The English Hymnal - Wiki Music Experiment/Hymns101-150/183
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Lily1 Code
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Lyrics copied from P3 and perl-formatted --QMacrocarpa 10:12, 12 June 2007 (PDT):
"'LORD, when thy kingdom comes, remember me;'"
" Thus spake the dying lips to dying ears;"
"O faith, which in that darkest hour could see"
" The promised glory of the far-off years!"
""
"No kingly sign declares that glory now,"
" No ray of hope lights up that awful hour;"
"A thorny crown surrounds the bleeding brow,"
" The hands are stretched in weakness, not in power."
""
"Hark! through the gloom the dying Saviour saith,"
" 'Thou too shalt rest in Paradise to-day;'"
"O words of love to answer words of faith!"
" O words of hope for those that live to pray!"
""
"Lord, when with dying lips my prayer is said,"
" Grant that in faith thy kingdom I may see;"
"And, thinking on thy Cross and bleeding head,"
" May breathe my parting words, 'Remember me.'"
""
"Remember me, but not my shame or sin;"
" Thy cleansing Blood hath washed them all away;"
"Thy precious death for me did pardon win;"
" Thy Blood redeemed me in that awful day."
""
"Remember me; and, ere I pass away,"
" Speak thou the assuring word that sets us free,"
"And make thy promise to my heart, 'To-day"
" Thou too shalt rest in Paradise with me.'"
""
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%%% 183.png (begins on 182.png)
%%%% Hymn 113 Song 4. Lord, when thy kingdom comes, remember me
%%%% Rev 2.
\version "2.10"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - PASSIONTIDE: GOOD FRIDAY"
\hspace #0.1 }}
title = "113"
poet = \markup { \small { \line { \sans {"SONG 4."} \hspace #1 \roman {"(10. 10. 10. 10.)"}} }}
meter = \markup { \small { \italic {Moderately slow} \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 63.} }
arranger = \markup { \small \smallCaps "O. Gibbons, 1583-1625." }
tagline =""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%%% generates the breathmarks
breathmark = { \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'Y-offset = #'4.0
\override Score.RehearsalMark #'X-offset = #'-0.5
\mark \markup {\fontsize #4 ","}
}
%% push a note slightly to the right
push = \once \override NoteColumn #'force-hshift = #0.4
%%% merge. Macro to pull note slightly leftwards. Used to produce those partially merged wholenotes
merge = \once \override NoteColumn #'force-hshift = #-0.01
%% Used to pull a note left. Used when a slurred note pair straddles a longer note above when notecolumn force-hshift does not work
straddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-3.0
\once \override Stem #'X-offset = #-3.0 }
%%%%%%%%%%%%%%%%%%%%%%%%%%% End of macro definitions
%%% SATB voices
global = {
\time 4/2
\key c \minor
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
\partial 2 g'2 | c b c d | ees bes c aes | g1. \bar "||" g2 | bes a g2. f4 | \break
ees2 c f ees | d1. \bar "||" d'2 | b g c b | c g c ees | \break
ees1. \bar "||" g,2 | a b c d | b ees d d | c1. \bar "||"
}
alto = \relative c' {
ees2 | ees d ees f | g ees g f4( ees4) | d1. \bar "||" d2 g f ees d |
c c c c | b1. \bar "||" g'2 | g g g f | ees ees ees f |
g1. \bar "||" g2 | g f ees aes! | g4(f) ees(f) g(f) d2 | ees1. \bar "||"
}
tenor = \relative c {\clef bass
c'2 | g g g bes | bes ees4(d) c2 c | b1. \bar "||" bes2 | d d4(c) bes2 bes |
g2 ees aes g | g1. \bar "||" b2 | d b c d | g, c c4( bes) aes2 |
bes1. \bar "||" c2 | c g c f | d c c b | c1. \bar "||"
}
bass = \relative c {\clef bass
c2 | c g c bes | ees g ees f | g1. \bar "||" g,2 | g' d ees bes |
c c f c | g1. \bar "||" g2 | g'2. f4 ees2 d | c \straddle c'4( bes4) aes4( g) f2 |
ees1. \bar "||" ees2 | f g aes! f | g c, g' g, | c1. \bar "||"
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
%%% Score block
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos { \voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
