The English Hymnal - Wiki Music Experiment/Hymns51-100/136
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Lily1 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
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Lyrics copied from P3 and perl-formatted --QMacrocarpa 16:09, 1 June 2007 (PDT):
"FORTY days and forty nights"
" Thou wast fasting in the wild;"
"Forty days and forty nights"
" Tempted, and yet undefiled:"
""
"Sunbeams scorching all the day;"
" Chilly dew-drops nightly shed;"
"Prowling beasts about thy way;"
" Stones thy pillow, earth thy bed."
""
"Shall not we thy watchings share,"
" And from earthly joys abstain,"
"Fasting with unceasing prayer,"
" Glad with thee to suffer pain?"
""
"And if Satan, vexing sore,"
" Flesh or spirit should assail,"
"Thou, his vanquisher before,"
" Grant we may not faint nor fail."
""
"So shall we have peace divine;"
" Holier gladness ours shall be;"
"Round us too shall Angels shine,"
" Such as ministered to thee."
""
"Keep, O keep us, Saviour dear,"
" Ever constant by thy side;"
"That with thee we may appear"
" At the eternal Eastertide."
""
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%%136.png
%%%Hymn 73 Aus der tiefe Forty days and forty nights
%%%Version 2
\version "2.10"
\header {
dedication = \markup { \center-align { \line { "THE CHRISTIAN YEAR - LENT" }
\hspace #1
} }
title = "73"
arranger = \markup { \small { \italic "Probably by" \smallCaps "Martin Herbst, 1654-81."} }
poet = \markup { \small { \sans "AUS DER TIEFE." \hspace #1 \roman { "(7 7. 7 7.)"} } }
meter = \markup { \small { \italic {Slow} \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 54.} }
tagline = ""
}
%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%% Used to pull a note left. Used when a slurred note pair straddles a longer note above when notecolumn force-hshift does not work
straddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-0.8
\once \override Stem #'X-offset = #-0.8 }
%%% merge. Macro to pull note slightly leftwards. Used to produce those partially merged wholenotes
merge = \once \override NoteColumn #'force-hshift = #-0.01
%%%%%%%%%%%%%%%%%%%%%%%%%% End of Macro definitions
%%% SATB voices
global = {
\time 4/2
\key d \minor
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
a'2 a d, e | f g a1 ^\fermata \bar "||" a2 a4( b4) c2 c | b2. a4 a1 ^\fermata \bar "||" \break
a2 a bes! bes | g g a1 ^\fermata \bar "||" a2 a g f | e2. e4 d1 ^\fermata \bar "||"
}
alto = \relative c' {
d2 d d cis | d2. e4 \straddle d2( cis) \bar "||" d2 d4( f4) e2 f | f4( e4) d2 cis1 \bar "||"
fis2 fis g g4( f) | e4( d) c2 c1 \bar "||" c4( bes) c4( d) e2 d | d cis \merge d1 \bar "||"
}
tenor = \relative c { \clef bass
f2 f4( g) a2 a | a2. g4 e1 \bar "||" f4( g) a4( d) c2 a | a gis a1 \bar "||"
a2 d d d | c2. bes4 a1 \bar "||" a4( g) a4( bes) c2 a | a4( g) e2 f1 \bar "||"
}
bass = \relative c { \clef bass
d2 d4( e) f2 a | d,4( c) bes2 a1 _\fermata \bar "||" d4( e) f4( g) a2 f4( e) | d2 e2 a,1 _\fermata \bar "||"
d4( c) bes4( a) g2 bes | c e f1 _\fermata \bar "||" f2 f c d | a a d1 _\fermata \bar "||"
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
%%% Score block
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos {\voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
% \context { \Score timing = ##f }
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
}
\midi {
\context { \Score tempoWholesPerMinute = #(ly:make-moment 54 2) }
}
} %%score bracket
%%% Lyrics titles
\markup { \small { \hspace #66 \italic "G. H. Smyttan, 1825-70, and F. Pott."} }
%%% Lyrics in 3 columns, column 1 (verses), column 2 (a dividing line), column 3 (verses)
\markup { \hspace #10 %%add space as necc. to center the entire block of lyrics
\column { %%% super column for entire block of lyrics
\line { %% a master line of 3 columns, two for lyrics and one column of a separator line
\column { %% column 1
\column { %%verse 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "F" } %%Drop Cap goes here
\hspace #-1.2 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "ORTY days and forty nights"
" Thou wast fasting in the wild;" } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"Forty days and forty nights"
" Tempted, and yet undefiled:"
}}
} %%% finish verse 1
\hspace #1
\line { "2 "
\column {
"Sunbeams scorching all the day;"
" Chilly dew-drops nightly shed;"
"Prowling beasts about thy way;"
" Stones thy pillow, earth thy bed."
}}
\hspace #1
\line { "3 "
\column {
"Shall not we thy watchings share,"
" And from earthly joys abstain,"
"Fasting with unceasing prayer,"
" Glad with thee to suffer pain?"
}}
} %% finish Page column 1
\hspace #4 %%adds horizontal space columns 1 and 2
\column { \filled-box #'(0.0 . 0.1) #'( -36 . 1) #0 } %%% Column 2. This is the line dviding the columns 1 and 3.
\hspace #4 %%adds horizontal space between columns 2 and 3
\column { %%start page column 3
\line { "4 "
\column {
"And if Satan, vexing sore,"
" Flesh or spirit should assail,"
"Thou, his vanquisher before,"
" Grant we may not faint nor fail."
}}
\hspace #1
\line { "5 "
\column {
"So shall we have peace divine;"
" Holier gladness ours shall be;"
"Round us too shall Angels shine,"
" Such as ministered to thee."
}}
\hspace #1
\line {"6. "
\column {
"Keep, O keep us, Saviour dear,"
" Ever constant by thy side;"
"That with thee we may appear"
" At the eternal Eastertide."
}}
} %%% end column 3
} %%% end master-line
} %%% super column bracket
} %%% lyrics markup bracket
%%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne d1 d1 \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo bes1 a1 \bar "||" }}
>>
\context Lyrics \lyricsto "altos" { \override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree g'1 fis1 \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour g1 d'1 \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
}
%%% Amen midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 54 2) }}
}
} %%book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. The L3 who declares the hymn "cleared" should upload the correctly-named files to the file repository. This ensures that what is checked and cleared is exactly what is uploaded.
QMacrocarpa 11:50, 1 July 2007 (PDT)
- 1st system, last measure: 1st note in tenor part should be A instead of F.
- That's all I found.
styg 15:00, 1 July 2007 (PDT)
- Agrees with Q.
Jkenny 20:31, 1 July 2007 (PDT)
- Fixed tenor note.
Lily3 cleared, files uploaded styg 22:10, 2 July 2007 (PDT)
Project History
- Lily1 - (lyrics added)
- Lily2 - done Jkenny 05:22, 25 June 2007 (PDT) (direct L2)
- Lily3 - comments added QMacrocarpa 11:51, 1 July 2007 (PDT)