The English Hymnal - Wiki Music Experiment/089
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Lily1 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
To upload a midi, go here: file-repository. You need a userid and password (see this project's main wiki page).
Then create a link in this section to that uploaded midi file.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%% The English Hymnal, 089.png
%%% Format=ABC
%%% Original doesn't show meter.
%%%
X: 4
T: INNOCENTS. (7 7. 7 7.)
C: Composed or adapted by J. Smith, 1800-73.
M: 4/4
L: 1/4
Q: 1/4=100
K: D
V:1 staves=4
%%MIDI transpose 0
F3/2 G/2 | A d c B | A2 || D3/2 E/2 | F A G F | E2 ||
F3/2 G/2 | A d c B | A2 || D3/2 E/2 | F G F E | D2 ||
%
V:2
%%MIDI transpose 0
D3/2 C/2 | D F E D/2E/2 | F2 || A,3/2 C/2 | D E D D | C2 ||
D3/2 C/2 | D F E3/2 D/2 | C2 || D3/2 C/2 | D E D C | D2 ||
%
V:3 clef=bass
%%MIDI transpose -12
a3/2 g/2 | f a g/2a/2 b/2c'/2 | d'2 || f3/2 g/2 | a c' b a | a2 ||
a3/2 g/2 | f f a ^g | a2 || a3/2 g/2 | a b a a | f2 ||
%
V:4 clef=bass
%%MIDI transpose -12
d3/2 e/2 | f d e/2f/2 g | d2 || f3/2 e/2 | d A B d | A2 ||
d3/2 e/2 | f B c/2d/2 e | (a =g) || f3/2 e/2 | d G A A | d2 ||
%
W: Victis sibi cognomina.
%
W:
%
W: Conquering kings their titles take
%
W: From the lands they captive make:
%
W: Jesu, thine was given thee
%
W: For a world thou madest free.
%
W:
%
W: 2 Not another name is given
%
W: Power possessing under heaven,
%
W: Strong to call dead souls to rise
%
W: And exalt them to the skies.
%
W:
%
W: 3 That which Christ so hardly wrought,
%
W: That which he so dearly bought,
%
W: That salvation, mortals, say,
%
W: Will ye madly cast away?
%
W:
%
W: 4 Rather gladly for that name
%
W: Bear the Cross, endure the shame;
%
W: Joyfully for him to die
%
W: Is not death but victory.
%
W:
%
W: 5 Jesu, if thou condescend
%
W: To be called the sinner's Friend,
%
W: Ours the joy and glory be
%
W: Thus to make our boast of thee.
%
W:
%
W: 6. Glory to the Father be,
%
W: Glory, Virgin-born, to thee,
%
W: Glory to the Holy Ghost,
%
W: Ever from the heavenly host. Amen.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%% The English Hymnal, 089.png
%%% Format=ABC
%%% Amen only.
X: 5
T:
C:
M: 4/2
L: 1/2
Q:
K: D
V:1 staves=4
%%MIDI transpose 0
D2 D2 ||
%
V:2
%%MIDI transpose 0
B,2 A,2 ||
w: A-men.
%
V:3 clef=bass
%%MIDI transpose -12
g2 f2 ||
%
V:4 clef=bass
%%MIDI transpose -12
G2 d2 ||
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
To upload the output PDF and midi files, go here: file-repository. You need a userid and password (see this project's main wiki page).
Then create a link in the Lily3 section to those files
%%%089.png
%%%Hymn 37 Innocents. Conquering kings their titles take.
%%%Version 3 089png-H37-v3.ly Reset fonts
\version "2.10"
%% Macro for generating two augmentation dots for a notehead. When dotted notes from two vocal parts share a single notehead,
%% Lilypond only inserts a single dot. In the image, two dots are used.
