The English Hymnal - Wiki Music Experiment/095
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Lily1 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
To upload a midi, go here: file-repository. You need a userid and password (see this project's main wiki page).
soprano = a2 | d2 d2 e2 | fis2 fis2 a2 | g2. fis4 e2 | fis2. fis4 fis2 || e2 d2 e2 |
fis2 gis2 a2 | a2 b2 gis2 | a1 || cis2 | d2 d2 c2 | b2 b2 a2 |
g2 a2 fis2 | e2. e4 e2 || a2 a2 fis2 | b2 cis2 d2 | d2 e2 cis2 | d1 ||
alto = e2 | a2 b2 cis2 | d2 d2 e2 | d2. d4 cis2 | d2. d4 d2 || b4 cis4 d2 cis2 |
d2 b2 a2 | fis2 fis2 e2 | e1 || e2 | d2 fis4 g4 a2 | a2 g2 fis2 |
e2 e2 d2 | cis2. cis4 cis2 || d2 e2 d2 | d2 g2 fis4 | g2 g2 e2 | fis1 ||
tenor = a2 | fis2 g2 g2 | a2 a2 a2 | b2. a4 a2 | a2. a4 a2 || g2 a2 g2 |
a2 d2 cis2 | d2 d2 b2 | cis1 || a2 | a2 a2 d2 | d2 d2 d2 |
b2 a2 a2 | a2. a4 a2 | a2 a2 a2 | g2 e2 d2 | b2 b2 a2 | a1 ||
bass = cis2 | d2 g4 fis4 e2 | d2 d2 cis2 | b2. d4 a2 | d2. d4 d2 || g2 fis2 e2 |
d2 e2 fis2 | d2 b2 e2 | a1 || a2 | fis2 d4 e4 fis2 | g2 g2 d2 |
e2 cis2 d2 | a2. a4 g2 || fis2 cis2 d2 | g2 a2 b2 | g2 e2 a2 | d1 ||
"O WORSHIP the Lord in the beauty of holiness!"
" Bow down before him, his glory proclaim;"
"With gold of obedience, and incense of lowliness,"
" Kneel and adore him, the Lord is his name!"
""
"Low at his feet lay thy burden of carefulness,"
" High on his heart he will bear it for thee,"
"Comfort thy sorrows, and answer thy prayerfulness,"
" Guiding thy steps as may best for thee be."
""
"Fear not to enter his courts in the slenderness"
" Of the poor wealth thou wouldst reckon as thine:"
"Truth in its beauty, and love in its tenderness,"
" These are the offerings to lay on his shrine."
""
"These, though we bring them in trembling and fearfulness,"
" He will accept for the name that is dear;"
"Mornings of joy give for evenings of tearfulness,"
" Trust for our trembling and hope for our fear."
""
"O worship the Lord in the beauty of holiness!"
" Bow down before him, his glory proclaim;"
"With gold of obedience, and incense of lowliness,"
" Kneel and adore him, the Lord is his name!"
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
To upload the output PDF and midi files, go here: file-repository. You need a userid and password (see this project's main wiki page).
