The English Hymnal - Wiki Music Experiment/417
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Lily1 Code
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X:269
T:269
L:1/2
%%staves [(soprano|alto)(tenor|bass)]
K:F
[V:soprano clef=treble]
c2 d c | B2 A2 | G2 || B2 | A F G G | F2 ||
F2 | c c d c | B2 A2 || c2 | A B A G | F2 ||
F2 | D E F D | C2 || F2 | G A B A | G2 F2 ||
F2 F2 ||
[V:alto clef=treble]
A2 B A | (AG2) ^F | G2 || G2 | F F F E | F2 ||
F2 | F F F F | F2 F2 || G2 | F F F E | D2 ||
D2 | D C C =B, | C2 || D2 | D F F F | (FE) F2 ||
D2 C2 ||
[V:tenor clef=bass]
f'2 f' f' | d'2 d'2 | b2 || d'2 | d' a c' c' | a2 ||
a2 | a a b a | d'2 c'2 || e'2 | d' d' c' c' | a2 ||
b2 | f a a g | e2 || b2 | b c' d' c' | c'2 a2 ||
b2 a2 ||
[V:bass clef=bass]
f2 B f | g2 d2 | G2 || G2 | d d c c | F2 ||
f2 | f f B f | B2 f2 || c2 | d B f c | d2 ||
B2 | B A F G | c2 || B2 | G F B F | c2 F2 ||
B2 f2 ||
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%%% 417.png
%%%% Hymn 269. NUNC DIMITTIS. O gladsome light, O grace.
%%%% Rev 1.
\version "2.10"
\header {
dedication = \markup { \center-align { "TIMES AND SEASONS.—EVENING"
\hspace #0.1 }}
title = "269"
meter = \markup { \small { \column { \line { " " }
\line { \sans "NUNC DIMITTIS." \hspace #1 \roman "(6 6 7. 6 6 7.)" }
\line { { \italic "Moderately slow, dignified" \general-align #Y #DOWN \note #"2" #0.5 "= 66." }}}}}
arranger = \markup { \small { \center-align {
\line { \italic "Composed or adapted by" }
\line { \smallCaps "L. Bourgeois," \italic "in 1549, for the Genevan" }
\line { \italic "Psalter. Harmony chiefly from Goudimel." } }} }
tagline = ""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%%% Macro to specify partial measure in the middle of a piece.
%%% In this case, the macro specifies that 2 1/2 notes in a 4/2 measure have past,
partmeasure = \set Score.measurePosition = #(ly:make-moment 2 2)
%%% merge. Macro to pull note slightly leftwards. Used to produce those partially merged wholenotes
merge = \once \override NoteColumn #'force-hshift = #-0.01
%% Used to pull a note left. Used when a slurred note pair straddles a longer note above when notecolumn force-hshift does not work
straddle = { \once \override Score.SeparationItem #'padding = #2
\once \override NoteHead #'X-offset = #-2.4
\once \override Stem #'X-offset = #-2.4 }
%%%%%%%%%%%%%%%%%%%%%%%%%%% End of macro definitions
%%% SATB voices
global = {
\time 4/2
\key f \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
c'1 d2 c2 | bes1 a1 | g1^\fermata \bar "||" bes1 | a2 f2 g2 g2 | f1^\fermata \bar "||" \break
f1 | c'2 c2 d2 c2 | bes1 a1^\fermata \bar "||" \partmeasure c1 | a2 bes2 a2 g2 | f1^\fermata \bar "||" \break
f1 | d2 e2 f2 d2 | c1^\fermata \bar "||" f1 | g2 a2 bes2 a2 | g1 f1^\fermata \bar "||"
}
alto = \relative c' {
a'1 bes2 a2 | \straddle a2 ( g1 ) fis2 | \merge g1 \bar "||" g1 | f2 f2 f2 e2 | \merge f1 \bar "||"
\merge f1 | f2 f2 f2 f2 | f1 f1 \bar "||" g1 | f2 f2 f2 e2 | d1 \bar "||"
d1 | d2 c2 c2 b2 | \merge c1 \bar "||" d1 | d2 f2 f2 f2 | \straddle f2 ( e2 ) \merge f1 \bar "||"
}
tenor = \relative c {\clef bass
f'1 f2 f2 | d1 d1 | bes1 \bar "||" d1 | d2 a2 c2 c2 | a1 \bar "||"
a1 | a2 a2 bes2 a2 | d1 c1 \bar "||" e1 | d2 d2 c2 c2 | a1 \bar "||"
bes1 | f2 a2 a2 g2 | e1 \bar "||" bes'1 | bes2 c2 d2 c2 | c1 a1 \bar "||"
}
bass = \relative c {\clef bass
f1 bes,2 f'2 | g1 d1 | g,1_\fermata \bar "||" g1 | d'2 d2 c2 c2 | f,1_\fermata \bar "||"
f'1 | f2 f2 bes,2 f'2 | bes,1 f'1_\fermata \bar "||" c1 | d2 bes2 f'2 c2 | d1_\fermata \bar "||"
