The English Hymnal - Wiki Music Experiment/Hymns101-150/181
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Lily1 Code
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Lyrics copied from P3 and perl-formatted --QMacrocarpa 10:09, 12 June 2007 (PDT):
"O COME and mourn with me awhile;"
" See Mary calls us to her side;"
"O come and let us mourn with her:"
" Jesus, our Love, is crucified."
""
"Have we no tears to shed for him,"
" While soldiers scoff and Jews deride?"
"Ah, look how patiently he hangs:"
" Jesus, our Love, is crucified."
""
"* How fast his hands and feet are nailed;"
" His blessèd tongue with thirst is tied;"
"His failing eyes are blind with blood:"
" Jesus, our Love is crucified."
""
"* His Mother cannot reach his face;"
" She stands in helplessness beside;"
"Her heart is martyred with her Son's:"
" Jesus, our Love, is crucified."
""
"Seven times he spoke, seven words of love;"
" And all three hours his silence cried"
"For mercy on the souls of men:"
" Jesus, our Love, is crucified."
""
"O break, O break, hard heart of mine;"
" Thy weak self-love and guilty pride"
"His Pilate and his Judas were:"
" Jesus, Our Love, is crucified."
""
"A broken heart, a fount of tears,"
" Ask, and they will not be denied;"
"A broken heart love's cradle is:"
" Jesus, our Love, is crucified."
""
"O Love of God! O sin of Man!"
" In this dread act your strength is tried;"
"And victory remains with Love:"
" And he, our Love, is crucified."
""
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%%% 181.png
%%%% Hymn 111. Das Leiden Des Herrn. O come and mourn with me awhile
%%%% Rev 2.
\version "2.10"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - PASSIONTIDE: GOOD FRIDAY"
\hspace #0.1 }}
title = "111"
poet = \markup { \small { \line { \sans {"DAS LEIDEN DES HERRN."} \hspace #1 \roman {"(L. M.)"}} }}
meter = \markup { \small { \italic {Very slow} \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 63.} }
arranger = \markup { \small \italic "German Traditional Melody." }
tagline =""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%%% generates the breathmarks
breathmark = { \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'Y-offset = #'4.0
\override Score.RehearsalMark #'X-offset = #'-0.5
\mark \markup {\fontsize #4 ","}
}
%%% merge. Macro to pull note slightly leftwards. Used to produce those partially merged wholenotes
merge = \once \override NoteColumn #'force-hshift = #-0.01
%%% inserts a no-break single bar
nbbar = { | \noBreak }
%% push a note slightly to the right
push = \once \override NoteColumn #'force-hshift = #0.6
%% Used to pull an upstem note left. Used when a slurred note pair straddles a longer note below and when notecolumn force-hshift does not work
topstraddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-1.5
\once \override Stem #'X-offset = #-0.2 }
%% Used to pull a note left. Used when a slurred note pair straddles a longer note above when notecolumn force-hshift does not work
straddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-3.0
\once \override Stem #'X-offset = #-3.0 }
%% same as above but smaller movement
smallstraddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-2.0
\once \override Stem #'X-offset = #-2.0 }
%%%%%%%%%%%%%%%%%%%%%%%%%%% End of macro definitions
%%% SATB voices
global = {
\time 3/2
\key g \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
e2 e e \nbbar b'2.( c4) b2 \nbbar b( a) g \nbbar fis1. \bar "||" \noBreak a2 a a \nbbar \topstraddle a2.( g4) fis2 \nbbar g2( a) b \nbbar e,1 \breathmark \bar "||" \break
b'2 \nbbar a( fis) g4( fis) \nbbar e1 d2 \nbbar g1 a2 \nbbar b1. \bar "||" \noBreak b2 b b \nbbar a1 b2 \nbbar g fis1 \nbbar e1. \bar "||"
}
alto = \relative c' {
e2 e e \nbbar e1 e2 \nbbar g( fis) e \nbbar \straddle e2( d1) \bar "||" c2 e fis \nbbar b,1 e2 \nbbar \push e1 fis2 \nbbar \merge e1 \bar "||"
d2 \nbbar c( e) d \nbbar c1 c2 \nbbar \smallstraddle c2( b) e \nbbar e1( dis2) \bar "||" e gis4( fis) e2 \nbbar e1 b2 \nbbar cis \straddle e( dis) \nbbar \merge e1. \bar "||"
}
tenor = \relative c {\clef bass
e2 e4( fis) g( a) \nbbar b2.( a4) b2 \nbbar cis1 cis2 \nbbar a1( b2) \bar "||" c! c c \nbbar b1 a2 \nbbar g( c) b \nbbar b( a) \bar "||"
d,2 \nbbar e( a) b4( a4) \nbbar g1 fis2 \nbbar g1 e2 \nbbar fis1. \bar "||" gis2 e' d \nbbar d( c) e \nbbar a, a1 \nbbar g1. \bar "||"
}
bass = \relative c {\clef bass
\override Stem #'length = #5
e2 e e4( fis4) \nbbar g2.( fis4) g2 \nbbar a1 a,2 \nbbar d1. \bar "||" a2 c d \nbbar e1 e2 \nbbar \push e1 d2 \nbbar \push c1 \bar "||"
g2 \nbbar \push c1 b2 \nbbar b a1 \nbbar g c2 \nbbar b1. \bar "||" e2 e4( fis) gis!2 \nbbar
\once\override Slur #'control-points = #'((1.5 . 1.5) (3 . 1.5 ) (3.5 . 1.0 ) (4 . 0))
a( a,) g! \nbbar a2 b1 \nbbar e1. \bar "||"
}
org = \relative c { \clef bass
\set fontSize = #-3 \override Stem #'length = #4
\override NoteColumn #'force-hshift = #0.2
s1.*7 | s1 \bar "||"
