The English Hymnal - Wiki Music Experiment/Hymns101-150/191
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Lily1 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
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Then create a link in this section to that uploaded midi file.
Lyrics copied from P3 and perl-formatted --QMacrocarpa 10:27, 12 June 2007 (PDT):
"AND now, belovèd Lord, thy soul resigning"
" Into thy Father's arms with conscious will,"
"Calmly, with reverend grace, thy head inclining,"
" The throbbing brow and labouring breast grow still."
""
"O Love! o'er mortal agony victorious,"
" Now is thy triumph! now that Cross shall shine"
"To earth's remotest age revered and glorious,"
" Of suffering's deepest mystery the sign."
""
"My Saviour, in mine hour of mortal auguish,"
" When earth grows dim, and round me falls the night,"
"O breathe thy peace, as flesh and spirit languish;"
" At that dread eventide let there be light."
""
"To thy dear Cross turn thou mine eyes in dying;"
" Lay but my fainting head upon thy breast;"
"Those outstretched arms receive my latest sighing;"
" And then, O! then, thine everlasting rest."
""
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%%% 191.png
%%%% Hymn 119. Zu meinem herrn. And now, beloved Lord, thy soul resigning.
%%%% Rev 3.
\version "2.10"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - PASSIONTIDE: GOOD FRIDAY"
\hspace #0.1 }}
title = "119"
poet = \markup { \small { \line { \sans {"ZU MEINEM HERRN."} \hspace #1 \roman {"(11. 10. 11. 10.)"}} }}
meter = \markup { \small { \italic {Moderately slow} \general-align #Y #DOWN \note #"2" #0.5 = 72.} }
arranger = \markup { \small \smallCaps "J. Schicht, 1753-1823." }
tagline =""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%%% generates the breathmarks
breathmark = { \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'Y-offset = #'4.0
\override Score.RehearsalMark #'X-offset = #'-0.5
\mark \markup {\fontsize #4 ","}
}
%% push a note slightly to the right
push = \once \override NoteColumn #'force-hshift = #0.4
%%% merge. Macro to pull note slightly leftwards. Used to produce those partially merged wholenotes
merge = \once \override NoteColumn #'force-hshift = #-0.01
%% Used to pull a note left. Used when a slurred note pair straddles a longer note above when notecolumn force-hshift does not work
straddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-3.0
\once \override Stem #'X-offset = #-3.0 }
%%%%%%%%%%%%%%%%%%%%%%%%%%% End of macro definitions
%%% SATB voices
global = {
\time 3/1
\key aes \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
\partial 1*2 ees1 f2 g | aes g aes aes bes bes | c aes ^\fermata \breathmark \bar "||" c1 bes2 aes | \break
g ees aes g f f | ees1 \breathmark \bar "||" bes'1 bes2 aes | g g c bes aes g | \break
aes f1 \breathmark \bar "||" bes2 bes c | des c bes aes f g! | aes1 \bar "||"
}
alto = \relative c' {
c1 des2 des | c c c ees f ees | ees c \bar "||" ees1 ees2. d4 |
ees2 bes ees ees ees d | \merge ees1 \bar "||" des! ees2 f | g g aes g f e |
f c1 \bar "||" ees2 f ees | des f f ees des des | c1 \bar "||"
}
tenor = \relative c {\clef bass
aes'1 aes2 bes | aes c c aes aes g | aes aes \bar "||" aes1 bes2 c4( aes) |
bes2 g aes bes c bes4(aes) | g1 \bar "||" bes1 bes2 bes | bes des c des c c |
c aes1 \bar "||" ges2 f a | bes c des c c bes | aes1 \bar "||"
}
bass = \relative c {\clef bass
aes1 des2 bes | f' e f c des ees | aes, aes _\fermata \bar "||" \merge aes'1 g2 f |
ees2. d4 c2 bes aes bes | ees1 \bar "||" bes1 c2 des | ees ees aes, bes c c |
f f1 \bar "||" ees2 des c | bes a bes c des ees | aes,1 \bar "||"
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
%%% Score block
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos { \voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
\context { \Score \remove "Bar_number_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
} %% close layout
%%% Hymn Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 72 2)}}
} %%% Score bracket
%%% Hymn Note and Lyric Attribution and title markup
\markup { \small { \hspace #74 \italic "Mrs. E. S. Alderson, 1818-88." } }
\markup { \hspace #32 \small "‘Father, into thy hands I commend my Spirit.’" }
%%% Main lyric block
\markup { \hspace #26 %%add space as necc. to center the column
\column { %%% one super column for the entire block of lyrics
\column { %%verse 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "A" } %%Drop Cap goes here
\hspace #-1.4 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "ND now, belovèd Lord, thy soul resigning"
" Into thy Father's arms with conscious will," } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"Calmly, with reverend grace, thy head inclining,"
" The throbbing brow and labouring breast grow still."
