The English Hymnal - Wiki Music Experiment/Hymns51-100/146
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Lily1 Code
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Lyrics copied from P3 and perl-formatted --QMacrocarpa 16:26, 1 June 2007 (PDT):
"O FOR a heart to praise my God,"
" A heart from sin set free;"
"A heart that always feels thy Blood"
" So freely spilt for me:"
""
"A heart resigned, submissive, meek,"
" My dear Redeemer's throne;"
"Where only Christ is heard to speak,"
" Where Jesus reigns alone:"
""
"A humble, lowly, contrite heart,"
" Believing, true, and clean,"
"Which neither life nor death can part"
" From him that dwells within:"
""
"A heart ¡n every thought renewed,"
" And full of love divine;"
"Perfect, and right, and pure, and good,"
" A copy, Lord, of thine."
""
"My heart, thou know'st, can never rest"
" Till thou create my peace;"
"Till of mine Eden repossest,"
" From self, and sin, I cease."
""
"Thy nature, gracious Lord, impart,"
" Come quickly from above;"
"Write thy new name upon my heart,"
" Thy new best name of love."
""
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%% 146png
%%% Hymn 82 Stockton O For a heart to praise my God
%%% Version 1
\version "2.10"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - LENT"
\hspace #0.1 }}
title = "82"
meter = \markup { \small {\column { \line { \sans {"STOCKTON."} \hspace #1 \roman {"(C. M.)"}}
\line { \italic {In moderate time} \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 76.}
}
}}
arranger = \markup { \small {\center-align {
\line{ \italic "Original version of tune by" }
\line { \smallCaps "T. Wright, 1763-1829." }
} } }
tagline =""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%%% generates the breathmarks
breathmark = { \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'Y-offset = #'4.0
\override Score.RehearsalMark #'X-offset = #'-0.5
\mark \markup {\fontsize #4 ","}
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% End of Macro Definitions
%%% SATB Voices
global = {
\time 4/2
\key d \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
\partial 2 d2 | fis g a d | g, fis e \breathmark \bar "||" e | fis gis a gis | a1. \bar "||" \break
d2 | fis, b a d, | e g fis \breathmark \bar "||" a | b4( cis) d2 fis, e | \once \override Dots #'transparent = ##t d1. \bar "||"
}
alto = \relative c' {
a2 | d2 d4( cis4) d2 d | e d cis \bar "||" cis | d d e e4( d4) | cis1. \bar "||"
d2 | d d d d | d cis d \bar "||" d | d d d cis | \once \override NoteColumn #'force-hshift = #-0.02 d1. \bar "||"
}
tenor = \relative c { \clef bass
\override Staff.NoteCollision #'merge-differently-dotted = ##t
fis2 | a g fis b | a a a \bar "||" a | a b a b | a1. \bar "||"
a2 | a g a a | b a a \bar "||" a | g a4( b4) a2. g4 | fis1. \bar "||"
}
bass = \relative c { \clef bass
d2 | d e fis b, | cis d a \bar "||" a | d b cis e | a,1. \bar "||"
fis'2 | d g fis fis, | g a d \bar "||" fis | g fis4( g) a2 a, | d1. \bar "||"
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book {
%%% Score block
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos { \voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
} %%% close layout
%%% Hymn Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 76 2)}}
} %%% Score bracket
%%% Lyrics titles
\markup { \small { \hspace #78 \italic {"C. Wesley, 1707-88."} } }
%%% Lyrics, in 2 columns with separator line, 3 verses per column
\markup { \hspace #4 %%add space as necc. to center the entire block of lyrics
\column { %%% super column comprising 3 columns and separator line
\line { %% a master line of 3 columns, two for lyrics and one column of a separator line
\column { %% column 1
\column { %%verse 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "O" } %%Drop Cap goes here
\hspace #-1.2 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 " FOR a heart to praise my God,"
" A heart from sin set free;" } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"A heart that always feels thy Blood"
" So freely spilt for me:"
}}
} %%% finish verse 1
\hspace #1
\line { "2 "
\column {
"A heart resigned, submissive, meek,"
" My dear Redeemer's throne;"
"Where only Christ is heard to speak,"
" Where Jesus reigns alone:"
}}
\hspace #1
\line { "3 "
\column {
"A humble, lowly, contrite heart,"
" Believing, true, and clean,"
"Which neither life nor death can part"
" From him that dwells within:"
}}
} %% finish Page column 1
\hspace #4 %%adds horizontal space columns 1 and 2
\column { \filled-box #'(0.0 . 0.1) #'( -36 . 1) #0 } %%% Column 2. This is the line dviding the columns 1 and 3.
\hspace #4 %%adds horizontal space between columns 2 and 3
\column { %%start page column 3
\line { "4 "
\column {
"A heart in every thought renewed,"
" And full of love divine;"
"Perfect, and right, and pure, and good,"
" A copy, Lord, of thine."
}}
\hspace #1
\line {"5 "
\column {
"My heart, thou know'st, can never rest"
" Till thou create my peace;"
"Till of mine Eden repossest,"
" From self, and sin, I cease."
}}
\hspace #1
\line {"6. "
\column {
"Thy nature, gracious Lord, impart,"
" Come quickly from above;"
"Write thy new name upon my heart,"
" Thy new best name of love."
}}
} %%% end column 3
} %%% end master-line
} %%% super column bracket
} %%% lyrics markup bracket
%%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne d1 d1 \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo b1 a1 \bar "||" }}
>>
\context Lyrics \lyricsto "altos" {\override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree g'1 fis1 \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour g1 d'1 \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
} %%% close layout
%%% Amen Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 76 2) }}
}
} %%% book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. The L3 who declares the hymn "cleared" should upload the correctly-named files to the file repository. This ensures that what is checked and cleared is exactly what is uploaded.
Lily3 cleared, files uploaded styg 07:14, 26 June 2007 (PDT)