The English Hymnal - Wiki Music Experiment/Hymns101-150/182

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Lily1 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

To upload a midi, go here: file-repository. You need a userid and password (see this project's main wiki page).

Then create a link in this section to that uploaded midi file.


Lyrics copied from P3 and perl-formatted --QMacrocarpa 10:11, 12 June 2007 (PDT):

"'FORGIVE them, O my Father,"
"    They know not what they do:'"
"The Saviour spake in anguish,"
"    As the sharp nails went through."
""
"No pained reproaches gave he"
"    To them that shed his Blood,"
"But prayer and tenderest pity"
"    Large as the love of God."
""
"For me was that compassion."
"    For me that tender care;"
"I need his wide forgiveness"
"    As much as any there."
""
"It was my pride and hardness"
"    That hung him on the Tree;"
"Those cruel nails, O Saviour,"
"    Were driven in by me."
""
"And often I have slighted"
"    Thy gentle voice that chid;"
"Forgive me too, Lord Jesus;"
"    I knew not what I did."
""
"O depth of sweet compassion!"
"    O love divine and true!"
"Save thou the souls that slight thee,"
"    And know not what they do."
""

Lily2 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

%%%% 182.png
%%%% Hymn 112 St Mary Magdalene. Forgive them O my Father
%%%% Rev 2.

\version "2.10"
\header {
  dedication = \markup { \center-align { "THE CHRISTIAN YEAR - PASSIONTIDE: GOOD FRIDAY"
	\hspace #0.1 }}	
	
  title = "112"
  
  poet = \markup { \small {  \line { \sans {"ST. MARY MAGDALENE."} \hspace #1 \roman {"(7 6. 7 6.)"}} }}
  
  meter = \markup { \small { \italic {Slow} \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 56.} }
  
  arranger = \markup { \small \smallCaps "H. A. Jeboult." }
  
  tagline =""
}

%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros

%%% generates the breathmarks

breathmark = { \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
	\override Score.RehearsalMark #'Y-offset = #'4.0
	\override Score.RehearsalMark #'X-offset = #'-0.5
	\mark \markup {\fontsize #4 ","}
}

%% push a note slightly to the right

push = \once \override NoteColumn #'force-hshift = #0.6

%% Used to pull a note left. Used when a slurred note pair straddles a longer note above when notecolumn force-hshift does not work 		 
straddle =  { \once \override Score.SeparationItem #'padding = #2
              \once \override NoteHead #'X-offset = #-3.0
              \once \override Stem #'X-offset = #-3.0 }
	      
%%%%%%%%%%%%%%%%%%%%%%%%%%% End of macro definitions

%%% SATB voices

global = {
  \time 4/2
  \key g \minor
  \set Staff.midiInstrument = "church organ"
}

soprano = \relative c' { 
  \partial 2 bes'2 | a4( bes4) c2 bes a4( g4) | fis4( g a2) d, \breathmark \bar "||" d | g f ees4( d) ees2 | d1.  \breathmark \bar "||" \break
  d'2 | c bes a bes | a( g) fis \breathmark \bar "||" d g f4( ees) d2 a' | g1. \bar "||"
} 
   
alto = \relative c' {
  bes4( c) | d2 g f ees | \push d1 d2 \bar "||" \straddle d4( a) | bes( c) d2 g, g4( a4) | bes1. \bar "||"
  f'2 | f4( ees) d( c) d2 d | ees( c) d \bar "||" a | d d4( c4) bes2 d4( c) | bes1. \bar "||"
}

tenor = \relative c {\clef bass 
  g'2 | a g4( a4) bes2 c4( bes) | a2( d4 c4) bes2 \bar "||" a | g4( a) bes2 c ees, | f1. \bar "||"
  bes2 | a g fis d' | c4( bes a g) a2 \bar "||" fis | g g g4( e) fis2 g1. \bar "||"
}

bass = \relative c {\clef bass 
  g'2 | f2 ees d c | d4( e fis2) g2 \bar "||" f | ees d c c | bes1. \bar "||" 
  bes'2 | f g d g,4( bes) | c2( ees) d \bar "||" d4( c4) | bes2 c d d | 
      << { g,1. } 
      \new Voice = "alt" { \voiceFour
      \set fontSize = #-3   \override NoteColumn #'force-hshift = #0.1 
      d'1. } >>
  \bar "||"
}

#(ly:set-option 'point-and-click #f)

\paper {
  #(set-paper-size "a4")
%  annotate-spacing = ##t
  print-page-number = ##f
  ragged-last-bottom = ##t
  ragged-bottom = ##t
}

\book{

%%% Score block	

\score{
\new ChoirStaff	
<<
	\context Staff = upper << 
	\context Voice = sopranos { \voiceOne \global \soprano }
	\context Voice = altos    { \voiceTwo \global \alto }
	                      >>
	\context Staff = lower <<
	\context Voice = tenors { \voiceOne \global \tenor }
	\context Voice = basses { \voiceTwo \global \bass }
			        >>
>>
\layout {
		indent=0
		\context { \Score \remove "Bar_number_engraver" }
		\context { \Staff \remove "Time_signature_engraver" }
		\context { \Score \remove "Mark_engraver"  }
                \context { \Staff \consists "Mark_engraver"  }
	} %% close layout
	
