The English Hymnal - Wiki Music Experiment/Hymns101-150/203

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Lily1 Code

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Then create a link in this section to that uploaded midi file.


Lyrics copied from P3 and perl-formatted --QMacrocarpa 19:53, 26 June 2007 (PDT):

  • NOTE: Not sure about part 1, part 2 stuff-- lyrics may be divided between them???
"HIS cheering message from the grave"
"An Angel to the women gave:"
"'Full soon your Master ye shall see;"
"He goes before to Galilee.'"
""
"But while with flying steps they press"
"To bear the news, all eagerness,"
"Their Lord, the living Lord, they meet,"
"And prostrate fall to kiss his feet."
""
"So when his mourning followers heard"
"The tidings of that faithful word,"
"Quick went they forth to Galilee,"
"Their loved and lost once more to see."
""
"On that fair day of Paschal joy"
"The sunshine was without alloy,"
"When to their very eyes restored"
"They looked upon the risen Lord."
""
"The wounds before their eyes displayed"
"They see in living light arrayed,"
"And that they see they testify"
"In open witness fearlessly."
""
"O Christ, the King of gentleness,"
"Our several hearts do thou possess,"
"That we may render all our days"
"Thy meed of thankfulness and praise."
""
"Maker of all, to thee we pray,"
"Fulfil in us thy joy to-day;"
"When death assails, grant, Lord, that we"
"May share thy Paschal victory."
""
"To thee who, dead, again dost live,"
"All glory, Lord, thy people give;"
"All glory, as is ever meet,"
"To Father and to Paraclete. Amen."
""

Lily2 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

%%% 203.png
%%% Hymn 124 Part II His cheering message from the grave
%%% Version 2


\version "2.10"

\include "gregorian-init.ly"

\header {
  dedication = \markup { \center-align {  "THE CHRISTIAN YEAR - EASTERTIDE"
		\hspace #0.1 }}	
		title = \markup { "124" \large \smallCaps "(Part II)" }
  
  arranger = \markup { \small { "Mode iv." }}
  
  tagline =""
}

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros

%% macro settings for stemless long note which is 2x duration of regular white note    
ln = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteColumn #'force-hshift = #0.4 }

%% a second set of macro settings for stemless long notes ( 2x duration of regular white note )
%% this one uses X-offset instead of force-hshift.
%% All long notes are offset slightly to the right with respect to any beamed notes which 
%% they are aligned with.  Normally, this is done with force-hshift.  
%% However, when 2 long notes occur one atop the other (i.e. in S + A pats or in T + B parts), then applying force-hshift
%% to both does not work.  Hence one note needs to be moved with the regular force-hshift in the \ln macro above,
%% while the other is moved with X-offset with the macro \lnb
%% In general force-hshift is preferred whenever possible as slurs are adjusted automatically, while X-offset especially
%% when used with a bottom slur often results in a slur starting too far to the left and which then needs manual adjustment. 

lnb = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteHead #'X-offset = #0.8 }

%% macro to split ligatured notes, moving them a little further apart

split = \override NoteHead #'extra-offset = #'( 0.4 . 0.0 )

%% unsplit. macro to unset the settings for split above.

unsplit = \revert NoteHead #'extra-offset

%%%%%%%%%%%%%%%%%%%%%%%%%%%% End of Macro Definitions

%%% plainsong voice

plainsong = \context VaticanaVoice  {  \relative c { 
	\clef "vaticana-do3"
	\set fontSize = #3
        \key c \major 

f8 \[ f8 \split f8\flexa e8 \] \unsplit d8 e8 g8 a8 f8 e8 \bar "|"  
    g8 a8 g8 \[ a8\pes c8 \split c8\flexa b8 \] \unsplit g8 g8 f8 \[ g8\pes a8 \] \bar "|"  
    a8 a8 g8 \bar "" \break

\[ a8\pes c8 \split c8 \flexa b8 \] \unsplit \[ g8\flexa f8 \] a8 a8 \[ d,8\pes f8 \split f8 \flexa e8 \] \unsplit \bar "|"  
    \[ e8\flexa d8 \] c8 \[ e8\pes g8 \] \[ g8 \once \override NoteHead #'extra-offset = #'(-0.38 . 0.0 ) \flexa f8\pes a8 \] \[ g8\flexa f8 \] g8 \[ f8\flexa e8 \] e4 \bar "||"

