The English Hymnal - Wiki Music Experiment/Hymns101-150/204
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Lily1 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
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Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%%% 204.png
%%%% Hymn 124. Modern Tune. His cheering message from the grave.
%%%% Rev 2.
\version "2.10"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - EASTERTIDE"
\hspace #0.1 }}
title = \markup { "124 " \large \smallCaps "(Modern Tune)" }
meter = \markup { \small { \column {
\line { \sans { "SOLEMNIS HAEC FESTIVITAS."} \hspace #1 \roman {"(L. M.)" } }
\line { \italic {With vigour} \general-align #Y #DOWN \note #"4" #0.5 = 150.} }
}}
arranger = \markup { \small { \center-align {
\line { \italic "Angers Church Melody." }
\line { "(" \hspace #-1 \italic "same melody as preceding hymn" \hspace #-1 ")." }
}}}
tagline =""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%%prints four dots in a column, mimicking repeat sign comprising of 4 dots
fdots = \markup { \override #'(baseline-skip . 1.0) \column { \with-color #black { \fontsize #2 . \fontsize #2 . \fontsize #2 . \fontsize #2 .} }}
%%using the fdots macro above, positions 4 dots at beginning of a line of score. Place \beginfdots before the first note of the score
beginfdots = {
\override Score.RehearsalMark #'Y-offset = #'1.35
\override Score.RehearsalMark #'X-offset = #'8
\mark \fdots
\once \override Score.SeparationItem #'padding = #1
}
%%same as above but allows more space to accommodate a time-signature
beginfdotstime = {
\override Score.RehearsalMark #'Y-offset = #'1.35
\override Score.RehearsalMark #'X-offset = #'11
\mark \fdots
\once \override Score.SeparationItem #'padding = #1
}
%%% prints a end repeat sign glyph comprising 4 dots and two thin bars
fdendrepeat = {\once \override Staff.BarLine #'stencil = #ly:text-interface::print
\once \override Staff.BarLine #'text = \markup { \line { \raise #1.4 \override #'(baseline-skip . 1.0) \column { \with-color #black { \fontsize #2 . \fontsize #2 . \fontsize #2 . \fontsize #2 .} }
\hspace #-1 \filled-box #'(0 . 0.15) #'(-2 . 2) #0
\hspace #-0.9 \filled-box #'(0 . 0.15) #'(-2 . 2) #0
} }
\bar "||"}
%% music function to allow lyrics to skip a given number of note-syllables
%% skips #7 will skip over 7 music note-syllables. Needed to align lyrics which begin partway
%% through the music
skips = #(define-music-function (parser location times) (number?)
#{
\repeat unfold $times { \skip 1}
#})
%%% Macro to specify a partial measure in the middle of a piece.
%%% The Manual does not recommend using \partial in such cases.
%%% "moment 2 4" specifies that at this point 2 crochets have past,
%%% and "moment 3 2" specifies that 3 minims have past.
partmeasureOne = \set Score.measurePosition = #(ly:make-moment 2 4)
partmeasureTwo = \set Score.measurePosition = #(ly:make-moment 3 2)
%%%%%%%%%%%%%%%%%%%%%%%%%%% End of macro definitions
%%%soprano voice
global = {
\time 3/4
\key ees \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
\tag #'mainHymn { \once \override Staff.TimeSignature #'stencil = ##f
\partial 4 ees4 | g2 aes4 | \stemUp bes2 bes4 \stemNeutral | c4( bes) aes ^\markup { \hspace #-1.5 "(" \teeny \raise #0.6 \natural ")" } | \stemUp bes2 bes4 \stemNeutral | c2 d4 | \break
ees2 bes4 | g2 aes4 | \stemUp bes2 g4 | bes2 aes4 | f2 g4 | \break
