The English Hymnal - Wiki Music Experiment/052
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Lily1 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
To upload a midi, go here: file-repository. You need a userid and password (see this project's main wiki page).
Then create a link in this section to that uploaded midi file.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%% The English Hymnal, 052.png
%%% Format=ABC
X: 1
T: FOREST GREEN. (D. C. M. Words irreg.)
C: English Traditional Melody.
M: 4/2
L: 1/2
Q: 1/2=80
K: F
V:1 staves=4
%%MIDI transpose 0
C|FFFG|(A/G/)(A/B/)c||A|B(A/F/)GG|F3:|
(F/A/)|c3/2d/(c/B/)(A/G/)|(F/G/A/B/)c||C|FAGF|C2||
C2|FFFG|(A/G/)(A/B/)c||A|B(A/F/)GG|F3||
%
V:2
%%MIDI transpose 0
C|CDC(D/E/)|FFE||D|DFFE|F3:|
F|E3/2D/EC|(CF)E||C|CCB,(A,/B,/)|C2||
C2|CDC(D/E/)|FFE||D|DFFE|F3||
%
V:3 clef=bass
%%MIDI transpose -24
g|abc'b|c'fg||f|bc'd'(c'/b/)|a3:|
a|a3/2f/c'(c'/b/)|(af)g||e|ff(d/e/)f|e2||
(fg)|abc'b|c'fg||f|b(c'/a/)c'(c'/b/)|a3||
%
V:4 clef=bass
%%MIDI transpose -24
e|fbag|fdc||d|GABc|f3:|
d|A3/2B/c(d/e/)|(fd)c||(c/B/)|AFBd|c2||
(de)|fbag|fdc||d|G(A/d/)cc|[F3f3]||
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
To upload a midi, go the output PDF and midi files, go here: file-repository. You need a userid and password (see this project's main wiki page).
Then create a link in the Lily3 section to those files
%%%052.png
%%%Forest Green
%%%Version 3 Fonts reset
\version "2.10.19"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - CHRISTMAS EVE"
\hspace #0.1
}}
arranger = \markup { \small \italic "English Traditional Melody."}
title="15"
poet = \markup { \small { \sans "FOREST GREEN." \hspace #1 \roman "(D. C. M. Words irreg.)" } }
meter = \markup { \small { \italic {In moderate time} \fontsize #-5 \general-align #Y #DOWN \note #"2" #1 = 80.} }
tagline = ""
}
%%%%%%%%%%%%%%%%%%%%%%%%macros
%%generates the breathmarks which are placed on top of barlines
breathmark = {
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'Y-offset = #'4.0
\override Score.RehearsalMark #'X-offset = #'-0.5
\mark \markup { \fontsize #4 ","}
}
%%prints a repeat sign glyph comprising 4 dots and two thin bars
fdendrepeat = {\once \override Staff.BarLine #'stencil = #ly:text-interface::print
\once \override Staff.BarLine #'text = \markup { \line { \raise #1.4 \override #'(baseline-skip . 1.0) \column { \with-color #black { \fontsize #2 . \fontsize #2 . \fontsize #2 . \fontsize #2 .} }
\hspace #-1 \filled-box #'(0 . 0.15) #'(-2 . 2) #0
\hspace #-0.9 \filled-box #'(0 . 0.15) #'(-2 . 2) #0
} }
\bar "||"}
%%prints a repeat sign glyph comprising 4 dots. Used only to begin a repeat at the start of a piece where \bar ":" does not work
fdstartrepeat = {\once \override Staff.BarLine #'stencil = #ly:text-interface::print
\once \override Staff.BarLine #'text = \markup { \line { \hspace #0 \override #'(baseline-skip . 1.0)
\raise #1.4 \column { \with-color #black {
\fontsize #2 . \fontsize #2 . \fontsize #2 . \fontsize #2 .} }
} }
\bar "|:"}
%%%%%%%%%%%%%%%%%%%%%%%%%%end of macro definitions
global = {
\time 4/2
\key f \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
\fdstartrepeat
\partial 2 c2 | f2 f2 f2 g2 | a4 \( ( g4) a4( bes4) \) c2 \breathmark \bar "||" a2 | bes2 a4( f4) g2 g2 | \once \override Dots #'transparent = ##t f1. \breathmark \fdendrepeat \break
f4( a4) | c2. d4 c4 ( bes4) a4( g4) | f4( g4 a4 bes4) c2 \breathmark \bar "||" c,2 | f2 a2 g2 f2 | c1 \breathmark \bar "||" \break
c1 | f2 f2 f2 g2 | a4( g4 -) a4( bes4) c2 \breathmark \bar "||" a2 | bes2 a4( f4 ) g2 g2 | \once \override Dots #'transparent = ##t f1. \bar "||"
}
alto = \relative c' {
\fdstartrepeat c2 | c2 d2 c2 d4( e4) | f2 f2 e2 \bar "||" d2 | d2 f2 f2 e2 | \once \override NoteColumn #'force-hshift = #0.1 f1. \fdendrepeat
