The English Hymnal - Wiki Music Experiment/Hymns51-100/142
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Lily1 Code
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Lyrics copied from P3 and perl-formatted --QMacrocarpa 16:18, 1 June 2007 (PDT):
"LORD, teach us how to pray aright"
" With reverence and with fear;"
"Though dust and ashes in thy sight,"
" We may, we must draw near."
""
"We perish if we cease from prayer;"
" O grant us power to pray;"
"And when to meet thee we prepare,"
" Lord, meet us by the way."
""
"God of all grace, we come to thee"
" With broken contrite hearts;"
"Give, what thine eye delights to see,"
" Truth in the inward parts;"
""
"Faith in the only sacrifice"
" That can for sin atone;"
"To cast our hopes, to fix our eyes,"
" On Christ, on Christ alone;"
""
"Patience to watch, and wait, and weep,"
" Though mercy long delay;"
"Courage our fainting souls to keep,"
" And trust thee though thou slay."
""
"Give these, and then thy will be done;"
" Thus, strengthened with all might,"
"We, through thy Spirit and thy Son,"
" Shall pray, and pray aright."
""
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%%142.png
%%%Hymn 78 First Mode Melody Lord, teach us how to pray aright
%%%Version 1
\version "2.10"
\header {
dedication = \markup { \center-align { \line { "THE CHRISTIAN YEAR - LENT" }
\hspace #1
} }
title = "78"
arranger = \markup { \small { \smallCaps "T. Tallis," \italic "c." "1515-85."} }
poet = \markup { \small { \sans "FIRST MODE MELODY." \hspace #1 \roman { "(D. C. M.)"} } }
meter = \markup { \small { \italic {Moderately slow} \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 84.} }
tagline = ""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%%shortcut macro for small notes
smallnote = { \once \override NoteColumn #'force-hshift = #0.2
\once \set fontSize = #-3
\once \override Stem #'length = #5 }
%%% merge. Macro to pull note slightly leftwards. Used to produce those partially merged wholenotes
merge = \once \override NoteColumn #'force-hshift = #-0.01
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% End of Macro definitions
%%% SATB voices
global = {
\time 3/2
\key f \minor
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
\tag #'hymn { f2 f2 f2 | e1 f2 | aes1 g2 | g1 \bar "||" g2 | g1 c2 | c2 b1 | c1. ^\fermata \bar "||" \break
c2 c2 c2 | bes1 bes2 | aes2.( g4) f2 | e1 \bar "||" f2 | g1 g2 | f1 e2 | f1. ^\fermata \bar "||" \break
aes2 aes2 aes2 | aes1 aes2 | aes1 g2 | aes1 \bar "||" aes2 | ees'1 ees2 | bes2.( aes4) f2 | bes1. ^\fermata \bar "||" \break
c2 c2 c2 | des1 c2 | bes2.( aes4) aes2 | g1 \bar "||" bes2 | aes1 g2 | f1 e2 | f1 \bar "||" }
\tag #'amen { \cadenzaOn f1 f1 \bar "||" }
}
alto = \relative c' {
\tag #'hymn { aes2 c2 c2 | c1 aes2 | f'1 d2 | ees1 \bar "||" ees2 | d2.( ees4) f2 | g1 g2 | << { g1. }
\new Voice = "alt" { \voiceFour \smallnote ees1. } >> \bar "||"
g2 g2 g2 | g1 d2 | ees2 c1 | c1 \bar "||" c2 | d1 ees2 | c1 c2 | << { c1. }
\new Voice = "alt" { \voiceFour \smallnote aes1. } >> \bar "||"
f'2 f2 f2 | f1 f2 | f2 ees1 | << { ees1 }
\new Voice = "alt" { \voiceFour \smallnote c1 } >> \bar "||"
c2 | ees2.( f4) g2 | ees2( f2) f2 | g1. \bar "||"
aes2 aes2 aes2 | aes1 aes2 | f1 des2 | ees1 \bar "||" ees2 | ees1 ees2 | c1 c2 | << { c1 }
\new Voice = "alt" { \voiceFour \smallnote aes1 } >> }
\tag #'amen { bes1 a1 \bar "||" }
}
tenor = \relative c { \clef bass
\tag #'hymn { f2 aes2 aes2 | g1 f2 | c'1 bes2 | c1 \bar "||" g2 | bes1 c2 | d1 d2 | c1. \bar "||"
ees2 ees2 ees2 | d1 bes2 | c2 aes1 | g1 \bar "||" aes2 bes1 g2 | aes2 g1 | f1. \bar"||"
c'2 c2 c2 | c1 c2 | des2 bes1 | aes1 \bar "||" aes2 | c1 bes2 | ees1 d2 | ees1. \bar "||"
ees2 ees2 ees2 | f1 ees2 | des1 aes2 | bes1 \bar "||" g2 | c1 bes2 | aes2 g1 | f1 \bar "||" }
\tag #'amen {
\once \override TextScript #'padding = #1
des1^\markup {"A - men." } c1 \bar "||" }
}
bass = \relative c { \clef bass
\tag #'hymn { f2 f2 f2 | c1 f2 | f1 g2 | c,1 \bar "||" c2 | g'1 aes2 | g1 g2 | c,1. _\fermata \bar "||"
c2 c2 c2 | g'1 g2 | c,2( f2) f2 | c1 \bar "||" f2 | bes,1 ees2 | f2 c1 | \merge f1. _\fermata \bar "||"
f2 f2 f2 | f1 f2 | des2 ees1 | aes,1 \bar "||" aes'2 | aes1 ees2 | g2 f1 |ees1. _\fermata \bar "||"
aes2 aes2 aes2 | des,1 aes'2 | des,2 f1 | ees1 \bar "||" ees2 | c2.( des4) ees2 | aes,2 c1 | \merge f1 \bar "||" }
