The English Hymnal - Wiki Music Experiment/419
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Lily1 Code
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X:271
T:271
L:1/4
%%staves [(soprano|alto)(tenor|bass)]
K:F
[V:soprano clef=treble]
A2 G F | E3 F | G B A G | F2 E2 || F2 d d |
c3 F | B c A c/B/ | (A2G) || G | A2 C2 | D2 (EF) |
B A G F | A2 G2 || c2 B A | d3 c | B A G A | F4 ||
F2 F2 ||
[V:alto clef=treble]
C2 C C/=B,/ | C3 C | D D D D | C2 C2 || C2 D E |
F3 F | D E C D | (F2E) || E | C2 (B,A,) | C2 (B,A,) |
B, C D D | F2 E2 || F2 E F | (F2E) F | F F F E | F4 ||
D2 C2 ||
[V:tenor clef=bass]
f2 g g | g3 f | d g ^f g | a2 g2 || f2 f g |
a3 a | g g a g | (a=bc') || c' | a2 (ef) | a2 (gf) |
d^f g g | (fa) c'2 || c'2 c' c' | (b2g) c' | d' c' d' c' | a4 ||
b2 a2 ||
[V:bass clef=bass]
f2 e d | (c2B) A | B G A B | c2 (cB) || A2 B B |
A3 d | g c f B | c3 || c | F2 (GA) | B2 (cd) |
G A B =B | c2 (c_B) || (Aa) g f | B3 A | G A B c | F4 ||
B2 f2 ||
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%%% 419.png
%%%% Hymn 271. Welwyn. O strength and stay upholding all creation.
%%%% Rev 1.
\version "2.10"
\header {
dedication = \markup { \center-align { "TIMES AND SEASONS.—EVENING"
\hspace #0.1 }}
title = "271"
poet = \markup { \small { \line { \sans { "WELWYN."} \hspace #1 \roman {"(11 10. 11 10.)"}} }}
meter = \markup { \small { \italic {Moderately slow} \general-align #Y #DOWN \note #"4" #0.5 = 96.} }
arranger = \markup { \small { \smallCaps "A. Scott-Gatty." }}
tagline = ""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%%% Merge. Macro to pull note slightly leftwards. Used to produce those partially merged wholenotes
merge = { \once \override NoteColumn #'force-hshift = #-0.01 }
%%generates the breathmarks
breathmark = {
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'Y-offset = #'4.0
\override Score.RehearsalMark #'X-offset = #'-0.5
\mark \markup { \fontsize #4 "," }
}
%%% music function to move a note various amounts of space. \movenote #0.4 moves is equivalent to force-hshift = #0.4
movenote = #(define-music-function (parser location vector) (number?)
#{
\once \override NoteColumn #'force-hshift = #$vector
#})
%%%%%%%%%%%%%%%%%%%%%%%%%%% End of macro definitions
%%% SATB voices
global = {
\time 4/4
\key f \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
a'2 g4 f4 | e2. f4 | g4 bes4 a4 g4 | f2 e2 \bar "||" f2 d'4 d4 | \break
c2. f,4 | bes4 c4 a4 c8 bes8 | a2 ( g4 -) \breathmark \bar "||" g4 | a2 \movenote #2 c,2 | d2 e4 ( f4 -) | \break
bes4 a4 g4 f4 | a2 g2 \bar "||" c2 bes4 a4 | d2. c4 | bes4 a4 g4 a4 | f1 \bar "||"
}
alto = \relative c' {
c2 c4 c8 b8 | c2. c4 | d4 d4 d4 d4 | c2 c2 \bar "||" c2 d4 e4 |
f2. f4 | d4 e4 c4 d4 | f2 ( e4 -) \bar "||" e4 | c2 bes4 ( a4 -) | c2 bes4 ( a4 -) |
bes4 c4 d4 d4 | f2 e2 \bar "||" f2 e4 f4 | f2 ( e4 -) f4 | f4 f4 f4 e4 | \merge f1 \bar "||"
}
tenor = \relative c {\clef bass
f2 g4 g4 | g2. f4 | d4 g4 fis4 g4 | a2 g2 \bar "||" f2 f4 g4 |
a2. a4 | g4 g4 a4 g4 | a4 ( b4 c4 -) \bar "||" c4 | a2 e4 ( f4 -) | a2 g4 ( f4 -) |
d4 fis4 g4 g4 | f4 ( a4 -) c2 \bar "||" c2 c4 c4 | bes2 ( g4 -) c4 | d4 c4 d4 c4 | a1 \bar "||"
}
bass = \relative c {\clef bass
f2 e4 d4 | c2 ( bes4 -) a4 | bes4 g4 a4 bes4 | c2 c4 ( bes4 -) \bar "||" a2 bes4 bes4 |
a2. d4 | g4 c,4 f4 bes,4 | c2. \bar "||" c4 | f,2 g4 ( a4 -) | bes2 c4 ( d4 -) |
