The English Hymnal - Wiki Music Experiment/356

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Lily1 Code

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Lyrics copied from P3 and perl-formatted --QMacrocarpa 10:39, 25 September 2007 (PDT):

"NOW in holy celebration"
"    Sing we of that Mother blest,"
"In whose flesh for men's salvation"
"    God incarnate deigned to rest,"
"When a kindred salutation"
"    Named in faith the mystic Guest."
""
"Lo, the advent Word confessing,"
"    Spake for joy the voice yet dumb,"
"Through his mother's lips addressing"
"    Her, of motherhood the sum,--"
"Bower of beauty, blest and blessing,"
"    Crowned with fruit of Life to come."
""
"'Whence,' she cried, at that fair meeting,"
"    'Comes to me this great reward?"
"For when first I heard the greeting"
"    Of the Mother of my Lord,"
"In my womb, the joy repeating,"
"    Leapt my babe in sweet accord!'"
""
"Lo, at that glad commendation"
"    Joy found voice in Mary's breast"
"While in holy exultation"
"    She her Maker's power confest,"
"At whose word each generation"
"    Now henceforward names her blest."
""
"Triune Godhead, health supplying,"
"    Ruler of eternity,"
"On the Fount of grace relying,"
"    We uplift our hearts to thee,"
"Praying that in realms undying"
"    We at one with Life may be. Amen."
""


Lily2 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

%%% 356.png
%%% Hymn 228
%%% Version 1


\version "2.10"

\include "gregorian-init.ly"

\header {
  dedication = \markup {  \center-align { "THE VISITATION"
	\hspace #0.1 }}	

  title = "228"
  
  arranger = \markup { \small { "Mode i." }}
  
  tagline =""
}

%%%%%%%%%%%%%%%% Macros

%% macro settings for stemless long note which is 2x duration of regular white note    
ln = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteColumn #'force-hshift = #0.4 }

%% a second set of macro settings for stemless long notes ( 2x duration of regular white note )
%% this one uses X-offset instead of force-hshift.
%% All long notes are offset slightly to the right with respect to any beamed notes which 
%% they are aligned with.  Normally, this is done with force-hshift.  
%% However, when 2 long notes occur one atop the other (i.e. in S + A pats or in T + B parts), then applying force-hshift
%% to both does not work.  Hence one note needs to be moved with the regular force-hshift in the \ln macro above,
%% while the other is moved with X-offset with the macro \lnb
%% In general force-hshift is preferred whenever possible as slurs are adjusted automatically, while X-offset especially
%% when used with a bottom slur often results in a slur starting too far to the left and which then needs manual adjustment. 

lnb = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteHead #'X-offset = #0.8 }

%%% macro settings for stemless long note which is 2x duration of regular white note    
%%% this one sets a larger offset to avoid collision

lnc = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteColumn #'force-hshift = #1.6 }	   

%% settings to generate the double longnotes (breves)

brevenote = { \once \override NoteHead #'duration-log = #-1  
                \once \override NoteColumn #'force-hshift = #0.8 }

%%% same as \brevenote but modified for the same reason as \lnb is modified for \ln		
		
brevenoteb = { \once \override NoteHead #'duration-log = #-1  
                \once \override NoteHead #'X-offset = #1.6 }	
		
%%%%%%%%%%%%% End of Macro Definitions		
		
%%% plainsong voice

plainsong = \context VaticanaVoice  {  \relative c { 
	\clef "vaticana-fa2"
	\set fontSize = #3
        \key c \major 

c8 \[ c \pes d \] d \[ d \flexa c \] f e d c \bar "|" f g a \[ g \flexa f \] g g  a \bar "|" \break

f g a g \[ f \flexa e \] \[ f \pes g \inclinatum f \inclinatum e \] d d \bar "|" d \[ d \pes g \] f \[ f \flexa d \] e d c \bar "|" \break

a \[ c \pes d \] d \[ d \flexa c \] f g g f \bar "|" a g  \[ f \flexa e \] \[ f \pes g \inclinatum f \inclinatum e \] d c d \bar "||"

