The English Hymnal - Wiki Music Experiment/464

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Lily1 Code

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%=============================================
%   created by MuseScore Version: 0.9.6.3
%          Sunday, 19 June 2011
%=============================================

\version "2.12.0"



#(set-default-paper-size "a4")

\paper {
  line-width    = 190\mm
  left-margin   = 10\mm
  top-margin    = 10\mm
  bottom-margin = 20\mm
  %%indent = 0 \mm 
  %%set to ##t if your score is less than one page: 
  ragged-last-bottom = ##t 
  ragged-bottom = ##f  
  %% in orchestral scores you probably want the two bold slashes 
  %% separating the systems: so uncomment the following line: 
  %% system-separator-markup = \slashSeparator 
  }

\header {
    }

ASvoiceAA = \relative c'{
    \set Staff.instrumentName = #"Soprano"
    \set Staff.shortInstrumentName = #"S"
    \clef treble
    %staffkeysig
    \key bes \major 
    %barkeysig: 
    \key bes \major 
    %bartimesig: 
    \time 4/4 
    bes'2 f      | % 1
    g4( a) bes2      | % 2
    c~( c8 d) ees4      | % 3
    d1\fermata  
    \bar "||"     | % 4
    f,2 bes      | % 5
    a2. a4      | % 6
    bes( a) g2      | % 7
    f1\fermata  
    \bar "||"     | % 8
    g2 a      | % 9
    bes4( c) d2      | % 10
    d2. cis4      | % 11
    d1\fermata  
    \bar "||"     | % 12
    g,4( a) bes2      | % 13
    ees,4( f) g( bes)      | % 14
    a2 g4( fis)      | % 15
    g1\fermata  
    \bar "||"     | % 16
    bes2 f      | % 17
    g4( a) bes2      | % 18
    c~( c8 d) ees4      | % 19
    d1\fermata  
    \bar "||"     | % 20
    bes2 ees      | % 21
    d4( c) bes2      | % 22
    bes a      | % 23
    bes1\fermata  
    \bar "||"     | % 24
    g2 a      | % 25
    bes4( c) d2\fermata  
    \bar "||"     | % 26
    bes2 ees      | % 27
    d4 c b2\fermata  
    \bar "||"     | % 28
    c2 g4( a)      | % 29
    bes^( a) g2      | % 30
    c1 
    \bar "||"     | % 31
    d2 ees      | % 32
    d1      | % 33
    c      | % 34
    bes\fermata  
    \bar "||"     | % 35
    %bartimesig: 
    \time 4/2 
    bes1 bes \bar "|."\bar "|." 
}% end of last bar in partorvoice

 

AAvoiceBA = \relative c'{
    \set Staff.instrumentName = #"Alto"
    \set Staff.shortInstrumentName = #"A"
    \clef treble
    %staffkeysig
    \key bes \major 
    %barkeysig: 
    \key bes \major 
    %bartimesig: 
    \time 4/4 
    d2 f      | % 1
    f4( ees) d2      | % 2
    g f      | % 3
    f1\fermata  
    \bar "||"     | % 4
    bes,2 d      | % 5
    d d      | % 6
    d f4( e)      | % 7
    f1\fermata  
    \bar "||"     | % 8
    d2 d      | % 9
    g f      | % 10
    e~ e8 f g4      | % 11
    f1\fermata  
    \bar "||"     | % 12
    d2 f4( bes,)      | % 13
    c2 d      | % 14
    ees d      | % 15
    d1\fermata  
    \bar "||"     | % 16
    d2 f      | % 17
    f4( ees) d2      | % 18
    g f      | % 19
    f1\fermata  
    \bar "||"     | % 20
    ees2 g      | % 21
    fis g      | % 22
    f2. ees4      | % 23
    d1\fermata  
    \bar "||"     | % 24
    d2 d      | % 25
    g fis\fermata  
    \bar "||"     | % 26
    d2 g      | % 27
    f d\fermata  
    \bar "||"     | % 28
    e2 ees      | % 29
    g,4( a) bes( g)      | % 30
    ees'1 
    \bar "||"     | % 31
    f4( bes) a( g)      | % 32
    f2( g~      | % 33
    g) f4( ees)      | % 34
    d1\fermata  
    \bar "||"     | % 35
    %bartimesig: 
    \time 4/2 
    ees1 d \bar "|."\bar "|." 
}% end of last bar in partorvoice

 

