The English Hymnal - Wiki Music Experiment/Hymns101-150/184
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Lily1 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
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Then create a link in this section to that uploaded midi file.
Lyrics copied from P3 and perl-formatted --QMacrocarpa 10:14, 12 June 2007 (PDT):
"THE dying robber raised his aching brow"
" To claim the dying Lord for company;"
"And heard, in answer to his trembling vow,"
"The promise of the King: Thou--even thou--"
" To-day shalt be in Paradise with me."
""
"We too the measure of our guilt confess,"
" Knowing thy mercy, Lord, our only plea;"
"That we, like him, through judgement and distress,"
"For all the weight of our unworthiness,"
" May win our way to Paradise with thee."
""
"But so bewildered is our failing heart,"
" So dim the lustre of thy royalty."
"We hardly know thee, Lord, for what thou art,"
"Till we begin to take the better part"
" And lose ourselves in Paradise with thee."
""
"Then lift our eyes, dear Lord, from this poor dross,"
" To see thee reigning in humility,"
"The King of love; that, wresting gain from loss,"
"We too may climb the ladder of the Cross,"
" To find our home in Paradise with thee."
""
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%%% 184.png
%%%% Hymn 114. Old 124th The dying robber raised his aching brow
%%%% Rev 1.
\version "2.10"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - PASSIONTIDE: GOOD FRIDAY"
\hspace #0.1 }}
title = "114"
poet = \markup { \small { \line { \sans { \smallCaps "OLD 124th."} \hspace #1 \roman {"(10. 10. 10. 10. 10.)"}} }}
meter = \markup { \small { \italic {Slow} \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 66.} }
arranger = \markup { \small \italic "Melody in Genevan Psalter, 1551." }
tagline =""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%% push a note slightly to the right
push = \once \override NoteHead #'X-offset = #1
%%% merge. Macro to pull note slightly leftwards. Used to produce those partially merged wholenotes
merge = \once \override NoteColumn #'force-hshift = #-0.01
%% Used to pull a note left. Used when a slurred note pair straddles a longer note above when notecolumn force-hshift does not work
straddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-3.2
\once \override Stem #'X-offset = #-3.2 }
%% same as above but smaller movement
smallstraddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-1.4
\once \override Stem #'X-offset = #-1.4 }
%% Used to pull an upstem note left. Used when a slurred note pair straddles a longer note below and when notecolumn force-hshift does not work
topstraddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-1.5
\once \override Stem #'X-offset = #-0.2 }
%%%%%%%%%%%%%%%%%%%%%%%%%%% End of macro definitions
%%% SATB voices
global = {
\time 4/2
\key f \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' { \once \override Staff.TimeSignature #'stencil = ##f
f1 g2 a | bes1 a1 | g2 f f e | f\breve \bar "||" a1 bes2 c2 | \break
d1 c | bes2 a g f | e\breve \bar "||" c1 f2 f | e1 f | \break
g2 bes a g | a\breve \bar "||" c1 c2 bes | a1 g | a2 c c b | \break
c\breve \bar "||" a1 g2 f | e1 f | \time 3/1 g2 bes2 \push a1 g | f \bar "||"
}
alto = \relative c' { \once \override Staff.TimeSignature #'stencil = ##f
c1 c2 c | f1 \smallstraddle f2( e) | d d c c | c\breve \bar "||" c1 f2 e |
d1 ees | f2 f d d | c\breve \bar "||" \merge c1 a2 b | c1 \merge f |
d2 d f d | e\breve \bar "||" f1 f2 g | f1 \smallstraddle d2( e) | f2. e4 d2 d |
e\breve \bar "||" \smallstraddle f2( e) d d | c1 \merge f | \time 3/1 d2 g \push f1. e2 | \merge f1 \bar "||"
}
tenor = \relative c {\clef bass \once \override Staff.TimeSignature #'stencil = ##f
a'1 c2 c | bes1 c1 | bes2. a4 g2 g | a\breve \bar "||" f1 f4( g) a2 |
bes1 \topstraddle g2( a) | bes c bes2. a4 | g\breve \bar "||" f1 f2 f | \topstraddle g( c) \topstraddle bes( a) |