\tag #'amen { bes,1 f1 \bar "||" }
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
%%% Score block
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos {\voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
% \context { \Score timing = ##f }
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
}
} %%score bracket
%%% Score block to generate hymn midi without Amen
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \removeWithTag #'amen \soprano }
\context Voice = altos { \voiceTwo \global \removeWithTag #'amen \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \removeWithTag #'amen \tenor }
\context Voice = basses { \voiceTwo \global \removeWithTag #'amen \bass }
>>
>>
\midi {
\context { \Score tempoWholesPerMinute = #(ly:make-moment 84 2) }
}
}
%%% Separate score block to generate Amen midi on its own
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \keepWithTag #'amen \soprano }
\context Voice = altos { \voiceTwo \global \keepWithTag #'amen \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \keepWithTag #'amen \tenor }
\context Voice = basses { \voiceTwo \global \keepWithTag #'amen \bass }
>>
>>
\midi {
\context { \Score tempoWholesPerMinute = #(ly:make-moment 84 2) }
}
}
%%% Hymn Note markup
\markup { \hspace #52 \center-align { \line { \smallCaps "Note" \hspace #-1.2 ".—" \italic "This hymn may also be sung to a" "C. M." \italic "tune. "
\smallCaps "Windsor" "(" \italic "No. 332" ")" \italic "or" }
\line { \smallCaps "St. Peter" "(" \italic "No. 265" ")" \italic "are suitable." }} }
%%% fake score block to occupy space and force a pagebreak. Can't think of a better way of doing this.
\score{
{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{
\context { \Staff
\remove Time_signature_engraver
\remove Key_engraver
\remove Clef_engraver
\remove Staff_symbol_engraver
}}}
%%% page 2
%%% Lyric attribution
\markup { \hspace #60 \small \italic "J. Montgomery, 1771-1854." }
%%% Main block of lyrics
\markup { \hspace #30 %%add space as necc. to center the column
\column { %% one super column for entire block of lyrics
\column { %% verse 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "L" } %%Drop Cap goes here
\hspace #-1.4 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "ORD, teach us how to pray aright"
" With reverence and with fear;" } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"Though dust and ashes in thy sight,"
" We may, we must draw near."
}}
} %% finish verse 1
\hspace #1 % adds vertical spacing between verses
\line { "2 "
\column {
"We perish if we cease from prayer;"
" O grant us power to pray;"
"And when to meet thee we prepare,"
" Lord, meet us by the way."
}}
\hspace #1 % adds vertical spacing between verses
\line { "3 "
\column {
"God of all grace, we come to thee"
" With broken contrite hearts;"
"Give, what thine eye delights to see,"
" Truth in the inward parts;"
}}
\hspace #1 % adds vertical spacing between verses
\line { "4 "
\column {
"Faith in the only sacrifice"
" That can for sin atone;"
"To cast our hopes, to fix our eyes,"
" On Christ, on Christ alone;"
}}
\hspace #1 % adds vertical spacing between verses
\line { "5 "
\column {
"Patience to watch, and wait, and weep,"
" Though mercy long delay;"
"Courage our fainting souls to keep,"
" And trust thee though thou slay."
}}
\hspace #1 % adds vertical spacing between verses
\line { "6. "
\column {
"Give these, and then thy will be done;"
" Thus, strengthened with all might,"
"We, through thy Spirit and thy Son,"
" Shall pray, and pray aright."
}}
}
} %% lyric markup bracket
} %% book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. The L3 who declares the hymn "cleared" should upload the correctly-named files to the file repository. This ensures that what is checked and cleared is exactly what is uploaded.
Notes by L2 Jkenny 05:45, 25 June 2007 (PDT)
- The Amen is located at the end of the hymn rather than as a separate block.
- Separate midis have been generated for the main tune and the Amen.
QMacrocarpa 12:26, 1 July 2007 (PDT)
- No problems spotted!
Lily3 cleared, files uploaded styg 15:29, 1 July 2007 (PDT)
Project History
- Lily1 - (lyrics added)
- Lily2 - done Jkenny 05:46, 25 June 2007 (PDT) (direct L2)
- Lily3 - found no problems QMacrocarpa 12:27, 1 July 2007 (PDT)
- - Lily3 cleared, files uploaded styg 15:29, 1 July 2007 (PDT)