%%This macro generates the two dots by replacing the normal dot glyph with a glyph comprising a column of 2 dots one above the other.
augdots = {
\once \override Voice.Dots #'stencil = #ly:text-interface::print
\once \override Voice.Dots #'text = \markup { \hspace #0 \raise #1
\line { \translate #(cons -0.2 0)
\override #'(baseline-skip . 1 ) \column {
\musicglyph #"dots.dot"
\musicglyph #"dots.dot" } } }
}
%%end of macro definitions
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - THE CIRCUMCISION OF CHRIST"
\hspace #0.1 }}
title = "37"
meter = \markup { \small { \column { \line { \sans {"INNOCENTS."} \hspace #1 \roman {"(7 7. 7 7.)"}}
\line { \italic {Moderately fast} \fontsize #-5 \general-align #Y #DOWN \note #"4" #1 = 100.}}}}
arranger = \markup { \small { \center-align {
\line{ \italic {"Composed or adapted by" } }
\line { \smallCaps { "J. Smith, 1800-73."}}}}}
tagline =""
}
global = {
\time 4/4
\key d \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
fis4. g8 \bar "|" a4 d4 cis4 b4 \bar "|" a2 \bar "||" \noBreak
d,4. e8 \bar "|" fis4 a4 g4 fis4 \bar "|" e2 \bar "||" \break
fis4. g8 \bar "|" a4 d4 cis4 b4 \bar "|" a2 \bar "||" \noBreak
d,4. \augdots e8 \bar "|" fis4 g4 fis4 e4 \bar "|" d2 \bar "||"
}
alto = \relative c' {
d4. cis8 \bar "|" d4 fis4 e4 d8 e8 \bar "|" fis2 \bar "||"
a,4. cis8 \bar "|" d4 e4 d4 d4 \bar "|" cis2 \bar "||" \break
d4. cis8 \bar "|" d4 fis4 e4. d8 \bar "|" cis2 \bar "||"
\augdots d4. cis8 \bar "|" d4 e4 d4 cis4 \bar "|" d2 \bar "||"
}
tenor = \relative c { \clef bass
a'4. g8 \bar "|" fis4 a4 g8[ a8] b8[ cis8] \bar "|" d2 \bar "||"
fis,4. g8 \bar "|" a4 cis4 b4 a4 \bar "|" a2 \bar "||" \break
a4. g8 \bar "|" fis4 fis4 a4 gis4 \bar "|" a2 \bar "||"
a4. g8 \bar "|" a4 b4 a4 a4 \bar "|" fis2 \bar "||"
}
bass = \relative c { \clef bass
d4. e8 \bar "|" fis4 d4 e8 fis8 g4 \bar "|" d2 \bar "||"
\augdots fis4. e8 \bar "|" d4 a4 b4 d4 \bar "|" a2 \bar "||" \break
d4. e8 \bar "|" fis4 b,4 cis8 d8 e4 \bar "|" \once \override NoteColumn #'force-hshift = #-1.7 a4 ( g!4 ) \bar "||"
fis4. e8 \bar "|" d4 g,4 a4 a4 \bar "|" d2 \bar "||"
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
top-margin = 3\mm
bottom-margin = 5\mm
print-page-number = ##f
between-system-space = #0.1
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos {\voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceThree \global \tenor }
\context Voice = basses { \voiceFour \global \bass }
>>
>>
\layout {
indent=0
\context { \Score timing = ##f }
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 100 4)
}
}
} %%score bracket
\markup { \hspace #4 %%add space as necc. to center the column
\column { %% super column of everything
\hspace #0.2
\line { \small { \hspace #66 \italic {"c. 1736. Tr. J. Chandler"} "‡."} }
\line { \hspace #38 \small {"Victis sibi cognomina."}}
\line { %% a master line of 3 columns
\column { %% column 1
\hspace #0.2 % adds vertical spacing between verses
\column { %%stanza 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "C" } %%Drop Cap goes here
\hspace #-1.2 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "ONQUERING kings their titles take" " From the lands they captive make:" } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"Jesu, thine was given thee"
"For a world thou madest free."
}}
} %% finish stanza 1
\hspace #0.2 % adds vertical spacing between verses
\line { "2 "
\column {
"Not another name is given"
"Power possessing under heaven,"
"Strong to call dead souls to rise"
"And exalt them to the skies."
