The English Hymnal - Wiki Music Experiment/Hymns101-150/219

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Lily1 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

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Lyrics copied from P3 and perl-formatted --QMacrocarpa 09:05, 28 June 2007 (PDT):

  • NOTE: inserted 4-space indents before Alleluya's to match scan, but may need adjustment.
"JESUS Christ is risen to-day,    Alleluya!"
"Our triumphant holy day,    Alleluya!"
"Who did once, upon the Cross,    Alleluya!"
"Suffer to redeem our loss.    Alleluya!"
""
"Hymns of praise then let us sing,    Alleluya!"
"Unto Christ, our heavenly King,    Alleluya!"
"Who endured the Cross and grave,    Alleluya!"
"Sinners to redeem and save.    Alleluya!"
""
"But the pains that he endured    Alleluya!"
"Our salvation have procured;    Alleluya!"
"Now above the sky he's King,    Alleluya!"
"Where the angels ever sing.    Alleluya!"

Lily2 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

%%%% 219.png
%%%% Hymn 133 Original Version Jesus Christ is risen to-day
%%%% Rev 1.

\version "2.10"

\header {
  dedication = \markup { \center-align { "THE CHRISTIAN YEAR - EASTERTIDE"
	\hspace #0.1 }}	
	
	title = \markup { "133 " \large \smallCaps "(Original Version)"}   
  
  poet = \markup { \small {  \line { \sans {  "EASTER HYMN."} \hspace #1 \roman {"(7 4. 7 4. D.)"}} }}
  
  meter = \markup { \small { \italic {Slow} \general-align #Y #DOWN \note #"2" #0.5 = 58.} }
  
  arranger = \markup { \small \italic "Lyra Davidica, 1708." }
  
  tagline = ""
}

%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
	      
%%% merge. Macro to pull note slightly leftwards.  Used to produce those partially merged wholenotes 

merge = \once \override NoteColumn #'force-hshift = #-0.01

%%% Used to pull a note left. Used when a slurred note pair straddles a longer note above when notecolumn force-hshift does not work 		 

straddle =  { \once \override Score.SeparationItem #'padding = #2
              \once \override NoteHead #'X-offset = #-2.6
              \once \override Stem #'X-offset = #-2.6 }
	      
%% Used to pull an upstem note left. Used when a slurred note pair straddles a longer note below and when notecolumn force-hshift does not work 
topstraddle = { \once \override Score.SeparationItem #'padding = #2
              \once \override NoteHead #'X-offset = #-1.5 
              \once \override Stem #'X-offset = #-0.2 }	      
	      
%%% push a note slightly to the right	      
	      
push = \once \override NoteColumn #'force-hshift = #0.8

%%% same as above but uses X-offset. When two notes are stacked in one notecolumn and both need to be moved, force-hshift 
%%% does not work for both, so X-offset must be used for one of the two notes to be moved.

pushb = \once \override NoteHead #'X-offset = #1.6 

%%%%%%%%%%%%%%%%%%%%%%%%%%% End of macro definitions

%%% SATB voices

global = {
  \time 4/2
  \key c \major
  \set Staff.midiInstrument = "church organ"
}

soprano = \relative c' { 
  c2 e g c, | f a g1 \bar "||" e4\( f g c, e2.\) f4 | d1 c1 \bar "||" \break
  f2 g a g | f4( g) e4( f) d1 \bar "||" e4\( f g c, e2. \) f4 | d1 c1 \break
  b'2 c d4( c) b( a) | b( c) d2 e1 \bar "||" b4\( c d g, b2.\) c4 | a1 g1 \bar "||" \break
  g4( a) b2 c2. e,4 | f4( g) a( f) g1 \bar "||" e4\( f g c, e2.\) f4 | d1 c1 \bar "||"
} 
   
alto = \relative c' {  
  c2 c c c | c c c1 \bar "||" c4\( d e2 c2\) c2 | \straddle c2( b) \merge c1 \bar "||" 
  c2 d4( e) f2 g | b,2 c \straddle c( b) \bar "||" c4\( d e2 c2\) c2 | \straddle c2( b) \merge c1 \bar "||"
  g'2 a a d, | g g g1 | g4\( a b2 g2\) g2 | \straddle g( fis) \merge g1 \bar "||"
  g2 g g e | c c c1 \bar "||" c4\( d e2 c2\) c2 | \straddle c2( b) \merge c1 \bar "||"
}

tenor = \relative c {\clef bass 
  e2 g g g | a a c1 \bar "||" g1\( a2\) a2 | \topstraddle d,2( g4 f) e1 \bar "||"
  a2 b c c | f, g g1 \bar "||" g1\( a2\) a2 | \topstraddle d,( g) e1 \bar "||"
  d'2 e d d | d b c1 \bar "||" d1\( e2\) e2 | \topstraddle a,( d) b1 \bar "||"
  b4( c) d2 c2. c4 | f,2 f e1 \bar "||" \push g1\( a2\) a2 | \topstraddle d,( g4 f) e1 \bar "||"
}

bass = \relative c {\clef bass 
  c2 c e e | a f e1 \bar "||" c1\( a2\) f | g1 c1 \bar "||"
  a'2 g f e | d c g1 \bar "||" c1\( a2\) f | g1 c1 \bar "||"
  g'2 g fis fis | g4( a) g( f!) e1 \bar "||" g1\( e2\)  c | d1 g, \bar "||"
  \push g'2 f e c | a f c'1 \bar "||"  \pushb c1\( a2\) f | g1 c1 \bar "||"
}

