The English Hymnal - Wiki Music Experiment/281

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Lily1 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

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Soprano

g'2 g4 a4 | b2 b | b4 a b c | <g b>2 a4.( g8) | g1 \bar "||" b2 b4 c4 | d2 d | \break
g4 e fis g | fis2 e4.( d8) | d1 \bar "||" g2 e4 fis | g2 g | a4 g a b | \break
c2 b4.( a8) | a1 \bar "||" d2 b4 g | c2 b | g4 a b c | b2 a4.( g8) | g1 \bar "||"

Alto

<b d>2 << { b4 c } \\ { g2 } >> < d g>2 <d g> | < c g'>2 <d g>4 <e g> | d e fis2 | d1 \bar "||" g2 g4 g8[ a] | < fis ~ b>2 <fis a> | 
d2 d4 d | d2 cis2 | d1 \bar "||" d2 d4 c | d2 d | e fis4 gis |
a2 gis | e1 \bar "||" < g b>2 fis4 e | g2 fis | e4 c e e | g2 < d fis> | d1 \bar "||"

Tenor

g'1 ~ | g1 ~ g1 | d'2 c | b1 \bar "||" d2 d4 c | b2 a | 
g2 a4 b | a b <g cis>2 | a1 \bar "||" g2 g4 a | c2 b | b d | e2. d4 | c1 \bar "||" g2 d4 b | e2 d | b4 a gis a | d e a, c | b1 \bar "||"

�ass

g1 ~ | g2 g'4 fis | e2 d4 c | d1 | g1 \bar "||" g2 fis4 e | d2 c |
b2 a4 g | << { a'2 s2 } \\ { a,1 } >> | < d fis>1 \bar "||" b2 b4 a | g2 g'4 fis | e4. d8 c b |
a c e4 | a,1 \bar "||" b2 d4 e | a a, b c8[ d] | e4 f e a, | b c d2 | g,1 \bar "||"

Lyrics copied from P3 and perl-formatted --QMacrocarpa 14:17, 12 August 2007 (PDT):

"LORD of Creation, bow thine ear. O Christ, to hear"
"The intercession of thy servant true and dear,"
"That we unworthy, who have trespassed in thy sight,"
"May live before thee where he dwells in glorious light."
""
"O God our Saviour, look on thine inheritance,"
"Sealed by the favour shining from thy countenance;"
"That no false spirit bring to nought the souls of price"
"Bought by the merit of thy perfect Sacrifice."
""
"We bear the burden of our guilt and enmity,"
"Until thy pardon lift the heart from slavery:"
"Then through the spending of thy life-blood, King of grace,"
"Grant us unending triumph in thy holy place."
""
"To thee the glorious Christ, our Saviour manifest,"
"All wreaths victorious, praise and worship be addrest,"
"Whom with the living Father humbly we adore,"
"And the life-giving Spirit, God for evermore. Amen."
""

Lily2 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

%%%% 281.png
%%%% Hymn 174 Modern Tune. Annue Christe.  Lord of Cretion, bow thine ear, O Christ, to hear
%%%% Rev 2

\version "2.10"

\header {
  dedication = \markup {  \center-align { "SAINTS' DAYS: GENERAL - APOSTLES AND EVANGELISTS"
	\hspace #0.1 }}	
	
  title = \markup { "174 " \large \smallCaps "(Modern Tune)" }    
  
  meter = \markup { \small { \column {  
	                                \line { \sans { \smallCaps "ANNUE CHRISTE."} \hspace #1 \roman {"(12 12. 12 12.)"}}
		                        \line { \italic {In moderate time} \general-align #Y #DOWN \note #"4" #0.5 = 96 "(" \hspace #-1 \general-align #Y #DOWN \note #"2" #0.5 = 48 \hspace #-1 ")."  } }
  	}}	
	

%%% In the composer name, \teeny is used because Lilypond's \smallcaps does not handle accented letters	
 
  arranger = \markup { \small  { \center-align { \line {\italic "Melody from" \smallCaps "La Feill" \hspace #-1.2 \teeny "ÉE" \hspace #-1.2 "," }  
	  					 \line { "‘" \hspace #-1 \italic "Méthode du plain-chant," \hspace #-1 "’"  \italic "1782." }
  	}}}
	 
  tagline = ""
}

%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros

%%% music function to move a note various amounts of space. \movenote #0.4 moves is equivalent to force-hshift = #0.4

movenote = #(define-music-function (parser location vector) (number?)
     #{
	     \once \override NoteColumn #'force-hshift = #$vector
     #})

%%% raise tie a little to clear of other notes.

tieraise = \once \override Tie #'extra-offset = #'(0.0 . 1.0) 

