The English Hymnal - Wiki Music Experiment/364

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Lily1 Code

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Lily2 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

%%% 364.png
%%% Hymn 233
%%% Version 1


\version "2.10"

\include "gregorian-init.ly"

\header {
  dedication = \markup {  \center-align { "THE TRANSFIGURATION"
	\hspace #0.1 }}	

  title = "233"
  
  arranger = \markup { \small { "Mode i." }}
  
  tagline =""
}

%%%%%%%%%%%%%%%% Macros

%% macro settings for stemless long note which is 2x duration of regular white note    
ln = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteColumn #'force-hshift = #0.4 }

%% a second set of macro settings for stemless long notes ( 2x duration of regular white note )
%% this one uses X-offset instead of force-hshift.
%% All long notes are offset slightly to the right with respect to any beamed notes which 
%% they are aligned with.  Normally, this is done with force-hshift.  
%% However, when 2 long notes occur one atop the other (i.e. in S + A pats or in T + B parts), then applying force-hshift
%% to both does not work.  Hence one note needs to be moved with the regular force-hshift in the \ln macro above,
%% while the other is moved with X-offset with the macro \lnb
%% In general force-hshift is preferred whenever possible as slurs are adjusted automatically, while X-offset especially
%% when used with a bottom slur often results in a slur starting too far to the left and which then needs manual adjustment. 

lnb = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteHead #'X-offset = #0.8 }

%% macro settings for stemless long note which is 2x duration of regular white note  
%% This one moves the notehead a lot more to avoid note collision

lnc = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteColumn #'force-hshift = #1.6 }

%% settings to generate the double longnotes (breves)

brevenote = { \once \override NoteHead #'duration-log = #-1  
                \once \override NoteColumn #'force-hshift = #0.8 }

%%% same as \brevenote but modified for the same reason as \lnb is modified for \ln		
		
brevenoteb = { \once \override NoteHead #'duration-log = #-1  
                \once \override NoteHead #'X-offset = #1.6 }		
	   		
%%% moves plainsong accidentals leftwards so that they show up more clearly
moveacci = \once \override Accidental #'extra-offset = #'(-1.2 . 0 )

%%% raise or lower ties a little to clear of other notes.

tieraise = \once \override Tie #'extra-offset = #'(0.0 . 1.0) 

tieraiseless = \once \override Tie #'extra-offset = #'(0.0 . 0.5 ) 

tielower = \once \override Tie #'extra-offset = #'(0.0 . -0.6) 

%%%%%%%%%%%%% End of Macro Definitions		
		
%%% plainsong voice

plainsong = \context VaticanaVoice  {  \relative c { 
	\clef "vaticana-fa2"
	\set fontSize = #3
        \key c \major 
  \[ c8 \pes d \] \[ d \pes a' \moveacci \virga bes \] a a \[ a \flexa g \] \[ g \pes a \] g \[ g \flexa f \] \bar "|" a a g \bar "" \break

  \[ f \flexa e \] d \[ e \pes f \] \[ d \flexa c \] \[ c \pes d \] \bar "|" a \[ c \pes d \] d \[ d \pes f \] \[ f \flexa d \] \bar "" \break

  e d c \bar "|" g' g f \[ g a g \] \[ e \flexa d \] \[ e \pes f \] \[ d \flexa c \] \[ c \pes d \] \bar "||"
}}
  
%%% SATB voices

global = {
  \key ees \major 
  \set Staff.midiInstrument = "church organ"
}


soprano = \relative c' {
	\autoBeamOff
  ees8[ f] f[ c' des] c c c[ bes] bes[  c] bes bes[ aes] \bar "|" c c bes \bar "" \break

  aes[ g] f g[ aes] f[ ees] ees[ f] \bar "|" c ees[ f] f f[ aes] aes[ f] \bar "" \break

  g f ees \bar "|" bes' bes aes bes[ c bes] g[ f] g[aes] f[ ees] ees[ f] \bar "||"
}

alto = \relative c' {
	\autoBeamOff	
  \ln c4 \tielower \ln f4. ~ f8 aes aes[ ees] \ln ees4 ~ ees8 ees[ c] \bar "|" aes' aes g \bar "" \break

  \ln c,4 ~ c8 \ln ees4 des8[ c] bes[ aes] \bar "|" c \ln c4 ~ c8 ~ \brevenote c\breve *1/4 \bar "" \break

  ees8 d! ees \bar "|" ees ees c \tielower \ln ees4. ~ ees8[ c] \ln ees4 des8[ c] \ln c4 \bar "||"
}


tenor = \relative c { \clef bass
	\autoBeamOff
  \lnc aes'4 \tieraise \ln aes4. ~ aes8 c c8[ ees] ees[ aes, ~ ] aes g[ aes] \bar "|" ees' ees ees \bar "" \break 