aes4( g4) f4 | g2 bes4 | ees,2 f4 | g( ees) aes | g2 f4 | ees2 ^\fermata \bar "||" \break
bes'4 | bes2 \stemNeutral c4 | aes2 \stemUp bes4 | aes2 g4 | f2 g4 | aes2 bes4 | \break
aes2 g4 | f4( ees) f | g2 bes4 | \stemNeutral c2 bes4 | aes2 f4 | \break
g2 aes4 | bes2 c4 | bes2 ees4 | d2 bes4 | c2 bes4 | bes2 ^\fermata \bar "||" \break
bes4 | c2 ees4 | bes2 c4 | g2 aes4 | bes2 ees4 | bes2 c4 | \break
aes4( g) aes4 | \stemUp bes4( aes4 ) g4 | f2 \stemNeutral bes4 | bes2 c4 | bes2 ees4 | \break
d2 c4 | \stemUp bes2 g4 | aes2 bes4 | ees,2 aes4 | g2 f4 | ees2 ^\fermata \bar "||" \break
%%%pp2
bes'4 ^\markup { \hspace #-6 "(" \hspace #-1 \italic "Part 2" \hspace #-1 ")" } |
ees,2 g4 | bes2 bes4 | \stemNeutral c4( d) ees4 | \stemUp bes2 g4 | aes2 bes4 | \break
g2 bes4 | aes2 g4 | f2 bes4 | \stemNeutral c2 bes4 | aes2 f4 | \break
g2 aes4 | \stemUp bes2 ees,4 | f2 g4 | aes2 g4 | f2 ees4 | ees2 ^\fermata \bar "||" }
\tag #'repeatOne {
\partmeasureOne \beginfdots g4 | bes2 g4 | aes2 g4 | f( ees) f | g2 bes4 | \stemNeutral c2 ees4 | \break
d2 bes4 | c2 \stemUp bes4 | bes2 g4 | bes2 g4 | aes2 g4 | \break
f4( ees) f | g2 bes4 | aes2 f4 | g2 ees4 | f2 ees4 | ees2 ^\fermata \bar "||" \fdendrepeat \break }
\tag #'repeatTwo { \time 4/2 \partmeasureTwo \beginfdotstime \stemUp
bes'2 | bes2 \stemNeutral c2 aes2 \stemUp bes2 | aes2. g4 f2 ^\fermata g2 | g2 aes2 aes2 g2 | \break
f2. ees4 ees2 ^\fermata bes'2 | bes2 \stemNeutral c2 \stemUp aes2 bes2 | aes2. g4 f2. ^\fermata g4 | \break
\time 3/4 bes2 ees,4 | f2 aes4 | g2 f4 | ees2 ^\fermata \fdendrepeat }
\tag #'Amen {
\once \override Staff.TimeSignature #'stencil = ##f
\time 8/2 ees2( f ees d ees) ees1 \bar "||" }
}
wordsOne = \lyricmode {
\override LyricText #'font-size = #-1.
\once \override LyricText #'self-alignment-X = #0.6
"1 His" cheer -- ing mes -- sage from the grave An An -- gel
to the wo -- men gave: ‘Full soon your Mas -- ter
ye shall see; He goes be -- fore to Ga -- li -- lee.’
\once \override LyricText #'self-alignment-X = #0.65
"2 But" while with fly -- ing steps they press To bear the
news, all ea -- ger -- ness, Their Lord, the liv -- ing
Lord, they meet, And pros -- trate fall to kiss his feet.
\once \override LyricText #'self-alignment-X = #0.7
"3 So" when his mourn -- ing follow -- ers heard The tid -- ings
of that faith -- ful word, Quick went they forth to
Ga -- li -- lee, Their loved and lost once more to see.
\once \override LyricText #'self-alignment-X = #0.7
"4 On" that fair day of Pas -- chal joy, The sun -- shine
was with -- out al -- loy, When to their ve -- ry
eyes re -- stored They looked up -- on the ris -- en Lord.
\once \override LyricText #'self-alignment-X = #0.65
"5 The" wounds be -- fore their eyes dis -- played They see in
liv -- ing light ar -- rayed, And that they see they
tes -- ti -- fy In o -- pen wit -- ness fear -- less -- ly.
\once \override LyricText #'self-alignment-X = #0.65
"7 Ma" -- ker of all, to thee we pray, Ful -- fil in us thy
joy to -- day; When death as -- sails, grant, Lord, that we May
share thy Pas -- chal vic -- to -- ry. A -- men.
}
wordsTwo = \lyricmode {
\override LyricText #'font-size = #-1.
\skips #128
\once \override LyricText #'self-alignment-X = #0.85
"6 O" Christ, the King of gen -- tle -- ness, Our sev' -- ral
hearts do thou pos -- sess, That we may ren -- der
all our days Thy meed of thank -- ful -- ness and praise.