}}
\hspace #0.2 % adds vertical spacing between verses
\line { "3 "
\column {
"That which Christ so hardly wrought,"
"That which he so dearly bought,"
"That salvation, mortals, say,"
"Will ye madly cast away?"
}}
} %% finish Page column 1
\hspace #4 %%adds horizontal space columns 1 and 2
\column { \filled-box #'(0.0 . 0.1) #'( -40 . -1) #0 } %%Column 2. This is the line dviding the columns 1 and 3.
\hspace #4 %%adds horizontal space between columns 2 and 3
\column { %%start page column 3
\hspace #0.0 % adds vertical spacing between verses
\line { "4 "
\column {
"Rather gladly for that name"
"Bear the Cross, endure the shame;"
"Joyfully for him to die"
"Is not death but victory."
}} %}
\hspace #0.2 % adds vertical spacing between verses
\line { "5 "
\column {
"Jesu, if thou condescend"
"To be called the sinner's Friend,"
"Ours the joy and glory be"
"Thus to make our boast of thee."
}}
\hspace #0.2 % adds vertical spacing between verses
\line { "6. "
\column {
"Glory to the Father be,"
"Glory, Virgin-born, to thee,"
"Glory to the Holy Ghost,"
"Ever from the heavenly host. Amen."
}}
} %% end column 3
} %% master line bracket
\hspace #0.2
\line { \hspace #28 \small \italic "For the New-Year's Day hymns, see 285-6."}
} %% page super column bracket
} %%markup bracket
%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne d1 d1 \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo b1 a1 \bar "||" }}
>>
\context Lyrics \lyricsto "altos" { \override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree g'1 fis1 \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour g1 d'1 \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
}
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 100 4) }} %%Amen midi
}
} %% book bracket
Lily3
Download the files from these links, edit the code in Lily2 or else leave notes in the section below.
Version 2:
Version 3:
Notes
jkenny's notes (Lily2)
- Most conventions inputted - drop cap etc.
- Left system-start bar in as my impression is this is what Dani decided.
- Double dagger next to name Chandler - is it in bold?
QMacrocarpa's notes
- In header: "Composed of adapted by" should be "Composed or adapted by"
- Looks like more spaces in hymn meter to me: (7 7. 7 7.) rather than (77. 77.)
- Double dagger-- I doubt should be bold. Possibly should be italic (even though not in original)?
- First note after penultimate double-bar in upper staff: In another piece where a shared note was given two dots in original (Newbury?), I believe both dots were included in PDF version (unlike here). I don't care one way or the other, but we should standardize.
- - I was wrong about this. I don't think the double-dot maneuver has yet been successfully executed. Perhaps we can decide not necessary? --Q
- Period missing after "For the New Year's Day hymns, see 285-6" at end.
- Somewhat surprised won't fit on one page. Would approve of putting lyrics in columns if would allow to fit on one page (and not too much hassle). Could have a bit less space between music and lyrics.
- No breath marks in original-- what are they playing at?!
jkenny's notes
- developed a double dot tweak and used it here.
- tried arrangement in two columns
- other problems fixed
stygiania's notes:
- This now has bar lines as if in 2/4 instead of 4/4.
- Needs period after double-dagger.
- -shows how unforgiving Lilypond can be! A small error in 1 line. Both fixed.
- -also look at 2nd system 3rd measure bass part. Moved the 1st 1/4 note so that the slurred bass notes seem to straddle the tenor 1/2 note, just like the image. Does it look better this way? Jkenny 10:59, 10 May 2007 (PDT)
- Very nice! --stygiania 11:16, 10 May 2007 (PDT)
Lily3 Cleared --stygiania 11:17, 10 May 2007 (PDT)
Record of Work
- Lily1 - done by QMacrocarpa (ABC). Let me know if lyrics import usefully.
- Lily2 - done by jkenny. Drop caps and all. Someone please do Lily3 on it?
- Lily3 - notes added by QMacrocarpa.
- Reset fonts Jkenny 21:49, 22 May 2007 (PDT)