The English Hymnal - Wiki Music Experiment/378

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Lily2 Code

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%%% 378.png
%%% Hymn 241
%%% Version 1


\version "2.10"

\include "gregorian-init.ly"

\header {
  dedication = \markup {  \center-align { "ST. MICHAEL AND ALL ANGELS"
	\hspace #0.1 }}	

  title = "241"
  
  arranger = \markup { \small { "Mode i." }}
  
  tagline =""
}

%%%%%%%%%%%%%%%% Macros

%% macro settings for stemless long note which is 2x duration of regular white note    
ln = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteColumn #'force-hshift = #0.4 }

%% a second set of macro settings for stemless long notes ( 2x duration of regular white note )
%% this one uses X-offset instead of force-hshift.
%% All long notes are offset slightly to the right with respect to any beamed notes which 
%% they are aligned with.  Normally, this is done with force-hshift.  
%% However, when 2 long notes occur one atop the other (i.e. in S + A pats or in T + B parts), then applying force-hshift
%% to both does not work.  Hence one note needs to be moved with the regular force-hshift in the \ln macro above,
%% while the other is moved with X-offset with the macro \lnb
%% In general force-hshift is preferred whenever possible as slurs are adjusted automatically, while X-offset especially
%% when used with a bottom slur often results in a slur starting too far to the left and which then needs manual adjustment. 

lnb = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteHead #'X-offset = #0.8 }

%%% macro settings for stemless long note which is 2x duration of regular white note    
%%% this one sets a larger offset to avoid collision

lnc = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteColumn #'force-hshift = #1.6 }	   

%% settings to generate the double longnotes (breves)

brevenote = { \once \override NoteHead #'duration-log = #-1  
                \once \override NoteColumn #'force-hshift = #0.8 }

%%% same as \brevenote but modified for the same reason as \lnb is modified for \ln		
		
brevenoteb = { \once \override NoteHead #'duration-log = #-1  
                \once \override NoteHead #'X-offset = #1.6 }	
		
%%%%%%%%%%%%% End of Macro Definitions		
		
%%% plainsong voice

plainsong = \context VaticanaVoice  {  \relative c { 
	\clef "vaticana-fa2"
	\set fontSize = #3
        \key c \major 

c8 \[ c \pes d \] d \[ d \flexa c \] f e d c \bar "|" f g a \[ g \flexa f \] g g  a \bar "|" \break

f g a g \[ f \flexa e \] \[ f \pes g \inclinatum f \inclinatum e \] d d \bar "|" d \[ d \pes g \] f \[ f \flexa d \] e d c \bar "|" \break

a \[ c \pes d \] d \[ d \flexa c \] f g g f \bar "|" a g  \[ f \flexa e \] \[ f \pes g \inclinatum f \inclinatum e \] d c d \bar "||"

}}
  
  
%%% SATB voices

global = {
  \key f \major 
  \set Staff.midiInstrument = "church organ"
}


soprano = \relative c' {
	\autoBeamOff
  f8 f[g] g g[f] bes a g f \bar "|" bes c d c[ bes] c c d \bar "|" \break
  bes c d c bes[ a] bes[ c bes a] g g \bar "|" g g[ c] bes bes[ g] a g f \bar "|" \break
  d f[ g] g g[ f] bes c c bes \bar "|" d c bes[ a] bes[ c bes a] g f g \bar "||"
}


alto = \relative c' {
	\autoBeamOff
  #(set-accidental-style 'forget)	
  \brevenote d\breve *1/4 ~ \ln d4 \ln f4 ees8 d \bar "|" d f f ~ \ln f4 a8 ~ a8 a8 \bar "|"
  d,8 f f e \ln f4 ~ \brevenote f\breve *1/4 d8 d \bar "|" d \ln e4 f8 \ln d4 f8 e c \bar "|"
  d c[ d] ees \ln d4 f8 f f d \bar "|" f ees \ln f4 \brevenote d\breve *1/4 ~ d8 d d \bar "||"
}


