The English Hymnal - Wiki Music Experiment/Hymns101-150/206

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Lily1 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

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Lyrics copied from P3 and perl-formatted --QMacrocarpa 19:57, 26 June 2007 (PDT):

"THE Lamb's high banquet we await"
"In snow-white robes of royal state;"
"And now, the Red Sea's channel past,"
"To Christ, our Prince, we sing at last."
""
"Upon the altar of the Cross"
"His Body hath redeemed our loss;"
"And tasting of his roseate Blood"
"Our life is hid with him in God."
""
"That Paschal eve God's arm was bared;"
"The devastating Angel spared:"
"By strength of hand our hosts went free"
"From Pharaoh's ruthless tyranny."
""
"Now Christ our Paschal Lamb is slain,"
"The Lamb of God that knows no stain;"
"The true Oblation offered here,"
"Our own unleavened Bread sincere."
""
"O thou from whom hell's monarch flies,"
"O great, O very Sacrifice,"
"Thy captive people are set free,"
"And endless life restored in thee."
""
"For Christ, arising from the dead,"
"From conquered hell victorious sped;"
"He thrusts the tyrant down to chains,"
"And Paradise for man regains."
""
"Maker of all, to thee we pray,"
"Fulfil in us thy joy to-day;"
"When death assails, grant, Lord, that we"
"May share thy Paschal victory."
""
"To thee who, dead, again dost live,"
"All glory, Lord, thy people give;"
"All glory, as is ever meet,"
"To Father and to Paraclete. Amen."
""

Lily2 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

%%% 206.png
%%% Hymn 125 The Lamb's high banquet we await.
%%% Version 2


\version "2.10"

\include "gregorian-init.ly"

\header {
  dedication = \markup { \center-align {  "THE CHRISTIAN YEAR - EASTERTIDE"
		\hspace #0.1 }}	

  title = "125"
  
  arranger = \markup { \small { "Mode viii." }}
  
  tagline =""
}

%% macro settings for stemless long note which is 2x duration of regular white note    
ln = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteColumn #'force-hshift = #0.4 }

%% a second set of macro settings for stemless long notes ( 2x duration of regular white note )
%% this one uses X-offset instead of force-hshift.
%% All long notes are offset slightly to the right with respect to any beamed notes which 
%% they are aligned with.  Normally, this is done with force-hshift.  
%% However, when 2 long notes occur one atop the other (i.e. in S + A pats or in T + B parts), then applying force-hshift
%% to both does not work.  Hence one note needs to be moved with the regular force-hshift in the \ln macro above,
%% while the other is moved with X-offset with the macro \lnb
%% In general force-hshift is preferred whenever possible as slurs are adjusted automatically, while X-offset especially
%% when used with a bottom slur often results in a slur starting too far to the left and which then needs manual adjustment. 

lnb = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteHead #'X-offset = #0.8 }


%% settings to generate the double longnotes (breves)

brevenote = { \once \override NoteHead #'duration-log = #-1  
                \once \override NoteColumn #'force-hshift = #0.8 }

	   
%% moves plainsong accidentals leftwards so that they show up more clearly
moveacci = \once \override Accidental #'extra-offset = #'(-0.2 . 0 )

push = \once \override NoteHead #'X-offset = #'1

%%% plainsong voice

plainsong = \context VaticanaVoice  {  \relative c { 
	\clef "vaticana-do3"
	\set fontSize = #3
        \key c \major 

  g'8 c8 \[ a8 \flexa g8 \] \[ c8 \flexa b8 \] \[ c8 \pes d8 \] c8 b8 a8 \bar "|" a8 \[ a8 \flexa g8\] \bar "" \break

  \once \override Score.SeparationItem #'padding = #4 \[ e8 \pes f8 \] g8 \[ e8 \pes g8 \] f8 e8 d8 \bar "|" e8 e8 \[ d8 \flexa c8 \] g'8 \[ g8 \pes a8\] \bar "" \break

  c8 c8 b8 \bar "|" \[ c8 \pes d8 \] \[ c8 \flexa b8 \] \[ a8 \flexa g8 \] b8 \[ a8 b8 \pes c8 \] a8 g8 g8 \bar "||"
}}
  
