The English Hymnal - Wiki Music Experiment/270b

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Lily1 Code

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Lyrics copied from P3 and perl-formatted --QMacrocarpa 14:07, 12 August 2007 (PDT):

"CHRIST is made the sure Foundation,"
"    And the precious Corner-stone,"
"Who, the two walls underlying,"
"    Bound in each, binds both in one,"
"Holy Sion's help for ever,"
"    And her confidence alone."
""
"All that dedicated City,"
"    Dearly loved by God on high."
"In exultant jubilation"
"    Pours perpetual melody:"
"God the One, and God the Trinal,"
"    Singing everlastingly."
""
"To this temple, where we call thee,"
"    Come, O Lord of Hosts, to-day;"
"With thy wonted loving-kindness"
"    Hear thy people as they pray;"
"And thy fullest benediction"
"    Shed within its walls for ay."
""
"Here vouchsafe to all thy servants"
"    What they supplicate to gain;"
"Here to have and hold for ever"
"    Those good things their prayers obtain,"
"And hereafter in thy glory"
"    With thy blessèd ones to reign."
""
"Laud and honour to the Father;"
"    Laud and honour to the Son;"
"Laud and honour to the Spirit;"
"    Ever Three and ever One:"
"Consubstantial, co-eternal,"
"    While unending ages run. Amen."
""

Lily2 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

%%% 270b.png
%%% Hymn 170 Christ is made the sure Foundation.
%%% Version 2


\version "2.10"

\include "gregorian-init.ly"

\header {
  dedication = \markup { \center-align {  "THE CHRISTIAN YEAR - DEDICATION FESTIVAL"
		\hspace #0.1 }}	

  title = "170"
  
  arranger = \markup { \small { "Mode i." }}
  
  tagline =""
}

%%%%%%%%%%%%%%%% Macros

%% macro settings for stemless long note which is 2x duration of regular white note    
ln = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteColumn #'force-hshift = #0.4 }


%% settings to generate the double longnotes (breves)

brevenote = { \once \override NoteHead #'duration-log = #-1  
                \once \override NoteColumn #'force-hshift = #0.8 }
	   		
%%% suprresses printing of accidental
noacci = \once \override Accidental #'transparent = ##t


%%%%%%%%%%%%% End of Macro Definitions		
		
%%% plainsong voice

plainsong = \context VaticanaVoice  {  \relative c { 
	\clef "vaticana-fa2"
	\set fontSize = #3
        \key c \major 
  a'8 a a \[ g \flexa f \] g a a d, \bar "|" f g e f d c d \bar "|" \break
  f d e f g a \[ \virga g \inclinatum f \inclinatum e \] d \bar "|" e f e d e d c \bar "|" \break
  a \[ c \pes d \] d \[ d \flexa c \] f g g f \bar "|" a g \[ f \flexa e \] \[ f \pes g \inclinatum f \inclinatum e \] d c d \bar "||"
}} 
  
%%% SATB voices

global = {
  \key f \major 
  \set Staff.midiInstrument = "church organ"
}

amenglobal = {
  \key bes \major 
  \set Staff.midiInstrument = "church organ"
}

soprano = \relative c' {
	\autoBeamOff
  d'8 d d c[ bes] c d d g, \bar "|" bes c a bes g f g \bar "|" \break
  bes g a bes c d c[ bes a] g \bar "|" a bes a g a g f \bar "|" \break
  d f[ g] g g[ f] bes c c bes \bar "|" d c bes[ a] bes[ c bes a] g f g \bar "||" 
}


alto = \relative c' {
	\autoBeamOff
  f8 g f ees[ d] \ln f4 f8 ees! \bar "|" f ees! c d bes d ~ d \bar "|"
  f c \brevenote f\breve *1/4 ~ \ln f4. d8 \bar "|" \ln f4. d8 f \noacci e c \bar "|"
  bes c[ d] ees! ees[ f] d g f d \bar "|" f f \ln d4 ~ d8[ ees!] f~[ f] ees! d d \bar "||"
}


tenor = \relative c { \clef bass
	\autoBeamOff
  bes'8 bes a \ln g4 a8 a bes bes \bar "|" bes g f ~ f g bes bes \bar "|"
  bes c c bes f bes a[ d c] bes \bar "|" \ln d4 c8 d c c a \bar "|"
  f f[ bes] bes \ln bes4 ~ bes8 g a bes \bar "|" bes a d[ c] bes[ a] \ln bes4 ~ bes8 bes bes \bar "||"
}

bass = \relative c { \clef bass
	\autoBeamOff
  bes'8 g d ees[ g] f d bes ees! \bar "|" d c f bes, ees! bes' g \bar "|"
  d \noacci e f d a bes \ln f'4. g8 \bar "|" d bes f' bes, a c f \bar "|"
  bes, a[ g] ees' ees[ d] g ees! f bes, \bar "|" bes' f \ln g4 ~ g8[ c,]( \ln d4) ees!8 bes g \bar "||"
}