}}
  
  
%%% SATB voices

global = {
  \key d \major 
  \set Staff.midiInstrument = "church organ"
}


soprano = \relative c' {
	\autoBeamOff
g'8 \ln g4( fis8) e fis a b g fis \bar "|" a b a b( \ln d4 cis8) a a g a[ b] \bar "|" b b a \bar "" \break
b( \ln d4 cis8) a[ g] b b e,( \ln g4 fis8) \bar "|" fis[ e] d fis[ a] a[ g b] a[ g] a g[ fis] \ln fis4 \bar "||"
}


alto = \relative c' {
	\autoBeamOff
	
e8 b[ cis] d cis d e \ln d4. \bar "|" \ln d4. d8( \ln fis4.) fis8 fis d \ln d4 \bar "|" \ln d4. \bar "" \break
d8 \ln fis4 e8 \ln d4 \ln d4 cis8 \ln d4. \bar "|" \ln d4 a8 d8[ e] fis[ g ~ g] \ln d4 \ln d4. \ln cis4 \bar "||" 
}


tenor = \relative c { \clef bass
	\autoBeamOff

b'8 \ln g4 \ln a4 ~ \ln a4 fis8 g8 a8 \bar "|" fis8 g8 fis8 ~ fis8( \ln b4 a8) cis8 d8 b8 a8[ g8] \bar "|" g8 \ln fis4 \bar "" \break
g8 \ln a4 ~ a8 a8[ b8] \ln b4 a8 \ln b4 a8 \bar "|" a8[ g8] fis8 \ln a4 \ln d4. a8[ b8] fis8 g8[ a8] \ln a4 \bar "||" 
}

bass = \relative c { \clef bass
	\autoBeamOff
	
e8 \lnb e4( d8) a8 d8 cis8 \ln b4 d8 \bar "|" d8 g,8 d'8 \ln b4( \ln fis'4) fis8 d8 g8 fis8[ g8] g,8 b8 d8 \bar "" \break
g8( \ln d4 a'8) fis8[ g8] \lnb g4 a8( \ln g4 d8) \bar "|" \ln d4. d8[ cis8] d8[ b8 g8] fis8[ g8] d'8 e8[ fis8] \ln fis4 \bar "||"
}


#(ly:set-option 'point-and-click #f)

\book {

\paper {
 #(set-paper-size "a4")
%% annotate-spacing = ##t
 print-page-number = ##f
 ragged-last-bottom = ##t
 ragged-bottom = ##t
}

\score {	
  <<
  \new VaticanaStaff {\plainsong }
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  
  >>

\layout {
	
  ragged-right = ##f
  ragged-last = ##f
  \context { \Score timing = ##f }
  \context { \Score \override TimeSignature #'transparent = ##t }
  \context { \Score \remove "Mark_engraver" }
  \context { \Staff \consists "Mark_engraver" }
  
  % *** Needed to produce beamed minims - which are quavers in disguise
  \context { \Staff \override NoteHead #'duration-log = #1 }
  \context { \Staff \override Stem #'flag-style = #'no-flag }
  
  \context { \VaticanaStaff
           % *** Increases distance between lines of staff  
           \override StaffSymbol #'staff-space = #1.6            
           % *** Changes staff to black instead of default red
           \revert StaffSymbol #'color
           % *** Makes clef bigger       
           \override Clef #'font-size = #3
           % *** Would make ledger lines black, if there were any
           \revert LedgerLineSpanner #'color
           % *** Makes terminal barline visible 
           \override BarLine #'transparent = ##f 
  	   % *** Remove custos
	   \remove Custos_engraver
	   % needed for certain tweaks
	   \consists "Mark_engraver"
           }
     }
} %%% score bracket 

%%% A separate score block to generate the midi minus the plainsong voice
%%% Since minims are quavers in disguise, tempo has to be set accordingly, tempo set to 2=80

\score {	
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  

\midi { 
  \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) }
       } 
}

%%% Lyric titles and attributions

\markup { \hspace #48 \italic "Part" "2." }  

%%% Main block of lyrics

\markup { \hspace #32 %%add space as necc. to center the column
          \column { %% super column for entire block of lyrics
           		\line { "4  " 
			   \column {	     
				   "On that fair day of Paschal joy"
				   "The sunshine was without alloy,"
				   "When to their very eyes restored"
				   "They looked upon the risen Lord."
			}} 
			\hspace #1  % adds vertical spacing between verses  
			 \line { "5  " 
			   \column {	     
				   "The wounds before their eyes displayed"
				   "They see in living light arrayed,"
				   "And that they see they testify"
				   "In open witness fearlessly."
			}} 
			\hspace #1  % adds vertical spacing between verses  
			 \line { "6  " 
			   \column {	     
				   "O Christ, the King of gentleness,"
				   "Our several hearts do thou possess,"
				   "That we may render all our days"
				   "Thy meed of thankfulness and praise."
			}} 	
	  }  %%% end super column
} %%% end markup

%%fake score block to occupy space and force a pagebreak.  Can't think of a better way of doing this.
\score{
	{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{	
	\context { \Staff
		\remove Time_signature_engraver
		\remove Key_engraver
		\remove Clef_engraver
		\remove Staff_symbol_engraver
}}}

