The English Hymnal - Wiki Music Experiment/Hymns101-150/174
Jump to navigation
Jump to search
Lily1 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
To upload a midi, go here: file-repository. You need a userid and password (see this project's main wiki page).
Then create a link in this section to that uploaded midi file.
\version "2.10.23"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - PASSIONTIDE"
\hspace #0.1 }}
title = "104"
poet = \markup { \small \sans {"NUN LASST UNS GEH'N."} \hspace #1 \roman {"(77. 77.)"}}
meter = \markup { \small { \italic {Moderately slow } \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 80.} }
arranger = \markup { \small \italic "' Kirchen und Haus-Buch,' Dresden, 1694"}
tagline =""
}
%%Macros
%%generates the breathmarks
breathmark = { \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'Y-offset = #'4.0
\override Score.RehearsalMark #'X-offset = #'-0.5
\mark \markup {\fontsize #4 ","}
}
%%%%%end of macro
global = {
\time 3/2
\key ees \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
bes'2 aes g \bar "|" f1 ees2 \bar "|" \once \override NoteColumn #'force-hshift = #1.5 f1. \bar "|" ees1 \breathmark \bar "||" g2 \bar "|" aes(bes)c \bar "|" bes(aes)g \bar "|" g1(f2) \bar "|" g1. \bar "||" \break
bes2 c d \bar "|" ees1 d2 \bar "|" c1. \bar "|" bes1 \breathmark \bar "||" c2 \bar "|" aes1 bes2 \bar "|" g1 f2 \bar "|" f1. \bar "|" ees1. \bar "||"}
alto = \relative c' {
ees2 c4(d) ees2 \bar "|" c1 ees2 \bar "|" ees1(d2) \bar "|" \once \override NoteColumn #'force-hshift = #-0.05 ees1 \bar "||" ees2 \bar "|" f1 g2 \bar "|" f1 ees2 \bar "|" c1. \bar "|" d1. \bar "||" \break
ees2 ees f \bar "|" ees1 g2 \bar "|" aes1. \bar "|" ees1 \bar "||" g2 \bar "|" f1 f2 \bar "|" ees1 c2 \bar "|" d1. \bar "|" \once \override NoteColumn #'force-hshift = #-0.05 ees1. \bar "||"}
tenor = \relative c { \clef bass
g'2 aes bes \bar "|" aes1 g2 \bar "|" bes1. \bar "|" g1 \bar "||" c2 \bar "|" c1 c2 \bar "|" f,1 bes2 \bar "|" c1. \bar "|" b1. \bar "||" \break
bes!2 aes aes \bar "|" bes1 bes2 \bar "|" ees1(d2) \bar "|" ees1 \bar "||" c2 \bar "|" c1 bes2 \bar "|" bes1 c2 \bar "|" bes1(aes2) \bar "|" g1. \bar "||"}
bass = \relative c { \clef bass
g'2 f ees \bar "|" aes,1 c2 \bar "|" bes1. \bar "|" ees1 \bar "||" c2 \bar "|" f1 ees2 \bar "|" d1 ees2 \bar "|" aes,1. \bar "|" g1. \bar "||" \break
g'2 aes f \bar "|" g1 ees2 \bar "|" f1. \bar "|" g1 \bar "||" ees2 \bar "|" f1 d2 \bar "|" ees1 aes,2 \bar "|" bes1. \bar "|" ees1. \bar "||"}
#(ly:set-option 'point-and-click #f)
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos { \voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
\context { \Score timing = ##f }
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
} %% close layout
%%%%%%%%%%%%%%%% Hymn Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 2)}}
}%%Score
\markup { \hspace #18
\override #'(line-width . 85)
\justify { \smallCaps "Note.—" \small \italic { The plainsong tune for this hymn will be found in the Appendix. }}}
%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne ees1 ees \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo c1 bes \bar "||" }}
>>
\context Lyrics \lyricsto "altos" {\override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree aes'1 g \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour aes1 ees'1 \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
} %% close layout
%%%%%%%%%%%%%% Amen Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 2) }} }
Lyrics copied from P3 and perl-formatted --QMacrocarpa 15:06, 2 June 2007 (PDT):
"SERVANT of God, remember"
" The stream thy soul bedewing."