#(ly:set-option 'point-and-click #f)

\book {

\paper {
 #(set-paper-size "a4")
%% annotate-spacing = ##t
 print-page-number = ##f
 ragged-last-bottom = ##t
 ragged-bottom = ##t
}

\score {	
  <<
  \new VaticanaStaff {\plainsong }
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  
  >>

\layout {
	
  ragged-right = ##f
  ragged-last = ##f
  \context { \Score timing = ##f }
  \context { \Score \override TimeSignature #'transparent = ##t }
  \context { \Score \remove "Mark_engraver" }
  \context { \Staff \consists "Mark_engraver" }
  
  % *** Needed to produce beamed minims - which are quavers in disguise
  \context { \Staff \override NoteHead #'duration-log = #1 }
  \context { \Staff \override Stem #'flag-style = #'no-flag }
  
  \context { \VaticanaStaff
           % *** Increases distance between lines of staff  
           \override StaffSymbol #'staff-space = #1.6            
           % *** Changes staff to black instead of default red
           \revert StaffSymbol #'color
           % *** Makes clef bigger       
           \override Clef #'font-size = #3
           % *** Would make ledger lines black, if there were any
           \revert LedgerLineSpanner #'color
           % *** Makes terminal barline visible 
           \override BarLine #'transparent = ##f 
  	   % *** Remove custos
	   \remove Custos_engraver
	   % needed for certain tweaks
	   \consists "Mark_engraver"
           }
     }
} %%% score bracket 

%%% A separate score block to generate the midi minus the plainsong voice
%%% Since minims are quavers in disguise, tempo has to be set accordingly, tempo set to 2=80

\score {	
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  

\midi { 
  \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) }
       } 
}


\markup {  \line { \hspace #26 \italic "See also:" \hspace #1 \small {\column { "634  Hail thee, Festival Day."
	            					        "635  Eternal Power, whose high abode."
		     						"636  Only-begotten, Word of God eternal."
								"637  Lo! God is here! let as adore." }}}}


%%fake score block to occupy space and force a pagebreak.  Can't think of a better way of doing this.
\score{
	{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{	
	\context { \Staff
		\remove Time_signature_engraver
		\remove Key_engraver
		\remove Clef_engraver
		\remove Staff_symbol_engraver
}}}


%%% Lyric Titles


%%% Lyric titles and attributions

\markup { \hspace #12 \small {  \column { \line {\smallCaps  "Office Hymn."  "M." \italic "and" "E."  \hspace #30 \italic "c. 7th cent.  Tr. J. M. Neale." }    
					 \line { \hspace #28 "Angularis fundamentum." }
}}}


%%% Lyrics

\markup { \hspace #32 %%add space as necc. to center the column
          \column { %% super column of everything
	              \column { %%verse 1 is a column of 2 lines  
	                  \line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "C" }   %%Drop Cap goes here
				  \hspace #-1.0    %% adjust this if other letters are too far from Drop Cap
				  \column  { \raise #0.0 "HRIST is made the sure Foundation,"
			                                 "  And the precious Corner-stone," } }     
	                  \line {  \hspace #2.5  %%adjust hspace until this line left edge is flush with Drop Cap
				   \lower  #1.56  %%adjust this until the line spacing looks right
				   \column {   
					   "Who, the two walls underlying,"
					   "    Bound in each, binds both in one,"
					   "Holy Sion's help for ever,"
					   "    And her confidence alone."
					   "          " %%% adds space between verses
			  		}} 
			         } %%% finish verse 1 
           		\line { "2  "
			   \column {	     
				   "All that dedicated City,"
				   "    Dearly loved by God on high,"
				   "In exultant jubilation"
				   "    Pours perpetual melody:"
				   "God the One, and God the Trinal,"
				   "    Singing everlastingly."
				   "                " %%% adds vertical spacing between verses
			}}
			   \line { "3  "
			   \column {	     
				   "To this temple, where we call thee,"
				   "    Come, O Lord of Hosts, to-day;"
				   "With thy wonted loving-kindness"
				   "    Hear thy people as they pray;"
				   "And thy fullest benediction"
				   "    Shed within its walls for ay."
				   "                " %%% adds vertical spacing between verses
			}}
			   \line { "4  "
			   \column {	     
				   "Here vouchsafe to all thy servants"
				   "    What they supplicate to gain;"
				   "Here to have and hold for ever"
				   "    Those good things their prayers obtain,"
				   "And hereafter in thy glory"
				   "    With thy blessèd ones to reign."
				   "                " %%% adds vertical spacing between verses
			}}
			   \line { "5. "
			   \column {	     
				   "Laud and honour to the Father;"
				   "    Laud and honour to the Son;"
				   "Laud and honour to the Spirit;"
				   "    Ever Three and ever One:"
				   "Consubstantial, co-eternal,"
				   "    While unending ages run.     Amen."
				   "                " %%% adds vertical spacing between verses
			}}
	  } %%% end supercolumn
} %%% end markup	  


