The English Hymnal - Wiki Music Experiment/Hymns101-150/189
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Lily1 Code
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Lyrics copied from P3 and perl-formatted --QMacrocarpa 10:22, 12 June 2007 (PDT):
"HIS are the thousand sparkling rills"
" That from a thousand fountains burst,"
"And fill with music all the hills:"
" And yet he saith, 'I thirst.'"
""
"All fiery pangs on battlefields,"
" On fever beds where sick men toss,"
"Are in that human cry he yields"
" To anguish on the Cross."
""
"* But more than pains that racked him then"
" Was the deep longing thirst divine"
"That thirsted for the souls of men:"
" Dear Lord! and one was mine."
""
"O Love most patient, give me grace;"
" Make all my soul athirst for thee:"
"That parched dry lip, that fading face,"
" That thirst, were all for me."
""
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%%% 189.png
%%%% Hymn 117 Saffron Walden. His are the thousand sparkling rills
%%%% Rev 2
\version "2.10"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - PASSIONTIDE: GOOD FRIDAY"
\hspace #0.1 }}
title = "117"
poet = \markup { \small { \line { \sans {"SAFFRON WALDEN."} \hspace #1 \roman {"(8 8. 8 6.)"}} }}
meter = \markup { \small { \italic {Slow} \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 76.} }
arranger = \markup { \small \smallCaps "A. H. Brown." }
tagline =""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%%% generates the breathmarks
breathmark = { \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'Y-offset = #'4.0
\override Score.RehearsalMark #'X-offset = #'-0.5
\mark \markup {\fontsize #4 ","}
}
%% push a note slightly to the right
push = \once \override NoteHead #'X-offset = #1.0
%% Used to pull an upstem note left. Used when a slurred note pair straddles a longer note below and when notecolumn force-hshift does not work
topstraddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-1.5
\once \override Stem #'X-offset = #-0.2 }
%%% merge. Macro to pull note slightly leftwards. Used to produce those partially merged wholenotes
merge = \once \override NoteColumn #'force-hshift = #-0.01
%%%%%%%%%%%%%%%%%%%%%%%%%%% End of macro definitions
%%% SATB voices
global = {
\time 3/2
\key d \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
fis2 e d | a'1 d2 | d( cis ) b | a1. \bar "||" a2 g fis | \break
e( cis) d | g2.( a4) fis2 | e1 \breathmark \bar "||" e2 | \push a1 a2 | \break
a1 d2 | \topstraddle d2( b) g | e1. \bar "||" a2 d, e | fis1 e2 | \once \override Dots #'transparent = ##t d1. \bar "||"
}
alto = \relative c' {
d2 cis d | d1 a'2 | \push g1 g2 | g1. \bar "||" fis4( e) d2. cis4 |
b2( a) a | b( cis) d | cis1 \bar "||" cis2 | cis2( d) e
d1 d2 | d1 d2 | cis1. \bar "||" cis2 d d | d1 cis2 | \merge d1. \bar "||"
}
tenor = \relative c {\clef bass
a'2 g fis | a1 a2 | b( cis) d | \push e1. \bar "||" d4( cis) b2 a |
g1 a2 | \push g1 a2 | a1 \bar "||" a2 a( b) cis |
d1 c2 | b1 b2 | a1. \bar "||" a2 fis b | a1 g2 | fis1. \bar "||"
}
bass = \relative c {\clef bass
d2 a b | fis1 fis'2 | \push e1 d2 | \push cis1. \bar "||" d2 d d |
\merge g1 fis2 | \push e1 d2 | a1 \bar "||" a'2 | a1 g2 |
fis1 fis2 | g1 e2 | a,1. \bar "||" fis2 b g | a1 a2 | d1. \bar "||"
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
%%% Score block
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos { \voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
} %% close layout
%%% Hymn Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 76 2)}}
} %%% Score bracket
%%% Hymn Note and Lyric Attribution and title markup
\markup { \small { \hspace #74 \italic "Mrs. C. F. Alexander, 1823-95." } }
\markup { \hspace #49 \small "‘I thirst.’" }
%%% Main lyric block
\markup { \hspace #34 %%add space as necc. to center the column
\column { %%% one super column for the entire block of lyrics
\column { %%verse 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "H" } %%Drop Cap goes here
\hspace #-1.0 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "IS are the thousand sparkling rills"
" That from a thousand fountains burst," } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"And fill with music all the hills:"
" And yet he saith, ‘I thirst.’"
}}
} %%% finish verse 1
\hspace #1
\line { "2 "
\column {
"All fiery pangs on battlefields,"
" On fever beds where sick men toss,"
"Are in that human cry he yields"
" To anguish on the Cross."
}}
} %%% end super column
}
%%% fake score block to occupy space and force a pagebreak. Can't think of a better way of doing this.
\score{
{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{
\context { \Staff
\remove Time_signature_engraver
\remove Key_engraver
\remove Clef_engraver
\remove Staff_symbol_engraver
}}}
%%% second page
%%% continuation of lyrics
\markup { \hspace #34 %%add space as necc. to center the column
\column {
\hspace #1
\line { "3* "
\column {
"But more than pains that racked him then"
" Was the deep longing thirst divine"
"That thirsted for the souls of men:"
" Dear Lord! and one was mine."
}}
\hspace #1
\line {"4. "
\column {
"O Love most patient, give me grace;"
" Make all my soul athirst for thee:"
"That parched dry lip, that fading face,"
" That thirst, were all for me."
}}
}
} %%% lyric markup bracket
%%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne d1 d \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo b1 a \bar "||" }}
>>
\context Lyrics \lyricsto "altos" {\override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree g'1 fis \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour g1 d' \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
} %% close layout
%%% Amen Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 76 2) }}
}
%%% alternative hymns also suitable
\markup { \hspace #48 \italic "Or the following: " }
\markup { \hspace #40 \small "106 There is a green hill far away." }
} %%% book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. The L3 who declares the hymn "cleared" should upload the correctly-named files to the file repository. This ensures that what is checked and cleared is exactly what is uploaded.
styg 20:20, 20 July 2007 (PDT)
- 2nd system, 2nd bar, alto 2nd note should be cis instead of a.
- 3rd system, last bar, treble line: scan only shows one augmentation dot on the shared d instead of two dots.
Jkenny 01:42, 21 July 2007 (PDT)
- 2nd system 2nd bar, fixed alto note.
- Last bar, fixed augmentation dot.
Lily3 cleared, files uploaded styg 22:16, 27 July 2007 (PDT)