%%% Hymn Midi	

\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 56 2)}} 

} %%% Score bracket

%%% Hymn Note and Lyric Attribution and title markup

\markup { \hspace #12 \smallCaps "Note" \hspace #-1.2 ".—" \italic "This hymn may also be sung to" \smallCaps "Christus, der ist mein Leben" "(" \hspace #-1 \italic "No. 232" \hspace #-1 ")." }  

\markup { \small { \hspace #74 \italic "Mrs. C. F. Alexander, 1823-95." } }

\markup { \hspace #30 \small "‘Father, forgive them, for they know not what they do.’" } 
%%% Main lyric block

\markup { \hspace #34 %%add space as necc. to center the column
          \column { %%% one super column for the entire block of lyrics
	                 \column { %%verse 1 is a column of 2 lines  
				 \line { \hspace #2.2 \column { \line { \fontsize #0 "‘" \hspace #-1.0 \lower #2.4 \fontsize #8 "F" }}   %%Drop Cap goes here
				  \hspace #-1.0    %% adjust this if other letters are too far from Drop Cap
				  \column  { \raise #0.0 "ORGIVE them, O my Father,"
			                                 "  They know not what they do:’" } }  
	                  \line {  \hspace #2.5  %%adjust hspace until this line left edge is flush with Drop Cap
				   \lower  #1.56  %%adjust this until the line spacing looks right
				   \column {   
					   "The Saviour spake in anguish,"
					   "    As the sharp nails went through."
			  		}} 
			         } %%% finish verse 1	
		  	\hspace #1 
           		\line { "2  "
			   \column {	     
				   "No pained reproaches gave he"
				   "    To them that shed his Blood,"
				   "But prayer and tenderest pity"
				   "    Large as the love of God."
			}}	
			\hspace #1 
           		\line { "3  "
			   \column {	     
				   "For me was that compassion,"
				   "    For me that tender care;"
				   "I need his wide forgiveness"
				   "    As much as any there."
			}}
						\hspace #1 
    }	%%% end super column  
}	


%%% fake score block to occupy space and force a pagebreak.  Can't think of a better way of doing this.
\score{
	{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{	
	\context { \Staff
		\remove Time_signature_engraver
		\remove Key_engraver
		\remove Clef_engraver
		\remove Staff_symbol_engraver
}}}


%%% second page
%%% continuation of  lyrics

\markup { \hspace #34   %%add space as necc. to center the column
          \column { 
		        \hspace #1 
           		\line { "4  "
			  \column {	     
				  "It was my pride and hardness"
				  "    That hung him on the Tree;"
				  "Those cruel nails, O Saviour,"
				  "    Were driven in by me."
			}}
			\hspace #1 
           		\line { "5  "
			  \column {	     
				  "And often I have slighted"
				  "    Thy gentle voice that chid;"
				  "Forgive me too, Lord Jesus;"
				  "    I knew not what I did."
			}}			
    		        \hspace #1 
           		\line {"6. "
			  \column {	     
				  "O depth of sweet compassion!"
				  "    O love divine and true!"
				  "Save thou the souls that slight thee,"
				  "    And know not what they do."
			}}
	  }
} %%% lyric markup bracket

%%% Amen score block
\score{
  \new ChoirStaff
   <<
        \context Staff = upper \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) }  
	                      << 
	\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne g'1 g  \bar "||" }}
	\context Voice = "altos"    { \relative c' { \clef treble \global \voiceTwo c1 b \bar "||" }}
	                      >>
			  
	\context Lyrics \lyricsto "altos" {\override LyricText #'font-size = #-1  A -- men. }
	
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) }  
	                       << 
	\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree ees1 d \bar "||" }}
	\context Voice = "basses" { \relative c { \clef bass \global \voiceFour  c1 g \bar "||" }}
			        >> 
  >>			      
\header { breakbefore = ##f piece = " " opus = " " }

\layout { 
      \context { \Score timing = ##f }
	ragged-right = ##t
	indent = 15\cm
	\context { \Staff \remove Time_signature_engraver }

       } %% close layout

%%% Amen Midi

\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 56 2) }} 

}


%%% alternative hymns also suitable

\markup { \hspace #32 \italic "Or the following: " \small  "416  Jesu, meek and lowly." }

	
} %%% book bracket

Lily3 Notes

Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. The L3 who declares the hymn "cleared" should upload the correctly-named files to the file repository. This ensures that what is checked and cleared is exactly what is uploaded.

styg 19:20, 20 July 2007 (PDT)

  • Verse 1, opening quote mark should be regular size instead of the size of the drop cap. Hopefully this is easier to accomplish in Lilypond than in HTML! (Just ask any post-processor who has tried this....)
  • Verse 3, line 1: I think this ends with a comma instead of period--please check.

Jkenny 19:52, 20 July 2007 (PDT)

  • Opening quote mark fixed. Not as difficult as I feared!
  • Verse 3 line 1 - 1933 edition shows a comma, so fixed. Will update proofing errors page when the server goes up.

Lily3 cleared, files uploaded styg 21:59, 27 July 2007 (PDT)


Project History

    • Lily1 - (lyrics added)
    • Lily2 - done. Jkenny 18:17, 4 July 2007 (PDT)
    • Lily3 - comments added styg 19:20, 20 July 2007 (PDT)
- fixed. Jkenny 19:53, 20 July 2007 (PDT)
- Lily3 cleared, files uploaded styg 22:01, 27 July 2007 (PDT)