The English Hymnal - Wiki Music Experiment/100
Lily1 Code
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Soprano = d2 | fis2 g2 a2 a2 | b2 b2 a2 || a2 | d2 cis2 b2 b2 | a1. ||
d2 | fis2 g2 a2 a2 | b2 b2 a2 || d2 | g2 fis2 e2 e2 | d1. ||
Alto = d2 | d2 d2 e2 fis2 | g2 g2 fis2 || fis2 | fis2 e2 e2 e2 | cis1. ||
d2 | d2 d2 cis2 a2 | d2 d2 d2 || d2 | d2 d2 d2 cis2 | d1. ||
Tenor = fis2 | a2 b2 cis2 a2 | d2 d2 d2 || d2 | fis2 a2 a2 gis2 | a1. ||
fis2 | a2 d2 e2 fis2 | g2 g2 fis2 || fis2 | b2 a2 a2 a2 | fis1. ||
Bass = d2 | d2 b2 a2 d2 | g2 g2 d2 || d2 | d2 a2 e2 e2 | a1. ||
d2 | d2 b2 a2 d2 | g2 g2 d2 || d2 | g2 d2 a2 a2 | d1. ||
"In stature grows the heavenly Child,"
" With death before his eyes;"
"A Lamb unblemished, meek and mild,"
" Prepared for sacrifice."
""
"The Son of God his glory hides"
" With parents mean and poor;"
"And he who made the heaven abides"
" In dwelling-place obscure."
""
"Those mighty hands that stay the sky"
" No earthly toil refuse;"
"And he who set the stars on high"
" An humble trade pursues."
""
"He before whom the angels stand,"
" At whose behest they fly,"
"Now yields himself to man's command,"
" And lays his glory by."
""
"Jesu, the Virgin's holy Son,"
" We praise thee and adore,"
"Who art with God the Father one,"
" And Spirit evermore. Amen."
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
To upload the output PDF and midi files, go here: file-repository. You need a userid and password (see this project's main wiki page).
Then create a link in the Lily3 section to those files
%%%100.png
%%%Hymn 46 Tallis' Ordinal. In stature grows the heavenly Child
%%%Version 2
\version "2.10"
\header {
dedication = \markup { \center-align { \line { "THE CHRISTIAN YEAR - FROM EPIPHANY TILL SEPTUAGESIMA" }
\hspace #1
} }
title = "46"
arranger = \markup { \small { \smallCaps "T. Tallis," \italic "c. 1515-85."} }
poet = \markup { \small { \sans "TALLIS' ORDINAL." \smallCaps "('9th tune')." \hspace #1 \roman { "(C. M.)"} } }
meter = \markup { \small { \italic {Moderately slow} \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 66.} }
tagline = ""
}
%%generates the breathmarks
breathmark = {
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'Y-offset = #'4.0
\override Score.RehearsalMark #'X-offset = #'-0.5
\mark \markup { \fontsize #4 ","}
}
soprano = \relative c' {
\partial 2 d2 | fis2 g2 a2 a2 | b2 b2 a2 \breathmark \bar "||" a2 | d2 cis2 b2 b2 | a1. \breathmark \bar "||" \break
d,2 | fis2 g2 a2 a2 | b2 b2 a2 \breathmark \bar "||" d,2 | g2 fis2 e2 e2 | \once \override Dots #'transparent = ##t d1. \bar "||"
}
alto = \relative c' {
d2 | d2 d2 e2 fis2 | g2 g2 fis2 \bar "||" fis2 | fis2 e2 e2 e2 | cis1. \bar "||"
d2 | d2 d2 cis2 a2 | d2 d2 d2 \bar "||" d2 | d2 d2 d2 cis2 | \once \override NoteColumn #'force-hshift = #-0.01 d1. \bar "||"
}
tenor = \relative c { \clef bass
fis2 | a2 b2 cis2 a2 | d2 d2 d2 \bar "||" d,2 | fis2 a2 a2 gis2 | a1. \bar "||"
fis2 | a2 d,2 e2 fis2 | g2 g2 fis2 \bar "||" fis2 | b2 a2 a2 a2 | fis1. \bar "||"
}
bass = \relative c { \clef bass
d2 | d2 b2 a2 d2 | g,2 g2 d'2 \bar "||" d2 | d2 a2 e'2 e2 | a,1. \bar "||"
d2 | d2 b2 a2 d2 | g,2 g2 d'2 \bar "||" d2 | g,2 d'2 a2 a2 | d1. \bar "||"
}
global = {
\time 4/2
\key d \major
\set Staff.midiInstrument = "church organ"
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos {\voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
% \context { \Score timing = ##f }
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
}
\midi {
\context { \Score tempoWholesPerMinute = #(ly:make-moment 66 2) }
}
} %%score bracket
\markup { \hspace #5 %%add space as necc. to center the column
\column { %% super column of everything
\line { \hspace #55 \small \italic "J.-B. de Santeüil, 1630-97. Tr. J. Chandler." }
\hspace #1
\line { \hspace #36 \small "Divine crescebas Puer." }
\line { %% a master line of 3 columns
\column { %% column 1
\hspace #0.2 % adds vertical spacing between verses
\column { %%stanza 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "I" } %%Drop Cap goes here
\hspace #-1.2 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "N stature grows the heavenly Child," " With death before his eyes;" } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"A Lamb unblemished, meek and mild,"
" Prepared for sacrifice."
