The English Hymnal - Wiki Music Experiment/282

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Lily1 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

To upload a midi, go to the file repository. You need a userid and password (see this project's main wiki page).

Then create a link in this section to that uploaded midi file.


Lyrics copied from P3 and perl-formatted --QMacrocarpa 14:19, 12 August 2007 (PDT):

"THE eternal gifts of Christ the King,"
"The Apostles' glorious deeds, we sing;"
"And while due hymns of praise we pay,"
"Our thankful hearts cast grief away."
""
"The Church in these her princes boasts,"
"These victor chiefs of warrior hosts;"
"The soldiers of the heavenly hall,"
"The lights that rose on earth for all."
""
"'Twas thus the yearning faith of Saints,"
"The unconquered hope that never faints,"
"The love of Christ that knows not shame,"
"The prince of this world overcame."
""
"In these the Father's glory shone;"
"In these the will of God the Son;"
"In these exults the Holy Ghost;"
"Through these rejoice the heavenly host."
""
"Redeemer, hear us of thy love,"
"That, with this glorious band above,"
"Hereafter, of thine endless grace,"
"Thy servants also may have place."

Lily2 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

%%% 282.png
%%% Hymn 175 The eternal gifts of Christ the King
%%% Version 2


\version "2.10"

\include "gregorian-init.ly"

\header {
  dedication = \markup { \center-align {  "SAINTS' DAYS: GENERAL - APOSTLES AND EVANGELISTS"
		\hspace #0.1 }}	

  title = "175"
  
  arranger = \markup { \small { "Mode iii." }}
  
  tagline =""
}

%%%%%%%%%%%%%%%% Macros

%% macro settings for stemless long note which is 2x duration of regular white note    
ln = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteColumn #'force-hshift = #0.4 }

%% a second set of macro settings for stemless long notes ( 2x duration of regular white note )
%% this one uses X-offset instead of force-hshift.
%% All long notes are offset slightly to the right with respect to any beamed notes which 
%% they are aligned with.  Normally, this is done with force-hshift.  
%% However, when 2 long notes occur one atop the other (i.e. in S + A pats or in T + B parts), then applying force-hshift
%% to both does not work.  Hence one note needs to be moved with the regular force-hshift in the \ln macro above,
%% while the other is moved with X-offset with the macro \lnb
%% In general force-hshift is preferred whenever possible as slurs are adjusted automatically, while X-offset especially
%% when used with a bottom slur often results in a slur starting too far to the left and which then needs manual adjustment. 

lnb = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteHead #'X-offset = #0.8 }


%% settings to generate the double longnotes (breves)

brevenote = { \once \override NoteHead #'duration-log = #-1  
                \once \override NoteColumn #'force-hshift = #0.8 }

%%% same as \brevenote but modified for the same reason as \lnb is modified for \ln		
		
brevenoteb = { \once \override NoteHead #'duration-log = #-1  
                \once \override NoteHead #'X-offset = #1.6 }		
	   		
%%% Half-height bar.  Prints a bar glyph which spans only the middle two staff lines.  
%%% This macro works by replacing the glyph used by the \bar "|" function.
				
%%%%%%%%%%%%% End of Macro Definitions		
		
%%% plainsong voice

plainsong = \context VaticanaVoice  {  \relative c { 
	\clef "vaticana-do3"
	\set fontSize = #3
        \key c \major 

  e8 e \[ e \flexa d \] g \[ g \pes a \] c c \[ b \flexa a \] \bar "|" b c a a \bar "" \break
  g \[ a \pes b c \flexa b \] \[ a \flexa g \] g \bar "|" \[ g \pes a \] c b a g b \bar "" \break
  \once \override Score.SeparationItem #'padding = #4 g \[ a \flexa g \] \bar "|" \[ a \pes c \] g a \[ g \flexa f f \flexa e \] d \[ f \pes g a \flexa g \] \[ f \flexa e \] e \bar "||"
}}
  
  
%%% SATB voices

global = {
  \key c \major 
  \set Staff.midiInstrument = "church organ"
}


soprano = \relative c' {
	\autoBeamOff
  e8 e e[ d] g g[ a] c c b[ a] \bar "|" b c a a \bar "" \break
  g a[ b c b] a[ g] g \bar "|" g[ a] c b a g b \bar "" \break
  g a[ g] \bar "|" a[ c] g a g[ f ~ f e] d f[ g a g] f[ e] e \bar "||"
}


alto = \relative c' {
	\autoBeamOff
  b8 c c[ b] b ~ b[ d] e g g[ e] \bar "|" g e ~ e e \bar "" \break
  d \brevenote e\breve *1/4 f8[ e] d \bar "|" \ln c4 e8 d \ln e4 d8 ~ \bar "" \break
  d \ln c4 \bar "|" \ln c ~ c8 e \brevenote d\breve *1/4 ~ d8 \brevenote c\breve *1/4 ~ \ln c4 b8 \bar "||"
}