Then create a link in the Lily3 section to those files
%%%095.png
%%%Hymn 42 Was Lebet O Worship the Lord in the beauty of holiness
%%%Version 2
\version "2.10"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - THE EPIPHANY"
\hspace #0.1 }}
title = "42"
meter = \markup { \small { \column { \line { \sans {"WAS LEBET, WAS SCHWEBET."} \hspace #1 \roman {"(13 10. 13 10.)"}}
\line { \italic {Moderately slow} \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 80.}}}}
arranger = \markup { \small \center-align {
\line{ \italic "From the 'Rheinhardt" }
\line { \italic "MS.,' Üttingen, 1754."}}}
tagline =""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%%generates the breathmarks
breathmark = {
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'Y-offset = #'4.0
\override Score.RehearsalMark #'X-offset = #'-0.5
\mark \markup { \fontsize #4 ","}
}
%%shortcut macro for small notes
smallnote = { \once \set fontSize = #-3
\once \override Stem #'length = #5 }
%% Used to pull a note left. Used when a slurred note pair straddles a longer note when notecolumn force-hshift does not work
straddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-2.8
\once \override Stem #'X-offset = #-2.8 }
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% End of Macro definitions
soprano = \relative c' {
\partial 2 \smallnote a'2 | d,2 d2 e2 | fis2 fis2 a2 | g2. fis4 e2 | fis2. fis4 fis2 \breathmark \bar "||" e2 d2 e2 | \break
fis2 gis2 a2 | a2 b2 gis2 | a1^\fermata \bar "||" \smallnote cis2 | d2 d2 c2 | b2 b2 a2 | \break
g2 a2 fis2 | e2. e4 e2 \breathmark \bar "||" a2 a2 fis2 | b2 cis2 d2 | d2 e2 cis2 | d1 \bar "||"
}
alto = \relative c' {
\partial 2 \smallnote e2 | a,2 b2 cis2 | d2 d2 e2 | d2. d4 cis2 | d2. d4 d2 \bar "||" b4( cis4) d2 cis2 |
d2 b2 a2 | fis'2 fis2 e2 | e1 \bar "||" \smallnote e2 | d2 fis4( g4) a2 | a2 g2 fis2 |
e2 e2 d2 | cis2. cis4 cis2 \bar "||" d2 e2 d2 | d2 g2 fis2 | g2 g2 e2 | fis1 \bar "||"
}
tenor = \relative c { \clef bass
\partial 2 \smallnote a'2 | fis2 g2 g2 | a2 a2 a2 | b2. a4 a2 | a2. a4 a2 \bar "||" g2 a2 g2 |
a2 d2 cis2 | d2 d2 b2 | cis1 \bar "||" \smallnote a2 | a2 a2 d2 | d2 d2 d2 |
b2 a2 a2 | a2. a4 a2 | a2 a2 a2 | g2 e'2 d2 | b2 b2 a2 | a1 \bar "||"
}
bass = \relative c { \clef bass
\partial 2 \smallnote cis2 | d2 \straddle g4( fis4) e2 | d2 d2 cis2 | b2. d4 a2 | d2. d4 d2 \bar "||" g2 fis2 e2 |
d2 e2 fis2 | d2 b2 e2 | a1_\fermata \bar "||" \smallnote a2 | fis2 d4( e4) fis2 | g2 g2 d2 |
e2 cis2 d2 | a2. a'4 g2 \bar "||" fis2 cis2 d2 | g2 a2 b2 | g2 e2 a2 | d,1 \bar "||"
}
global = {
\time 3/2
\key d \major
\set Staff.midiInstrument = "church organ"
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos {\voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
% \context { \Score timing = ##f }
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 80 2)
}
}
} %%score bracket
\markup { \hspace #26 \italic "Notes in small type are for the first and last verses only." }
\markup { \small { \hspace #16 \italic { "Suitable till Septuagesima."} \hspace #25 \italic {"J. S. B. Monsell, 1811-75."} } }
\markup { \hspace #26 %%add space as necc. to center the column
\column { %% super column of everything
\column { %%stanza 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "O" } %%Drop Cap goes here
\hspace #-1.2 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 " WORSHIP the Lord in the beauty of holiness!" " Bow down before him, his glory proclaim;" } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"With gold of obedience, and incense of lowliness,"
" Kneel and adore him, the Lord is his name!"
}}
} %% finish stanza 1
\hspace #1
\line { "2 "
\column {
"Low at his feet lay thy burden of carefulness,"
" High on his heart he will bear it for thee,"
"Comfort thy sorrows, and answer thy prayerfulness,"
" Guiding thy steps as may best for thee be."
}}
}
}
%%second page
%%fake score block to occupy space and force a pagebreak. Can't think of a better way of doing this.