bes1 | bes2 a2 f2 g2 | c1_\fermata \bar "||" bes1 | g2 f2 bes2 f2 | c'1 f,1_\fermata \bar "||"
}
#(ly:set-option 'point-and-click #f)
\paper {
#(set-paper-size "a4")
% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\book{
%%% Score block
\score{
\new ChoirStaff
<<
\context Staff = upper <<
\context Voice = sopranos { \voiceOne \global \soprano }
\context Voice = altos { \voiceTwo \global \alto }
>>
\context Staff = lower <<
\context Voice = tenors { \voiceOne \global \tenor }
\context Voice = basses { \voiceTwo \global \bass }
>>
>>
\layout {
indent=0
\context { \Score \remove "Bar_number_engraver" }
% \context { \Staff \remove "Time_signature_engraver" }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
} %% close layout
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 66 2) }}
} %%% Score bracket
%%% Lyric titles and attributions
\markup { " "}
\markup { \small { \column { \line { \hspace #72 \italic "3rd cent. or earlier. Tr. Y. H." }
\line { \hspace #42 "Φῶς ἱλαρόν." "[Greek: Phôs hilaron.]"}
% \line { " " }
}}}
%%% Lyrics
\markup { \hspace #30 %%add space as necc. to center the column
\column { %% super column of everything
\column { %% verse 1 is a column of 2 lines
\line { \hspace #2.3 \column { \lower #2.4 \fontsize #8 "O" } %%Drop Cap goes here
\hspace #-1.2 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 " GLADSOME light, O grace"
" Of God the Father's face," } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"The eternal splendour wearing;"
" Celestial, holy, blest,"
" Our Saviour Jesus Christ,"
"Joyful in thine appearing."
" " %%% adds vertical spacing between verses
}}
}
} %%% end super column
}
%%fake score block to occupy space and force a pagebreak. Can't think of a better way of doing this.
\score{
{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{
\context { \Staff
\remove Time_signature_engraver
\remove Key_engraver
\remove Clef_engraver
\remove Staff_symbol_engraver
}}}
%%% Second page
%%% Continuation of lyrics
\markup { \hspace #30 %%add space as necc. to center the column
\column { %% super column of everything
\hspace #1 % adds vertical spacing between verses
\line {"2 "
\column {
"Now, ere day fadeth quite,"
" We see the evening light,"
"Our wonted hymn outpouring;"
" Father of might unknown,"
" Thee, his incarnate Son,"
"And Holy Spirit adoring."
" " %%% add vertical spacing between verses
}}
\line { "3. "
\column {
"To thee of right belongs"
" All praise of holy songs,"
"O Son of God, Lifegiver;"
" Thee, therefore, O Most High,"
" The world doth glorify,"
"And shall exalt for ever."
}}
}
} %%% lyric markup bracket
%%% Amen score block
\score{
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' { \clef treble \global \voiceOne f1 f1 \bar "||" }}
\context Voice = "altos" { \relative c' { \clef treble \global \voiceTwo d1 c1 \bar "||" }}
>>
\context Lyrics \lyricsto "altos" { \override LyricText #'font-size = #-1 A -- men. }
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c { \clef bass \global \voiceThree bes'1 a1 \bar "||" }}
\context Voice = "basses" { \relative c { \clef bass \global \voiceFour bes1 f'1 \bar "||" }}
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
\context { \Score timing = ##f }
ragged-right = ##t
indent = 15\cm
\context { \Staff \remove Time_signature_engraver }
}
\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 66 2) }} %%Amen midi
}
} %%% book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.
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Original scan: 417.png
Links to L2 output version 1: