The English Hymnal - Wiki Music Experiment/Hymns101-150/185
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Lily1 Code
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Lyrics copied from P3 and perl-formatted --QMacrocarpa 10:15, 12 June 2007 (PDT):
"THE dying robber raised his aching brow"
" To claim the dying Lord for company;"
"And heard, in answer to his trembling vow,"
"The promise of the King: Thou--even thou--"
" To-day shalt be in Paradise with me."
""
"We too the measure of our guilt confess,"
" Knowing thy mercy, Lord, our only plea;"
"That we, like him, through judgement and distress,"
"For all the weight of our unworthiness,"
" May win our way to Paradise with thee."
""
"But so bewildered is our failing heart,"
" So dim the lustre of thy royalty."
"We hardly know thee, Lord, for what thou art,"
"Till we begin to take the better part"
" And lose ourselves in Paradise with thee."
""
"Then lift our eyes, dear Lord, from this poor dross,"
" To see thee reigning in humility,"
"The King of love; that, wresting gain from loss,"
"We too may climb the ladder of the Cross,"
" To find our home in Paradise with thee."
""
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%%% 185.png
%%%% Hymn 114 Alternative Version. Melody in the tenor. The dying robber raised his aching brow
%%%% Rev 2
\version "2.10"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - PASSIONTIDE: GOOD FRIDAY"
\hspace #0.1 }}
title = \markup { \center-align { "114"
\line { \large { \smallCaps "Alternative Version" "(melody in the tenor)" }}
\hspace #1 %%% insert a blank line
}}
meter = \markup { \small {\column { \line { \sans { \smallCaps "OLD 124th."} \hspace #1 \roman {"(10. 10. 10. 10. 10.)"}}
\line { \italic {Slow} \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 66.}
}
}}
arranger = \markup { \small { \center-align {
\line{ \italic "Harmony by" \smallCaps "W. Parsons" "(" \hspace #-1 \italic "slightly" }
\line { \italic "altered" \hspace #-1 ")" \italic "in Day's Psalter, 1563." }
} } }
tagline =""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%% push a note slightly to the right
push = \once \override NoteColumn #'force-hshift = #0.4
%%% merge. Macro to pull note slightly leftwards. Used to produce those partially merged wholenotes
merge = \once \override NoteColumn #'force-hshift = #-0.01
%%%%%%%%%%%%%%%%%%%%%%%%%%% End of macro definitions
%%% SATB voices
global = {
\time 4/2
\key f \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' { \once \override Staff.TimeSignature #'stencil = ##f
c1 e2 f | f1 f | e2 d d c | c\breve \bar "||" f1 g2 a | \break
bes1 a | g2 f e d | cis\breve \bar "||" c!1 c2 c | c1 c | \break
e2 g f g | fis\breve \bar "||" g1 g2 g | f1 e | f2 g a g | \break
g\breve \bar "||" f1 e2 d | c1 d | \time 3/1 d2( \push g1) f2 f4( g) e2 | f\breve \bar "||"
}
alto = \relative c' { \once \override Staff.TimeSignature #'stencil = ##f
a1 c2 c | d1 c | c2 a bes g | a\breve \bar "||" c1 ees2 ees |
f1 f | d2 c c a | a\breve \bar "||" g1 a2 a | g1 a |
c2 d d c | d\breve \bar "||" e!1 e2 d | c1 c | c2 e f d |
e\breve \bar "||" c1 c2 a | a1 a | \time 3/1 bes2 d c1 ~ c4( bes) a( g) | a\breve \bar "||"
}
tenor = \relative c {\clef bass \once \override Staff.TimeSignature #'stencil = ##f
f1 g2 a | bes1 a | g2 f f e | f\breve \bar "||" a1 bes2 c |
d1 c | bes2 a g f | e\breve \bar "||" c1 f2 f | e1 f |
g2 bes a g | a\breve \bar "||" c1 c2 bes | a1 g | a2 c c b |
c\breve \bar "||" a1 g2 f | e1 f | \time 3/1 g2 bes a1 \push g1 | f\breve \bar "||"
}
bass = \relative c {\clef bass \once \override Staff.TimeSignature #'stencil = ##f
\merge f1 c2 f | bes,1 f | c'2 d bes c | f,\breve \bar "||" f'1 ees2 c |
bes1 f | g2 a c d | a\breve \bar "||" \merge c1 f,2 f | c'1 f, \bar "||"
c'2 g d' ees | d\breve \bar "||" c1 c2 g | a1 c | f2 c f g |