"The grace that came upon thee"
" Anointing and renewing."
""
"When kindly slumber calls thee,"
" Upon thy bed reclining,"
"Trace thou the Cross of Jesus,"
" Thy heart and forehead signing."
""
"The Cross dissolves the darkness,"
" And drives away temptation;"
"It calms the wavering spirit"
" By quiet consecration."
""
"Begone, begone, the terrors"
" Of vague and formless dreaming;"
"Begone, thou fell deceiver,"
" With all thy boasted scheming."
""
"Begone, thou crookèd serpent,"
" Who, twisting and pursuing,"
"By fraud and lie preparest"
" The simple soul's undoing;"
""
"Tremble, for Christ is near us,"
" Depart, for here he dwelleth."
"And this, the Sign thou knowest,"
" Thy strong battalions quelleth."
""
"Then while the weary body"
" Its real in sleep is nearing,"
"The heart will muse in silence"
" On Christ and his appearing."
""
"To God, eternal Father,"
" To Christ, our King, be glory."
"And to the Holy Spirit,"
" In never-ending story. Amen."
""
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%% 174png
%%% Hymn 104 Nun Lasst Uns Geh'n Servant of God, remember
%%% Version 2
\version "2.10"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - PASSIONTIDE"
\hspace #0.1 }}
title = "104"
poet = \markup { \small { \sans {"NUN LASST UNS GEH'N."} \hspace #1 \roman {"(7 7. 7 7.)"}} }
meter = \markup { \small { \italic {Moderately slow } \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 80.} }
arranger = \markup { \small \italic "‘Kirchen- und Haus-Buch,’ Dresden, 1694."}
tagline =""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%%% generates the breathmarks
breathmark = { \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'Y-offset = #'4.0
\override Score.RehearsalMark #'X-offset = #'-0.5
\mark \markup {\fontsize #4 ","}
}
%%% pushes notecolumn slightly to the right
push = \once \override NoteColumn #'force-hshift = #0.5
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% End of Macro Definitions
global = {
\time 3/2
\key ees \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
bes'2 aes g | f1 ees2 | \once \override NoteColumn #'force-hshift = #1.5 f1. | ees1 \breathmark \bar "||"
g2 | aes(bes)c | bes(aes)g | g1(f2) | g1. \bar "||" \break
bes2 c d | ees1 d2 | c1. | bes1 \breathmark \bar "||"
c2 | aes1 bes2 | g1 f2 | f1. | ees1. \bar "||"
}
alto = \relative c' {
ees2 c4(d) ees2 | c1 ees2 | ees1(d2) | \once \override NoteColumn #'force-hshift = #-0.05 ees1 \bar "||"
ees2 | \push f1 g2 | \push f1 ees2 | c1. | d1. \bar "||" \break
ees2 ees f | ees1 g2 | aes1. | ees1 \bar "||"
g2 | f1 f2 | ees1 c2 | d1. | \once \override NoteColumn #'force-hshift = #-0.05 ees1. \bar "||"
}
tenor = \relative c { \clef bass
g'2 aes bes | aes1 g2 | bes1. | g1 \bar "||"
c2 | c1 c2 | f,1 bes2 | c1. | b1. \bar "||" \break
bes!2 aes aes | bes1 bes2 | ees1(d2) | ees1 \bar "||"
c2 | c1 bes2 | bes1 c2 | bes1(aes2) | g1. \bar "||"
}
bass = \relative c { \clef bass
g'2 f ees | aes,1 c2 | bes1. | ees1 \bar "||"
c2 | f1 ees2 | d1 ees2 | aes,1. | g1. \bar "||" \break
g'2 aes f | g1 ees2 | f1. | g1 \bar "||"
ees2 | f1 d2 | ees1 aes,2 | bes1. | ees1. \bar "||"}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book {
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos { \voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
} %%% close layout
%%% Hymn Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 2)}}
} %%% Score bracket
%%% Hymn Note markup
\markup { \hspace #18 \smallCaps "Note" \hspace #-1.2 ".—" \italic "The plainsong tune for this hymn will be found in the Appendix." }
%%% Lyric titles
\markup {
\column {
\line { \small { \hspace #26 \italic "Compline." \hspace #30 \italic {"Prudentius, b. 348. Tr. T. A. L."} } }
\line { \small { \hspace #42 "Cultor Dei memento."} }
} }
%%% Main block of lyrics
\markup { \hspace #32 %%add space as necc. to center the column
\column { %%% super column for entire block of lyrics
\column { %%% verse 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "S" } %%Drop Cap goes here
\hspace #-1.2 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "ERVANT of God, remember"
" The stream thy soul bedewing." } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"The grace that came upon thee"
" Anointing and renewing."