  
%%% SATB voices

global = {
  \key c \major 
  \set Staff.midiInstrument = "church organ"
}


soprano = \relative c' {
	\autoBeamOff
g'8 c a[ g]  c[ b]  c[ d]  c b a \bar "|" a a[ g]  \bar "" \break
e[ f]  g e[ g]  f e d \bar "|" e e d[ c]  g' g[ a]  \bar "" \break
c c b \bar "|" c[ d]  c[ b]  a[ g]  b a[ b c]  a g g \bar "||"
}


alto = \relative c' {
	\autoBeamOff
	
e8 g e[ d]  \ln e4 ~ e8[ f]  g e c \bar "|" e f[ e]  \bar "" \break 
\ln c4 ~ c8  ~ \ln c4 ~ \ln c4 a8 \bar "|" c8 c a[ c]  b ~ b[ d]  \bar "" \break
e8 g d \bar "|" g[ f]  \ln e4  ~ e8[ d]  g \ln e4. f8 e d \bar "||"
}


tenor = \relative c { \clef bass
	\autoBeamOff

c'8 e c[ d]  \ln c4 ~ c8[ a]  g ~ g a \bar "|" c \ln c4 \bar "" \break
\ln g4 e8 g8[ e]  f a f \bar "|" g g f[ g]  ~ g ~ g[ f]  \bar "" \break
\ln g4 ~ g8 \bar "|" g[ a]  a[ b]  c[ d]  d \ln c4. c8 c b \bar "||"
}

bass = \relative c { \clef bass
	\autoBeamOff
	
c8 c c'[ b]  \lnb a4 ~ a8[ d,]  e ~ e a \bar "|" a f[ c ~ ]  \bar "" \break
\lnb c4 ~ c8 ~ \ln c4 \ln a4 d8 \bar "|" c c d[ e ~ ]  e ~ e[ d]  \bar "" \break
c8 e g \bar "|" e[ d]  \ln a'4 ~ a8[ b]  g \lnb a4. f8 c g' \bar "||"
}


#(ly:set-option 'point-and-click #f)

\book {

\paper {
 #(set-paper-size "a4")
%% annotate-spacing = ##t
 print-page-number = ##f
 ragged-last-bottom = ##t
 ragged-bottom = ##t
}

\score {	
  <<
  \new VaticanaStaff {\plainsong }
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  
  >>

\layout {
	
  ragged-right = ##f
  ragged-last = ##f
  \context { \Score timing = ##f }
  \context { \Score \override TimeSignature #'transparent = ##t }
  \context { \Score \remove "Mark_engraver" }
  \context { \Staff \consists "Mark_engraver" }
  
  % *** Needed to produce beamed minims - which are quavers in disguise
  \context { \Staff \override NoteHead #'duration-log = #1 }
  \context { \Staff \override Stem #'flag-style = #'no-flag }
  
  \context { \VaticanaStaff
           % *** Increases distance between lines of staff  
           \override StaffSymbol #'staff-space = #1.6            
           % *** Changes staff to black instead of default red
           \revert StaffSymbol #'color
           % *** Makes clef bigger       
           \override Clef #'font-size = #3
           % *** Would make ledger lines black, if there were any
           \revert LedgerLineSpanner #'color
           % *** Makes terminal barline visible 
           \override BarLine #'transparent = ##f 
  	   % *** Remove custos
	   \remove Custos_engraver
	   % needed for certain tweaks
	   \consists "Mark_engraver"
           }
     }
} %%% score bracket 

%%% A separate score block to generate the midi minus the plainsong voice
%%% Since minims are quavers in disguise, tempo has to be set accordingly, tempo set to 2=80

\score {	
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  

\midi { 
  \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) }
       } 
}

%%% Hymn Note markup

\markup { \hspace #18 \smallCaps "Note" \hspace #-1.2 ".—" \italic "On Sundays, tune" "123" \hspace #-1.2 \italic ", part" "2" \hspace #-1.2 \italic ", was anciently used for this hymn." }

%%fake score block to occupy space and force a pagebreak.  Can't think of a better way of doing this.
\score{
	{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{	
	\context { \Staff
		\remove Time_signature_engraver
		\remove Key_engraver
		\remove Clef_engraver
		\remove Staff_symbol_engraver
}}}