#(ly:set-option 'point-and-click #f)

\paper {
  #(set-paper-size "a4")
%  annotate-spacing = ##t
  print-page-number = ##f
  ragged-last-bottom = ##t
  ragged-bottom = ##t
}

\book{

%%% Score block	

\score{
\new ChoirStaff	
<<
	\context Staff = upper << 
	\context Voice = sopranos { \voiceOne \global \soprano }
	\context Voice = altos    { \voiceTwo \global \alto }
	                      >>
	\context Staff = lower <<
	\context Voice = tenors { \voiceOne \global \tenor }
	\context Voice = basses { \voiceTwo \global \bass }
			        >>
>>
\layout {
		indent=0
		\context { \Score \remove "Bar_number_engraver" }
		\context { \Staff \remove "Time_signature_engraver" }
		\context { \Score \remove "Mark_engraver"  }
                \context { \Staff \consists "Mark_engraver"  }
	} %% close layout

%%% Hymn Midi	

\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 58 2)}} 
		
} %%% Score bracket

%%% Hymn note markup

\markup { \hspace #52 \center-align {
	\line { \smallCaps "Note" \hspace #-1.2 ".—" \italic "Either of these two versions may be used, not, of course, together.  The second" }
	\line { "(" \hspace #-1 \italic "original" \hspace #-1 ")" \italic "version may also be sung to the words of Hymn" "143." }
}}
	

%%% fake score block to occupy space and force a pagebreak.  Can't think of a better way of doing this.
\score{
	{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{	
	\context { \Staff
		\remove Time_signature_engraver
		\remove Key_engraver
		\remove Clef_engraver
		\remove Staff_symbol_engraver
}}}


%%% Lyric attribution and titles

\markup { \hspace #68 \small { \center-align { \line { \italic "Lyra Davidica (1708), and the Supplement (1816)." }  
                                               \line { \italic "Based partly on" "Surrexit Christus hodie." }
					       \line { \italic "c. 14th cent." }
}}}


%%% Main lyrics markup block
  
\markup { \hspace #28 %%add space as necc. to center the column
	      \column { %%% super column for entire block of lyrics 
                      \column { %%% verse 1 is a column of 2 lines  
                          \line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "J" }   %%Drop Cap goes here
                                  \hspace #-1.2    %% adjust this if other letters are too far from Drop Cap
                                  \column  { \raise #0.0 "ESUS Christ is risen to-day,    Alleluya!"
                                                         "  Our triumphant holy day,    Alleluya!" } }          
                          \line {  \hspace #2.5  %%adjust hspace until this line left edge is flush with Drop Cap
                                   \lower  #1.56  %%adjust this until the line spacing looks right
                                   \column {   
					   "Who did once, upon the Cross,    Alleluya!"
					   "Suffer to redeem our loss.    Alleluya!"
                                        }}
		      		} %% finish verse 1 
		 \hspace #1 
		 \line { "2  "
			\column {         
				"Hymns of praise then let us sing,    Alleluya!"
				"Unto Christ, our heavenly King,    Alleluya!"
				"Who endured the Cross and grave,    Alleluya!"
				"Sinners to redeem and save.    Alleluya!"
                        }}  
                \hspace #1 % adds vertical spacing between verses  
                \line {"3. "
			\column {        
				"But the pains that he endured    Alleluya!"
				"Our salvation have procured;    Alleluya!"
				"Now above the sky he's King,    Alleluya!"
				"Where the angels ever sing.    Alleluya!"
                }}
          }
} %%% lyric markup bracket



%%% Amen score block
\score{
  \new ChoirStaff
   <<
        \context Staff = upper \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) }  
	                      << 
	\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne f1 e1  \bar "||" }}
	\context Voice = "altos"    { \relative c' { \clef treble \global \voiceTwo c1 c1 \bar "||" }}
	                      >>
			  
	\context Lyrics \lyricsto "altos" {\override LyricText #'font-size = #-1  A -- men. }
	
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) }  
	                       << 
	\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree a'1 g1 \bar "||" }}
	\context Voice = "basses" { \relative c { \clef bass \global \voiceFour  f1 c1 \bar "||" }}
			        >> 
  >>			      
\header { breakbefore = ##f piece = " " opus = " " }

\layout { 
	\context { \Score timing = ##f }
	ragged-right = ##t
	indent = 15\cm
	\context { \Staff \remove Time_signature_engraver }

       } %%% close layout

%%% Amen Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 58 2) }} 

}

} %%% book bracket

Lily3 Notes

Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.

If you can't compile Lilypond, use the links here:

Original scan: 219.png

Links to L2 output version 1:

L2-133orig-v1.pdf L2-133orig-v1.midi L2-133orig-v1-amen.midi

Comment by KenJ 20:48, 21 August 2007 (PDT)

  • Perfect. Clear.


V1 uploaded to repository. Jkenny 04:46, 22 August 2007 (PDT)


Project History

    • Lily1 - (lyrics added)
    • Lily2 - done. Jkenny 06:54, 1 August 2007 (PDT)
    • Lily3 - clear it. KenJ 20:49, 21 August 2007 (PDT)
- L3 cleared and uploaded. Jkenny 04:54, 22 August 2007 (PDT)