The English Hymnal - Wiki Music Experiment/Hymns101-150/240
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Lily1 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
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Lyrics copied from P3 and perl-formatted --QMacrocarpa 14:24, 3 July 2007 (PDT):
"WHEN Christ our Lord had passed once more"
"Into the heaven he left before,"
"He sent a Comforter below"
"The Father's promise to bestow."
""
"The solemn time was soon to fall"
"Which told the number mystical;"
"For since the Resurrection day"
"A week of weeks had passed away."
""
"At the third hour a rushing noise"
"Came like the tempest's sudden voice,"
"And mingled with the Apostles' prayer,"
"Proclaiming loud that God was there."
""
"From out the Father's light it came,"
"That beautiful and kindly flame,"
"To kindle every Christian heart,"
"And fervour of the Word impart."
""
"As then, O Lord, thou didst fulfil,"
"Each holy heart to do thy will,"
"So now do thou our sins forgive"
"And make the world in peace to live."
""
"To God the Father, God the Son,"
"And God the Spirit, praise be done;"
"May Christ the Lord upon us pour"
"The Spirit's gift for evermore."
""
"Amen."
""
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%% 240.png
%%% Hymn 150 When Christ our Lord had passed once more.
%%% Version 2
\version "2.10"
\include "gregorian-init.ly"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - WHITSUNTIDE"
\hspace #0.1 }}
title = "150"
arranger = \markup { \small { "Mode i." }}
tagline =""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%% macro settings for stemless long note which is 2x duration of regular white note
ln = {\once \override NoteHead #'duration-log = #0
\once \override Stem #'stencil = ##f
\once \override NoteColumn #'force-hshift = #0.4 }
%% a second set of macro settings for stemless long notes ( 2x duration of regular white note )
%% this one uses X-offset instead of force-hshift.
%% All long notes are offset slightly to the right with respect to any beamed notes which
%% they are aligned with. Normally, this is done with force-hshift.
%% However, when 2 long notes occur one atop the other (i.e. in S + A pats or in T + B parts), then applying force-hshift
%% to both does not work. Hence one note needs to be moved with the regular force-hshift in the \ln macro above,
%% while the other is moved with X-offset with the macro \lnb
%% In general force-hshift is preferred whenever possible as slurs are adjusted automatically, while X-offset especially
%% when used with a bottom slur often results in a slur starting too far to the left and which then needs manual adjustment.
lnb = {\once \override NoteHead #'duration-log = #0
\once \override Stem #'stencil = ##f
\once \override NoteHead #'X-offset = #0.8 }
%%% settings to generate the double longnotes (breves)
brevenote = { \once \override NoteHead #'duration-log = #-1
\once \override NoteColumn #'force-hshift = #0.8 }
%%% same as \brevenote but modified for the same reason as \lnb is modified for \ln
brevenoteb = { \once \override NoteHead #'duration-log = #-1
\once \override NoteHead #'X-offset = #1.6 }
%% suprresses printing of accidental
noacci = \once \override Accidental #'transparent = ##t
%%%%%%%%%%%%%%%%%%%%%%%% End of Macro definitions
%%% plainsong voice
plainsong = \context VaticanaVoice { \relative c {
\clef "vaticana-do3"
\set fontSize = #3
\key c \major
d8 d f d \[ d \flexa c \] f g a \bar "|" \[ a \flexa g \] c \[ c \pes d \] \bar "" \break
c \[ c \flexa b \] a g a \bar "|" a a \[ a \pes c \inclinatum b \inclinatum a \] \[ g \flexa f \] \[ e \flexa d \] \bar "" \break
f \[ e \flexa d \] \[ d \pes e \] \bar "|" c \[ e \flexa d \] g \[ g \pes a \flexa g \] \[ f \flexa e \] d c d \bar "||"
} }
%%% SATB voices
global = {
\key c \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
\autoBeamOff
d8 d f d d[ c] f g a \bar "|" a[ g] c c[ d] \bar "" \break
c8 c[ b] a g a \bar "|" a a a[ c b a] g[ f] e[ d] \bar "" \break
f e[ d] d[ e] \bar "|" c e[ d] g g[ a g] f[ e] d c d \bar "||"
}
alto = \relative c' {
\autoBeamOff
a8 \ln bes4 ~ bes8 \ln a4 \ln c4 ~ c8 \bar "|" f8[ e] g ~ g[ f] \bar "" \break
e8 ~ \ln e4 ~ \ln e4 ~ e8 \bar "|" e8 ~ e8 \brevenote d\breve *1/4 \noacci \ln b4 ~ \ln b4 \bar "" \break
c8 ~ c8[ b ~] \ln b4 \bar "|" c8 ~ c[ d] b \ln c4. \ln a4 ~ \ln a4 ~ a8 \bar "||"