f2 | e2. d4 e2 c2 | c2( f2) e2 \bar "||" c2 | c2 c2 bes2 a4( bes4) | \once \override NoteColumn #'force-hshift = #0.1 c1 \bar "||"
\once \override NoteColumn #'force-hshift = #0.1 c1 | c2 d2 c2 d4( e4) | f2 f2 e2 \bar "||" d2 | d2 f2 f2 e2 |
\once \override NoteColumn #'force-hshift = #0.1 f1. \bar "||"
}
tenor = \relative c { \clef bass
\fdstartrepeat g'2 | a2 bes2 c2 bes2 | c2 f,2 g2 \bar "||" f2 | bes2 c2 d2 c4( bes4) | a1. \fdendrepeat
a2 | a2. f4 c'2 c4( bes4) | a2( f2) g2 \bar "||" e2 | f2 f2 d4( e4) f2 | e1 \bar "||"
f2( g2) | a2 bes2 c2 bes2 | c2 f,2 g2 \bar "||" f2 | bes2 c4( a4) c2 c4( bes4) | a1. \bar "||"
}
bass = \relative c { \clef bass
\fdstartrepeat e2 | f2 bes2 a2 g2 | f2 d2 c2 \bar "||" d2 | g,2 a2 bes2 c2 | f1.\fdendrepeat
d2 | a2. bes4 c2 d4( e4) | f2( d2) c2 \bar "||" c4( bes4) | a2 f2 bes2 d2 | c1 \bar "||"
d2( e2) | f2 bes2 a2 g2 | f2 d2 c2 \bar "||" d2 | g,2 a4( d4) c2 c2 | << { \voiceTwo f1. }
\new Voice {\once \override NoteColumn #'force-hshift = #0.1 \voiceFour \set fontSize = #-3 f,1. _\markup {\italic "Org."} } >> \bar "||"
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
top-margin = 0
bottom-margin = 0
print-page-number = ##f
between-system-padding = 3\mm
}
\book{
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos {\voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
}
}
\markup { \hspace #6 %% use \hspace or \halign to centre the 3-column group
\column { %%super column for the whole page
\line { \small { \italic { \hspace #2.5 "Suitable till Candlemas." \hspace #40 "Bp. Phillips Brooks, 1835-93." } } }
\line { " " }
\line { %% Master Line - of 3 page columns
\column { %%start page column 1
\column { %% stanza 1 is a column of 2 lines. Redundant if only 1 stanza
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "O" } %%Drop Cap goes here
\hspace #0 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "LITTLE town of Bethlehem," "How still we see thee lie!" } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"Above thy deep and dreamless sleep"
" The silent stars go by."
"Yet in thy dark streets shineth"
" The everlasting light;"
"The hopes and fears of all the years"
" Are met in thee to-night." } }
} %% finish stanza 1
\hspace #0.5 % adds vertical spacing between verses
\line { "2 "
\column {
"O morning stars, together"
" Proclaim the holy birth,"
"And praises sing to God the King,"
" And peace to men on earth;"
"For Christ is born of Mary;"
" And, gathered all above,"
"While mortals sleep, the angels keep"
" Their watch of wondering love."
}
}
} %%finish page column 1
\hspace #4 %%adds horizontal space columns 1 and 2
\column { \filled-box #'(0.0 . 0.1) #'( -45 . 1) #0 } %%Column 2. This is the line dviding the columns 1 and 3.
\hspace #4 %%adds horizontal space between columns 2 and 3
\column { %%start page column 3
% \hspace #0.5 % adds vertical spacing
\line { "3 "
\column {
"How silently, how silently,"
" The wondrous gift is given!"
"So God imparts to human hearts"
" The blessings of his heaven."
"No ear may hear his coming;"
" But in this world of sin, "
"Where meek souls will receive him still,"
" The dear Christ enters in."
}
}
\hspace #0.5 % adds vertical spacing between verses
\line { "4 "
\column {
"Where children pure and happy"
" Pray to the blessèd Child,"
"Where misery cries out to thee,"
" Son of the mother mild;"
"Where charity stands watching"
" And faith holds wide the door,"
"The dark night wakes, the glory breaks,"
" And Christmas comes once more."
}
}
} %% end page column 3
} % end master line
} %% end super column
} %% end markup
%%fake score block to occupy space and force a pagebreak. Can't think of a better way of doing this.
