F1 Self-Evaluation Project Explanations/pages 401-410
401 402 403 404 405 406 407 408 409 410
401
Enclose the verse in no-wraps and indent the first line to match the original, using an even number of spaces.
Leave 6 spaces before the line numbers to signal that they are right-justified.
The poem's title is wrappable, so it is not included in the no-wraps; but it is in italics. Leave it left-justified.
402
Poetry; enclose the entire page in no-wraps, leave a blank line between the verses, and indent the first line of the second verse to match the original, using an even number of spaces.
Leave 6 spaces before the line numbers to signal that they are right-justified.
403
Enclose the poetry in no-wraps and rejoin the overflow lines to the main lines just above them.
The italicized "I" at the beginning of the second line of the poetry is easier to spot than if it had been mid-line.
404
Enclose the poetry in no-wraps, replicate the indentation using an even number of spaces, and leave 6 spaces before the line numbers to signal that they are right-justified.
Since the second physical line is numbered "5," we know the verse started on the previous page, so there should be no blank line either above or just below the opening no-wrap tag.
The italicized heading is printed as a hanging indent, so enclose it in block quotes. Its first sentence is complete, so the period goes INSIDE the italics tags.
Whether there should be one or two blank lines above the heading is a judgment call.
405
Enclose the poetry in no-wraps, replicate the indentation using an even number of spaces, and leave 6 spaces before the line numbers to signal that they are right-justified.
The attribution is right-justified and is not part of the poem, so enclose it in a separate pair of no-wraps. Since it's not meaningful to nest no-wraps, three sets of them are needed on this page, as shown in the model.
406
Enclose each block of poetry in no-wraps and leave 6 spaces before the line numbers to signal that they are right-justified.
The attributions are right-justified and not parts of the poems, so enclose them in separate no-wraps.
And some of the text on the page is editorial, wrappable, and not in any kind of block.
"i.e." is an abbreviation, so both periods go INSIDE the italics tags.
407
The "DRAMATIS PERSONÆ." is a Major Division, so precede it with 4 blank lines and follow that heading with 2 blank lines.
Enclose the list of characters in no-wraps and replicate the indentation using an even number of spaces.
Tag the small-caps. When the entire "sentence" is in small-caps (3rd, 4th, and 5th lines), the period goes INSIDE the tags; when only part of the sentence is in small-caps, the ending punctuation goes OUTSIDE the tags.
408
Metrical Drama and no out-of-line Stage Directions, so enclose the entire page in no-wraps.
The characters' names are complete sentences, so the ending periods go INSIDE the tags.
Leave 6 spaces before the line numbers to signal right-justification.
On the next-to-last line, the dialog is deeply indented. In fact, it's a hemistich, aligned just below the end of the dialog on the previous line, showing that it's to be spoken almost as an interruption. Replicate that alignment as closely as possible, using an even number of spaces.
409
Similar to page 408, above, but with an out-of-line Stage Direction that is wrappable. So, enclose each of the two blocks of dialog in separate no-wraps.
410
The "NOTES" are presented as a Major Division, so precede the heading with four blank lines and follow it with two blank lines. Each of the centered headings begins a new Section, so precede each of them with two blank lines; the two blank lines below the chapter heading do double-duty in this case.
Quite a bit of italics on this page, and some small-caps; extra care is needed to find everything and place the tags correctly.
The colons following the italics are separators, so they go OUTSIDE the italics tags.
The period after the "I" in "Defensio Regia pro Carolo I.," is part of the regnal number and goes INSIDE the italics tag; the comma is a separator and goes outside.
As the semicolon is italic in "Eikonoklastes; antagonist of mine", F2 chose to italicise with one set of tags, but it would better be formatted as "‹i›Eikonoklastes‹/i›; ‹i›antagonist of mine‹/i›" because "‹i›Eikonoklastes‹/i›" is part of a book title, while "‹i›antagonist of mine‹/i›" is a quotation or epithet and not part of a title.