The English Hymnal - Wiki Music Experiment/Hymns101-150/187
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Lily1 Code
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Lyrics copied from P3 and perl-formatted --QMacrocarpa 10:19, 12 June 2007 (PDT):
"AT the Cross her station keeping,"
"Stood the mournful Mother weeping,"
" Close to Jesus at the last,"
"Through her soul, of joy bereavèd,"
"Bowed with anguish, deeply grievèd,"
" Now at length the sword hath passed."
""
"O, that blessèd one, grief-laden,"
"Blessèd Mother, blessèd Maiden,"
" Mother of the all-holy One;"
"O that silent, ceaseless mourning,"
"O those dim eyes, never turning"
" From that wondrous, suffering Son."
""
"Who on Christ's dear Mother gazing,"
"In her trouble so amazing,"
" Born of woman, would not weep?"
"Who on Christ's dear Mother thinking,"
"Such a cup of sorrow drinking,"
" Would not share her sorrow deep?"
""
"For his people's sins, in anguish,"
"There she saw the victim languish,"
" Bleed in torments, bleed and die;"
"Saw the Lord's anointed taken;"
"Saw her Child in death forsaken;"
" Heard his last expiring cry."
""
"* In the Passion of my Maker,"
"Be my sinful soul partaker,"
" May I bear with her my part;"
"Of his Passion bear the token,"
"In a spirit bowed and broken"
" Bear his death within my Heart."
""
"* May his wounds both wound and heal me,"
"He rekindle, cleanse, anneal me,"
" Be his Cross my hope and stay."
"May he, when the mountains quiver,"
"From that flame which burns for ever"
" Shield me on the judgement day."
""
"Jesu, may thy Cross defend me,"
"And thy saving death befriend me,"
" Cherished by thy deathless grace:"
"When to dust my dust returneth,"
"Grant a soul that to thee yearneth"
" In thy Paradise a place."
""
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%%% 187.png
%%%% Hymn 115 Alternative Tune. At the Cross her station keeping.
%%%% Rev 2
\version "2.10"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - PASSIONTIDE: GOOD FRIDAY"
\hspace #0.1 }}
title = \markup { "115 " \large \smallCaps "(Alternative Tune)" }
meter = \markup { \small {\column { \line { \sans {"CHRISTI MUTTER STUND VOR SCHMERZEN."} \hspace #1 \roman {"(8 8 7. D.)" }}
\line { \italic {Very slow and solemn} \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 58.}
}
}}
arranger = \markup { \small {\center-align {
\line { \smallCaps "G. Corner," }
\line { \italic "Gesangbuch, 1625." }
} } }
tagline =""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%%% merge. Macro to pull note slightly leftwards. Used to produce those partially merged wholenotes
merge = \once \override NoteColumn #'force-hshift = #-0.01
%%% prints a repeat sign glyph comprising 4 dots. Used only to begin a repeat at the start of a piece where \bar ":" does not work
fdstartrepeat = {\once \override Staff.BarLine #'stencil = #ly:text-interface::print
\once \override Staff.BarLine #'text = \markup { \line { \hspace #0 \override #'(baseline-skip . 1.0)
\raise #1.4 \column { \with-color #black {
\fontsize #2 . \fontsize #2 . \fontsize #2 . \fontsize #2 .} }
} }
\bar "|:"}
%%% prints a repeat sign glyph comprising 4 dots and two thin bars
fdendrepeat = {\once \override Staff.BarLine #'stencil = #ly:text-interface::print
\once \override Staff.BarLine #'text = \markup { \line { \raise #1.4 \override #'(baseline-skip . 1.0) \column { \with-color #black { \fontsize #2 . \fontsize #2 . \fontsize #2 . \fontsize #2 .} }
\hspace #-1 \filled-box #'(0 . 0.15) #'(-2 . 2) #0
\hspace #-0.9 \filled-box #'(0 . 0.15) #'(-2 . 2) #0
} }
\bar "||"}
%%% generates the breathmarks
breathmark = { \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'Y-offset = #'4.0
\override Score.RehearsalMark #'X-offset = #'-0.5
\mark \markup {\fontsize #4 ","}
}
%%% Used to pull a note left. Used when a slurred note pair straddles a longer note above when notecolumn force-hshift does not work
straddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-3.0
\once \override Stem #'X-offset = #-3.0 }
%%% Small straddle: same as above but moves note a smaller amount
smallstraddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-1.2
\once \override Stem #'X-offset = #-1.2 }
%% Used to pull an upstem note left. Used when a slurred note pair straddles a longer note below and when notecolumn force-hshift does not work
topstraddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-1.5
\once \override Stem #'X-offset = #-0.2 }
%%%%%%%%%%%%%%%%%%%%%%%%% end of macro definitions
%%% SATB voices
global = {
\time 3/2
\key ees \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
\fdstartrepeat bes'1 bes2 | c1 bes2 | aes1 g2 | bes1. | g1. \breathmark \bar "||" bes1 aes2 | g1 g2 | \break
aes1 g2 | f1. | f1. \breathmark \bar "||" ees1 f2 | g1 aes2 | f1 f2 | ees1.^\fermata \fdendrepeat
}
alto = \relative c' {
\fdstartrepeat g'1 g2 | aes1 g2 | f1 ees2 | ees1( d2) | ees1. \bar "||" f1 f2 | d1 ees2 |
\smallstraddle c2( d) ees | \smallstraddle c( f ees) | d1. \bar "||" c1 d2 | ees1 ees2 | \straddle ees2( d4 c4) d2 | \merge ees1. \fdendrepeat
}
tenor = \relative c { \clef bass
\fdstartrepeat bes'1 ees2 | ees1 ees2 | c1 c2 | f,1( bes2) | bes1. \bar "||" bes1 c2 | b1 c2 |
aes1 bes2 | aes1( g2) | f1. \bar "||" \topstraddle ees2( g) bes | bes1 aes2 | bes1 bes4( aes) | g1. \fdendrepeat
}
bass = \relative c { \clef bass
\fdstartrepeat ees1 ees2 | aes1 ees2 | f1 c2 | bes1. | ees1. \bar "||" d1 f2 | g1 c,2 |
f1 ees2 | f1. | bes,1. \bar "||" c1 bes2 | \smallstraddle ees( d) c | bes1 bes2 | ees1. _\fermata \fdendrepeat
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book {
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos { \voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
} %% close layout
} %%% end score bracket
%%% A separate score block to unfold repeats and generate Hymn Midi
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano \soprano }
\context Voice = altos { \voiceTwo \global \alto \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor \tenor }
\context Voice = basses { \voiceTwo \global \bass \bass }
>>
>>
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 58 2)}}
} %%% end Hymn midi Score
%%% Lyric Attribution
\markup { \small { \hspace #74 \center-align { \italic "Ascribed to Jacopone da Todi, d. 1306."