tenor = \relative c { \clef bass
	\autoBeamOff
  \brevenote bes'\breve *1/4 ~ \ln bes4   \ln bes4 bes8 bes \bar "|" d c bes ~ c[ d] f ~ f  f \bar "|"
  bes, a bes g \ln f4 ~ \ln f4 ( bes8 [ c8]) bes bes \bar "|" bes c[ g] bes \ln bes4 c8 c a \bar "|"	
  bes c[ bes] bes \ln bes4 bes8 bes a bes \bar "|" bes g f[ d'] \brevenote bes\breve *1/4 ~ bes8 a bes \bar "||"
}

bass = \relative c { \clef bass
	\autoBeamOff
  bes8 bes[ g] g g[ bes] \lnb d4 ees8 bes' \bar "|" g a bes ~ \ln bes4 \ln f4 d8 \bar "|"
  g8 f bes, c \lnb d4 ~ \lnb d4 ~ d8[ f] g g \bar "|" g \ln c,4 d8 \lnb g4 f8 c f \bar "|"
  bes a[ g]  ees \lnb bes4 d8 f f bes \bar "|" bes, c \ln d4 \brevenoteb g\breve *1/4 ~ g8 d8 g, \bar "||"
}


#(ly:set-option 'point-and-click #f)

\book {

\paper {
 #(set-paper-size "a4")
%% annotate-spacing = ##t
 print-page-number = ##f
 ragged-last-bottom = ##t
 ragged-bottom = ##t
}

\score {	
  <<
  \new VaticanaStaff {\plainsong }
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  
  >>

\layout {
	
  ragged-right = ##f
  ragged-last = ##f
  \context { \Score timing = ##f }
  \context { \Score \override TimeSignature #'transparent = ##t }
  \context { \Score \remove "Mark_engraver" }
  \context { \Staff \consists "Mark_engraver" }
  
  % *** Needed to produce beamed minims - which are quavers in disguise
  \context { \Staff \override NoteHead #'duration-log = #1 }
  \context { \Staff \override Stem #'flag-style = #'no-flag }
  
  \context { \VaticanaStaff
           % *** Increases distance between lines of staff  
           \override StaffSymbol #'staff-space = #1.6            
           % *** Changes staff to black instead of default red
           \revert StaffSymbol #'color
           % *** Makes clef bigger       
           \override Clef #'font-size = #3
           % *** Would make ledger lines black, if there were any
           \revert LedgerLineSpanner #'color
           % *** Makes terminal barline visible 
           \override BarLine #'transparent = ##f 
  	   % *** Remove custos
	   \remove Custos_engraver
	   % needed for certain tweaks
	   \consists "Mark_engraver"
           }
     }
} %%% score bracket 

%%% A separate score block to generate the midi minus the plainsong voice
%%% Since minims are quavers in disguise, tempo has to be set accordingly, tempo set to 2=80

\score {	
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  

\midi { 
  \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) }
       } 
}


%%% Lyric titles and attributions

\markup { \hspace #8 \small {  \column { \line {\smallCaps  "Office Hymn."   " E." \italic "and" " M." \hspace #32 \italic "Ascr. to Archbishop Rabanus Maurus," }   
         \line { \hspace #62 \italic "9th Cent.  Tr. J. M. Neale." }
	\line { \hspace #30 "Tibi, Christe, splendor Patris." }
	\line { "              " }
}}}


%%% Lyrics

\markup { \hspace #30 %%add space as necc. to center the column
          \column { %% super column of everything
	              \column { %%verse 1 is a column of 2 lines  
	                  \line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "T" }   %%Drop Cap goes here
				  \hspace #-1.0    %% adjust this if other letters are too far from Drop Cap
				  \column  { \raise #0.0 "HEE, O Christ, the Father's splendour,"
			                                "    Life and virtue of the heart," } }     
	                  \line {  \hspace #2.5  %%adjust hspace until this line left edge is flush with Drop Cap
				   \lower  #1.56  %%adjust this until the line spacing looks right
				   \column {   
					   "In the presence of the Angels"
					   "    Sing we now with tuneful art,"
					   "Meetly in alternate chorus"
					   "    Bearing our responsive part."
			  		}} 
			         } %%% finish verse 1

	  } %%% end super column
}


%%fake score block to occupy space and force a pagebreak.  Can't think of a better way of doing this.
\score{
	{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{	
	\context { \Staff
		\remove Time_signature_engraver
		\remove Key_engraver
		\remove Clef_engraver
		\remove Staff_symbol_engraver
}}}


