The English Hymnal - Wiki Music Experiment/Hymns51-100/137
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Lily1 Code
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Lyrics copied from P3 and perl-formatted --QMacrocarpa 16:11, 1 June 2007 (PDT):
" HAVE mercy, Lord, on me,"
" As thou wert ever kind;"
"Let me, opprest with loads of guilt,"
" Thy wonted mercy find."
""
" Wash off my foul offence,"
" And cleanse me from my sin;"
"For I confess my crime, and see"
" How great my guilt has been."
""
" The joy thy favour gives"
" Let me again obtain,"
"And thy free Spirit's firm support"
" My fainting soul sustain."
""
" To God the Father, Son,"
" And Spirit glory be,"
"As 'twas, and is, and shall be so"
" To all eternity. Amen."
""
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%%137.png
%%%Hymn 74 St. Bride. Have mercy, Lord, on me
%%%Version 1
\version "2.10"
\header {
dedication = \markup { \center-align { \line { "THE CHRISTIAN YEAR - LENT" }
\hspace #1
} }
title = "74"
arranger = \markup { \small { \smallCaps "S. Howard, 1710-82."} }
poet = \markup { \small { \sans "ST. BRIDE." \hspace #1 \roman { "(S. M.)"} } }
meter = \markup { \small { \italic {Moderately slow, dignified} \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 66.} }
tagline = ""
}
%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%%% macro to specify a partial measure in the middle of a piece.
%%% Manual does not recommend using \partial in the middle of a piece.
%%% In this case, the macro specifies that 2 1/2 notes in a 4/2 measure have past,
%%% hence we are halfway through the measure
halfmeasure = \set Score.measurePosition = #(ly:make-moment 2 2)
%% Used to pull a note left. Used when a slurred note pair straddles a longer note above when notecolumn force-hshift does not work
straddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-2.8
\once \override Stem #'X-offset = #-2.8 }
%%%%%%%%%%%%%%%%%%%%%%%%%% End of Macro definitions
%%% SATB voices
global = {
\time 4/2
\key g \minor
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
\partial 1 g'1 | d2 g bes a | g1 \bar "||"
bes1 | f2 bes d c | bes1 \bar "||" \break
d1 | c2 bes a g | f ees d1 ^\fermata \bar "||"
d'1 | g,2 c bes a | g1 \bar "||"
}
alto = \relative c' {
d1 | d2 c bes4( c4) d4( c4) | bes1 \bar "||"
d1 | d2. ees4 f2 f4( ees4) d1 \bar "||"
f1 | f2 d f ees | d c4( bes4) a1 \bar "||"
d1 | bes2 ees g fis | \once \override NoteColumn #'force-hshift = #-0.01 g1 \bar "||"
}
tenor = \relative c { \clef bass
bes'1 | g2 g g fis | g1 \bar "||"
d'1 | bes2 bes bes a | bes1 \bar "||"
bes1 | a2 bes d bes | bes4( a4) g2 fis1 \bar "||"
\halfmeasure f!1 | g2 g4( a4) bes4( c4) d4( c4) | bes1 \bar "||"
}
bass = \relative c { \clef bass
g1 | bes2 ees d d | g,1 \bar "||"
g'1 | \straddle bes4( a4) g2 f f | bes,1 \bar "||"
\once \override NoteColumn #'force-hshift = #-0.01 bes'1 | f2 g d ees | bes c d1 _\fermata \bar "||"
bes1 | ees4( d4) c2 d d | g,1 \bar "||"
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
%%% Score block
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos {\voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
% \context { \Score timing = ##f }
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
}
\midi {
\context { \Score tempoWholesPerMinute = #(ly:make-moment 63 2) }
}
} %%score bracket
%%% Lyrics titles
\markup { \small { \hspace #6 \italic "Ps. 51." \hspace #50 \italic "N. Tate and N. Brady. (New Version, 1698.)"} }
%%% Lyrics, in 2 columns with separator line, 2 verses per column
\markup { \hspace #10 %%add space as necc. to center the entire block of lyrics
\column { %%% super column comprising 3 columns and separator line
\line { %% a master line of 3 columns, two for lyrics and one column of a separator line
\column { %% column 1
\column { %%verse 1 is a column of 2 lines
\line { \hspace #5.0 \column { \lower #2.4 \fontsize #8 "H" } %%Drop Cap goes here
\hspace #-1.2 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "AVE mercy, Lord, on me,"
" As thou wert ever kind;" } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"Let me, opprest with loads of guilt,"
" Thy wonted mercy find."
}}
} %%% finish verse 1
\hspace #1
\line { "2 "
\column {
" Wash off my foul offence,"
" And cleanse me from my sin;"
"For I confess my crime, and see"
" How great my guilt has been."
}}
} %% finish Page column 1
\hspace #4 %%adds horizontal space columns 1 and 2
\column { \filled-box #'(0.0 . 0.1) #'( -22 . 1) #0 } %%% Column 2. This is the line dviding the columns 1 and 3.
\hspace #4 %%adds horizontal space between columns 2 and 3
\column { %%start page column 3
\line { "3 "
\column {
" The joy thy favour gives"
" Let me again obtain,"
"And thy free Spirit's firm support"
" My fainting soul sustain."
}}
\hspace #1
\line {"4. "
\column {
" To God the Father, Son,"
" And Spirit glory be,"
"As 'twas, and is, and shall be so"
" To all eternity. Amen."
}}
} %%% end column 3
} %%% end master-line
} %%% super column bracket
} %%% lyrics markup bracket
%%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne g'1 g1 \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo c1 b1 \bar "||" }}
>>
\context Lyrics \lyricsto "altos" { \override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree ees1 d1 \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour c1 g1 \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
}
%%% Amen midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 63 2) }}
}
} %%book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. The L3 who declares the hymn "cleared" should upload the correctly-named files to the file repository. This ensures that what is checked and cleared is exactly what is uploaded.
Lily3 cleared, files uploaded styg 13:10, 25 June 2007 (PDT)