}}
} %% finish stanza 1
\hspace #0.2 % adds vertical spacing between verses
\line { "2 "
\column {
"The Son of God his glory hides"
" With parents mean and poor;"
"And he who made the heaven abides"
" In dwelling-place obscure."
}}
} %% finish Page column 1
\hspace #4 %%adds horizontal space columns 1 and 2
\column { \filled-box #'(0.0 . 0.1) #'( -26 . -1) #0 } %%Column 2. This is the line dviding the columns 1 and 3.
\hspace #4 %%adds horizontal space between columns 2 and 3
\column { %%start page column 3
\hspace #0.2 % adds vertical spacing between verses
\line { "3 "
\column {
"Those mighty hands that stay the sky"
" No earthly toil refuse;"
"And he who set the stars on high"
" An humble trade pursues."
}}
\hspace #0.2 % adds vertical spacing between verses
\line { "4 "
\column {
"He before whom the angels stand,"
" At whose behest they fly,"
"Now yields himself to man's command,"
" And lays his glory by."
}}
} %% end column 3
} %% master line bracket
\column { \hspace #0.2
\line { \hspace #30 "5. "
\column {
"Jesu, the Virgin's holy Son,"
" We praise thee and adore,"
"Who art with God the Father one,"
" And Spirit evermore. Amen."
}}
}
} %% page super column bracket
} %% markup bracket
%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne d1 d1 \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo b1 a1 \bar "||" }}
>>
\context Lyrics \lyricsto "altos" { \override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree g'1 fis1 \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour g1 d'1 \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
}
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 66 2) }} %%Amen midi
}
} %%book bracket
Lily3
Download the files from these links, edit the code in Lily2 or else leave notes in the section below.
Notes
Notes by L2 Jkenny 03:42, 31 May 2007 (PDT)
- As with others sharing this long theme, the theme header is split into 2 lines without a hyphen.
QMacrocarpa 14:21, 31 May 2007 (PDT)
- I'd prefer the theme header in one line. I tried compiling it that way, and it seems fine to me. What's the disadvantage of having it in a single line?
- In title, ('9th tune') should not be in the sans-serif font of TALLIS' ORDINAL (checked original).
- 1st system, 2nd complete measure: first two notes sound a bit more discordant than I would have expected from the scan and PDF (which match). ???
- In lilypond file header: "Instature grows..."
stygiania 19:04, 31 May 2007 (PDT)
- Nothing sounds discordant to me :shrug:
- No problems found other than those already noted.
Jkenny 19:31, 31 May 2007 (PDT)
- Fixed theme, on one line now.
- Fixed header.
- (9th tune) is now Roman in smallcaps
- I don't have a good ear, so can't comment on discondant sounds.
- Lyric attribution. It is J.-B. right?
stygiania 07:46, 1 June 2007 (PDT)
- Jean-Baptiste de Santeüil per Index of Authors
- Second note after first breathmark sounded odd today. This seems to be an issue with the church organ voice since it sounds fine in piano.
- Everything looks to be fixed on this one.
Lily3 cleared, files uploaded stygiania 19:55, 5 June 2007 (PDT)
Record of Work
- Lily1 - done stygiania 23:02, 27 May 2007 (PDT) (plain text + lyrics)
- Lily2 - done Jkenny 03:46, 31 May 2007 (PDT)
- Lily3 - comments QMacrocarpa 14:22, 31 May 2007 (PDT)
- - fixed.
- - Lily3 cleared, files uploaded stygiania 19:55, 5 June 2007 (PDT)