis1 \bar "||" a1 | cis2 c b b |
  cis d d cis | d1 \bar "||" d1 | c2 c b g | fis eis fis g | fis1 \bar "||"
}

bass = \relative c {\clef bass 
  \partial 1 d1 | a2 a b fis' | g fis e a, | d1 \bar "||" d1 |
  cis2 b b b | cis fis d d | cis1 \bar "||" fis1 | fis2 e dis e |
  a, a' gis g | fis1 \bar "||" fis1 | d2 d g g, | a b a a | d1 \bar "||"
}


#(ly:set-option 'point-and-click #f)

\paper {
  #(set-paper-size "a4")
%  annotate-spacing = ##t
  print-page-number = ##f
  ragged-last-bottom = ##t
  ragged-bottom = ##t
}

\book{

%%% Score block	

\score{
\new ChoirStaff	
<<
	\context Staff = upper << 
	\context Voice = sopranos { \voiceOne \global \soprano }
	\context Voice = altos    { \voiceTwo \global \alto }
	                      >>
	\context Staff = lower <<
	\context Voice = tenors { \voiceOne \global \tenor }
	\context Voice = basses { \voiceTwo \global \bass }
			        >>
>>
\layout {
		indent=0
		\context { \Score \remove "Bar_number_engraver" }
		\context { \Staff \remove "Time_signature_engraver" }
		\context { \Score \remove "Mark_engraver"  }
                \context { \Staff \consists "Mark_engraver"  }
	} %% close layout
	
%%% Hymn Midi	

\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 2)}} 

} %%% Score bracket

%%% Lyrics titles

\markup { \hspace #40 \small \smaller {  "[" \italic "By permission of Novello & Co. Ltd." "]" } }

\markup { \small { \hspace #74 \italic "S. J. Stone, 1839-1900." } }

		                                                                                                     
%%% Main lyric block

\markup { \hspace #30 %%add space as necc. to center the column
          \column { %%% one super column for the entire block of lyrics
	                 \column { %%verse 1 is a column of 2 lines  
	                  \line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "W" }   %%Drop Cap goes here
				  \hspace #-1.0    %% adjust this if other letters are too far from Drop Cap
				  \column  { \raise #0.0 "EARY of earth and laden with my sin,"
			                                 "  I look at heaven and long to enter in;" } }  
	                  \line {  \hspace #2.5  %%adjust hspace until this line left edge is flush with Drop Cap
				   \lower  #1.56  %%adjust this until the line spacing looks right
				   \column {   
					   "But there no evil thing may find a home,"
					   "And yet I hear a voice that bids me ‘Come.’"
			  		}} 
			         } %%% finish verse 1	
		  	\hspace #1 
           		\line { "2  "
			   \column {	     
				   "So vile I am, how dare I hope to stand"
				   "In the pure glory of that holy land?"
				   "Before the whiteness of that throne appear?"
				   "Yet there are hands stretched out to draw me near."
			}}		
    }	%%% end super column  
}	


%%% fake score block to occupy space and force a pagebreak.  Can't think of a better way of doing this.
\score{
	{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{	
	\context { \Staff
		\remove Time_signature_engraver
		\remove Key_engraver
		\remove Clef_engraver
		\remove Staff_symbol_engraver
}}}


%%% second page
%%% continuation of  lyrics

\markup { \hspace #30   %%add space as necc. to center the column
          \column { 
		        \hspace #1 
           		\line { "3  "
			  \column {	     
				  "The while I fain would tread the heavenly way,"
				  "Evil is ever with me day by day;"
				  "Yet on mine ears the gracious tidings fall,"
				  "‘Repent, confess, thou shalt be loosed from all.’"
			}}
			\hspace #1 
           		\line { "4  "
			  \column {	     
				  "It is the voice of Jesus that I hear,"
				  "His are the hands stretched out to draw me near,"
				  "And his the Blood that can for all atone,"
				  "And set me faultless there before the throne."
			}}
			\hspace #1 
			\hspace #1
			\line { \hspace #20 \italic "Part 2." }
			\hspace #1 
           		\line { "5  "
			  \column {	     
				  "O great Absolver, grant my soul may wear"
				  "The lowliest garb of penitence and prayer."
				  "That in the Father's courts my glorious dress"
				  "May be the garment of thy righteousness."
			}}
			\hspace #1 
           		\line { "6  "
			  \column {	     
				  "Yea, thou wilt answer for me, righteous Lord;"
				  "Thine all the merits, mine the great reward;"
				  "Thine the sharp thorns, and mine the golden crown;"
				  "Mine the life won, and thine the life laid down."
			}}			
    		        \hspace #1 
           		\line {"7. "
			  \column {	     
				  "Naught can I bring, dear Lord, for all I owe,"
				  "Yet let my full heart what it can bestow;"
				  "Like Mary's gift, let my devotion prove,"
				  "Forgiven greatly, how I greatly love."
			}}
	  }
} %%% lyric markup bracket

%%% Amen score block
\score{
  \new ChoirStaff
   <<
        \context Staff = upper \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) }  
	                      << 
	\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne d1 d  \bar "||" }}
	\context Voice = "altos"    { \relative c' { \clef treble \global \voiceTwo b1 a \bar "||" }}
	                      >>
			  
	\context Lyrics \lyricsto "altos" {\override LyricText #'font-size = #-1  A -- men. }
	
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) }  
	                       << 
	\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree g'1 fis \bar "||" }}
	\context Voice = "basses" { \relative c { \clef bass \global \voiceFour  g1 d' \bar "||" }}
			        >> 
  >>			      
\header { breakbefore = ##f piece = " " opus = " " }

\layout { 
      \context { \Score timing = ##f }
	ragged-right = ##t
	indent = 15\cm
	\context { \Staff \remove Time_signature_engraver }

       } %% close layout

%%% Amen Midi

\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 2) }} 

}

} %%% book bracket

Lily3 Notes

Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. The L3 who declares the hymn "cleared" should upload the correctly-named files to the file repository. This ensures that what is checked and cleared is exactly what is uploaded.

QMacrocarpa 15:56, 6 July 2007 (PDT)

  • Verse 3, line 4: Typo in original? Seems like this line should end with a closing single-quote.
  • Verse 4: lines 2 and 3 should both end with commas instead of periods. (added both these notes to errata p.)
  • "Part 2" should be followed by "."

Jkenny 20:33, 6 July 2007 (PDT)

  • Verse 3, I agree, the 1933 edition shows a closing single-quote. Added closing quote. Left note for PPer since this is not in the image.
  • Added commas to verse 4.
  • Added "." after "Part 2".

Lily3 cleared, files uploaded styg 19:06, 11 July 2007 (PDT)


Project History

    • Lily1 - (lyrics added)
    • Lily2 - done Jkenny 20:53, 2 July 2007 (PDT)
    • Lily3 - comments added QMacrocarpa 16:00, 6 July 2007 (PDT)
- fixed. Jkenny 20:34, 6 July 2007 (PDT)
- Lily3 cleared, files uploaded styg 19:07, 11 July 2007 (PDT)

Notes for PPer

  • Added closing quote to end of line 4 of verse 3. The closing quote is not in the image but is present in 1933 edition. So a suspected typo.