\score{
{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{
\context { \Staff
\remove Time_signature_engraver
\remove Key_engraver
\remove Clef_engraver
\remove Staff_symbol_engraver
}}}
\markup { \hspace #26 %%add space as necc. to center the column
\column {
\hspace #1 %% extra blank line -- helps those who print on Letter size paper.
\line { "3 "
\column {
"Fear not to enter his courts in the slenderness"
" Of the poor wealth thou wouldst reckon as thine:"
"Truth in its beauty, and love in its tenderness,"
" These are the offerings to lay on his shrine."
}}
\hspace #1 % adds vertical spacing between verses
\line {"4 "
\column {
"These, though we bring them in trembling and fearfulness,"
" He will accept for the name that is dear;"
"Mornings of joy give for evenings of tearfulness,"
" Trust for our trembling and hope for our fear."
}}
\hspace #1 % adds vertical spacing between verses
\line { "5. "
\column {
"O worship the Lord in the beauty of holiness!"
" Bow down before him, his glory proclaim;"
"With gold of obedience, and incense of lowliness,"
" Kneel and adore him, the Lord is his name!"
}}
}
}% lyric markup bracket
%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne d1 d1 \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo b1 a1 \bar "||" }}
>>
\context Lyrics \lyricsto "altos" { \override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree g'1 fis1 \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour g1 d'1 \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
}
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 2) }} %%Amen midi
}
} %%book bracket
Lily3
Download the files from these links, edit the code in Lily2 or else leave notes in the section below.
Notes
Notes by L2 Jkenny 23:31, 29 May 2007 (PDT)
- Not sure which were the small notes which are meant for 1st and last verse -- assumed they were the first partial measure, and 2nd system after the double line bar.
- Also placed blank line on top of page 2 - about 30mm of header. To cater for letter size.
QMacrocarpa 09:46, 31 May 2007 (PDT)
- Missing breath mark at first double-bar.
- First system, first complete measure: 1/4-note bass G is to the left of 1/2-note tenor G in the scan.
- Curiously, my color-coded PDF shows ALL the noteheads in blue, not just the small ones as usual. Not sure if that indicates a problem or not, sizes look ok to me. Is the "smallnote" macro new? That might explain changed behavior. I agree with your picks for the small notes for 1st and last verse.
- I can't help wondering-- why no fermata on last note in original? Well, definitely not there.
stygiania 18:26, 31 May 2007 (PDT)
- I agree on the designation of the small notes. Those fit the verses.
- Found no problems other than those already mentioned by Q.
Jkenny 18:36, 31 May 2007 (PDT)
- Breathmark fixed.
- Bass G fixed - made to straddle the tenor now.
- On the all-blue effect, this is not so much a bug as a feature of the way the override for the notehead color works.
- In the Amen staff, fontsize = #-3 kicks in for all notes on the Amen staff.
- Similarly, when PERL inserts \override NoteHead #'color = #blue, the override ropes in all notes on the Amen staff. This is all right for the Amen staff because all are small notes.
- When setting small notes on the main staff, we only want it one note at a time, so the fontsize command is modified to look like:
\once \set fontSize = #-3
- Now the font downsizing kicks in only for the next note.
- However when PERL spots the tail end of the string, it continues to insert a regular color override which still ropes in all the rest of the notes on the staff.
- One way around (but not really necessary, since small notes on a main staff are very rare) is to tweak the PERL:
%% If PERL sees \once \set, then do this: \once \set fontSize = #-3 \once \override NoteHead #'color = #blue
%% If PERL sees only plain old fontsize =#-3, then do this: fontSize = #-3 \override NoteHead #'color = #blue
Lily3 cleared, files uploaded stygiania 19:07, 5 June 2007 (PDT)
Record of Work
- Lily1 - done stygiania 21:42, 27 May 2007 (PDT) (plain text + lyrics)
- Lily2 - done Jkenny 23:33, 29 May 2007 (PDT)
- Lily3 - comments added QMacrocarpa 09:47, 31 May 2007 (PDT)