\score{
{ s4 }
\header { breakbefore = ##f piece = " " opus = " " }
\layout{
\context { \Staff
\remove Time_signature_engraver
\remove Key_engraver
\remove Clef_engraver
\remove Staff_symbol_engraver
}}
}
\markup {
\fill-line {
\column {
\line { "5. "
\column {
"O holy Child of Bethlehem,"
" Descend to us, we pray;"
"Cast out our sin, and enter in,"
" Be born in us to-day."
"We hear the Christmas Angels"
" The great glad tidings tell:"
"O come to us, abide with us,"
" Our Lord Emmanuel."
}
}
}
}
}
%%%%%%%%%%%%%%%% This next score section is only for unfolding the repeats and generating the midi.
%%%%%%%%%%%%%%%% Not necessary for the layout
\score {
\new ChoirStaff
<<
\new Staff = "soprano" {\relative c' {\clef treble \global
\unfoldRepeats { \repeat volta 2 {
\partial 2 c2 | f2 f2 f2 g2 | a4 \( ( g4) a4( bes4) \) c2 \bar "||" a2 | bes2 a4( f4) g2 g2 | f1. } } \break
f4( a4) | c2. d4 c4 ( bes4) a4( g4) | f4( g4 a4 bes4) c2 \bar "||" c,2 | f2 a2 g2 f2 | c1 \bar "||" \break
c1 | f2 f2 f2 g2 | a4( g4) a4( bes4) c2 \bar "||" a2 | bes2 a4( f4 ) g2 g2 | f1. \bar "||"
}
}
\new Staff = "alto" {\relative c' {\clef treble \global
\unfoldRepeats { \repeat volta 2 {
c2 | c2 d2 c2 d4( e4) | f2 f2 e2 \bar "||" d2 | d2 f2 f2 e2 | f1. } }
f2 | e2. d4 e2 c2 | c2( f2) e2 \bar "||" c2 | c2 c2 bes2 a4( bes4) | c1 \bar "||"
c1 | c2 d2 c2 d4( e4) | f2 f2 e2 \bar "||" d2 | d2 f2 f2 e2 | f1. \bar "||"
}
}
\new Staff = "tenor" { \relative c {\clef bass \global
\unfoldRepeats { \repeat volta 2 {
g'2 | a2 bes2 c2 bes2 | c2 f,2 g2 \bar "||" f2 | bes2 c2 d2 c4( bes4) | a1. } }
a2 | a2. f4 c'2 c4( bes4) | a2( f2) g2 \bar "||" e2 | f2 f2 d4( e4) f2 | e1 \bar "||"
f2( g2) | a2 bes2 c2 bes2 | c2 f,2 g2 \bar "||" f2 | bes2 c4( a4) c2 c4( bes4) | a1. \bar "||"
}
}
\new Staff = "bass" { \relative c { \clef bass \global
\unfoldRepeats { \repeat volta 2 {
e2 | f2 bes2 a2 g2 | f2 d2 c2 \bar "||" d2 | g,2 a2 bes2 c2 | f1. } }
d2 | a2. bes4 c2 d4( e4) | f2( d2) c2 \bar "||" c4( bes4) | a2 f2 bes2 d2 | c1 \bar "||"
d2( e2) | f2 bes2 a2 g2 | f2 d2 c2 \bar "||" d2 | g,2 a4( d4) c2 c2 | < f f, >1. \bar "||"
}
}
>>
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 80 2)
}
}
}
%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \set Staff.midiInstrument = "church organ"
\clef treble \time 4/2 \key f \major \voiceOne f1 f1 \bar "||" }}
\context Voice = "altos" { \relative c' { \set Staff.midiInstrument = "church organ"
\clef treble \key f \major \voiceTwo d1 c1 \bar "||" }}
>>
\context Lyrics \lyricsto "altos" { \override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \set Staff.midiInstrument = "church organ"
\clef bass \key f \major \voiceThree bes'1 a1 \bar "||" }}
\context Voice = "basses" { \relative c { \set Staff.midiInstrument = "church organ"
\clef bass \key f \major \voiceFour bes1 f1 \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
}
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 2) }} %%Amen midi
} % close Amen block
} %%close book bracket
Lily3
Download the files from these links, edit the code in Lily2 or else leave notes in the section below.
Second Version:
Third Version
Notes
jkenny's notes after Lily 2
- Text proofing note (relevant to F1/F2 also). The attribution of the author of the lyrics looks like "By Phillips Brooke".
- But my 1933 edition clearly shows "Bp. Phillips Brooks."
- I have no idea what "Bp." means.
QMacrocarpa's notes:
- "Bp." likely abbreviation for Bishop. see Wikipedia entry on Brooks
- In final "Amen" snippet, barline between notes not present in original.