g g c d | \topstraddle d1( cis) \bar "||" c! a2 g | c1 bes | c2. b4 a2 g |
g\breve \bar "||" f1 bes2. a4 | g1 c | \time 3/1 d2 bes c( d) g,1 | a1 \bar "||"
}
bass = \relative c {\clef bass \once \override Staff.TimeSignature #'stencil = ##f
f1 e2 f | d1 f | bes,2 bes c c | f\breve \bar "||" \straddle f2( e) d e |
bes1 c | d2 f bes, bes | c\breve \bar "||" a1 d2 d | c1 d1 |
bes2 g a bes | a\breve \bar "||" a1 d2 e2 | f1 \merge bes | a2. g4 f2 g |
c,\breve \bar "||" \merge f1 bes,2 bes | c1 \smallstraddle bes2( a) | \time 3/1 bes2 g a( bes) c1 | f,1 \bar "||"
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
%%% Score block
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos { \voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
\context { \Score \remove "Bar_number_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
} %% close layout
%%% Hymn Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 66 2)}}
} %%% Score bracket
%%% Lyric Attribution
\markup { \small { \hspace #74 \italic "T. A. L." } }
\markup { "" } %%% need to force a blank line as Lilypond did not leave enough space
%%% Main lyric block
\markup { \hspace #30 %%add space as necc. to center the column
\column { %%% one super column for the entire block of lyrics
\column { %%verse 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "T" } %%Drop Cap goes here
\hspace #-1.0 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "HE dying robber raised his aching brow"
" To claim the dying Lord for company;" } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"And heard, in answer to his trembling vow,"
"The promise of the King: Thou—even thou—"
" To-day shalt be in Paradise with me."
}}
} %%% finish verse 1
} %%% end super column
}
%%% fake score block to occupy space and force a pagebreak. Can't think of a better way of doing this.
\score{
{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{
\context { \Staff
\remove Time_signature_engraver
\remove Key_engraver
\remove Clef_engraver
\remove Staff_symbol_engraver
}}}
%%% second page
%%% continuation of lyrics
\markup { \hspace #26 %%add space as necc. to center the column
\column {
\hspace #1
\line { "2 "
\column {
"We too the measure of our guilt confess,"
" Knowing thy mercy, Lord, our only plea;"
"That we, like him, through judgement and distress,"
"For all the weight of our unworthiness,"
" May win our way to Paradise with thee."
}}
\hspace #1
\line { "3 "
\column {
"But so bewildered is our failing heart,"
" So dim the lustre of thy royalty."
"We hardly know thee, Lord, for what thou art,"
"Till we begin to take the better part"
" And lose ourselves in Paradise with thee."
}}
\hspace #1
\line {"4. "
\column {
"Then lift our eyes, dear Lord, from this poor dross,"
" To see thee reigning in humility,"
"The King of love; that, wresting gain from loss,"
"We too may climb the ladder of the Cross,"
" To find our home in Paradise with thee."
}}
}
} %%% lyric markup bracket
%%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne f1 f \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo d1 c \bar "||" }}
>>
\context Lyrics \lyricsto "altos" {\override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree bes'1 a \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour bes1 f \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
} %% close layout
%%% Amen Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 66 2) }}
}
%%% alternative hymns also suitable
\markup { \hspace #34 \italic "Or the following: " \small "99 Glory be to Jesus." }
} %%% book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. The L3 who declares the hymn "cleared" should upload the correctly-named files to the file repository. This ensures that what is checked and cleared is exactly what is uploaded.
Lily3 cleared, files uploaded styg 21:59, 27 July 2007 (PDT)