tenor = \relative c { \clef bass
	\autoBeamOff
  g'8 ~ g ~ \ln g4 g8 ~ g8[ f] g c d[ c] \bar "|" d c ~ c c \bar "" \break
  d \brevenote c\breve *1/4 ~ \ln c4 b8 \bar "|" \ln e,4 ~ e8 g e g ~ g ~ \bar "" \break 
  g \ln e4 \bar "|" \ln f e8  c'8 \ln a4 ~ a8[ g] f ~ \brevenote f\breve *1/4 ~ f8[ g] g \bar "||"
}

bass = \relative c { \clef bass
	\autoBeamOff
  e8 c ~ c[ g'] e ~ e[ d] c e g[ a] \bar "|" g c, ~ c c' \bar "" \break
  b8 \brevenoteb a\breve *1/4 f8[ c] g' \bar "|" \lnb c,4 a8 b \ln c4 g8 \bar "" \break
  b a[ c] \bar "|" f,[ a] c a \brevenoteb d\breve *1/4 ~ d8 \brevenoteb a\breve *1/4 ~ a8[ c] e \bar "||"
}


#(ly:set-option 'point-and-click #f)

\book {

\paper {
 #(set-paper-size "a4")
%% annotate-spacing = ##t
 print-page-number = ##f
 ragged-last-bottom = ##t
 ragged-bottom = ##t
}

\score {	
  <<
  \new VaticanaStaff {\plainsong }
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  
  >>

\layout {
	
  ragged-right = ##f
  ragged-last = ##f
  \context { \Score timing = ##f }
  \context { \Score \override TimeSignature #'transparent = ##t }
  \context { \Score \remove "Mark_engraver" }
  \context { \Staff \consists "Mark_engraver" }
  
  % *** Needed to produce beamed minims - which are quavers in disguise
  \context { \Staff \override NoteHead #'duration-log = #1 }
  \context { \Staff \override Stem #'flag-style = #'no-flag }
  
  \context { \VaticanaStaff
           % *** Increases distance between lines of staff  
           \override StaffSymbol #'staff-space = #1.6            
           % *** Changes staff to black instead of default red
           \revert StaffSymbol #'color
           % *** Makes clef bigger       
           \override Clef #'font-size = #3
           % *** Would make ledger lines black, if there were any
           \revert LedgerLineSpanner #'color
           % *** Makes terminal barline visible 
           \override BarLine #'transparent = ##f 
  	   % *** Remove custos
	   \remove Custos_engraver
	   % needed for certain tweaks
	   \consists "Mark_engraver"
           }
     }
} %%% score bracket 

%%% A separate score block to generate the midi minus the plainsong voice
%%% Since minims are quavers in disguise, tempo has to be set accordingly, tempo set to 2=80

\score {	
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  

\midi { 
  \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) }
       } 
}


%%% Lyric titles and attributions

\markup { \hspace #8 \small {  \column { \line {\smallCaps  "Office Hymn."  \italic "  Common of Apostles and"  \hspace #28 \italic "Before 11th cent.  Tr. J. M. Neale." }    
	\line { \hspace #4 \italic "Evangelists.  " "(" \hspace #-1 \italic "York" \hspace #-1 ")" "M." } 
	\line { \hspace #32 "Aeterna Christi munera." }
}}}


%%% Lyrics

\markup { \hspace #30 %%add space as necc. to center the column
          \column { %% super column of everything
	              \column { %%verse 1 is a column of 2 lines  
	                  \line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "T" }   %%Drop Cap goes here
				  \hspace #-1.2    %% adjust this if other letters are too far from Drop Cap
				  \column  { \raise #0.0 "HE eternal gifts of Christ the King,"
			                                 "  The Apostles' glorious deeds, we sing;" } }          
	                  \line {  \hspace #2.5  %%adjust hspace until this line left edge is flush with Drop Cap
				   \lower  #1.56  %%adjust this until the line spacing looks right
				   \column {   
					   "And while due hymns of praise we pay,"
					   "Our thankful hearts cast grief away."
			  		}}
		      } %%end verse 1
	  } %%% end super column
}



%%fake score block to occupy space and force a pagebreak.  Can't think of a better way of doing this.
\score{
	{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{	
	\context { \Staff
		\remove Time_signature_engraver
		\remove Key_engraver
		\remove Clef_engraver
		\remove Staff_symbol_engraver
}}}