  \ln c4( aes8) \ln c4 \ln aes4 ees8[ c] \bar "|" \tieraise aes' ~ \tieraiseless \lnc aes4 ~ \tieraise aes8 ~ \brevenote aes\breve *1/4 \bar "" \break

  bes8 ~ bes g \bar "|" g g f \ln g4. bes8[ aes] \ln c4 \ln aes4 g8[ aes] \bar "||"
}


bass = \relative c { \clef bass
	\autoBeamOff
  aes'8[ f] \once\override Slur  #'control-points = #'((3.0 . 0.0 ) (4 . -0.8 ) (5.5 . -1.7 ) (9.0 . -1.2 )) \lnb f4 ( des8) f f f[ g] g[ aes] ees ees[ aes] \bar "|" aes aes ees \bar "" \break

  \lnb f4 ~ f8 \lnb c4 des!8[ aes] g[ f] \bar "|" aes' aes[ f] f \brevenoteb f\breve *1/4 \bar "" \break

  ees8 bes ees \bar "|" ees ees f \tielower \lnb ees4. ~ ees8[ f] \lnb c4 des!8[ aes] c[ f,] \bar "||"
}


#(ly:set-option 'point-and-click #f)

\book {

\paper {
 #(set-paper-size "a4")
%% annotate-spacing = ##t
 print-page-number = ##f
 ragged-last-bottom = ##t
 ragged-bottom = ##t
}

\score {	
  <<
  \new VaticanaStaff {\plainsong }
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  
  >>

\layout {
	
  ragged-right = ##f
  ragged-last = ##f
  \context { \Score timing = ##f }
  \context { \Score \override TimeSignature #'transparent = ##t }
  \context { \Score \remove "Mark_engraver" }
  \context { \Staff \consists "Mark_engraver" }
  
  % *** Needed to produce beamed minims - which are quavers in disguise
  \context { \Staff \override NoteHead #'duration-log = #1 }
  \context { \Staff \override Stem #'flag-style = #'no-flag }
  
  \context { \VaticanaStaff
           % *** Increases distance between lines of staff  
           \override StaffSymbol #'staff-space = #1.6            
           % *** Changes staff to black instead of default red
           \revert StaffSymbol #'color
           % *** Makes clef bigger       
           \override Clef #'font-size = #3
           % *** Would make ledger lines black, if there were any
           \revert LedgerLineSpanner #'color
           % *** Makes terminal barline visible 
           \override BarLine #'transparent = ##f 
  	   % *** Remove custos
	   \remove Custos_engraver
	   % needed for certain tweaks
	   \consists "Mark_engraver"
           }
     }
} %%% score bracket 

%%% A separate score block to generate the midi minus the plainsong voice
%%% Since minims are quavers in disguise, tempo has to be set accordingly, tempo set to 2=80

\score {	
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  

\midi { 
  \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) }
       } 
}

\markup "                   "  %%% force blank space before start of lyrics
\markup "                   "
\markup "                   "
\markup "                   "

%%% Lyric titles and attributions

\markup { \hspace #8 \small {  \column { \line {\smallCaps  "Office Hymn."   " E." \hspace #52 \italic "15th cent. Tr. R. E. R." }   
					 \line { \hspace #32 "Caelestis formam gloriae." }
                                         \line { "                    "}
}}}


%%% Lyrics

\markup { \hspace #30 %%add space as necc. to center the column
          \column { %% super column of everything
	              \column { %%verse 1 is a column of 2 lines  
	                  \line { \hspace #2.6 \column { \lower #2.4 \fontsize #8 "A" }   %%Drop Cap goes here
				  \hspace #-1.4    %% adjust this if other letters are too far from Drop Cap
				  \column  { \raise #0.0 "N image of that heavenly light,"
			                                 "  The goal the Church keeps ay in sight," } }     
	                  \line {  \hspace #2.5  %%adjust hspace until this line left edge is flush with Drop Cap
				   \lower  #1.56  %%adjust this until the line spacing looks right
				   \column {   
					   "Christ on the holy mount displays"
					   "Where he outshines the sun's bright rays."

