The English Hymnal - Wiki Music Experiment/Hymns101-150/176
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Lily1 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
To upload a midi, go here: file-repository. You need a userid and password (see this project's main wiki page).
Then create a link in this section to that uploaded midi file.
%%%% 176.png
%%%% Hymn 106. Horsley. "There is a green hill far away"
%%%% Rev 1.
\version "2.10.23"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - PASSIONTIDE"
\hspace #0.1 }}
title = "106"
poet = \markup { \small { \line { \sans {"HORSLEY. "} \hspace #1 \roman {"(C. M.)"}} }}
meter = \markup { \small { \italic {Moderately slow} \fontsize #-5 \general-align #Y #DOWN \note #"4" #1 = 88.} }
composer = \markup { \small \smallCaps "W. Horsley, 1774-1858." }
tagline =""
}
%%generates the breathmarks
breathmark = { \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'Y-offset = #'4.0
\override Score.RehearsalMark #'X-offset = #'-0.5
\mark \markup {\fontsize #4 ","}
}
%%%%%end of macro
global = {
\time 4/4
\key ees \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' { \partial 4 ees4 | f g aes g | bes aes8 g f4 \breathmark \bar "||" bes | g ees' d c | bes2. \breathmark \bar "||" \break
f8 g | aes4 aes aes g | c c b^\fermata \bar "||" b! | c aes g f | ees2. \bar "||" }
alto = \relative c' {\partial 4 ees4 | d ees ees ees | ees ees d \bar "||" bes | ees ees f f | d2. \bar "||" \break
d4 | ees ees f g | g f g \bar "||" g | ees f ees d | ees2. \bar "||" }
tenor = \relative c {\clef bass \partial 4 g'4 | bes bes aes bes | bes c f, \bar "||" f | bes c bes a | bes2. \bar "||" \break
bes4 | aes c bes bes | c c d \bar "||" d | c c bes4. aes8 | g2. \bar "||" }
bass = \relative c {\clef bass \partial 4 ees4 | bes ees c ees | g, aes bes \bar "||" d | ees c f f | bes,2. \bar "||" \break
bes4 | c c d ees | aes aes g_\fermata \bar "||" g | aes aes, bes bes | ees2. \bar "||" }
#(ly:set-option 'point-and-click #f)
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos { \voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
} %% close layout
%%%%%%%%%%%%%%%% Hymn Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 88 4)}}
}%%Score
%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne ees1 ees \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo c1 bes \bar "||" }}
>>
\context Lyrics \lyricsto "altos" {\override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree aes'1 g \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour aes1 ees'1 \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
} %% close layout
%%%%%%%%%%%%%% Amen Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 88 4) }}
}
Lyrics copied from P3 and perl-formatted --QMacrocarpa 15:09, 2 June 2007 (PDT):
"THERE is a green hill far away,"
" Without a city wall,"
"Where the dear Lord was crucified"
" Who died to save us all."
""
"We may not know, we cannot tell,"
" What pains he had to bear,"
"But we believe it was for us"
" He hung and suffered there."
""
"He died that we might be forgiven,"
" He died to make us good;"
"That we might go at last to heaven,"
" Saved by His precious Blood."
""
"There was no other good enough"
" To pay the price of sin;"
"He only could unlock the gate"
" Of heaven, and let us in."
""
"O, dearly, dearly has he loved,"
" And we must love him too,"
"And trust in his redeeming Blood."
" And try his works to do."
""
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%%% 176.png
%%%% Hymn 106. Horsley. "There is a green hill far away"
%%%% Rev 2.
\version "2.10"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - PASSIONTIDE"
\hspace #0.1 }}
title = "106"
poet = \markup { \small { \line { \sans {"HORSLEY."} \hspace #1 \roman {"(C. M.)"}} }}
meter = \markup { \small { \italic {Moderately slow} \fontsize #-5 \general-align #Y #DOWN \note #"4" #1 = 88.} }
arranger = \markup { \small \smallCaps "W. Horsley, 1774-1858." }
tagline =""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%%% generates the breathmarks
breathmark = { \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'Y-offset = #'4.0
\override Score.RehearsalMark #'X-offset = #'-0.5
\mark \markup {\fontsize #4 ","}
}
%% Macro for generating two augmentation dots for a notehead.
%% When dotted notes from two vocal parts share a single notehead,
%% Lilypond only inserts a single dot. In the image, two dots are used.