%%% Second page
%%% Continuation of lyrics

\markup { \hspace #30 %%add space as necc. to center the column
          \column { %% super column of everything
		  	\hspace #1  % adds vertical spacing between verses  
           		\line { "2  "
			   \column {	     
				  "The Church in these her princes boasts,"
				  "These victor chiefs of warrior hosts;"
				  "The soldiers of the heavenly hall,"
				  "The lights that rose on earth for all."
				  "           " %%% adds vertical spacing between verses
			}}
			   \line { "3  "
			   \column {	     
				  "'Twas thus the yearning faith of Saints,"
				  "The unconquered hope that never faints,"
				  "The love of Christ that knows not shame,"
				  "The prince of this world overcame."
				  "           " %%% adds vertical spacing between verses
			}} 
			  \line { "4  "
			   \column {	     
				  "In these the Father's glory shone;"
				  "In these the will of God the Son;"
				  "In these exults the Holy Ghost;"
				  "Through these rejoice the heavenly host."
				  "           " %%% adds vertical spacing between verses
			}}
			\line { "5. "
				\column {	     
				  "Redeemer, hear us of thy love,"
				  "That, with this glorious band above,"
				  "Hereafter, of thine endless grace,"
				  "Thy servants also may have place.     Amen."
     			}}

	  }
} %%% lyric markup bracket



%%% Amen score block

\score {  	
  <<
    <<
  \new VaticanaStaff <<
  \context VaticanaVoice = "plainsongamen"  {  \relative c { 	  
	\set Score.timing = ##f
	\override Staff.Clef #'#'font-size = #3
	\clef "vaticana-do2"
	\set fontSize = #3
	\override Staff.StaffSymbol #'staff-space = #1.6
	 
        \[ g'8 \pes a8 \]   \[
	    \override NoteHead #'extra-offset = #'(0.0 . -0.1 ) g8 
            \override NoteHead #'extra-offset = #'(-0.38 . 0.0 ) \flexa  f8 \pes 
            \override NoteHead #'extra-offset = #'(0.02 . 0.05) g8 \] }} 
                    >> 
 \new Lyrics = "lyrics" { s1 }
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \global
	                                              \voiceOne e8[ f] e8[ d8 e8] \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \global
	                                              \voiceTwo  \ln c4 c8( \ln b4) \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \global
	                                          \voiceThree  g'8[ f] \ln g4 ~ g8 \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \global
						  \voiceFour c8[ a8] c8[ g8 e8] \bar "||" }}
			        >> 
   >>
  \context Lyrics = "lyrics" \lyricsto "sopranos" { \override LyricText #'font-size = #-1  "  A   " -- _ "   men." }
  >>
>>

\header { breakbefore = ##f piece = " " opus = " " }

\layout {
     indent = 13\cm
     raggedright = ##t
     packed = ##f
     \context { \Score \override TimeSignature #'transparent = ##t }
     \context { \Score \override SeparationItem #'padding = #2 }
     \context { \Staff \override VerticalAxisGroup #'minimum-Y-extent = #'( -5 . 4) }
     \context { \Score \remove "Bar_number_engraver"
		timing = ##f 
              }
     \context { \Staff \override NoteHead #'duration-log = #1 }
     \context { \Staff \override Stem #'flag-style = #'no-flag }
     \context { \VaticanaStaff %%customize vaticana staff context 
	          \revert StaffSymbol #'color
		  \revert LedgerLineSpanner #'color
		  \override BarLine #'transparent = ##f 
		  \remove Custos_engraver
 	} 
} 

}

%%% Separate score block for Amen midi minus plainsong voice
%%% Since the minims are quavers in disguise, the tempo has to be adjusted accordingly. A tempo of 2=80 is set.

\score {  	
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \global
	                                              \voiceOne e8[ f] e8[ d8 e8] \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \global 
	                                              \voiceTwo  \ln c4 c8( \ln b4) \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \global
	                                          \voiceThree  g'8[ f] \ln g4 ~ g8 \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \global
						  \voiceFour c8[ a8] c8[ g8 e8] \bar "||" }}
			        >> 
   >>
   
\midi {  
   \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) } }
      }
   	

} %% book bracket

Lily3 Notes

Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.

If you can't compile Lilypond, use the links here:

Original scan: 282.png

Links to L2 output version 1:

L2-175-v1.pdf L2-175-v1.midi L2-175-v1-amen.midi

Links to L2 output version 2:

L2-175-v2.pdf L2-175-v2.midi L2-175-v2-amen.midi


Notes by L3 KenJ 23:18, 6 October 2007 (PDT)

  • Translator block: T. A. L. => J. M. Neale.
  • Lyrics: Put period after "Amen".


Notes by L2 Jkenny 05:26, 7 October 2007 (PDT)

  • Fixed translator block.
  • Inserted period after "Amen"
  • V2 up.


Clear. KenJ 15:34, 7 October 2007 (PDT)


V2 uploaded to repository. Jkenny 08:36, 8 October 2007 (PDT)


Project History

    • Lily1 - (lyrics added) basic Lilypond notation done. Jkenny 02:02, 24 August 2007 (PDT)
    • Lily2 - done. Jkenny 08:38, 1 September 2007 (PDT)
    • Lily3 - notes by L3 KenJ 23:20, 6 October 2007 (PDT)
- fixed. Jkenny 06:00, 7 October 2007 (PDT)
- clear. KenJ 15:48, 7 October 2007 (PDT)
- uploaded to repository. Jkenny 08:39, 8 October 2007 (PDT)