			  		}} 
			         } %%% finish verse 1

	  } %%% end super column
}

%%fake score block to occupy space and force a pagebreak.  Can't think of a better way of doing this.
\score{
	{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{	
	\context { \Staff
		\remove Time_signature_engraver
		\remove Key_engraver
		\remove Clef_engraver
		\remove Staff_symbol_engraver
}}}

%%% Second page
%%% Continuation of lyrics

\markup { \hspace #30 %%add space as necc. to center the column
          \column { %% super column of everything				 	 
		        \hspace #1  % adds vertical spacing between verses  
			   \line { "2  "
			   \column {	     
				   "Let every age proclaimer be"
				   "How, on this day, the chosen three"
				   "With Moses and Elias heard"
				   "The Lord speak many a gracious word."
				   "                " %%% adds vertical spacing between verses
			}}
			 \line { "3  "
			\column {	 
				"As witnesses to grace are nigh"
				"Those twain, the Law and Prophecy;"
				"And to the Son, from out the cloud,"
				"The Father's record thunders loud."
				   "                " %%% adds vertical spacing between verses
			 }}	   
			\line { "4  "
			\column {	     
				"With garments whiter than the snows,"
				"And shining face, Lord Jesus shows"
				"What glory for those saints shall be"
				"Who joy in God with piety."
				   "                " %%% adds vertical spacing between verses
			}}
			\line { "5  "
			\column {	     
				"The vision and the mystery"
				"Make faithful hearts beat quick and high,"
				"So on this solemn day of days"
				"The cry goes up of prayer and praise."
				   "                " %%% adds vertical spacing between verses
			}}
           		\line { "6. "
			   \column {	     
				   "O God the Father, God the Son,"
				   "And Holy Spirit, Three in One,"
				   "Vouchsafe to bring us, by thy grace,"
				   "To see thy glory face to face.      Amen."
			}}
	  } %%% end supercolumn
} %%% end markup	  


%%% Amen score block

\score {  	
  <<
    <<
  \new VaticanaStaff <<
  \context VaticanaVoice = "plainsongamen"  {  \relative c { 	  
	\set Score.timing = ##f
	\override Staff.Clef #'#'font-size = #3
	\clef "vaticana-fa2"
	\set fontSize = #3
	\override Staff.StaffSymbol #'staff-space = #1.6
	 
        \[ d8 \pes e8 \]   \[
	    \override NoteHead #'extra-offset = #'(0.0 . -0.1 ) d8 
            \override NoteHead #'extra-offset = #'(-0.38 . 0.0 ) \flexa  c8 \pes 
            \override NoteHead #'extra-offset = #'(0.02 . 0.05) d8 \] }} 
                    >> 
 \new Lyrics = "lyrics" { s1 }
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \global
	                                              \voiceOne f8[ g] f8[ ees8 f8] \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \global
	                                              \voiceTwo  c8[ ees] des \ln c4 \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \global
	                                          \voiceThree  aes'8[ c] \ln aes4.  \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \global
						  \voiceFour f8[ c8] des!8[ aes8 f8] \bar "||" }}
			        >> 
   >>
  \context Lyrics = "lyrics" \lyricsto "sopranos" { \override LyricText #'font-size = #-1  "  A   " -- _ "   men." }
  >>
>>

\header { breakbefore = ##f piece = " " opus = " " }

\layout {
     indent = 13\cm
     raggedright = ##t
     packed = ##f
     \context { \Score \override TimeSignature #'transparent = ##t }
     \context { \Score \override SeparationItem #'padding = #2 }
     \context { \Staff \override VerticalAxisGroup #'minimum-Y-extent = #'( -5 . 4) }
     \context { \Score \remove "Bar_number_engraver"
		timing = ##f 
              }
     \context { \Staff \override NoteHead #'duration-log = #1 }
     \context { \Staff \override Stem #'flag-style = #'no-flag }
     \context { \VaticanaStaff %%customize vaticana staff context 
	          \revert StaffSymbol #'color
		  \revert LedgerLineSpanner #'color
		  \override BarLine #'transparent = ##f 
		  \remove Custos_engraver
 	} 
} 

}

%%% Separate score block for Amen midi minus plainsong voice
%%% Since the minims are quavers in disguise, the tempo has to be adjusted accordingly. A tempo of 2=80 is set.

\score {  	
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \global
	                                              \voiceOne f8[ g] f8[ ees8 f8] \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \global
	                                              \voiceTwo  c8[ ees] des \ln c4 \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \global
	                                          \voiceThree  aes'8[ c] \ln aes4. \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \global
						  \voiceFour f8[ c8] des!8[ aes8 f8] \bar "||" }}
			        >> 
   >>
   
\midi {  
   \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) } }
      }
   	

} %% book bracket

Lily3 Notes

Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.

If you can't compile Lilypond, use the links here:

Original scan: 364.png

Links to L2 output version 1:

L2-233-v1.pdf L2-233-v1.midi L2-233-v1-amen.midi