%% This macro generates the two dots by replacing the normal dot glyph
%% with a new glyph comprising a column of 2 dots one above the other.
augdots = {
\once \override Voice.Dots #'stencil = #ly:text-interface::print
\once \override Voice.Dots #'text = \markup { \hspace #0 \raise #1
\line { \translate #(cons -0.2 0)
\override #'(baseline-skip . 1 )
\column {
\musicglyph #"dots.dot"
\musicglyph #"dots.dot" } } }
}
%%%%%%%%%%%%%%%%%%%%%%%%%%% End of macro definitions
%%% SATB voices
global = {
\time 4/4
\key ees \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
\partial 4 ees4 | f g aes g | bes aes8 g f4 \breathmark \bar "||" bes | g ees' d c | bes2. \breathmark \bar "||" \break
f8 g | aes4 aes aes g | c c b^\fermata \bar "||" b! | c aes g f | ees2. \bar "||"
}
alto = \relative c' {
\partial 4 ees4 | d ees ees ees | ees ees d \bar "||" bes | ees ees f f | d2. \bar "||" \break
d4 | ees ees f g | g f g \bar "||" g | ees f ees d | \augdots ees2. \bar "||"
}
tenor = \relative c {\clef bass
\partial 4 g'4 | bes bes aes bes | bes c f, \bar "||" f | bes c bes a | bes2. \bar "||" \break
bes4 | aes c bes bes | c c d \bar "||" d | c c bes4. aes8 | g2. \bar "||"
}
bass = \relative c {\clef bass
\partial 4 ees4 | bes ees c ees | g, aes bes \bar "||" d | ees c f f | bes,2. \bar "||" \break
bes4 | c c d ees | aes aes g_\fermata \bar "||" g | aes aes, bes bes | ees2. \bar "||"
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
%%% Score block
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos { \voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
} %% close layout
%%% Hymn Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 88 4)}}
} %%% Score bracket
%%% Lyrics titles
\markup { \small { \hspace #74 \italic "Mrs. C. F. Alexander, 1823-95." } }
%%% Main lyrics markup block
%%% Lyrics in 3 columns, column 1 (verses), column 2 (a dividing line), column 3 (verses); centred last verse
\markup { \hspace #6 %%add space as necc. to center the entire block of lyrics
\column { %%% super column for entire block of lyrics
\line { %% a master line of 3 columns, two for lyrics and one column of a separator line
\column { %% column 1
\column { %%verse 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "T" } %%Drop Cap goes here
\hspace #-1.0 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "HERE is a green hill far away,"
" Without a city wall," } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"Where the dear Lord was crucified"
" Who died to save us all."
}}
} %%% finish verse 1
\hspace #1
\line { "2 "
\column {
"We may not know, we cannot tell,"
" What pains he had to bear,"
"But we believe it was for us"
" He hung and suffered there."
}}
} %% finish Page column 1
\hspace #4 %%adds horizontal space columns 1 and 2
\column { \filled-box #'(0.0 . 0.1) #'( -22 . 1) #0 } %%% Column 2. This is the line dviding the columns 1 and 3.
\hspace #4 %%adds horizontal space between columns 2 and 3
\column { %%start page column 3
\line { "3 "
\column {
"He died that we might be forgiven,"
" He died to make us good;"
"That we might go at last to heaven,"
" Saved by His precious Blood."
}}
\hspace #1
\line {"4 "
\column {
"There was no other good enough"
" To pay the price of sin;"
"He only could unlock the gate"
" Of heaven, and let us in."
}}
} %%% end column 3
} %%% end master-line
%%% centred last verse
\hspace #1
\line { \hspace #26 "5. "
\column {
"O, dearly, dearly has he loved,"
" And we must love him too,"
"And trust in his redeeming Blood,"
" And try his works to do."
}}
} %%% super column bracket
} %%% lyrics markup bracket
%%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne ees1 ees \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo c1 bes \bar "||" }}
>>
\context Lyrics \lyricsto "altos" {\override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree aes'1 g \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour aes1 ees'1 \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
} %% close layout
%%% Amen Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 88 4) }}
}
} %%% book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. The L3 who declares the hymn "cleared" should upload the correctly-named files to the file repository. This ensures that what is checked and cleared is exactly what is uploaded.
styg 21:35, 12 July 2007 (PDT)
- Verse 5, line 3: Does that end with a comma or period? Can't tell for certain in scan.
- Everything else looks good!
Jkenny 00:45, 13 July 2007 (PDT)
- Verse 5 line3 - I think it should be a comma. 1933 edition shows it clearly as a comma, and there's a faint shadow in the scan that looks like the tail.
- Fixed comma and added to proofing errors page.
Lily3 cleared, files uploaded styg 13:17, 14 July 2007 (PDT)
Project History
- Lily1 - done by ebykm 16:55, 28 June 2007, UTC
- - (lyrics added)