The English Hymnal - Wiki Music Experiment/408

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Lily1 Code

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Then create a link in this section to that uploaded midi file.

X:262
T:262
L:1/8
%%staves [(soprano|alto)(tenor|bass)]
K:E
[V:soprano clef=treble]
ABA G B Bc cB A F G | A F AG AB AG F E F |
A F E G FA F E G | A B ABc cB GF A BA G ||
GAG G ||
[V:alto clef=treble]
E3 E2 E4-E D E | E D E4 C2-C2-C |
C2-C E C2 =D E E | E E (C2F) E2-ED E-E2 D ||
E3 D
[V:tenor clef=bass]
c'3 b g-g4 a a b | c' b e2 ag a2-a g f |
f f a b a2 a c'b | c' b (c'2a) g2 b2 a ga b ||
bab b ||
[V:bass clef=bass]
a3 e2-ec-c2-c f e | A B c2-ce f2-f c F |
F A A e f2 =d a e | a g f3 ce -eB c ef g ||
ece G ||

Lily2 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

%%% 408.png
%%% Hymn 262 O God, creation's secret force
%%% Version 1


\version "2.10"

\include "gregorian-init.ly"

\header {
  dedication = \markup {  \center-align { "TIMES AND SEASONS.—NOON"
	                                        \hspace #0.1 }}	
	
  title = "262"

  arranger = \markup { \small { "Mode iv." }}
  
  tagline =""
}

%%%%%%%%%%%%%%%% Macros

%% suprresses printing of accidental
noacci = \once \override Accidental #'transparent = ##t

%% macro settings for stemless long note which is 2x duration of regular white note    
ln = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteColumn #'force-hshift = #0.4 }

%% a second set of macro settings for stemless long notes ( 2x duration of regular white note )
%% this one uses X-offset instead of force-hshift.
%% All long notes are offset slightly to the right with respect to any beamed notes which 
%% they are aligned with.  Normally, this is done with force-hshift.  
%% However, when 2 long notes occur one atop the other (i.e. in S + A pats or in T + B parts), then applying force-hshift
%% to both does not work.  Hence one note needs to be moved with the regular force-hshift in the \ln macro above,
%% while the other is moved with X-offset with the macro \lnb
%% In general force-hshift is preferred whenever possible as slurs are adjusted automatically, while X-offset especially
%% when used with a bottom slur often results in a slur starting too far to the left and which then needs manual adjustment. 

lnb = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteHead #'X-offset = #0.8 }   
	   
%%% settings to generate the double longnotes (breves)

brevenote = { \once \override NoteHead #'duration-log = #-1  
                \once \override NoteColumn #'force-hshift = #0.4 }
				
%%%%%%%%%%%%% End of Macro Definitions		
		
%%% plainsong voice

plainsong = \context VaticanaVoice  {  \relative c { 
	\clef "vaticana-fa2"
	\set fontSize = #3
        \key c \major 

  \[ f8 \pes g \flexa f \] e g \[ g \pes a \] \[ a \flexa g \] f d e \bar "|" f d \[ f \flexa e \] \[ f \pes g \] \[f \flexa e \] d c d \bar "|" \break
  f d c e \[ d \pes f \] d c e \bar "|" f g \[ f g \pes a \] \[ a \flexa g \] \[e \flexa d \] f \[ g \flexa f \] e \bar "||" 
}} 
  
%%% SATB voices

global = {
  \key e \major 
  \set Staff.midiInstrument = "church organ"
}


soprano = \relative c' {
	\autoBeamOff
  a'8[ b8 a8] gis8 b8 b8[ cis8] cis8[ b8] a8 fis8 gis8 \bar "|" a8 fis8 a8[ gis8] a8[ b8] a8[ gis8] fis8 e8 fis8 \bar "|"
  a8 fis8 e8 gis8 fis8[ a8] fis8 e8 gis8 \bar "|" a8 b8 a8[ b8 cis8] cis8[ b8] gis8[ fis8] a8 b8[ a8] gis8 \bar "||"
}


alto = \relative c' {
	\autoBeamOff
  \override Tie #'extra-offset = #'(0.0 . -0.5)		
  \ln e4. \ln e4 \brevenote e\breve * 1/4 ~ e8 dis8 e8 \bar "|" e8 dis8 \brevenote e\breve * 1/4 \ln cis4 ~ \ln cis4 ~ cis8 \bar "|" 
  \ln cis4 ~ cis8 e8 \ln cis4 d8 e8 e8 \bar "|" e8 e8 \ln cis4 ( fis8 ) \ln e4 ~ e8[ \noacci dis8] e8 ~ \ln e4 dis8 \bar "||" 
}