\italic "Tr. Bishop Mant, Aubrey de Vere, and others." }
} }
\markup { \small { \hspace #52 \center-align { "‘Behold thy Mother.’"
"Stabat mater dolorosa." }
} }
%%% Main lyric block
\markup { \hspace #30 %%add space as necc. to center the column
\column { %%% one super column for the entire block of lyrics
\column { %%verse 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "A" } %%Drop Cap goes here
\hspace #-1.0 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "T the Cross her station keeping,"
" Stood the mournful Mother weeping," } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
" Close to Jesus at the last,"
"Through her soul, of joy bereavèd,"
"Bowed with anguish, deeply grievèd,"
" Now at length the sword hath passed."
}}
} %%% finish verse 1
\hspace #1
\line { "2 "
\column {
"O, that blessèd one, grief-laden,"
"Blessèd Mother, blessèd Maiden,"
" Mother of the all-holy One;"
"O that silent, ceaseless mourning,"
"O those dim eyes, never turning"
" From that wondrous, suffering Son."
}}
} %%% end super column
}
%%% fake score block to occupy space and force a pagebreak. Can't think of a better way of doing this.
\score{
{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{
\context { \Staff
\remove Time_signature_engraver
\remove Key_engraver
\remove Clef_engraver
\remove Staff_symbol_engraver
}}}
%%% second page
%%% continuation of lyrics
\markup { \hspace #30 %%add space as necc. to center the column
\column {
\hspace #1
\line { "3 "
\column {
"Who on Christ's dear Mother gazing,"
"In her trouble so amazing,"
" Born of woman, would not weep?"
"Who on Christ's dear Mother thinking,"
"Such a cup of sorrow drinking,"
" Would not share her sorrow deep?"
}}
\hspace #1
\line { "4 "
\column {
"For his people's sins, in anguish,"
"There she saw the victim languish,"
" Bleed in torments, bleed and die;"
"Saw the Lord's anointed taken;"
"Saw her Child in death forsaken;"
" Heard his last expiring cry."
}}
\hspace #1
\line { "5* "
\column {
"In the Passion of my Maker,"
"Be my sinful soul partaker,"
" May I bear with her my part;"
"Of his Passion bear the token,"
"In a spirit bowed and broken"
" Bear his death within my heart."
}}
\hspace #1
\line { "6* "
\column {
"May his wounds both wound and heal me,"
"He enkindle, cleanse, anneal me,"
" Be his Cross my hope and stay."
"May he, when the mountains quiver,"
"From that flame which burns for ever"
" Shield me on the judgement day."
}}
\hspace #1
\line {"7. "
\column {
"Jesu, may thy Cross defend me,"
"And thy saving death befriend me,"
" Cherished by thy deathless grace:"
"When to dust my dust returneth,"
"Grant a soul that to thee yearneth"
" In thy Paradise a place."
}}
}
} %%% lyric markup bracket
%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne ees1 ees \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo c1 bes \bar "||" }}
>>
\context Lyrics \lyricsto "altos" {\override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree aes'1 g \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour aes1 ees' \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context {
\Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
} %% close layout
%%%%%%%%%%%%%% Amen Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 58 2) }}
}
%%% alternative hymns also suitable
\markup { \hspace #42 \italic "Or the following: " }
\markup { \hspace #32 \small "510 We sing the praise of him who died." }
} %%% book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. The L3 who declares the hymn "cleared" should upload the correctly-named files to the file repository. This ensures that what is checked and cleared is exactly what is uploaded.
styg 20:05, 20 July 2007 (PDT)
- Hymn number should be 115 instead of 102.
- 2nd system, 3rd bar, tenor note should be f instead of g.
- Poem name above lyrics should not have single quotes around Stabat mater dolorosa.
- Verse 5, last line "heart" should not be capitalized. (Added to Proofing errors page.)
Jkenny 20:47, 20 July 2007 (PDT)
- All fixed.
Lily3 cleared, files uploaded styg 21:59, 27 July 2007 (PDT)