- -fixed. See v2 pdf. Jkenny 06:41, 6 May 2007 (PDT)
- Missing "." after "Bp. Phillips Brooks, 1835-93"
- -fixed. See v2 pdf. Should years be italicized? Let's ask PP. Jkenny 06:41, 6 May 2007 (PDT)
- Missing "." after metronome marking (but possibly tricky to add?)
- -added. Jkenny 06:41, 6 May 2007 (PDT)
- Saw something about fermatas in section of code for MIDI, but I don't hear them in MIDI output. Tempo seems quite steady (I don't see that as a problem, but might not bother with fermatas).
- -removed fermata. Jkenny 06:41, 6 May 2007 (PDT)
- Question: without special MIDI section, would we not hear both times through repeat?
- -By default Lily does not unfold and play out repeats. According to manual, a separate score needs to be added to unfold repeats for midi. Jkenny 06:41, 6 May 2007 (PDT)
- Final "Amen" not included in midi. Perhaps by choice?
- -Yes. Let's ask the PM/PP whether midi should have "amen". Not easy though, as they are different scores. Jkenny 06:41, 6 May 2007 (PDT)
- First verse not numbered in original.
- -Without the drop cap, it would look funny without number. Let's ask PP. Jkenny 06:41, 6 May 2007 (PDT)
- Verse numbers inconsistently punctuated in original. Actually, I think this is 2nd piece I've noticed where only number of last verse is followed by "." Perhaps that punctuation pattern is widespread through the book? Could be short-hand to indicate final verse?
- -Agree. Changed so that only last stanza number is punctuated. Will draw PP attention to this and seek guidance.
- "Music engraving by...." footer seems too close to lower edge of page (unless a quirk of my viewers: GhostView and Gnome PDF Viewer). Also header of first page seems very close to upper edge of page in GhostView, but ok in Gnome PDF Viewer).
- -Removed this tagline. Jkenny 06:41, 6 May 2007 (PDT)
- (Is this format ok for my notes? --Q)
- -Format seems fine. What do you think of my format for replying?
- -Dandy! --Q
- -Other changes: Adjusted headers to look more like image.
- -Changed metro timing to 2=80 (version 1 mistakenly said 2=60)
- -Italicized the line that says "Suitable until Candlemas"
- -Format seems fine. What do you think of my format for replying?
Stygiania's notes (based on v2):
- Should "English Traditional Melody." be in italics?
- -yes indeed. Done! Jkenny 18:44, 8 May 2007 (PDT)
- In verse 4 the word "blesséd" appears as "blessd".
- -yes, added. But not sure whether it is this direction \ or /. My 1933 edition shows \ . So added it as "blessèd" i.e. accent grave rather than apostrophe. Jkenny 18:44, 8 May 2007 (PDT)
In response to request for final Lily3 clearance:
- My sole remaining reservation is whether "= 80." in tempo marking should be italicized (I don't know). QMacrocarpa 19:45, 8 May 2007 (PDT)
- -Daniemers has responded in forum saying we match the image unless "the context is clear" - by this I think he means the context is clear that it is a date where the printer would have used italic numerals if he had them. I had referred him to a forum post by JulietS where she said the rendering of upright dates in italics is a special case, and not all numerals should be italicized. Jkenny 03:11, 9 May 2007 (PDT)
- -Then I agree piece is clear! --Q Lily3 cleared QMacrocarpa 04:24, 9 May 2007 (PDT)
- -Daniemers has responded in forum saying we match the image unless "the context is clear" - by this I think he means the context is clear that it is a date where the printer would have used italic numerals if he had them. I had referred him to a forum post by JulietS where she said the rendering of upright dates in italics is a special case, and not all numerals should be italicized. Jkenny 03:11, 9 May 2007 (PDT)
Record of Work
- Lily1 - done by QMacrocarpa (ABC)
- Lily2 - done by jkenny - requesting smooth-read/listen
- Lily3 - notes added by QMacrocarpa.
- errors fixed. See v2! Jkenny 06:51, 6 May 2007 (PDT)
- - notes added by stygiania.
- -fixed. Drop caps etc added.Final Lily3 clearance requested.
- -one last niggling question from QMacrocarpa.
- -I think this is one where we match the image - see my note in notation page, and also forum recent post on italics/smallcaps. Jkenny 03:14, 9 May 2007 (PDT)
- -Lily3 cleared QMacrocarpa 04:24, 9 May 2007 (PDT)
- -I think this is one where we match the image - see my note in notation page, and also forum recent post on italics/smallcaps. Jkenny 03:14, 9 May 2007 (PDT)
- -one last niggling question from QMacrocarpa.
- -fixed. Drop caps etc added.Final Lily3 clearance requested.
- Reset fonts Jkenny 09:49, 22 May 2007 (PDT)