}
tenor = \relative c { \clef bass
\autoBeamOff
f8 f d f ~ \ln f4 ~ f8 e f \bar "|" \ln c'4 ~ c8 ~ c8[ a] \bar "" \break
a8 \ln c4 ~ c8 b c \bar "|" c a \brevenote f\breve *1/4 \ln g4 ~ \ln g4 \bar "" \break
a8 \ln g4 ~ \ln g4 \bar "|" e8 ~ e[ g ~] g \ln e4. \ln f4 ~ f8 e f \bar "||"
}
bass = \relative c { \clef bass
\autoBeamOff
d8 \ln bes4 ~ bes8 \ln f4 a8 c f \bar "|" f[ c] e8 ~ e[ d] \bar "" \break
a'8 ~ \lnb a4 ~ a8 e a, \bar "|" a c \brevenoteb d\breve *1/4 \lnb e4 ~ e8[ g] \bar "" \break
f8 c[ g] g[ e] \bar "|" a8 ~ a[ \noacci b] g \lnb c4. \lnb d4 ~ d8 a d, \bar "||"
}
#(ly:set-option 'point-and-click #f)
\book {
\paper {
#(set-paper-size "a4")
%% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
% ragged-bottom = ##t
}
\score {
<<
\new VaticanaStaff {\plainsong }
\new ChoirStaff <<
\new Staff = "upper" <<
\context Voice = sopranos {\voiceOne \global \soprano }
\context Voice = altos {\voiceTwo \global \alto }
>>
\new Staff = "lower" <<
\context Voice = tenors {\voiceOne \global \tenor }
\context Voice = bass {\voiceTwo \global \bass }
>>
>>
>>
\layout {
ragged-right = ##f
ragged-last = ##f
\context { \Score timing = ##f }
\context { \Score \override TimeSignature #'transparent = ##t }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
% *** Needed to produce beamed minims - which are quavers in disguise
\context { \Staff \override NoteHead #'duration-log = #1 }
\context { \Staff \override Stem #'flag-style = #'no-flag }
\context { \VaticanaStaff
% *** Increases distance between lines of staff
\override StaffSymbol #'staff-space = #1.6
% *** Changes staff to black instead of default red
\revert StaffSymbol #'color
% *** Makes clef bigger
\override Clef #'font-size = #3
% *** Would make ledger lines black, if there were any
\revert LedgerLineSpanner #'color
% *** Makes terminal barline visible
\override BarLine #'transparent = ##f
% *** Remove custos
\remove Custos_engraver
% needed for certain tweaks
\consists "Mark_engraver"
}
}
} %%% score bracket
%%% A separate score block to generate the midi minus the plainsong voice
%%% Since minims are quavers in disguise, tempo has to be set accordingly, tempo set to 2=80
\score {
\new ChoirStaff <<
\new Staff = "upper" <<
\context Voice = sopranos {\voiceOne \global \soprano }
\context Voice = altos {\voiceTwo \global \alto }
>>
\new Staff = "lower" <<
\context Voice = tenors {\voiceOne \global \tenor }
\context Voice = bass {\voiceTwo \global \bass }
>>
>>
\midi {
\context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) }
}
}
%%% Lyric titles and attributions
%\markup { \hspace #1 }
\markup {
\hspace #6 \column {
\line { \small { \hspace #6 \smallCaps "Office Hymn." \italic " Whitsun Eve," } }
\line { \small { \hspace #8 "E.:" \italic "and daily till Trinity" \hspace #40 \italic "c. 4th cent. Tr. P. D." } }
\line { \small { \hspace #8 \italic "Sunday." "M." } }
\line { \small { \hspace #34 "Jam Christus astra ascenderat." } }
} }
%\markup { \hspace #1 }
\markup { \hspace #32 %%add space as necc. to center the column
\column { %% super column of everything
\column { %%stanza 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "W" } %%Drop Cap goes here
\hspace #-1.2 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "HEN Christ our Lord had passed once more"
" Into the heaven he left before," } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"He sent a Comforter below"
"The Father's promise to bestow."
}}
}
}}
%%fake score block to occupy space and force a pagebreak. Can't think of a better way of doing this.
\score{
{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{
\context { \Staff
\remove Time_signature_engraver
\remove Key_engraver
\remove Clef_engraver
\remove Staff_symbol_engraver
}}}
%%% Second page
%%% Continuation of lyrics
\markup { \hspace #32 %%add space as necc. to center the column
\column { %% super column of everything
\hspace #1 % adds vertical spacing between verses
\line { "2 "
\column {
"The solemn time was soon to fall"
"Which told the number mystical;"
"For since the Resurrection day"
"A week of weeks had passed away."
" " %%% adds vertical spacing between verse
}}
\line { "3 "
\column {
"At the third hour a rushing noise"
"Came like the tempest's sudden voice,"
"And mingled with the Apostles' prayer,"
"Proclaiming loud that God was there."