%%%%%%%%%%%%%%%%%%%%%%%%%%% End of macro definitions

%%% SATB voices

global = {
  \time 4/4
  \key g \major
  \set Staff.midiInstrument = "church organ"
}

soprano = \relative c' { 
  \once \override TextScript #'padding = #1	
  g'2 ^\markup { \italic "To be sung in unison." }  g4 a4 | b2 b | b4 a b c | <g b>2 a4.( g8) | g1 \bar "||" b2 b4 c4 | d2 d | \break
  g,4 e fis g | fis2 e4.( d8) | d1 \bar "||" g2 e4 fis | g2 g | a4 g a b | \break
  c2 b4.( a8) | a1 \bar "||" d2 b4 g | c2 b | g4 a b c | b2 a4.( g8) | g1 \bar "||"
} 
   
alto = \relative c' {  
  <b d>2 << { \voiceTwo b4 c } \\ { \voiceFour \movenote #1 g'2 } >> < d g>2 <d g> | < c g'>2 <d g>4 <e g> | d e fis2 | d1 \bar "||" g2 g4 g8[ a] | < fis ~ b>2 <fis a> | 
  d2 d4 d | d2 cis2 | s1 \bar "||" d2 d4 c | d2 d | e fis4 gis |
  a2 gis | e1 \bar "||" < g b>2 fis4 e | g2 fis | e4 c e <e a> | g2 < d fis> | d1 \bar "||"
}

tenor = \relative c {\clef bass 
  \tieraise g'1 ~ | \tieraise \movenote #0.4 g1 ~ \movenote #0.4 g1 | d'2 c | b1 \bar "||" d2 d4 c | b2 a | 
  g2 a4 b | a b <g cis>2 | a1 \bar "||" g2 g4 a | c2 b | b d | 
  e2. d4 | c1 \bar "||" g2 d'4 b | e2 d | b4 a gis a | d e a, c | b1 \bar "||"
}

bass = \relative c {\clef bass 
g1 ~ | g2 g'4 fis | e2 d4 c | \movenote #0.4 d1 | g1 \bar "||" g2 fis4 e | d2 c |
b2 a4 g | << { \voiceFour \movenote #0.6 a'2 s2 } \\ { \voiceTwo \movenote #1.0 a,1 } >> | < d fis>1 \bar "||" b2 b4 a | g2 g'4 fis | e4. d8 c4 b |
a c e2 | a,1 \bar "||" b2 d4 e | a a, b c8[ d] | e4 f e a, | b c d2 | g,1 \bar "||"
}

	

#(ly:set-option 'point-and-click #f)

\paper {
  #(set-paper-size "a4")
%  annotate-spacing = ##t
  print-page-number = ##f
  ragged-last-bottom = ##t
  ragged-bottom = ##t
}

\book{

%%% Score block	

\score{
\new ChoirStaff	
<<
	\context Staff = upper << 
	\context Voice = sopranos { \voiceOne \global \soprano }
	\context Voice = altos    { \voiceTwo \global \alto }
	                      >>		      
	\context Staff = lower <<
	\context Voice = tenors { \voiceOne \global \tenor }
	\context Voice = basses { \voiceTwo \global \bass }
			        >>
>>
\layout {
		indent=0
		\context { \Score \remove "Bar_number_engraver" }
		\context { \Staff \remove "Time_signature_engraver" }
		\context { \Score \remove "Mark_engraver"  }
                \context { \Staff \consists "Mark_engraver"  }
	} %% close layout

\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 48 2) }}      
  
	
} %%% Score bracket


%%% Section of alternative hymns

\markup {  \column { \line { \hspace #32 \italic "See also for Procession on any Saint's Day:" }
	\line { "             " }
	\line { \hspace	#36 \small "638  Jerusalem, my happy home." }
	\line {	\hspace #36 \small "639  The Church triumphant in thy love." }
}}		




%%fake score block to occupy space and force a pagebreak.  Can't think of a better way of doing this.
\score{
	{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{	
	\context { \Staff
		\remove Time_signature_engraver
		\remove Key_engraver
		\remove Clef_engraver
		\remove Staff_symbol_engraver
}}}

%%% Second page

%%% Lyric titles and attributions

\markup { \hspace #12 \small {  \column { \line {\smallCaps  "Office Hymn."  \italic "  Common of Apostles and"  \hspace #24 \italic "Before 11th cent.  Tr. T. A. L." }    
	\line { \hspace #2 \italic "Evangelists.  " "E." \italic "and" "M." } 
}}}

%%% Lyric title 

\markup { \hspace #34 "Annue Christe saeculorum Domine." }        

%%% Lyrics

\markup { \hspace #22 %%add space as necc. to center the column
          \column { %% super column of everything
	              \column { %%verse 1 is a column of 2 lines  
	                  \line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "L" }   %%Drop Cap goes here
				  \hspace #-1.0    %% adjust this if other letters are too far from Drop Cap
				  \column  { \raise #0.0 "ORD of Creation, bow thine ear, O Christ, to hear"
			                                 "  The intercession of thy servant true and dear," } }     
	                  \line {  \hspace #2.5  %%adjust hspace until this line left edge is flush with Drop Cap
				   \lower  #1.56  %%adjust this until the line spacing looks right
				   \column {   
					   "That we unworthy, who have trespassed in thy sight,"
					   "May live before thee where he dwells in glorious light."