tenor = \relative c { \clef bass
	\autoBeamOff
    \override Tie #'extra-offset = #'(0.0 . 0.5)		
  \ln cis'4. b8 gis8 ~ \brevenote gis\breve * 1/4 a8 a8 b8 \bar "|" cis8 b8 \ln e,4 a8[ gis8] \ln a4 ~ a8 gis8 fis8 \bar "|" 
  fis8 fis8 a8 b8 \ln a4 a8 cis8 b8 \bar "|" cis8 b8 \ln cis4 ( a8 ) \ln gis4 \ln b4 a8 gis8[ a8] b8 \bar "||" 
}

bass = \relative c { \clef bass
	\autoBeamOff
  \override Tie #'extra-offset = #'(0.0 . -0.5)		
  \lnb a'4. \ln e4 ~ e8[ cis8] ~ \lnb cis4 ~ cis8 fis8 e8 \bar "|" a,8 b8 \lnb cis4 ~ cis8[ e8] \lnb fis4 ~ fis8 cis8 fis,8 \bar "|" 
  fis8 a8 a8 e'8 \ln fis4 d8 a'8 e8 \bar "|" a8 gis8 \lnb fis4. cis8[ e8] ~ e8[ b8] cis8 e8[ fis8] gis8 \bar "||" 
}


#(ly:set-option 'point-and-click #f)

\book {

\paper {
 #(set-paper-size "a4")
%% annotate-spacing = ##t
 print-page-number = ##f
 ragged-last-bottom = ##t
 ragged-bottom = ##t
}

\score {	
  <<
  \new VaticanaStaff {\plainsong }
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  
  >>

\layout {
	
  ragged-right = ##f
  ragged-last = ##f
  \context { \Score timing = ##f }
  \context { \Score \override TimeSignature #'transparent = ##t }
  \context { \Score \remove "Mark_engraver" }
  \context { \Staff \consists "Mark_engraver" }
  
  % *** Needed to produce beamed minims - which are quavers in disguise
  \context { \Staff \override NoteHead #'duration-log = #1 }
  \context { \Staff \override Stem #'flag-style = #'no-flag }
  
  \context { \VaticanaStaff
           % *** Increases distance between lines of staff  
           \override StaffSymbol #'staff-space = #1.6            
           % *** Changes staff to black instead of default red
           \revert StaffSymbol #'color
           % *** Makes clef bigger       
           \override Clef #'font-size = #3
           % *** Would make ledger lines black, if there were any
           \revert LedgerLineSpanner #'color
           % *** Makes terminal barline visible 
           \override BarLine #'transparent = ##f 
  	   % *** Remove custos
	   \remove Custos_engraver
	   % needed for certain tweaks
	   \consists "Mark_engraver"
           }
     }
} %%% score bracket 

%%% A separate score block to generate the midi minus the plainsong voice
%%% Since minims are quavers in disguise, tempo has to be set accordingly, tempo set to 2=80

\score {	
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  

\midi { 
  \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) }
       } 
}


%%% Hymn Note markup

\markup { \hspace #54 \center-align { \line { "N. B" \hspace #-1.2 ".—" \italic "On Double Feasts tune" "261" \italic "was anciently used." }}}

\markup { \hspace #54 \center-align { \line { \smallCaps "Note" \hspace #-1.2 ".—" \italic "If a Modern Tune is required for this hymn it may be sung to" }
                          \line { \smallCaps "Melcombe" "(" \hspace #-1 \italic "No." "260)" \italic "or" \smallCaps "St. Venantius" "(" \hspace #-1 \italic "No." "18)." }}}


%%%% Lyric titles and attributions

\markup { "                    " }

\markup { "                    " }


\markup {
	\column {
	    \line { \small { \hspace #6 \smallCaps  "Office Hymn."  \italic "  None." \hspace #44 \italic "Ascribed to St. Ambrose, 340-97." } } 
	    \line { \small { \hspace #78 \italic "Tr. J. M. Neale." } } 
	    \line { \hspace #42 \small "Rerum Deus tenax vigor." }
	
