The English Hymnal - Wiki Music Experiment/Hymns101-150/238
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Lily1 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
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Lyrics copied from P3 and perl-formatted --QMacrocarpa 14:21, 3 July 2007 (PDT):
"THE Lord ascendeth up on high,"
" Loud anthems round him swelling;"
"The Lord hath triumphed gloriously."
" In power and might excelling:"
"Hell and the grave are captive led;"
"Lo, he returns, our glorious Head,"
" To his eternal dwelling."
""
"The heavens with joy receive their Lord;"
" O day of exultation!"
"By Saints, by Angel-hosts adored"
" For his so great salvation:"
"O earth, adore thy glorious King,"
"His Rising, his Ascension sing"
" With grateful adoration."
""
"By Saints in earth and Saints in heaven,"
" With songs for ever blended,"
"All praise to Christ our King be given,"
" Who hath to heaven ascended:"
"To Father, Son, and Holy Ghost,"
"The God of heaven's resplendent host,"
" In bright array extended. Amen."
""
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%%% 238.png
%%%% Hymn 148 Nun Freut Euch. The Lord ascendeth up on high.
%%%% Rev 2.
\version "2.10"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - ASCENSIONTIDE"
\hspace #0.1 }}
title = "148"
meter = \markup { \small { \column {
\line { \sans {"NUN FREUT EUCH."} \hspace #1 \roman {"(8 7. 8 7. 8 8 7.)"}}
\line { \italic {Slow and dignified} \general-align #Y #DOWN \note #"2" #0.5 = 50.} }
}}
arranger = \markup { \small { \center-align { \line {\italic "Melody by" \smallCaps "M. Luther, 1483-1546."}
\line { \italic "Adapted and harmonized by" \smallCaps "J. S. Bach." }
}}}
tagline = ""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%%% prints a repeat sign glyph comprising 4 dots. Used only to begin a repeat at the start of a piece where \bar ":" does not work
fdstartrepeat = {\once \override Staff.BarLine #'stencil = #ly:text-interface::print
\once \override Staff.BarLine #'text = \markup { \line { \hspace #0 \override #'(baseline-skip . 1.0)
\raise #1.4 \column { \with-color #black {
\fontsize #2 . \fontsize #2 . \fontsize #2 . \fontsize #2 .} }
} }
\bar "|:"}
%%% prints a repeat sign glyph comprising 4 dots and two thin bars
fdendrepeat = {\once \override Staff.BarLine #'stencil = #ly:text-interface::print
\once \override Staff.BarLine #'text = \markup { \line { \raise #1.4 \override #'(baseline-skip . 1.0) \column { \with-color #black { \fontsize #2 . \fontsize #2 . \fontsize #2 . \fontsize #2 .} }
\hspace #-1 \filled-box #'(0 . 0.15) #'(-2 . 2) #0
\hspace #-0.9 \filled-box #'(0 . 0.15) #'(-2 . 2) #0
} }
\bar "||"}
%%% push a note slightly to the right
push = \once \override NoteColumn #'force-hshift = #0.6
%%% nbbar prints bars which forbid linebreaks
nbbar = { | \noBreak }
%%% Used to pull a note left. Used when a slurred note pair straddles a longer note above when notecolumn force-hshift does not work
straddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-2.8
\once \override Stem #'X-offset = #-2.8 }
%% Used to pull an upstem note left. Used when a slurred note pair straddles a longer note below and when notecolumn force-hshift does not work
topstraddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-1.5
\once \override Stem #'X-offset = #-0.2 }
%%%%%%%%%%%%%%%%%%%%%%%%%%% End of macro definitions
%%% SATB voices
global = {
\time 4/2
\key g \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
\tag #'repeatpart { \fdstartrepeat \partial 2 g'2 \nbbar g d g c \nbbar b a g ^\fermata \bar "||" \noBreak g \nbbar a4( b) c2 b a | \break
e2( fis) g ^\fermata \fdendrepeat } \tag #'remainder { g2 \nbbar c b a d \nbbar d cis d ^\fermata \bar "||" \noBreak d | \break
e2 c d2. c4 \nbbar b2 a g ^\fermata \bar "||" \noBreak b2 \nbbar a d, g c \nbbar b( a) g ^\fermata \bar "||" }
}
alto = \relative c' {
\tag #'repeatpart { \fdstartrepeat d2 | d a d a' | d, d4.( c8) b2 \bar "||" b4( cis) | d( f) e( fis!) g2 d4( a8[ b8]) |
\push c1 b2 \fdendrepeat } \tag #'remainder { d2 | g4( a) \straddle a( g8[ fis] ) e2 a4( fis) | e( g) g( fis8[ e8]) fis2 \bar "||" g |
g2 g a4( fis) g( a) | \straddle a4( g2) fis4 e2 \bar "||" e | e4( d8[ c8]) b2 e4( d) e( fis) | g2.( fis4) d2 \bar "||" }
}
tenor = \relative c {\clef bass
\tag #'repeatpart { \fdstartrepeat b'4( a) | g2 fis g2. fis4 | g2. fis4 d2 \bar "||" g2 | fis4( gis) a2 d,4( e) fis2 |
g2( a) d, \fdendrepeat } \tag #'remainder { b' | e4( d) d2 cis d | b a a \bar "||" d |