ATvoiceCA = \relative c{
    \set Staff.instrumentName = #"Tenor"
    \set Staff.shortInstrumentName = #"T"
    \clef bass
    %staffkeysig
    \key bes \major 
    \clef bass
    %barkeysig: 
    \key bes \major 
    %bartimesig: 
    \time 4/4 
    f2 bes      | % 1
    g2. a8 bes      | % 2
    bes2 a      | % 3
    bes1\fermata  
    \bar "||"     | % 4
    d,2 e      | % 5
    a4( bes) c2      | % 6
    bes bes      | % 7
    <f a>1\fermata  
    \bar "||"     | % 8
    bes2 a      | % 9
    g a      | % 10
    bes a      | % 11
    a1\fermata  
    \bar "||"     | % 12
    g2 f      | % 13
    g g      | % 14
    g4( c4. bes8) a4      | % 15
    bes1\fermata  
    \bar "||"     | % 16
    f2 bes      | % 17
    g2. a8 bes      | % 18
    bes2 a      | % 19
    bes1\fermata  
    \bar "||"     | % 20
    g2 a      | % 21
    a g4( ees')      | % 22
    d2 c      | % 23
    bes1\fermata  
    \bar "||"     | % 24
    bes2 a      | % 25
    g a\fermata  
    \bar "||"     | % 26
    bes2 bes      | % 27
    aes g\fermata  
    \bar "||"     | % 28
    g4( a) bes( c)      | % 29
    d2 ees      | % 30
    f,1 
    \bar "||"     | % 31
    f4( d') c( bes)      | % 32
    a2( bes~)      | % 33
    bes a      | % 34
    f1\fermata  
    \bar "||"     | % 35
    %bartimesig: 
    \time 4/2 
    g1 f \bar "|."\bar "|." 
}% end of last bar in partorvoice

 

ABvoiceDA = \relative c{
    \set Staff.instrumentName = #"Bass"
    \set Staff.shortInstrumentName = #"B"
    \clef bass
    %staffkeysig
    \key bes \major 
    %barkeysig: 
    \key bes \major 
    %bartimesig: 
    \time 4/4 
    bes2 d      | % 1
    c g      | % 2
    <ees ees'> <f f'>      | % 3
    <bes bes'>1\fermata  
    \bar "||"     | % 4
    bes2 g      | % 5
    f fis      | % 6
    g c      | % 7
    <f, f'>1\fermata  
    \bar "||"     | % 8
    g'2 f      | % 9
    ees d      | % 10
    g, a      | % 11
    d1\fermata  
    \bar "||"     | % 12
    ees2 d      | % 13
    c bes      | % 14
    c d      | % 15
    g1\fermata  
    \bar "||"     | % 16
    bes,2 d      | % 17
    c g      | % 18
    <ees ees'> <f f'>      | % 19
    bes1\fermata  
    \bar "||"     | % 20
    ees2 c      | % 21
    d ees      | % 22
    f f,      | % 23
    bes1\fermata  
    \bar "||"     | % 24
    g'2 f      | % 25
    ees d\fermata  
    \bar "||"     | % 26
    g2 ees      | % 27
    f g\fermata  
    \bar "||"     | % 28
    c,2 c      | % 29
    g g      | % 30
    a1 
    \bar "||"     | % 31
    bes2 c      | % 32
    d( e)      | % 33
    f1      | % 34
    bes,\fermata  
    \bar "||"     | % 35
    %bartimesig: 
    \time 4/2 
    ees1 bes \bar "|."\bar "|." 
}% end of last bar in partorvoice


\score { 
    << 
        \context StaffGroup = B<< 
            \context Staff = ASpartA << 
                \context Voice = ASvoiceAA \ASvoiceAA
            >>


            \context Staff = AApartB << 
                \context Voice = AAvoiceBA \AAvoiceBA
            >>


            \context Staff = ATpartC << 
                \context Voice = ATvoiceCA \ATvoiceCA
            >>


            \context Staff = ABpartD << 
                \context Voice = ABvoiceDA \ABvoiceDA
            >>


        >> %end of StaffGroupB



      \set Score.skipBars = ##t
      %%\set Score.melismaBusyProperties = #'()
      \override Score.BarNumber #'break-visibility = #end-of-line-invisible %%every bar is numbered.!!!
      %% remove previous line to get barnumbers only at beginning of system.
       #(set-accidental-style 'modern-cautionary)
      \set Score.markFormatter = #format-mark-box-letters %%boxed rehearsal-marks
       \override Score.TimeSignature #'style = #'() %%makes timesigs always numerical
      %% remove previous line to get cut-time/alla breve or common time 
      \set Score.pedalSustainStyle = #'mixed 
       %% make spanners comprise the note it end on, so that there is no doubt that this note is included.
       \override Score.TrillSpanner #'(bound-details right padding) = #-2
      \override Score.TextSpanner #'(bound-details right padding) = #-1
      %% Lilypond's normal textspanners are too weak:  
      \override Score.TextSpanner #'dash-period = #1
      \override Score.TextSpanner #'dash-fraction = #0.5
      %% lilypond chordname font, like mscore jazzfont, is both far too big and extremely ugly (olagunde@start.no):
      \override Score.ChordName #'font-family = #'roman 
      \override Score.ChordName #'font-size =#0 
      %% In my experience the normal thing in printed scores is maj7 and not the triangle. (olagunde):
      \set Score.majorSevenSymbol = \markup {maj7}
  >>

  %% Boosey and Hawkes, and Peters, have barlines spanning all staff-groups in a score,
  %% Eulenburg and Philharmonia, like Lilypond, have no barlines between staffgroups.
  %% If you want the Eulenburg/Lilypond style, comment out the following line:
  \layout {\context {\Score \consists Span_bar_engraver}}
}%% end of score-block 

#(set-global-staff-size 14)

Lily2 Code

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Lily3 Notes

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