}}
} %%% finish verse 1
\hspace #1
\line { "2 "
\column {
"O Love! o'er mortal agony victorious,"
" Now is thy triumph! now that Cross shall shine"
"To earth's remotest age revered and glorious,"
" Of suffering's deepest mystery the sign."
}}
} %%% end super column
}
%%% fake score block to occupy space and force a pagebreak. Can't think of a better way of doing this.
\score{
{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{
\context { \Staff
\remove Time_signature_engraver
\remove Key_engraver
\remove Clef_engraver
\remove Staff_symbol_engraver
}}}
%%% second page
%%% continuation of lyrics
\markup { \hspace #26 %%add space as necc. to center the column
\column {
\hspace #1
\line { "3 "
\column {
"My Saviour, in mine hour of mortal anguish,"
" When earth grows dim, and round me falls the night,"
"O breathe thy peace, as flesh and spirit languish;"
" At that dread eventide let there be light."
}}
\hspace #1
\line {"4. "
\column {
"To thy dear Cross turn thou mine eyes in dying;"
" Lay but my fainting head upon thy breast;"
"Those outstretched arms receive my latest sighing;"
" And then, O! then, thine everlasting rest."
}}
}
} %%% lyric markup bracket
%%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne aes'1 aes \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo des1 c \bar "||" }}
>>
\context Lyrics \lyricsto "altos" {\override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree f1 ees \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour des1 aes \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
} %% close layout
%%% Amen Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 72 2) }}
}
%%% alternative hymns also suitable
\markup { \hspace #30 \italic "Or the following: " \small "102 O sacred head, sore wounded." }
\markup {\hspace #38 \italic "The following are also suitable:"}
\markup { \hspace #36 \column {
\small {
" 80 My God, I love thee; not because."
" 95 Sing, my tongue, the glorious battle."
"471 Praise to the Holiest in the height." }
}}
} %%% book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. The L3 who declares the hymn "cleared" should upload the correctly-named files to the file repository. This ensures that what is checked and cleared is exactly what is uploaded.
Links to L2 output version 1:
L3-119.pdf L3-119.midi L3-119-amen.midi
Version 2:
L2-119-v2.pdf L2-119-v2.midi L2-119-v2-amen.midi
Version 3:
L2-119-v3.pdf L2-119-v3.midi L2-119-v3-amen.midi
Notes by L2 Jkenny 07:42, 6 July 2007 (PDT)
- Note that this is one of the few pieces which has a time signature.
Notes by L3 KenJ 13:02, 17 August 2007 (PDT)
- Verse 3, line 1: "auguish," should be "anguish," (posted to error list).
Notes by Jkenny 20:43, 17 August 2007 (PDT)
- "Anguish" fixed.
- Version 2 up.
Notes by L3 KenJ 23:44, 17 August 2007 (PDT)
- Near the very end of the PDF, to more closely match the image, you should delete the extra blank line below "The following are also suitable:" to make it evenly spaced between the text above AND below. I looked at one random sample of a completed hymn, and it looks like 2 blank lines, the same as it does here. Closer to image, or consistent with finished hymns? Once you answer that, then this is finished.
Reply Jkenny 03:09, 18 August 2007 (PDT)
- I think we should match the image. There's no reason why the spacing should be bigger in any case. So I adjusted the code to match the even spacing in the image. On other finished hymns where the spacing was uneven, I think we should fix them if we find them too, unless the image shows otherwise.
- So version 3 up.
Notes by L3 KenJ 13:36, 18 August 2007 (PDT)
- Fixing the spacing unless the image shows otherwise sounds good to me, unless we determine that it was a publisher's error or oversight maybe.
- V3 looks great and has my approval. Let's clear it.
- Version 3 cleared and uploaded to repository.