The English Hymnal - Wiki Music Experiment/279

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Lily1 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

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\partial f2 | a c a g | a b c ^\fermata \bar "||" d | c4( bes) a2 g f4( g) | a2 g f ^\fermata \bar "||" \break
g2 | a a g c | c b c ^\fermata \bar "||" a | bes a g f | f e f ^\fermata \bar "||"

Alto

c | f g g4( f) f( e) | f2 f e \bar "||" g | g2. f4 e2 f | f e f \bar "||"
e2 | f f f e | d4( f) g( f) e2 \bar "||" c | d c4( d) e2. d4 | c2 c c \bar "||"

Tenor

a'2 | c c c c | c f g \bar "||" bes | c c c c4( d) | c2. bes4 a2 \bar "||"
c2 | c c c g | a g g \bar "||" f | f4( g) a2 c4( bes) a2 | a g a \bar "||"

�ass

f,2 | f' e f c | f4( e) d2 c _\fermata \bar "||" g'4( f) | e2 f c4( bes) a4( bes) | c2 c f _\fermata \bar "||"
c2 | f a, c4( d) e( c)  | f( d) g2 c _\fermata \bar "||" f4( e) | d( e) f2 c d | a4( bes) c2 f, _\fermata \bar "||"

Lyrics copied from P3 and perl-formatted --QMacrocarpa 14:13, 12 August 2007 (PDT):

"ALL things are thine; no gift have we,"
"Lord of all gifts, to offer thee:"
"And hence with grateful hearts to-day"
"Thine own before thy feet we lay."
""
"Thy will was in the builders' thought;"
"Thy hand unseen amidst us wrought;"
"Through mortal motive, scheme and plan,"
"Thy wise eternal purpose ran."
""
"In weakness and in want we call"
"On thee for whom the heavens are small;"
"Thy glory is thy children's good,"
"Thy joy thy tender Fatherhood."
""
"O Father, deign these walls to bless;"
"Fill with thy love their emptiness;"
"And let their door a gateway be"
"To lead us from ourselves to thee."
""

Lily2 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

%%%% 279.png
%%%% Hymn 173.  All things are thine; no gift have we.
%%%% Rev 2.

\version "2.10"

\header {
  dedication = \markup {  \center-align { "THE CHRISTIAN YEAR - DEDICATION OR RESTORATION OF A CHURCH"
	\hspace #0.1 }}	
	
	title = "173"   
  
  meter = \markup { \small { \column {  
	                                \line { \sans { \smallCaps "HERR JESU CHRIST."} \hspace #1 \roman {"(L. M.)"}}
		                        \line { \italic {Very slow and dignified} \general-align #Y #DOWN \note #"2" #0.5 = 46.} }
  	}}	
	

 arranger = \markup { \small  { \center-align { \line {\italic "Melody from" "‘" \hspace #-1 \italic "Pensum Sacrum" \hspace #-1 "’"}
	  					 \line { "(" \hspace #-1 \italic "Görlitz, 1648" \hspace #-1 ")."  \italic "  Adapted by" \smallCaps "J. S. Bach."  }
  	}}}
	 
  tagline = ""
}

%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros

%% Used to pull a note left. Used when a slurred note pair straddles a longer note above when notecolumn force-hshift does not work 		 
straddle =  { \once \override Score.SeparationItem #'padding = #2
              \once \override NoteHead #'X-offset = #-2.6
              \once \override Stem #'X-offset = #-2.6 }