d4( c8[ b8]) c4(e) d( c) b( a) | \topstraddle b8([ c] d2) c4 b2 \bar "||" g | a g4( a) b2 a | d2.( c4) b2 \bar "||" }
}
bass = \relative c {\clef bass
\tag #'repeatpart { \fdstartrepeat g4( a) | b( c) d( c) b2 a | g4( b) d2 g, _\fermata \bar "||" e'2 | d a b4( c) d2 |
c4( b) a2 g _\fermata \fdendrepeat } \tag #'remainder { g'4( fis) | e( fis) g2 g4( a8[ g]) fis4( b) | g4( e) a2 d, _\fermata \bar "||" b |
c4( d) e2 fis4( d) e( fis) | g2 d e _\fermata \bar "||" e | fis g4( fis) e2 a, | b4(c) d2 g, _\fermata \bar "||" }
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
%%% Score block
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos { \voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
} %% close layout
} %%% Score bracket
%%% A separate score block to unfold repeats and generate the midi
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \keepWithTag #'repeatpart \soprano \soprano }
\context Voice = altos { \voiceTwo \global \keepWithTag #'repeatpart \alto \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \keepWithTag #'repeatpart \tenor \tenor }
\context Voice = basses { \voiceTwo \global \keepWithTag #'repeatpart \bass \bass }
>>
>>
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 50 2) }}
} %%% Score bracket
%%% Lyric attributions and titles
\markup { \hspace #60 \small \italic "A. T. Russell, 1806-74, and others."}
\markup { \hspace #30 %%add space as necc. to center the column
\column { %% super column of everything
\column { %%stanza 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "T" } %%Drop Cap goes here
\hspace #-1.0 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "HE Lord ascendeth up on high,"
" Loud anthems round him swelling;" } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"The Lord hath triumphed gloriously,"
" In power and might excelling:"
"Hell and the grave are captive led;"
"Lo, he returns, our glorious Head,"
" To his eternal dwelling."
}}
} %%% end verse 1
} %%% end supercolumn
} %%% end markup
%%fake score block to occupy space and force a pagebreak. Can't think of a better way of doing this.
\score{
{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{
\context { \Staff
\remove Time_signature_engraver
\remove Key_engraver
\remove Clef_engraver
\remove Staff_symbol_engraver
}}}
%%% Second page
%%% continuation of lyrics
\markup { \hspace #30 %%add space as necc. to center the column
\column {
\hspace #1 % adds vertical spacing between verses
\line { "2 "
\column {
"The heavens with joy receive their Lord;"
" O day of exultation!"
"By Saints, by Angel-hosts adored"
" For his so great salvation:"
"O earth, adore thy glorious King,"
"His Rising, his Ascension sing"
" With grateful adoration."
}}
\hspace #1 % adds vertical spacing between verses
\line { \hspace #-10 \italic "Unison. " "3. "
\column {
"By Saints in earth and Saints in heaven,"
" With songs for ever blended,"
"All praise to Christ our King be given,"
" Who hath to heaven ascended:"
"To Father, Son, and Holy Ghost,"
"The God of heaven's resplendent host,"
" In bright array extended. Amen."
}}
}
} %%% lyric markup bracket
%%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne g'1 g1 \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo e1 d1 \bar "||" }}
>>
\context Lyrics \lyricsto "altos" { \override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree c'1 b1 \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour c1 g1 \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
}
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 50 2) }} %%Amen midi
}
} %%% book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.
If you can't compile Lilypond, use the links here:
Original scan: 238.png
Links to L2 output version 1:
L2-148-v1.pdf L2-148-v1.midi L2-148-v1-amen.midi
Links to L2 output version 2:
L2-148-v2.pdf L2-148-v2.midi L2-148-v2-amen.midi
Note by L3 KenJ 20:11, 24 August 2007 (PDT)
- System 1, measure 3, bass note 2: a => b.
- Lyrics, verse 1, line 3: the context seems to indicate this line should end in a comma instead of a period. (check 1933 ed.?)
- Verse 1, line 1: Probably should end in comma, also.
Notes by Jkenny 00:54, 25 August 2007 (PDT)
- Fixed bass Sys. 1 meas. 3 a -> b
- Verse 1 line 3 inserted comma (confirmed with 1933 ed.)
- Verse 1 line 1 already ends in comma. Other puncs. checked with 1933 ed.
- V2 up.
Note by KenJ 01:15, 25 August 2007 (PDT)
- Clear.
V2 uploaded to repository. Jkenny 01:38, 25 August 2007 (PDT)