c,\breve \bar "||" f1 c2 d | a1 d | \time 3/1 \push g, a bes2 c | f,\breve \bar "||"
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
%%% Score block
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos { \voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
\context { \Score \remove "Bar_number_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
} %% close layout
%%% Hymn Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 66 2)}}
} %%% Score bracket
%%% Hymn Note Markup
\markup{ \hspace #4 \override #'(line-width . 94)
\justify{ { " [" \italic {This version may be used in connexion with the other in those verses only where the} \smallCaps { Choir sings alone. }
\italic { " It is not suitable when the hymn is sung at a Three Hours' Service, but may" }
\italic { "be used on other occasions, and also for No. 352." } "]" } } }
%%% fake score block to occupy space and force a pagebreak. Can't think of a better way of doing this.
\score{
{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{
\context { \Staff
\remove Time_signature_engraver
\remove Key_engraver
\remove Clef_engraver
\remove Staff_symbol_engraver
}}}
%%% Second page
%%% Lyric Attribution
\markup { \small { \hspace #74 \italic "T. A. L." } }
%%% Main lyric block
\markup { \hspace #26 %%add space as necc. to center the column
\column { %%% one super column for the entire block of lyrics
\column { %%verse 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "T" } %%Drop Cap goes here
\hspace #-1.0 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "HE dying robber raised his aching brow"
" To claim the dying Lord for company;" } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"And heard, in answer to his trembling vow,"
"The promise of the King: Thou—even thou—"
" To-day shalt be in Paradise with me."
}}
} %%% finish verse 1
\hspace #1
\line { "2 "
\column {
"We too the measure of our guilt confess,"
" Knowing thy mercy, Lord, our only plea;"
"That we, like him, through judgement and distress,"
"For all the weight of our unworthiness,"
" May win our way to Paradise with thee."
}}
\hspace #1
\line { "3 "
\column {
"But so bewildered is our failing heart,"
" So dim the lustre of thy royalty."
"We hardly know thee, Lord, for what thou art,"
"Till we begin to take the better part"
" And lose ourselves in Paradise with thee."
}}
\hspace #1
\line {"4. "
\column {
"Then lift our eyes, dear Lord, from this poor dross,"
" To see thee reigning in humility,"
"The King of love; that, wresting gain from loss,"
"We too may climb the ladder of the Cross,"
" To find our home in Paradise with thee."
}}
}
} %%% lyric markup bracket
%%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne f1 f \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo d1 c \bar "||" }}
>>
\context Lyrics \lyricsto "altos" {\override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree bes'1 a \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour bes1 f \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
} %% close layout
%%% Amen Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 66 2) }}
}
%%% alternative hymns also suitable
\markup { \hspace #34 \italic "Or the following: " \small "99 Glory be to Jesus." }
} %%% book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. The L3 who declares the hymn "cleared" should upload the correctly-named files to the file repository. This ensures that what is checked and cleared is exactly what is uploaded.
Notes by L2 Jkenny 09:19, 17 July 2007 (PDT)
- Since this is an alternative version of previous piece, with same melody, I have copied over the tune name and meter/tempo markings.
styg 19:52, 20 July 2007 (PDT)
- 2nd system, 3rd bar, alto note should be a instead of ais.
- Everything else looks good.
Jkenny 20:38, 20 July 2007 (PDT)
- Fixed alto note.
Lily3 cleared, files uploaded styg 21:59, 27 July 2007 (PDT)