%%%%%%%%%%%%%%%%%%%%%%%%%%% End of macro definitions

%%% SATB voices

global = {
  \time 4/2
  \key f \major
  \set Staff.midiInstrument = "church organ"
}

soprano = \relative c' { 
\partial 2 f2 | a c a g | a b c ^\fermata \bar "||" d | c4( bes) a2 g f4( g) | a2 g f ^\fermata \bar "||" \break
g2 | a a g c | c b c ^\fermata \bar "||" a | bes a g f | f e f ^\fermata \bar "||"
} 
   
alto = \relative c' {  
c2 | f g \straddle g4( f) \straddle f( e) | f2 f e \bar "||" g | g2. f4 e2 f | f e f \bar "||"
e2 | f f f e | d4( f) g( f) e2 \bar "||" c | d c4( d) e2. d4 | c2 c c \bar "||"
}

tenor = \relative c {\clef bass 
a'2 | c c c c | c f, g \bar "||" bes | c c c c4( d) | c2. bes4 a2 \bar "||"
c2 | c c c g | a g g \bar "||" f | f4( g) a2 c4( bes) a2 | a g a \bar "||"
}

bass = \relative c {\clef bass 
f,2 | f' e f c | f4( e) d2 c _\fermata \bar "||" g'4( f) | e2 f c4( bes) a4( bes) | c2 c f _\fermata \bar "||"
c2 | f a, c4( d) e( c)  | f( d) g2 c, _\fermata \bar "||" \straddle f4( e) | d( e) f2 c d | a4( bes) c2 f, _\fermata \bar "||"
}

	

#(ly:set-option 'point-and-click #f)

\paper {
  #(set-paper-size "a4")
%  annotate-spacing = ##t
  print-page-number = ##f
  ragged-last-bottom = ##t
  ragged-bottom = ##t
}

\book{

%%% Score block	

\score{
\new ChoirStaff	
<<
	\context Staff = upper << 
	\context Voice = sopranos { \voiceOne \global \soprano }
	\context Voice = altos    { \voiceTwo \global \alto }
	                      >>		      
	\context Staff = lower <<
	\context Voice = tenors { \voiceOne \global \tenor }
	\context Voice = basses { \voiceTwo \global \bass }
			        >>
>>
\layout {
		indent=0
		\context { \Score \remove "Bar_number_engraver" }
		\context { \Staff \remove "Time_signature_engraver" }
		\context { \Score \remove "Mark_engraver"  }
                \context { \Staff \consists "Mark_engraver"  }
	} %% close layout

\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 46 2) }}      
  
	
} %%% Score bracket



	

%%% Lyric attributions and titles

\markup { "                 "  }  %%% force some blank space between score and lyrics

\markup { \small { \hspace #74 \italic "J. G. Whittier, 1807-92." }}

%%% Lyrics

\markup { \hspace #32 %%add space as necc. to center the column
          \column { %% super column of everything
	              \column { %% verse 1 is a column of 2 lines  
	                  \line { \hspace #2.4 \column { \lower #2.4 \fontsize #8 "A" }   %%Drop Cap goes here
				  \hspace #-2.0    %% adjust this if other letters are too far from Drop Cap
				  \column  { \raise #0.0 " LL things are thine; no gift have we,"
			                                 "    Lord of all gifts, to offer thee:" } }          
	                  \line {  \hspace #2.5  %%adjust hspace until this line left edge is flush with Drop Cap
				   \lower  #1.56  %%adjust this until the line spacing looks right
				   \column {   
					   "And hence with grateful hearts to-day"
					   "Thine own before thy feet we lay."
					   "         " %%% adds blank spacing between verses
			  		}}
		      } 
		       \line { \lower #0.4 { "2  "
			   \column {
				   "Thy will was in the builders' thought;"
				   "Thy hand unseen amidst us wrought;"
				   "Through mortal motive, scheme and plan,"
				   "Thy wise eternal purpose ran."
				    "         " %%% adds blank spacing between verses
		       }}}
			\line { "3  "
				\column {
					"In weakness and in want we call"
					"On thee for whom the heavens are small;"
					"Thy glory is thy children's good,"
					"Thy joy thy tender Fatherhood."
			}}
	  } %%% end super column
}

%%fake score block to occupy space and force a pagebreak.  Can't think of a better way of doing this.
\score{
	{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{	
	\context { \Staff
		\remove Time_signature_engraver
		\remove Key_engraver
		\remove Clef_engraver
		\remove Staff_symbol_engraver
}}}