%%% Second page. Lyrics

%%% Lyric titles and attributions

\markup {
	\column {
	    \line { \small { \hspace #6 \smallCaps  "Office Hymn."  \italic " Low Sunday" \hspace #46 \italic "7th cent.  Tr. J. M. Neale." } }  
	    \line { \small { \hspace #11 \italic "till Ascension," "E."       }} 
            \line { \small { \hspace #42 "Ad cenam Agni providi." }}
}}
 

%%% Main lyrics markup block
%%% Lyrics in 3 columns,  column 1 (verses), column 2 (a dividing line), column 3 (verses); 

\markup { \hspace #3 %%add space as necc. to center the entire block of lyrics
          \column { %%% super column for entire block of lyrics
	    \line { %% a master line of 3 columns, two for lyrics and one column of a separator line
		\column { %% column 1
	                 \column { %%verse 1 is a column of 2 lines  
	                  \line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "T" }   %%Drop Cap goes here
				  \hspace #-1.2    %% adjust this if other letters are too far from Drop Cap
				  \column  { \raise #0.0 "HE Lamb's high banquet we await"
			                                 "  In snow-white robes of royal state;" } }          
	                  \line {  \hspace #2.5  %%adjust hspace until this line left edge is flush with Drop Cap
				   \lower  #1.56  %%adjust this until the line spacing looks right
				   \column {   
					   "And now, the Red Sea's channel past,"
					   "To Christ, our Prince, we sing at last."
					   "        "  %%% adds vertical spacing between verses  
			  		}}
		      } %%% end verse 1
		      \line { "2  "
			      \column {	     
				      "Upon the altar of the Cross"
				      "His Body hath redeemed our loss;"
				      "And tasting of his roseate Blood"
				      "Our life is hid with him in God." 
				      "        "  %%% adds vertical spacing between verses  
     			}}
			\line { "3  "
				\column {	     
					"That Paschal eve God's arm was bared;"
					"The devastating Angel spared:"
					"By strength of hand our hosts went free"
					"From Pharaoh's ruthless tyranny."
					"        "  %%% adds vertical spacing between verses  
     			}} 
			\line { "4  "
				\column {	     
					"Now Christ our Paschal Lamb is slain,"
					"The Lamb of God that knows no stain;"
					"The true Oblation offered here,"
					"Our own unleavened Bread sincere."
     			}}
		}  %% finish Page column 1
		
	\hspace #4 %%adds horizontal space columns 1 and 2   
			   
	\column { \filled-box #'(0.0 . 0.1) #'( -49 . 1) #0 }   %%% Column 2. This is the line dviding the columns 1 and 3. 
			   	   
	\hspace #4 %%adds horizontal space between columns 2 and 3	
	
	\column { %%start page column 3		
 
           		\line { "5  "
				\column {	     
					"O thou from whom hell's monarch flies,"
					"O great, O very Sacrifice,"
					"Thy captive people are set free,"
					"And endless life restored in thee."
					"        "  %%% adds vertical spacing between verses  
			}}
           		\line {"6  "
				\column {	     
					"For Christ, arising from the dead,"
					"From conquered hell victorious sped;"
					"He thrusts the tyrant down to chains,"
					"And Paradise for man regains."
					"        "  %%% adds vertical spacing between verses  
			}}
           		\line {"7  "
				\column {	     
					"Maker of all, to thee we pray,"
					"Fulfil in us thy joy to-day;"
					"When death assails, grant, Lord, that we"
					"May share thy Paschal victory."
					"        "  %%% adds vertical spacing between verses  
			}}
           		\line {"8. "
				\column {	     
					"To thee who, dead, again dost live,"
					"All glory, Lord, thy people give;"
					"All glory, as is ever meet,"
					"To Father and to Paraclete.     Amen."
			}}
	    } %%% end column 3   
	    } %%% end master line    
   } %%% super column bracket
} %%% lyrics markup bracket