					   "          " %%% adds space between verses
			  		}} 
					} %%% finish verse 1
			   \line { "2  "
			   \column {	     
				   "O God our Saviour, look on thine inheritance,"
				   "Sealed by the favour shining from thy countenance;"
				   "That no false spirit bring to nought the souls of price"
				   "Bought by the merit of thy perfect Sacrifice."
				   "                " %%% adds vertical spacing between verses
			}}
			   \line { "3  "
			   \column {	     
				   "We bear the burden of our guilt and enmity,"
				   "Until thy pardon lift the heart from slavery:"
				   "Then through the spending of thy life-blood, King of grace,"
				   "Grant us unending triumph in thy holy place."
				   "                " %%% adds vertical spacing between verses
			}}
			   \line { "4. "
			   \column {	     
				   "To thee the glorious Christ, our Saviour manifest,"
				   "All wreaths victorious, praise and worship be addrest,"
				   "Whom with the living Father humbly we adore,"
				   "And the life-giving Spirit, God for evermore.     Amen."
			}}
	  }
} %%% lyric markup bracket


%% Amen score block

\score{

  \new ChoirStaff
   <<
        \context Staff = upper \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) }  
	                      << 
	\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne 
	                              \override TextScript #'padding = #1
	                              g'1 ^\markup { \hspace #-4 \fontsize #2  \italic "Harmony." } g  \bar "||" }}
	\context Voice = "altos"    { \relative c' { \clef treble \global \voiceTwo e1 d \bar "||" }}
	                      >>
			  
	\context Lyrics \lyricsto "altos" {\override LyricText #'font-size = #-1  A -- men. }
	
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) }  
	                       << 
	\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree c'1 b \bar "||" }}
	\context Voice = "basses" { \relative c { \clef bass \global \voiceFour  c1 g \bar "||" }}
			        >> 
  >>			      
\header { breakbefore = ##f piece = " " opus = " " }

\layout { 
      \context { \Score timing = ##f }
	ragged-right = ##t
	indent = 15\cm
	\context { \Staff \remove Time_signature_engraver }

       } %% close layout

       
%%% Amen Midi

\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 48 2) }}

}

} %%% book bracket

Lily3 Notes

Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.

If you can't compile Lilypond, use the links here:

Original scan: 281.png

Links to L2 output version 1:

L2-174mod-v1.pdf L2-174mod-v1.midi L2-174mod-v1-amen.midi


Links to L2 output version 2:

L2-174mod-v2.pdf L2-174mod-v2.midi L2-174mod-v2-amen.midi


Notes by L2 Jkenny 02:08, 1 September 2007 (PDT)

  • Not sure whether the "See also" section should be in, but in the end, decided to put it in.
  • Once the "See also" section was inserted, there was no space on the 1st page for the lyric titles and 1st verse, so that had to go to page 2, leaving unfortunately, rather a lot of white space at the foot of the first page.


Notes by L3 KenJ 23:17, 5 October 2007 (PDT)

  • Tempo: no period after 96.
  • "U" in "unison" should not be capitalized.
  • Composer block: I don't see an acute accent in "Methode". Perhaps double-check with 1933 version, as the image of the first "e" is not totally clear.
  • System 3, measure 5, last alto notes: top alto note ("A") is missing.
  • Lyrics notes copied from previous hymn that apply here as well--
  • I think the lyrics title could come down just a wee bit to separate it from the block above. I know the image doesn't show it any lower, but I think it best to more clearly separate as we had been doing. Looks like it's been "crunched" in the image for lack of vertical space to fit it on the page.
  • Lyrics, verse 1, line 1: There probably should be a comma after "ear" instead of a period.


Notes by L2 Jkenny 08:26, 6 October 2007 (PDT)

  • Fixed period after "96".
  • Fixed "U" in unison.
  • "Methode" - there is a clear grave accent in the 1933 ed. Tried google search - sometimes methode has accent, sometimes not. I opted to follow 1933 ed. I think there is a hint of an accent in the scan - the "e" looks taller than normal, possibly because of the accent.
  • Sys 3 meas. 5 fixed last alto note.
  • Inserted more space between lyric author block and the title.
  • Lyrics verse 1 line 1 - fixed comma after "ear".
  • V2 up.


Clear. KenJ 11:33, 6 October 2007 (PDT)


V2 uploaded to repository. Jkenny 06:05, 7 October 2007 (PDT)


Project History

    • Lily1 - (lyrics added) basic Lilypond notation done. Jkenny 10:25, 15 August 2007 (PDT)
    • Lily2 - done. Jkenny 02:10, 1 September 2007 (PDT)
    • Lily3 - notes by L3 KenJ 23:19, 5 October 2007 (PDT)
- fixed. Jkenny 08:31, 6 October 2007 (PDT) Ready for Lily3 clearance - compiled and linked
- clear. KenJ 11:35, 6 October 2007 (PDT)
- uploaded to repository. Jkenny 06:00, 7 October 2007 (PDT)