%%% Second page
%%% Continuation of lyrics

\markup { \hspace #32 %%add space as necc. to center the column
          \column { %% super column of everything
                \hspace #1  % adds vertical spacing between verses  
           	\line { "7  "
		   \column {	     
			   "Maker of all, to thee we pray,"
			   "Fulfil in us thy joy to-day;"
			   "When death assails, grant, Lord, that we"
			   "May share thy Paschal victory."
     			}}
		\hspace #1  % adds vertical spacing between verses  
           	\line { "8. "
		   \column {	     
			   "To thee who, dead, again dost live,"
			   "All glory, Lord, thy people give;"
			   "All glory, as is ever meet,"
			   "To Father and to Paraclete.     Amen."
     			}}
	  }
} %%% lyric markup bracket

%%% Amen score block

\score {  	
  <<
    <<
  \new VaticanaStaff <<
  \context VaticanaVoice = "plainsongamen"  {  \relative c { 	  
	\set Score.timing = ##f
	\override Staff.Clef #'#'font-size = #3
	\clef "vaticana-do3"
	\set fontSize = #3
	\override Staff.StaffSymbol #'staff-space = #1.6
	 
        \[ e8 f8  e8 \]  e4 
      }} 
                    >> 
 \new Lyrics = "lyrics" { s1 }
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \global
	                                              \voiceOne fis8[ g fis] \ln fis4 \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \global
	                                              \voiceTwo  \ln d4. \ln cis4 \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \global
	                                          \voiceThree  \ln b'4. \ln a4 \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \global \voiceFour  
	                                          \once \override NoteHead #'duration-log = #0 
                                                  \once \override Stem #'stencil = ##f
                                                  \once \override NoteHead #'X-offset = #0.5
	                                          b4. \ln fis4 \bar "||" }}
			        >> 
   >>
  \context Lyrics = "lyrics" \lyricsto "altos" { \override LyricText #'font-size = #-1  A -- men. }
  >>
>>

\header { breakbefore = ##f piece = " " opus = " " }

\layout {
     indent = 13\cm
     raggedright = ##t
     packed = ##f
     \context { \Score \override TimeSignature #'transparent = ##t }
     \context { \Score \override SeparationItem #'padding = #2 }
     \context { \Staff \override VerticalAxisGroup #'minimum-Y-extent = #'( -5 . 4) }
     \context { \Score \remove "Bar_number_engraver"
		timing = ##f 
              }
     \context { \Staff \override NoteHead #'duration-log = #1 }
     \context { \Staff \override Stem #'flag-style = #'no-flag }
     \context { \VaticanaStaff %%customize vaticana staff context 
	          \revert StaffSymbol #'color
		  \revert LedgerLineSpanner #'color
		  \override BarLine #'transparent = ##f 
		  \remove Custos_engraver
 	} 
} 

}

%%% Separate score block for Amen midi minus plainsong voice
%%% Since the minims are quavers in disguise, the tempo has to be adjusted accordingly. A tempo of 2=80 is set.

\score {  	
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \global
	                                              \voiceOne fis8[ g fis] \ln fis4 \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \global
	                                              \voiceTwo  \ln d4. \ln cis4 \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \global
	                                          \voiceThree  \ln b'4. \ln a4 \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \global \voiceFour  
	                                          \once \override NoteHead #'duration-log = #0 
                                                  \once \override Stem #'stencil = ##f
                                                  \once \override NoteHead #'X-offset = #0.5
	                                          b4. \ln fis4 \bar "||" }}
			        >> 
   >>
   
\midi {  
   \context {
       \Score 
       tempoWholesPerMinute = #(ly:make-moment 80 8) }
      }

}
	

} %% book bracket

Lily3 Notes

Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.

If you can't compile Lilypond, use the links here:

Original scan: 203.png

Links to L2 output version 1:

L2-124pt2.pdf L2-124pt2.midi L2-124pt2-amen.midi


Links to L2 output version 2:

L2-124pt2-v2.pdf L2-124pt2-v2.midi L2-124pt2-v2-amen.midi


Note by ~

  • Very good. This is another one that looks close to a one-pager with two-column verses.


Note Jkenny 22:33, 19 August 2007 (PDT)

  • This one didn't have enough space -- just a little short again. I thought 4-8 was 4 verses, turns out 4-8 is 5 verses! Math hurts!
  • Took "2" in Part 2 out of italics to match image.
  • Version 2 up.


Note by KenJ 23:05, 19 August 2007 (PDT)

  • Yes, 4 THRU 8 is five verses (4,5,6,7,8). But from 4 o'clock TO 8 o'clock is four hours. :)
  • Clear.


V2 cleared and uploaded to repository


Project History

    • Lily1 - (lyrics added)
    • Lily2 - done Jkenny 08:16, 15 July 2007 (PDT)
    • Lily3 - note by L3 KenJ 22:09, 19 August 2007 (PDT)
- fixed. Jkenny 22:39, 19 August 2007 (PDT)
- L3 cleared and uploaded. Jkenny 04:38, 20 August 2007 (PDT)