g,4 a4 bes4 b4 | c2 c4 ( bes!4 -) \bar "||" a4 ( a'4 -) g4 f4 | bes,2. a4 | g4 a4 bes4 c4 | f,1 \bar "||"
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
%%% Score block
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos { \voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
} %% close layout
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 96 4) }}
} %%% Score bracket
%%% Lyric titles and attributions
\markup { \hspace #18 \small { \column { \line { \hspace #48 \italic "Ascribed to St. Ambrose, 340-97." }
\line { \hspace #50 \italic "Tr. J. Ellerton, F. J. A. Hort." }
\line { \hspace #22 "Rerum Deus tenax vigor." }
}}}
%%% Lyrics
\markup { \hspace #26 %%add space as necc. to center the column
\column { %% super column of everything
\column { %%verse 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "O" } %%Drop Cap goes here
\hspace #-1.0 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 " STRENGTH and Stay upholding all creation,"
" Who ever dost thyself unmoved abide," } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"Yet day by day the light in due gradation"
" From hour to hour through all its changes guide;"
" " %%% adds vertical spacing between verses
}}
} %%% end verse 1
\line { "2 "
\column {
"Grant to life's day a calm unclouded ending,"
" An eve untouched by shadows of decay,"
"The brightness of a holy death-bed blending"
" With dawning glories of the eternal day."
" " %%% adds vertical spacing between verses
}}
} %%% end supercolumn
} %%% end markup
%%fake score block to occupy space and force a pagebreak. Can't think of a better way of doing this.
\score{
{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{
\context { \Staff
\remove Time_signature_engraver
\remove Key_engraver
\remove Clef_engraver
\remove Staff_symbol_engraver
}}}
%%% Second page
%%% continuation of lyrics
\markup { \hspace #26 %%add space as necc. to center the column
\column {
\hspace #1 % adds vertical spacing between verses
\line { "3. "
\column {
"Hear us, O Father, gracious and forgiving,"
" Through Jesus Christ thy co-eternal Word,"
"Who, with the Holy Ghost, by all things living"
" Now and to endless ages art adored. Amen."
}}
}
} %%% lyric markup bracket
%%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne \cadenzaOn f1 f1 \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo d1 c1 \bar "||" }}
>>
\context Lyrics \lyricsto "altos" { \override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree bes'1 a1 \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour bes1 f'1 \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
}
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 96 4) }} %%Amen midi
}
} %%% book bracket
%%% Transcriber's Notes
%%%
%%% While the image shows a tempo of 2=96 (ditto the 1933 ed.), this is much too fast to be "Moderately slow"
%%% I changed it to 4=96 and this sounds about right.
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.
If you can't compile Lilypond, use the links here:
Original scan: 419.png
Links to L2 output version 1:
L2-271-v1.pdf L2-271-v1.midi L2-271-v1-amen.midi
Notes by L2 Jkenny 06:38, 8 April 2008 (PDT)
- While the image shows a tempo of 2=96 (ditto the 1933 ed.), this is much too fast to be "Moderately slow". I changed it to 4=96 and this sounds about right.