%%% Amen score block

\score {  	
  <<
    <<
  \new VaticanaStaff <<
  \context VaticanaVoice = "plainsongamen"  {  \relative c { 	  
	\set Score.timing = ##f
	\override Staff.Clef #'#'font-size = #3
	\clef "vaticana-fa2"
	\set fontSize = #3
	\override Staff.StaffSymbol #'staff-space = #1.6
	 
        \[ d8 e8 d8 \] d4
  }} 
                    >> 
 \new Lyrics = "lyrics" { s1 }
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \amenglobal
	                                              \voiceOne g'8[ a g] \ln g4 \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \amenglobal
	                                              \voiceTwo  d8[ f ees] \ln d4 \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \amenglobal
	                                          \voiceThree  bes'8[ d bes] \ln bes4 \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \amenglobal
						  \voiceFour g'8[ d8 ees] \ln g4 \bar "||" }}
			        >> 
   >>
  \context Lyrics = "lyrics" \lyricsto "sopranos" { \override LyricText #'font-size = #-1  A  -- _ _ men. }
  >>
>>

\header { breakbefore = ##f piece = " " opus = " " }

\layout {
     indent = 13\cm
     raggedright = ##t
     packed = ##f
     \context { \Score \override TimeSignature #'transparent = ##t }
     \context { \Score \override SeparationItem #'padding = #2 }
     \context { \Staff \override VerticalAxisGroup #'minimum-Y-extent = #'( -5 . 4) }
     \context { \Score \remove "Bar_number_engraver"
		timing = ##f 
              }
     \context { \Staff \override NoteHead #'duration-log = #1 }
     \context { \Staff \override Stem #'flag-style = #'no-flag }
     \context { \VaticanaStaff %%customize vaticana staff context 
	          \revert StaffSymbol #'color
		  \revert LedgerLineSpanner #'color
		  \override BarLine #'transparent = ##f 
		  \remove Custos_engraver
 	} 
} 

}

%%% Separate score block for Amen midi minus plainsong voice
%%% Since the minims are quavers in disguise, the tempo has to be adjusted accordingly. A tempo of 2=80 is set.

\score {  	
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \amenglobal
	                                              \voiceOne g'8[ a g] \ln g4 \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \amenglobal
	                                              \voiceTwo  d8[ f ees] \ln d4 \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \amenglobal
	                                          \voiceThree  bes'8[ d bes] \ln bes4 \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \amenglobal
						  \voiceFour g'8[ d8 ees] \ln g4 \bar "||" }}
			        >> 
   >>
   
\midi {  
   \context {
       \Score 
       tempoWholesPerMinute = #(ly:make-moment 80 8) }
      }

}
	

} %% book bracket

Lily3 Notes

Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.

If you can't compile Lilypond, use the links here:

Original scan: 270.png

Links to L2 output version 1:

L2-170-v1.pdf L2-170-v1.midi L2-170-v1-amen.midi

Links to L2 output version 2:

L2-170-v2.pdf L2-170-v2.midi L2-170-v2-amen.midi


Notes by L2 Jkenny 19:15, 28 August 2007 (PDT)

  • Same music as Hymn 169.
  • Note comments about the presence of redundant accidentals and also different Amen block key signature in Hymn 169.


Notes by L3 KenJ 17:47, 25 September 2007 (PDT)

  • System 1, measure 1, last bass note (and two notes later - measure 2, note 2): flat sign missing.
  • See also...637 Lo!: Surely the colon after here should be another exclamation point, as after Lo. (These two "comments" are the same as in hymn 169.)


Notes by L2 Jkenny 18:46, 25 September 2007 (PDT)

  • Fixed explicit flat-signs.
  • See also...637 Lo!: fixed exclamation mark after "here".
  • V2 up.


Clear. KenJ 17:07, 26 September 2007 (PDT)


V2 uploaded to repository. Jkenny 01:43, 27 September 2007 (PDT)


Project History

    • Lily1 - (lyrics added) notation done. See above.
    • Lily2 - done. Jkenny 19:15, 28 August 2007 (PDT)
    • Lily3 - notes by L3 KenJ 17:53, 25 September 2007 (PDT)
- fixed. Jkenny 19:03, 25 September 2007 (PDT)
- clear. KenJ 17:11, 26 September 2007 (PDT)
- uploaded to repository. Jkenny 03:05, 27 September 2007 (PDT)