s2 | s1.*3 | s1._\markup { \hspace #5 \lower #1 \normalsize \italic Org. } \bar "||" e,2 e4( fis) gis2 | a1 s2 | s1. | s1. \bar "||"
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
%%% Score block
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos { \voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
\context Voice = org { \voiceFour \global \org }
>>
>>
\layout {
indent=0
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
} %% close layout
%%% Hymn Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 63 2)}}
} %%% Score bracket
%%% Hymn Note and Lyric Attribution markup
\markup { \hspace #18 \smallCaps "Note" \hspace #-1.2 ".—" \italic "Another tune to this hymn will be found in the Appendix." }
\markup { \small { \hspace #74 \italic "F. W. Faber, 1814-63." } }
%%% Main lyric block
\markup { \hspace #30 %%add space as necc. to center the column
\column { %%% one super column for the entire block of lyrics
\column { %%verse 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "O" } %%Drop Cap goes here
\hspace #-1.2 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 " COME and mourn with me awhile;"
" See Mary calls us to her side;" } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"O come and let us mourn with her:"
" Jesus, our Love, is crucified."
}}
} %%% finish verse 1
\hspace #1
\line { "2 "
\column {
"Have we no tears to shed for him,"
" While soldiers scoff and Jews deride?"
"Ah, look how patiently he hangs:"
" Jesus, our Love, is crucified."
}}
\hspace #1
\line { "3* "
\column {
"How fast his hands and feet are nailed;"
" His blessèd tongue with thirst is tied;"
"His failing eyes are blind with blood:"
" Jesus, our Love, is crucified."
}}
\hspace #1
\line { "4* "
\column {
"His Mother cannot reach his face;"
" She stands in helplessness beside;"
"Her heart is martyred with her Son's:"
" Jesus, our Love, is crucified."
}}
} %%% end super column
}
%%% fake score block to occupy space and force a pagebreak. Can't think of a better way of doing this.
\score{
{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{
\context { \Staff
\remove Time_signature_engraver
\remove Key_engraver
\remove Clef_engraver
\remove Staff_symbol_engraver
}}}
%%% second page
%%% continuation of lyrics
\markup { \hspace #30 %%add space as necc. to center the column
\column {
\hspace #1
\line { "5 "
\column {
"Seven times he spoke, seven words of love;"
" And all three hours his silence cried"
"For mercy on the souls of men:"
" Jesus, our Love, is crucified."
}}
\hspace #1
\line { "6 "
\column {
"O break, O break, hard heart of mine;"
" Thy weak self-love and guilty pride"
"His Pilate and his Judas were:"
" Jesus, Our Love, is crucified."
}}
\hspace #1
\line { "7 "
\column {
"A broken heart, a fount of tears,"
" Ask, and they will not be denied;"
"A broken heart love's cradle is:"
" Jesus, our Love, is crucified."
}}
\hspace #1
\line {"8. "
\column {
"O Love of God! O sin of Man!"
" In this dread act your strength is tried;"
"And victory remains with Love:"
" And he, our Love, is crucified."
}}
}
} %%% lyric markup bracket
%%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne e1 e \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo c1 b \bar "||" }}
>>
\context Lyrics \lyricsto "altos" {\override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree a'1 gis \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour a1 e' \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
} %% close layout
%%% Amen Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 63 2) }}
}
%%% alternative hymns also suitable
\markup { \hspace #42 \italic "Or the following:" }
\markup { \hspace #34 \small { \column { " 97 Dost thou truly seek renown."
"108 Who is this with garments gory." }}}
} %%% book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. The L3 who declares the hymn "cleared" should upload the correctly-named files to the file repository. This ensures that what is checked and cleared is exactly what is uploaded.
Notes by L2 Jkenny 08:10, 4 July 2007 (PDT)
- A crowded piece. Had to use no-break bars to prevent Lilypond doing uncommanded linebreaks and force it to lay music out in only 2 systems.
styg 19:11, 20 July 2007 (PDT)
- 2nd system, 1st measure after double-bar, 3rd organ note should be fis instead of f.
- 2nd system, 1st measure after double-bar, 4th bass note (gis) needs explicit sharp.
- 2nd system, 2nd measure after double-bar, bass line slur needs to be up so it doesn't obscure the organ note.
- Verse 3, line 4, needs a comma after Love. (typo in original--added to Proofing Errors page.)
- Or the following section, 1st item, change "thous" to "thou".
Jkenny 20:15, 20 July 2007 (PDT)
- All fixed. Had to use manual control point adjustment for the up slur as default \slurUp shape looked ugly.
- Agree with comma after "Love". Not in the scan nor in the 1933 edition, but all other verses have it.
Lily3 cleared, files uploaded styg 21:58, 27 July 2007 (PDT)