%%% Second page
%%% Continuation of lyrics

\markup { \hspace #30 %%add space as necc. to center the column
          \column { %% super column of everything				 	 
		        \hspace #1  % adds vertical spacing between verses  
			\line { "2  "
			   \column {	     
				   "Thus we praise with veneration"
				   "    All the armies of the sky;"
				   "Chiefly him, the warrior Primate,"
				   "    Of celestial chivalry,"
				   "Michael, who in princely virtue"
				   "    Cast Abaddon from on high."
				   "                " %%% adds vertical spacing between verses
			}}
			\line { "3  "
			\column {	     
				"By whose watchful care repelling—"
				"    King of everlasting grace—"
				"Every ghostly adversary,"
				"    All things evil, all things base,"
				"Grant us of thine only goodness"
				"    In thy Paradise a place."
				   "                " %%% adds vertical spacing between verses
			}}
           		\line { "4. "
			   \column {	     
				   "Laud and honour to the Father,"
				   "    Laud and honour to the Son,"
				   "Laud and honour to the Spirit,"
				   "    Ever Three, and ever One,"
				   "Consubstantial, co-eternal,"
				   "    While unending ages run.      Amen."
			}}
	  } %%% end supercolumn
} %%% end markup	  


%%% Amen score block

\score {  	
  <<
    <<
  \new VaticanaStaff <<
  \context VaticanaVoice = "plainsongamen"  {  \relative c { 	  
	\set Score.timing = ##f
	\override Staff.Clef #'#'font-size = #3
	\clef "vaticana-fa2"
	\set fontSize = #3
	\override Staff.StaffSymbol #'staff-space = #1.6
	 
        \[ d8 e8 d8 \] d4
  }} 
                    >> 
 \new Lyrics = "lyrics" { s1 }
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \global
	                                              \voiceOne g'8[ a g] \ln g4 \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \global
	                                              \voiceTwo  d8[ f d] \ln d4 \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \global
	                                          \voiceThree  bes'8[ c bes] \ln bes4  \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \global
						  \voiceFour g'8[ f g] \ln g,4  \bar "||" }}
			        >> 
   >>
  \context Lyrics = "lyrics" \lyricsto "sopranos" { \override LyricText #'font-size = #-1  A -- _ _ men. }
  >>
>>

\header { breakbefore = ##f piece = " " opus = " " }

\layout {
     indent = 13\cm
     raggedright = ##t
     packed = ##f
     \context { \Score \override TimeSignature #'transparent = ##t }
     \context { \Score \override SeparationItem #'padding = #2 }
     \context { \Staff \override VerticalAxisGroup #'minimum-Y-extent = #'( -5 . 4) }
     \context { \Score \remove "Bar_number_engraver"
		timing = ##f 
              }
     \context { \Staff \override NoteHead #'duration-log = #1 }
     \context { \Staff \override Stem #'flag-style = #'no-flag }
     \context { \VaticanaStaff %%customize vaticana staff context 
	          \revert StaffSymbol #'color
		  \revert LedgerLineSpanner #'color
		  \override BarLine #'transparent = ##f 
		  \remove Custos_engraver
 	} 
} 

}

%%% Separate score block for Amen midi minus plainsong voice
%%% Since the minims are quavers in disguise, the tempo has to be adjusted accordingly. A tempo of 2=80 is set.

\score {  	
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \global
	                                              \voiceOne g'8[ a g] \ln g4 \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \global
	                                              \voiceTwo  d8[ f d] \ln d4 \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \global
	                                          \voiceThree  bes'8[ c bes] \ln bes4  \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \global
						  \voiceFour g'8[ f g] \ln g,4  \bar "||" }}
			        >>
   >>
   
\midi {  
   \context {
       \Score 
       tempoWholesPerMinute = #(ly:make-moment 80 8) }
      }

}
	

} %% book bracket

Lily3 Notes

Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.

If you can't compile Lilypond, use the links here:

Original scan: 378.png

Links to L2 output version 1:

L2-241-v1.pdf L2-241-v1.midi L2-241-v1-amen.midi