The English Hymnal - Wiki Music Experiment/Hymns51-100/110c
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Lily1 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
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%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%% The English Hymnal, 110.png Hymns 52, 53.
%%% Format=ABC
%%%
%%% Small note in bass, 3rd complete measure.
X: 1
T: Wareham
C: W. Knapp, 1698(?)-1768.
M: 3/2
L: 1/2
Q: 1/2=63
K: A
V:1 staves=4
%%MIDI transpose 0
A|(AG)F|E2A|(BA)G|A2||B|(cB)A|(GA)B|(AG)F|E2||
E|(FE)(F/G/)|A2G|A2B|c2||(B/c/)|(dc)B|(AG)A|(BA)G|A2||
%
V:2
C|C2D|E2C|(FE)E|E2||E|E2(E/^D/)|E2E|E2^D|E2||
E|(DE)D|E2E|C2F|^E2||(F/=E/)|(DE)F|(F^E)F|(FE)E|E2||
%
V:3 clef=bass
a|e2g|a2a|(d'c')b|c'2||g|(ab)(c'/a/)|(bc')b|(c'b)(b/a/)|g2||
a|a2d'|c'2b|(ag)f|g2||(f/^a/)|(b^a)b|c'2c'|(d'c')b|c'2||
%
V:4 clef=bass
A|A2B|c2f|(de)[Ee]|A2||e|(ag)f|(ec)G|(AB)B|e2||
c|(dc)B|(Ac)e|(fe)d|c2||(d/c/)|(Bc)d|(fc)f|(de)e|A2||
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%% The English Hymnal, 110.png Hymns 52, 53.
%%% Format=ABC
%%%
%%% Amen only.
X: 2
T:
C:
M: 4/2
L: 1/2
Q: 1/2=63
K: A
V:1 staves=4
%%MIDI transpose 0
A2A2||
%
V:2
F2E2||
w:A-men.
%
V:3 clef=bass
d'2c'2||
%
V:4 clef=bass
d2A2||
Lyrics copied from P3 and perl-formatted --QMacrocarpa 14:27, 29 May 2007 (PDT)
"THE wingèd herald of the day"
"Proclaims the morn's approaching ray:"
"And Christ the Lord our souls excites,"
"And so to endless life invites."
""
"Take up thy bed, to each he cries,"
"Who sick or wrapt in slumber lies;"
"And chaste and just and sober stand,"
"And watch: my coming is at hand."
""
"With earnest cry, with tearful care,"
"Call we the Lord to hear our prayer;"
"While supplication, pure and deep,"
"Forbids each chastened heart to sleep."
""
"Do thou, O Christ, our slumbers wake;"
"Do thou the chains of darkness break;"
"Purge thou our former sins away."
"And in our souls new light display."
""
"All laud to God the Father be,"
"All praise, eternal Son, to thee;"
"All glory, as is ever meet,"
"To God the holy Paraclete. Amen."
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%%110c.png
%%%Hymn 53 Wareham. The wingèd herald of the day
%%%Version 2
\version "2.10"
\header {
dedication = \markup { \center-align { \line { "THE CHRISTIAN YEAR - FROM THE EPIPHANY TILL LENT" }
\hspace #1
} }
title = \markup { "53 " \large \smallCaps "(Modern Tune)" }
arranger = \markup { \small { \smallCaps "W. Knapp, 1698(?)-1768."} }
poet = \markup { \small { \sans "WAREHAM." \hspace #1 \roman { "(L. M.)"} } }
meter = \markup { \small { \italic {Very slow and dignified} \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 63.} }
tagline = ""
}
%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%%generates the breathmarks
breathmark = {
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'Y-offset = #'4.0
\override Score.RehearsalMark #'X-offset = #'-0.5
\mark \markup { \fontsize #4 ","}
}
%% Used to pull a note left. Used when a slurred note pair straddles a longer note when notecolumn force-hshift does not work
straddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-2.8
\once \override Stem #'X-offset = #-2.8 }
%% Shortcut macro for small notes
smallnote = { \once \set fontSize = #-3
\once \override Stem #'length = #5 }
%% Macro to push notes rightwards
push = { \once \override Dots #'transparent = ##t
\once \override NoteColumn #'force-hshift = #0.5 }
%% Macro to pull notes leftwards, needed to create the partly merged whole notes
pull = { \once \override NoteColumn #'force-hshift = #-0.01 }
%%%%%%%%%%%%%%%%%%%%%%%%%% End of Macro definitions
%%% SATB voices
soprano = \relative c' {
\partial 2 a'2 | a2( gis2) fis2 | e1 a2 | b2( a2) gis2 | a1 \bar "||"
b2 | cis2( b2) a2 | gis2( a2) b2 | a2( gis2) fis2 | e1 \breathmark \bar "||" \break
e2 | fis2( e2) fis4( gis4) | a1 gis2 | a1 b2 | cis1 \bar "||"
b4( cis4) | d2( cis2) b2 | a2( gis2) a2 | b2( a2) gis2 | a1 \bar "||"
}
alto = \relative c' {
cis2 | \push cis1 d2 | \pull e1 cis2 | fis2( e2) e2 | e1 \bar "||"
e2 | \push e1 e4( dis4 ) | \push e1 e2 | \push e1 dis2 | \pull e1 \bar "||"
e2 | d2( e2) d2 | e1 e2 | cis1 fis2 | eis1 \bar "||"
fis4( e!4) | d2 ( e2) fis2 | fis2( eis2) fis2 | fis2( e2) e2 | e1 \bar "||"
}
tenor = \relative c { \clef bass
a'2 | e1 gis2 | a1 a2 | d2( cis2) b2 | cis1 \bar "||"
gis2 | a2( b2) cis4( a4) | b2( cis2) b2 | cis2( b2) b4( a4) | gis1 \bar "||"