%%% Amen score block

\score {  	
  <<
    <<
  \new VaticanaStaff <<
  \context VaticanaVoice = "plainsongamen"  {  \relative c { 	  
	\set Score.timing = ##f
	\override Staff.Clef #'#'font-size = #3
	\clef "vaticana-do3"
	\set fontSize = #3
	\override Staff.StaffSymbol #'staff-space = #1.6
	 
        \[ g'8 \pes a8 \]   \[
	    \override NoteHead #'extra-offset = #'(0.0 . -0.1 ) g8 
            \override NoteHead #'extra-offset = #'(-0.38 . 0.0 ) \flexa  f8 \pes 
            \override NoteHead #'extra-offset = #'(0.02 . 0.0 ) g8 \] }} 
                    >> 
 \new Lyrics = "lyrics" { s1 }
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \global
	                                              \voiceOne g'8[ a] g8[ f8 g8] \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \global
	                                              \voiceTwo  e8[ f8] e8[ c8 d8] \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \global
	                                          \voiceThree  \ln c'4  \ln c4( b8)  \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \global
						  \voiceFour c8[ f8] c8[ a8 g8] \bar "||" }}
			        >> 
   >>
  \context Lyrics = "lyrics" \lyricsto "altos" { \override LyricText #'font-size = #-1  "A  " -- _ "  men." }
  >>
>>

\header { breakbefore = ##f piece = " " opus = " " }

\layout {
     indent = 13\cm
     raggedright = ##t
     packed = ##f
     \context { \Score \override TimeSignature #'transparent = ##t }
     \context { \Score \override SeparationItem #'padding = #2 }
     \context { \Staff \override VerticalAxisGroup #'minimum-Y-extent = #'( -5 . 4) }
     \context { \Score \remove "Bar_number_engraver"
		timing = ##f 
              }
     \context { \Staff \override NoteHead #'duration-log = #1 }
     \context { \Staff \override Stem #'flag-style = #'no-flag }
     \context { \VaticanaStaff %%customize vaticana staff context 
	          \revert StaffSymbol #'color
		  \revert LedgerLineSpanner #'color
		  \override BarLine #'transparent = ##f 
		  \remove Custos_engraver
 	} 
} 

}

%%% Separate score block for Amen midi minus plainsong voice
%%% Since the minims are quavers in disguise, the tempo has to be adjusted accordingly. A tempo of 2=80 is set.

\score {  	
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \global
	                                              \voiceOne g'8[ a] g8[ f8 g8] \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \global
	                                              \voiceTwo  e8[ f8] e8[ c8 d8] \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \global
	                                          \voiceThree  \ln c'4  \ln c4( b8)  \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \global
						  \voiceFour c8[ f8] c8[ a8 g8] \bar "||" }}
			        >> 
   >>
   
\midi {  
   \context {
       \Score 
       tempoWholesPerMinute = #(ly:make-moment 80 8) }
      }

}
	

} %% book bracket

Lily3 Notes

Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.

If you can't compile Lilypond, use the links here:

Original scan: 206.png

Links to L2 output version 1:

L2-125.pdf L2-125.midi L2-125-amen.midi

Links to L2 output version 2:

L2-125-v2.pdf L2-125-v2.midi L2-125-v2-amen.midi


Notes by L3 KenJ 21:11, 20 August 2007 (PDT)

  • System 2, bass: slur continued from previous system can be difficult to see because it is so short.
  • Note under score: tune and part numbers should not be in italics.
  • Title (Ad cenam Agni providi.): could probably go up one line (delete one blank line above title).
  • Lyrics: Blank line between verses 2 and 3, and 5 and 6, are narrower than the rest.
  • Amen: add spaces between (A - men) as necessary.


Notes by Jkenny 21:47, 20 August 2007 (PDT)

  • Forced more space between first notes of Sys 2 and left edge to make tie bigger.
  • Took numbers out of italic
  • Removed line above lyric title.
  • Blank line spacings: tried new coding approach that seems to work around it (but doesn't explain why the original problem happened).
  • Fixed A -- men.
  • Version 2 up.


Note by KenJ 22:21, 20 August 2007 (PDT)

  • Excellent work. Clear.


V2 cleared and uploaded to repository. Jkenny 04:37, 21 August 2007 (PDT)


Project History

    • Lily1 - (lyrics added)
    • Lily2 - done. Jkenny 00:55, 17 July 2007 (PDT)
    • Lily3 - notes by KenJ 21:12, 20 August 2007 (PDT)
- fixed. Jkenny 21:50, 20 August 2007 (PDT)
- Clear it. KenJ 22:23, 20 August 2007 (PDT)
- L3 cleared and uploaded. Jkenny 04:40, 21 August 2007 (PDT)