} %% close layout
%%% Hymn Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 63 2)}}
} %%% Score bracket
%%% Hymn Note and Lyric Attribution and title markup
\markup { \hspace #24 \smallCaps "Note" \hspace #-1.2 ".—" \italic "This hymn may also be sung to" \smallCaps "All Souls" "(" \hspace #-1 \italic "No. 429" \hspace #-1 ")." }
\markup { \small { \hspace #74 \italic "Archbishop Maclagan." } }
\markup { \hspace #26 \small "‘Verily I say unto thee, To-day shalt thou be with me in Paradise.’" }
%%% Main lyric block
\markup { \hspace #26 %%add space as necc. to center the column
\column { %%% one super column for the entire block of lyrics
\column { %%verse 1 is a column of 2 lines
\line { \hspace #2.2 \column { \line { \fontsize #0 "‘" \hspace #-1.0 \lower #2.4 \fontsize #8 "L" }} %%Drop Cap goes here
\hspace #-1.4 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "ORD, when thy kingdom comes, remember me;’"
" Thus spake the dying lips to dying ears;" } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"O faith, which in that darkest hour could see"
" The promised glory of the far-off years!"
}}
} %%% finish verse 1
\hspace #1
\line { "2 "
\column {
"No kingly sign declares that glory now,"
" No ray of hope lights up that awful hour;"
"A thorny crown surrounds the bleeding brow,"
" The hands are stretched in weakness, not in power."
}}
} %%% end super column
}
%%% fake score block to occupy space and force a pagebreak. Can't think of a better way of doing this.
\score{
{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{
\context { \Staff
\remove Time_signature_engraver
\remove Key_engraver
\remove Clef_engraver
\remove Staff_symbol_engraver
}}}
%%% second page
%%% continuation of lyrics
\markup { \hspace #26 %%add space as necc. to center the column
\column {
\hspace #1
\line { "3 "
\column {
"Hark! through the gloom the dying Saviour saith,"
" ‘Thou too shalt rest in Paradise to-day;’"
"O words of love to answer words of faith!"
" O words of hope for those that live to pray!"
}}
\hspace #1
\line { "4 "
\column {
"Lord, when with dying lips my prayer is said,"
" Grant that in faith thy kingdom I may see;"
"And, thinking on thy Cross and bleeding head,"
" May breathe my parting words, ‘Remember me.’"
}}
\hspace #1
\line { "5 "
\column {
"Remember me, but not my shame or sin;"
" Thy cleansing Blood hath washed them all away;"
"Thy precious death for me did pardon win;"
" Thy Blood redeemed me in that awful day."
}}
\hspace #1
\line {"6. "
\column {
"Remember me; and, ere I pass away,"
" Speak thou the assuring word that sets us free,"
"And make thy promise to my heart, ‘To-day"
" Thou too shalt rest in Paradise with me.’"
}}
}
} %%% lyric markup bracket
%%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne f1 e \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo c1 c \bar "||" }}
>>
\context Lyrics \lyricsto "altos" {\override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree aes'1 g \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour f1 c \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
} %% close layout
%%% Amen Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 63 2) }}
}
} %%% book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. The L3 who declares the hymn "cleared" should upload the correctly-named files to the file repository. This ensures that what is checked and cleared is exactly what is uploaded.
styg 19:28, 20 July 2007 (PDT)
- Typo: original is missing the period after the third 10 in the poetic meter--added to Proofing errors page--no changes needed in ly file.
- 2nd system, 1st bar, tenor, 3rd note should be aes instead of a.
- Verse 1, line 1, opening single quote mark needs to be normal size instead of drop cap size.
Jkenny 20:01, 20 July 2007 (PDT)
- Fixed 2nd system 1st bar tenor note.
- Fixed verse 1 line 1 single quote mark size.
Lily3 cleared, files uploaded styg 21:59, 27 July 2007 (PDT)