" " %%% adds vertical spacing between verse
}}
\line {"4 "
\column {
"From out the Father's light it came,"
"That beautiful and kindly flame,"
"To kindle every Christian heart,"
"And fervour of the Word impart."
" " %%% adds vertical spacing between verse
}}
\line {"5 "
\column {
"As then, O Lord, thou didst fulfil,"
"Each holy heart to do thy will,"
"So now do thou our sins forgive"
"And make the world in peace to live."
" " %%% adds vertical spacing between verse
}}
\line { "6. "
\column {
"To God the Father, God the Son,"
"And God the Spirit, praise be done;"
"May Christ the Lord upon us pour"
"The Spirit's gift for evermore. Amen."
}}
}
} %%% lyric markup bracket
%%% Amen score block
\score {
<<
<<
\new VaticanaStaff <<
\context VaticanaVoice = "plainsongamen" { \relative c {
\set Score.timing = ##f
\override Staff.Clef #'#'font-size = #3
\clef "vaticana-do3"
\set fontSize = #3
\override Staff.StaffSymbol #'staff-space = #1.6
\[ d8 \pes e8 \] \[
\override NoteHead #'extra-offset = #'(0.0 . -0.1 ) d8
\override NoteHead #'extra-offset = #'(-0.38 . 0.0 ) \flexa c8 \pes
\override NoteHead #'extra-offset = #'(0.02 . 0.05) d8 \] }}
>>
\new Lyrics = "lyrics" { s1 }
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' {
\clef treble \global
\voiceOne d8[ e] d8[ c8 d8] \bar "||" }}
\context Voice = "altos" { \relative c' {
\global
\voiceTwo a8[ c] \ln a4. \bar "||" }}
>>
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c {
\clef bass \global
\voiceThree f8[ g] f8[ e f] \bar "||" }}
\context Voice = "basses" { \relative c {
\clef bass \global
\voiceFour d8[ c8] d8[ a8 d,8] \bar "||" }}
>>
>>
\context Lyrics = "lyrics" \lyricsto "altos" { \override LyricText #'font-size = #-1 A -- _ men. }
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
indent = 13\cm
raggedright = ##t
packed = ##f
\context { \Score \override TimeSignature #'transparent = ##t }
\context { \Score \override SeparationItem #'padding = #2 }
\context { \Staff \override VerticalAxisGroup #'minimum-Y-extent = #'( -5 . 4) }
\context { \Score \remove "Bar_number_engraver"
timing = ##f
}
\context { \Staff \override NoteHead #'duration-log = #1 }
\context { \Staff \override Stem #'flag-style = #'no-flag }
\context { \VaticanaStaff %%customize vaticana staff context
\revert StaffSymbol #'color
\revert LedgerLineSpanner #'color
\override BarLine #'transparent = ##f
\remove Custos_engraver
}
}
}
%%% Separate score block for Amen midi minus plainsong voice
%%% Since the minims are quavers in disguise, the tempo has to be adjusted accordingly. A tempo of 2=80 is set.
\score {
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' {
\clef treble \global
\voiceOne d8[ e] d8[ c8 d8] \bar "||" }}
\context Voice = "altos" { \relative c' {
\global
\voiceTwo a8[ c] \ln a4. \bar "||" }}
>>
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c {
\clef bass \global
\voiceThree f8[ g] f8[ e f] \bar "||" }}
\context Voice = "basses" { \relative c {
\clef bass \global
\voiceFour d8[ c8] d8[ a8 d,8] \bar "||" }}
>>
>>
\midi {
\context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) } }
}
%%% Markup for "See also:" line
\markup {\hspace #38 \column {
\line{ \hspace #8 \italic "See also:"}
\hspace #1
\small {
"630 Hail thee, Festival Day."
"631 Spirit of mercy, truth, and love."
}}}
} %% book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.
If you can't compile Lilypond, use the links here:
Original scan: 240.png
Links to L2 output version 1:
L2-150-v1.pdf L2-150-v1.midi L2-150-v1-amen.midi
Links to L2 output version 21:
L2-150-v2.pdf L2-150-v2.midi L2-150-v2-amen.midi
Notes by L2 Jkenny 06:43, 6 August 2007 (PDT)
- Amen in final line of lyrics - I rejoined it like a long line of poetry so that it is now on the same line as the last line of verse 6. Same style as in many other hymns.
Note by L3 KenJ 20:57, 24 August 2007 (PDT)
- Amen, note 2, alto: g => e.
Note by Jkenny 01:02, 25 August 2007 (PDT)
- Fixed Amen alto g -> c, I think you meant c.
- V2 up.
Note by KenJ 01:22, 25 August 2007 (PDT)
- Yes, indeed--c. Very good.
- Clear.
V2 uploaded to repository. Jkenny 06:00, 25 August 2007 (PDT)