The English Hymnal - Wiki Music Experiment/Hymns51-100/153
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Lily1 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
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Lyrics copied from P3 and perl-formatted --QMacrocarpa 16:35, 1 June 2007 (PDT):
"SINFUL, sighing to be blest;"
" Bound, and longing to be free;"
"Weary, waiting for my rest:"
" God, be merciful to me."
""
"Holiness I've none to plead,"
" Sinfulness in all I see,"
"I can only bring my need:"
" God, be merciful to me."
""
"Broken heart and downcast eyes"
" Dare not lift themselves to thee;"
"Yet thou canst interpret sighs:"
" God, be merciful to me."
""
"From this sinful heart of mine"
" To thy bosom I would flee;"
"I am not mine own, but thine:"
" God, be merciful to me."
""
"There is One beside thy throne,"
" And my only hope and plea"
"Are in him and him alone:"
" God, be merciful to me."
""
"He my cause will undertake,"
" My interpreter will be;"
"He's my all, and for his sake,"
" God, be merciful to me."
""
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%%153.png
%%%Hymn 88 Tunbridge Sinful, sighing to be blest
%%%Version 1
\version "2.10"
\header {
dedication = \markup { \center-align { \line { "THE CHRISTIAN YEAR - LENT" }
\hspace #1
} }
title = "88"
arranger = \markup { \small { \smallCaps "J. Clarke, 1670-1707."} }
poet = \markup { \small { \sans "TUNBRIDGE." \hspace #1 \roman { "(7 7. 7 7.)"} } }
meter = \markup { \small { \italic {Moderately slow} \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 63.} }
tagline = ""
}
%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%%generates the breathmarks
breathmark = {
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'Y-offset = #'4.0
\override Score.RehearsalMark #'X-offset = #'-0.5
\mark \markup { \fontsize #4 ","}
}
%% Used to pull a note left. Used when a slurred note pair straddles a longer note above when notecolumn force-hshift does not work
straddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-2.8
\once \override Stem #'X-offset = #-2.8 }
%% Same as above, but a smaller displacement.
smallstraddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-1.5
\once \override Stem #'X-offset = #-1.5 }
%% Used to pull an upstem note left. Used when a slurred note pair straddles a longer note below when notecolumn force-hshift does not work
topstraddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-1.5
\once \override Stem #'X-offset = #-0.2 }
%%%%%%%%%%%%%%%%%%%%%%%%%% End of Macro definitions
%%% SATB voices
soprano = \relative c' {
g'2 bes a d, | ees c d1 \breathmark \bar "||"
bes'2 d c f, | g a bes1 \breathmark \bar "||" \break
d,2 g e e | c' a fis1 \breathmark \bar "||"
d'2 d, g a4( bes) | c( bes4) a4( g4) g1 \bar "||"
}
alto = \relative c' {
d2 bes4( c) d2 \straddle d4( c4) | bes2 c a1 \bar "||"
d4( ees4) f2 f f | bes,4( ees) d4( c) d1 \bar "||"
d2 d c c | c4( d) ees!2 d1 \bar "||"
d2 d d4( c) ees2 | d4( g) fis( g) d1 \bar "||"
}
tenor = \relative c { \clef bass
bes'2 g a a | g g \topstraddle g( fis) \bar "||"
f! f4( g) a2 bes4( a) | g2 f f1 \bar "||"
bes4( c) bes( a) g2 c | ees!4( d) c( bes) a1 \bar "||"
g2 g g g | g c bes1 \bar "||"
}
bass = \relative c { \clef bass
g'2 g g fis | g ees d1 \bar "||"
bes2 bes f'4( ees4) d2 | ees2 f bes,1 \bar "||"
bes2 g c4( d) c( bes) | a2 c \smallstraddle d( c) \bar "||"
bes2 bes ees c | d d g,1 \bar "||"
}
global = {
\time 4/2
\key g \minor
\set Staff.midiInstrument = "church organ"
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
%%% Score block
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos {\voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
% \context { \Score timing = ##f }
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
}
\midi {
\context { \Score tempoWholesPerMinute = #(ly:make-moment 63 2) }
}
} %%score bracket
%%% Lyrics titles
\markup { \hspace #76 \small \italic "J. S. B. Monsell, 1811-75."}
%%% Lyrics in 3 columns, column 1 (verses), column 2 (a dividing line), column 3 (verses)
\markup { \hspace #10 %%add space as necc. to center the entire block of lyrics
\column { %%% super column for entire block of lyrics
\line { %% a master line of 3 columns, two for lyrics and one column of a separator line
\column { %% column 1
\column { %%verse 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "S" } %%Drop Cap goes here
\hspace #-1.2 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "INFUL, sighing to be blest;"
" Bound, and longing to be free;" } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"Weary, waiting for my rest:"
" God, be merciful to me."
}}
} %%% finish verse 1
\hspace #1
\line { "2 "
\column {
"Holiness I've none to plead,"
" Sinfulness in all I see,"
"I can only bring my need:"
" God, be merciful to me."
}}
\hspace #1
\line { "3 "
\column {
"Broken heart and downcast eyes"
" Dare not lift themselves to thee;"
"Yet thou canst interpret sighs:"
" God, be merciful to me."
}}
} %% finish Page column 1
\hspace #4 %%adds horizontal space columns 1 and 2
\column { \filled-box #'(0.0 . 0.1) #'( -36 . 1) #0 } %%% Column 2. This is the line dviding the columns 1 and 3.
\hspace #4 %%adds horizontal space between columns 2 and 3
\column { %%start page column 3
\line { "4 "
\column {
"From this sinful heart of mine"
" To thy bosom I would flee;"
"I am not mine own, but thine:"
" God, be merciful to me."
}}
\hspace #1
\line {"5 "
\column {
"There is One beside thy throne,"
" And my only hope and plea"
"Are in him and him alone:"
" God, be merciful to me."
}}
\hspace #1
\line {"6. "
\column {
"He my cause will undertake,"
" My interpreter will be;"
"He's my all, and for his sake,"
" God, be merciful to me."
}}
} %%% end column 3
} %%% end master-line
} %%% super column bracket
} %%% lyrics markup bracket
%%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne g'1 g1 \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo ees1 d1 \bar "||" }}
>>
\context Lyrics \lyricsto "altos" { \override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree c'1 b1 \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour c1 g1 \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
}
%%% Amen midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 63 2) }}
}
} %%book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. The L3 who declares the hymn "cleared" should upload the correctly-named files to the file repository. This ensures that what is checked and cleared is exactly what is uploaded.
Lily3 cleared, files uploaded styg 17:53, 30 June 2007 (PDT)