%%% Second page
%%% Continuation of lyrics

\markup { \hspace #32 %%add space as necc. to center the column
          \column { %% super column of everything
			\hspace #1 % adds vertical spacing between verses
			\line { \hspace #-9.8 \italic "Unison. " "4. "
				\column {
					"O Father, deign these walls to bless;"
					"Fill with thy love their emptiness;"
					"And let their door a gateway be"
					"To lead us from ourselves to thee."
     			}}
	  }
} %%% lyric markup bracket


%% Amen score block

\score{

  \new ChoirStaff
   <<
        \context Staff = upper \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) }  
	                      << 
	\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne f1 f  \bar "||" }}
	\context Voice = "altos"    { \relative c' { \clef treble \global \voiceTwo d1 c \bar "||" }}
	                      >>
			  
	\context Lyrics \lyricsto "altos" {\override LyricText #'font-size = #-1  A -- men. }
	
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) }  
	                       << 
	\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree bes'1 a \bar "||" }}
	\context Voice = "basses" { \relative c { \clef bass \global \voiceFour  bes1 f \bar "||" }}
			        >> 
  >>			      
\header { breakbefore = ##f piece = " " opus = " " }

\layout { 
      \context { \Score timing = ##f }
	ragged-right = ##t
	indent = 15\cm
	\context { \Staff \remove Time_signature_engraver }

       } %% close layout

%%% Amen Midi

\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 48 2) }}

}

%%% alternative hymns also suitable

\markup {\column {
	\line { \hspace #15 \italic "For a Dedication Festival," "or" \italic "for a Special Service of Dedication, the following"}
	\line { \hspace #45 \italic "are also suitable:" } 
	\line { "       " } %%% blank line
        \line { \hspace #36 \small { \column {  
		"450  O God, our help in ages past."
		"472  Pray that Jerusalem may have."
		"489  The Church's one foundation."
		"508  We love the place, O God."
		"533  Now thank we all our God."
		"534  Praise the Lord of heaven; praise him in the height."
		"535  Praise the Lord! ye heavens, adore him."
		"536  Praise to the Lord, the Almighty."
		"537  Rejoice to-day with one accord."
		"544  O Faith of England, taught of old."	
	}}}
}} 


} %%% book bracket
</code>

Lily3 Notes

Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.

If you can't compile Lilypond, use the links here:

Original scan: 279.png

Links to L2 output version 1:

L2-173-v1.pdf L2-173-v1.midi L2-173-v1-amen.midi

Links to L2 output version 2:

L2-173-v2.pdf L2-173-v2.midi L2-173-v2-amen.midi


Notes by L2 Jkenny 22:24, 30 August 2007 (PDT)

  • Some pagination dilemmas here. Casting the lyrics into 2 columns did not provide enough space to fit everything including the "also suitable" part into one page.
  • Final choice was to put the fourth verse on page 2 together with the Amen block and the "also suitable" section. That left, unfortunately, quite a bit of white space below verse 3 on page 1.


Notes by L3 KenJ 22:30, 3 October 2007 (PDT)

  • Change author's name from Whittie to Whittier (add "r").
  • Bottom note: "or" is not italicized in the image.
  • 537: hyphenate "today" (to-day).

Notes by L2 Jkenny 04:54, 4 October 2007 (PDT)

  • Fixed author's name.
  • Bottom note: took "or" out of italics.
  • 537: hyphenated "to-day".


Clear. KenJ 21:07, 4 October 2007 (PDT)

Uploaded to repository. Jkenny 07:58, 5 October 2007 (PDT)


Project History

    • Lily1 - (lyrics added) basic Lilypond notation done. Jkenny 10:25, 15 August 2007 (PDT)
    • Lily2 - done. Jkenny 22:27, 30 August 2007 (PDT)
    • Lily3 - notes by KenJ 22:31, 3 October 2007 (PDT)
- fixed. Jkenny 04:57, 4 October 2007 (PDT)
- clear. KenJ 21:09, 4 October 2007 (PDT)
- uploaded to repository. Jkenny 08:00, 5 October 2007 (PDT)