}} 

%%% Lyrics

\markup { \hspace #30 %%add space as necc. to center the column
          \column { %% super column of everything
	              \column { %% verse 1 is a column of 2 lines  
	                  \line { \hspace #2.6 \column { \lower #2.4 \fontsize #8 "O" }   %%Drop Cap goes here
				  \hspace #-0.6    %% adjust this if other letters are too far from Drop Cap
				  \column  { \raise #0.0 "GOD, Creation's secret force,"
			                                 "  Thyself unmoved, all motion's source," } }          
	                  \line {  \hspace #2.5  %%adjust hspace until this line left edge is flush with Drop Cap
				   \lower  #1.56  %%adjust this until the line spacing looks right
				   \column {   
					  "Who from the morn till evening ray"
					  "Through all its changes guid'st the day:"
					   "      " %%% adds vertical spacing between verses
			  		}}
		      } 

	  } %%% end super column
}



%%fake score block to occupy space and force a pagebreak.  Can't think of a better way of doing this.
\score{
	{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{	
	\context { \Staff
		\remove Time_signature_engraver
		\remove Key_engraver
		\remove Clef_engraver
		\remove Staff_symbol_engraver
}}}

%%% Second page
%%% Continuation of lyrics

\markup { \hspace #30 %%add space as necc. to center the column
          \column { %% super column of everything
		  	\hspace #1  % adds vertical spacing between verses  
			\line {"2  "
			   \column {	     
                                     "Grant us, when this short life is past,"
				     "The glorious evening that shall last;"
				     "That, by a holy death attained,"
				     "Eternal glory may be gained."
				   "               " %%% add vertical spacing between verses
			}}
           		\line { "3. "
			     \column {	     
				     "O Father, that we ask be done,"
				     "Through Jesus Christ, thine only Son;"
				     "Who, with the Holy Ghost and thee,"
				     "Doth live and reign eternally.      Amen."
			}}

	  }
} %%% lyric markup bracket



%%% Amen score block

\score {  	
  <<
    <<
  \new VaticanaStaff <<
  \context VaticanaVoice = "plainsongamen"  {  \relative c { 	  
	\set Score.timing = ##f
	\override Staff.Clef #'#'font-size = #3
	\clef "vaticana-fa2"
	\set fontSize = #3
	\override Staff.StaffSymbol #'staff-space = #1.6
	 
        \[ e8 \pes f8 \flexa e8 \]  e8  }} 
                    >> 
 \new Lyrics = "lyrics" { s1 }
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \global
	                                              \voiceOne gis'8[ a gis] gis \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \global
	                                              \voiceTwo \ln e4. dis8 \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \global
	                                          \voiceThree  b'8[ a b] b  \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \global
						  \voiceFour e8[ cis e] gis, \bar "||" }}
			        >> 
   >>
  \context Lyrics = "lyrics" \lyricsto "sopranos" { \override LyricText #'font-size = #-1  "  A    -    -"  _ _ " men." }
  >>
>>

\header { breakbefore = ##f piece = " " opus = " " }

\layout {
     indent = 13\cm
     raggedright = ##t
     packed = ##f
     \context { \Score \override TimeSignature #'transparent = ##t }
     \context { \Score \override SeparationItem #'padding = #2 }
     \context { \Staff \override VerticalAxisGroup #'minimum-Y-extent = #'( -5 . 4) }
     \context { \Score \remove "Bar_number_engraver"
		timing = ##f 
              }
     \context { \Staff \override NoteHead #'duration-log = #1 }
     \context { \Staff \override Stem #'flag-style = #'no-flag }
     \context { \VaticanaStaff %%customize vaticana staff context 
	          \revert StaffSymbol #'color
		  \revert LedgerLineSpanner #'color
		  \override BarLine #'transparent = ##f 
		  \remove Custos_engraver
 	} 
} 

}

%%% Separate score block for Amen midi minus plainsong voice
%%% Since the minims are quavers in disguise, the tempo has to be adjusted accordingly. A tempo of 2=80 is set.

\score {  	
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \global
	                                              \voiceOne gis'8[ a gis] gis \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \global
	                                              \voiceTwo \ln e4. dis8 \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \global
	                                          \voiceThree  b'8[ a b] b  \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \global
						  \voiceFour e8[ cis e] gis, \bar "||" }}
			        >> 
   >>
   
\midi {  
   \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) } }
      }
   	

} %% book bracket

Lily3 Notes

Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.

If you can't compile Lilypond, use the links here:

Original scan: 408.png

Links to L2 output version 1:

L2-262-v1.pdf L2-262-v1.midi L2-262-v1-amen.midi