\once \override LyricText #'self-alignment-X = #0.85
"8. To" thee who, dead, a -- gain dost live, All glo -- ry, Lord, thy
peo -- ple give; All glo -- ry as is e -- ver meet, To
Fa -- ther and to Pa -- ra -- clete.
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
%%% Score block
\score{
\new ChoirStaff
<<
\context Voice = sopranos { \global \soprano }
\new Lyrics \lyricsto "sopranos" \wordsOne
\new Lyrics \lyricsto "sopranos" \wordsTwo
>>
\layout {
indent=0
\context { \Score \remove "Bar_number_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
%%% at time signature change, no cautionery time-signature should be shown at the end of the previous line
\context { \Staff \override BarLine #'break-visibility = #begin-of-line-invisible }
\context { \Staff \override TimeSignature #'break-visibility = #end-of-line-invisible }
} %% close layout
} %%% Score bracket
%%% A separate score block to unfold repeats and generate Hymn Midi without the Amen
\score{
\new ChoirStaff
<<
\context Voice = sopranos { \global \keepWithTag #'mainHymn \soprano
\keepWithTag #'repeatOne \soprano
\keepWithTag #'repeatOne \soprano
\keepWithTag #'repeatTwo \soprano
\keepWithTag #'repeatTwo \soprano
}
>>
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 150 4)}}
} %%% end Hymn midi Score
%%% A separate score block to generate the Amen midi
\score{
\new ChoirStaff
<<
\context Voice = sopranos { \global \keepWithTag #'Amen \soprano }
>>
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 150 4)}}
} %%% end Amen midi Score
%%% Hymn Note markup
\markup { \hspace #54 \center-align {
\line { \smallCaps "Note" \hspace #-1.2 ".—" \italic "The melody only is given for this hymn. The organ accompaniment will be" }
\line { \italic "the same as that of the preceding hymn" "(" \hspace #-1 \italic "No." "123" \hspace #-1 ")." }
}}
} %%% book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.
If you can't compile Lilypond, use the links here:
Original scan: 204.png
Links to L2 output version 1:
L2-124mod.pdf L2-124mod.midi L2-124mod-amen.midi
Links to L2 output version 2:
L2-124mod-v2.pdf L2-124mod-v2.midi L2-124mod-v2-amen.midi
Notes by L2 Jkenny 06:22, 21 July 2007 (PDT)
- Since all the verses are in the score, I have not inserted lyrics after the music.
Notes by KenJ 22:55, 19 August 2007 (PDT)
- Speed: change vigour to rigour, and do the same for hymn 123 (p. 198.png).
- End of system 3: change comma to period (Ga-li-lee.<right single-quote>).
- System beginning verses 7 and 8, verse 8, second last word: change period after glory to comma (All glo-ry, Lord,)(p. 205.png).
- At the very end of the file: hymn number "123" is in italics. Change to plain text.
Notes by Jkenny 23:52, 19 August 2007 (PDT)
- Speed: 1933 edition says "vigour" in both cases. Perhaps P3 made an error? Hard to think of a speed "with rigour".
- System 3 comma -> period done.
- Verse 7,8, period -> comma done.
- Took "123" out of italics.
- Version 2 up.
Note by KenJ 00:35, 20 August 2007 (PDT)
- P3 had vigour in both cases. I just thought the clearer text on this page helped to determine it was an "r". No italic v to compare.
- I agree "vigour" makes more sense. I think that's why I didn't mention it in hymn 123 notes.
- OK to clear it, then. :)
Notes by Jkenny 04:41, 20 August 2007 (PDT)
- Added notes to errata page.
- V2 cleared and uploaded to repository.
Note by KenJ 12:06, 20 August 2007 (PDT)
- My error about P3 vigour. P3 IS rigour. Perhaps the 1933 edition changed "rigour" to "vigour". (I still think it looks more like "rigour. Perhaps finding an italic "v" would help.) We know the 1933 edition is not exactly the same as the 1906 edition. I suggest leaving a note for the PPer.
Project History
Notes for PPer
- See discussion above on vigour/rigour (also applies to 198png). P3's judgment is "rigour". But after some discussion here and by PM, we concluded that the balance of probability is on the side of "vigour" for these reasons:
- "vigour" occurs three more times in the book as part of a tempo indication.
- "rigour" does not occur any where else as part of a tempo.
- There's the little hook at the bottom of the shape that looks like the angle of a "v", whereas an "r" always has a clean base.