}}
} %% finish verse 1
\hspace #1 % adds vertical spacing between verses
\line { "2 "
\column {
"When kindly slumber calls thee,"
" Upon thy bed reclining,"
"Trace thou the Cross of Jesus,"
" Thy heart and forehead signing."
}}
\hspace #1 % adds vertical spacing between verses
\line { "3 "
\column {
"The Cross dissolves the darkness,"
" And drives away temptation;"
"It calms the wavering spirit"
" By quiet consecration."
}}
\hspace #1 % adds vertical spacing between verses
\line { "4 "
\column {
"Begone, begone, the terrors"
" Of vague and formless dreaming;"
"Begone, thou fell deceiver,"
" With all thy boasted scheming."
}}
} %%% end super column
}
%%% fake score block to occupy space and force a pagebreak. Can't think of a better way of doing this.
\score{
{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{
\context { \Staff
\remove Time_signature_engraver
\remove Key_engraver
\remove Clef_engraver
\remove Staff_symbol_engraver
}}}
%%% second page
%%% continuation of lyrics
\markup { \hspace #32 %%add space as necc. to center the column
\column {
\hspace #1 % adds vertical spacing between verses
\line { "5 "
\column {
"Begone, thou crookèd serpent,"
" Who, twisting and pursuing,"
"By fraud and lie preparest"
" The simple soul's undoing;"
}}
\hspace #1 % adds vertical spacing between verses
\line { "6 "
\column {
"Tremble, for Christ is near us,"
" Depart, for here he dwelleth."
"And this, the Sign thou knowest,"
" Thy strong battalions quelleth."
}}
\hspace #1 % adds vertical spacing between verses
\line { "7 "
\column {
"Then while the weary body"
" Its rest in sleep is nearing,"
"The heart will muse in silence"
" On Christ and his appearing."
}}
\hspace #1 % adds vertical spacing between verses
\line { "8. "
\column {
"To God, eternal Father,"
" To Christ, our King, be glory."
"And to the Holy Spirit,"
" In never-ending story. Amen."
}}
}
} %%% lyric markup bracket
%%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne ees1 ees \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo c1 bes \bar "||" }}
>>
\context Lyrics \lyricsto "altos" {\override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree aes'1 g \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour aes1 ees'1 \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
} %%% close layout
%%% Amen Midi
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 2) }}
}
} %%% book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. The L3 who declares the hymn "cleared" should upload the correctly-named files to the file repository. This ensures that what is checked and cleared is exactly what is uploaded.
Notes by L2 Jkenny 07:17, 15 June 2007 (PDT)
- Because of the regular meter, I was able to turn timing on by removing the timing = ##f line in the main layout block.
styg 21:12, 12 July 2007 (PDT)
- Composer line needs curled quotes.
- Composer line should have a "naked" hyphen after Kirchen.
- Verse 7, line 2 has "real" for "rest". Added to Proofing errors page.
Jkenny 00:34, 13 July 2007 (PDT)
- Fixed composer line curly quotes.
- Fixed naked hyphen.
- Fixed Verse 7, line 2.
Lily3 cleared, files uploaded styg 13:16, 14 July 2007 (PDT)
Project History
- Lily1 - done by ebykm 19:28, 10 June 2007 UTC
- - (lyrics added)