a2 | \push a1 d2 | \push cis1 b2 | a2( gis2) fis2 | gis1 \bar "||"
fis4( ais4) | b2( ais2) b2 | \push cis1 cis2 | d2( cis2) b2 | cis1 \bar "||"
}
bass = \relative c { \clef bass
a2 | a1 b2 | cis1 fis2 | d2( e2)
<< { e,2 }
%% small alternative note
\new Voice = alt { \voiceFour
\once \override NoteColumn #'force-hshift = #0.1
\smallnote e'2} >>
| a,1 \bar "||"
e'2 | a2( gis2) fis2 | e2( cis2) gis2 | a2( b2) b2 | e1 \bar "||"
cis2 | d2( cis2) b2 | a2( cis2) e2 | fis2( e2) d2 | cis1 \bar "||"
d4( cis4) | b2( cis2) d2 | fis2( cis2) fis2 | d2( e2) e2 | a,1 \bar "||"
}
global = {
\time 3/2
\key a \major
\set Staff.midiInstrument = "church organ"
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
%%% Score block
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos {\voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
% \context { \Score timing = ##f }
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
}
\midi {
\context { \Score tempoWholesPerMinute = #(ly:make-moment 63 2) }
}
} %%score bracket
%%% Lyrics titles
\markup {
\column {
\line { \small { \hspace #2 \smallCaps "Office Hymn." \hspace #56 \italic {"Prudentius, b. 348. Tr. J. M. Neale."} } }
\line { \small { \hspace #6 \italic "Tuesday Morning." \hspace #22 "Ales diei nuntius."} }
} }
%%% Lyrics, in 2 columns with separator line, centered last verse
\markup { \hspace #2 %%add space as necc. to center the entire block of lyrics
\column { %%% super column comprising 3 columns and separator line
\line { %% a master line of 3 columns, two for lyrics and one column of a separator line
\column { %% column 1
\column { %%verse 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "T" } %%Drop Cap goes here
\hspace #-1.2 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "HE wingèd herald of the day"
" Proclaims the morn's approaching ray:"} }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"And Christ the Lord our souls excites,"
"And so to endless life invites."
}}
} %%% finish verse 1
\hspace #1
\line { "2 "
\column {
"Take up thy bed, to each he cries,"
"Who sick or wrapt in slumber lies;"
"And chaste and just and sober stand,"
"And watch: my coming is at hand."
}}
} %% finish Page column 1
\hspace #4 %%adds horizontal space columns 1 and 2
\column { \filled-box #'(0.0 . 0.1) #'( -22 . 1) #0 } %%Column 2. This is the line dviding the columns 1 and 3.
\hspace #4 %%adds horizontal space between columns 2 and 3
\column { %%start page column 3
\line { "3 "
\column {
"With earnest cry, with tearful care,"
"Call we the Lord to hear our prayer;"
"While supplication, pure and deep,"
"Forbids each chastened heart to sleep."
}}
\hspace #1
\line {"4 "
\column {
"Do thou, O Christ, our slumbers wake;"
"Do thou the chains of darkness break;"
"Purge thou our former sins away,"
"And in our souls new light display."
}}
} %%% end column 3
} %%% end master-line
%%% Centered last verse
\hspace #1
\line { \hspace #34 "5. "
\column {
"All laud to God the Father be,"
"All praise, eternal Son, to thee;"
"All glory, as is ever meet,"
"To God the holy Paraclete. Amen."
}}
}
} %%% lyrics markup bracket
%%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne a'1 a1 \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo fis1 e1 \bar "||" }}
>>
\context Lyrics \lyricsto "altos" { \override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree d'1 cis1 \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour d1 a1 \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
}
%%% Amen midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 63 2) }}
}
} %%book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. The L3 who declares the hymn "cleared" should upload the correctly-named files to the file repository. This ensures that what is checked and cleared is exactly what is uploaded.
Notes by L2 Jkenny 00:34, 14 June 2007 (PDT)
- Music is the same as for 110a (hymn 52). Lyrics laid out in 2 columns - managed to fit into one page.
styg 23:23, 23 June 2007 (PDT)
- Header: Hymn number should be 53 not 52.
- Lyrics verse 4, line 3 should end with a comma instead of a period.
Lily3 cleared, files uploaded styg 17:53, 25 June 2007 (PDT)
Project History
- Lily1 - done by QMacrocarpa 15:39, 8 June 2007 (PDT) (ABC) (lyrics added)
- Lily2 - done by Jkenny 00:36, 14 June 2007 (PDT) Ready for Lily3 clearance
- Lily3 - two comments styg 23:23, 23 June 2007 (PDT)