}}
  
  
%%% SATB voices

global = {
  \key f \major 
  \set Staff.midiInstrument = "church organ"
}


soprano = \relative c' {
	\autoBeamOff
  f8 f[g] g g[f] bes a g f \bar "|" bes c d c[ bes] c c d \bar "|" \break
  bes c d c bes[ a] bes[ c bes a] g g \bar "|" g g[ c] bes bes[ g] a g f \bar "|" \break
  d f[ g] g g[ f] bes c c bes \bar "|" d c bes[ a] bes[ c bes a] g f g \bar "||"
}


alto = \relative c' {
	\autoBeamOff
  #(set-accidental-style 'forget)	
  \brevenote d\breve *1/4 ~ \ln d4 \ln f4 ees8 d \bar "|" d f f ~ \ln f4 a8 ~ a8 a8 \bar "|"
  d,8 f f e \ln f4 ~ \brevenote f\breve *1/4 d8 d \bar "|" d \ln e4 f8 \ln d4 f8 e c \bar "|"
  d c[ d] ees \ln d4 f8 f f d \bar "|" f ees \ln f4 \brevenote d\breve *1/4 ~ d8 d d \bar "||"
}


tenor = \relative c { \clef bass
	\autoBeamOff
  \brevenote bes'\breve *1/4 ~ \ln bes4   \ln bes4 bes8 bes \bar "|" d c bes ~ c[ d] f ~ f  f \bar "|"
  bes, a bes g \ln f4 ~ \ln f4 ( bes8 [ c8]) bes bes \bar "|" bes c[ g] bes \ln bes4 c8 c a \bar "|"	
  bes c[ bes] bes \ln bes4 bes8 bes a bes \bar "|" bes g f[ d'] \brevenote bes\breve *1/4 ~ bes8 a bes \bar "||"
}

bass = \relative c { \clef bass
	\autoBeamOff
  bes8 bes[ g] g g[ bes] \lnb d4 ees8 bes' \bar "|" g a bes ~ \ln bes4 \ln f4 d8 \bar "|"
  g8 f bes, c \lnb d4 ~ \lnb d4 ~ d8[ f] g g \bar "|" g \ln c,4 d8 \lnb g4 f8 c f \bar "|"
  bes a[ g]  ees \lnb bes4 d8 f f bes \bar "|" bes, c \ln d4 \brevenoteb g\breve *1/4 ~ g8 d8 g, \bar "||"
}


#(ly:set-option 'point-and-click #f)

\book {

\paper {
 #(set-paper-size "a4")
%% annotate-spacing = ##t
 print-page-number = ##f
 ragged-last-bottom = ##t
 ragged-bottom = ##t
}

\score {	
  <<
  \new VaticanaStaff {\plainsong }
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  
  >>

\layout {
	
  ragged-right = ##f
  ragged-last = ##f
  \context { \Score timing = ##f }
  \context { \Score \override TimeSignature #'transparent = ##t }
  \context { \Score \remove "Mark_engraver" }
  \context { \Staff \consists "Mark_engraver" }
  
  % *** Needed to produce beamed minims - which are quavers in disguise
  \context { \Staff \override NoteHead #'duration-log = #1 }
  \context { \Staff \override Stem #'flag-style = #'no-flag }
  
  \context { \VaticanaStaff
           % *** Increases distance between lines of staff  
           \override StaffSymbol #'staff-space = #1.6            
           % *** Changes staff to black instead of default red
           \revert StaffSymbol #'color
           % *** Makes clef bigger       
           \override Clef #'font-size = #3
           % *** Would make ledger lines black, if there were any
           \revert LedgerLineSpanner #'color
           % *** Makes terminal barline visible 
           \override BarLine #'transparent = ##f 
  	   % *** Remove custos
	   \remove Custos_engraver
	   % needed for certain tweaks
	   \consists "Mark_engraver"
           }
     }
} %%% score bracket 

%%% A separate score block to generate the midi minus the plainsong voice
%%% Since minims are quavers in disguise, tempo has to be set accordingly, tempo set to 2=80

\score {	
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  

\midi { 
  \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) }
       } 
}


%%% Lyric titles and attributions

\markup { \hspace #18 \small {  \column { \line {\smallCaps  "Office Hymn."   " E." \hspace #36 \italic "15th cent.   Tr. L. H." }   
        \line { "              " }
	\line { \hspace #24 "Festum Matris gloriosae." }
	\line { "              " }
}}}


%%% Lyrics

\markup { \hspace #34 %%add space as necc. to center the column
          \column { %% super column of everything
	              \column { %%verse 1 is a column of 2 lines  
	                  \line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "N" }   %%Drop Cap goes here
				  \hspace #-1.4    %% adjust this if other letters are too far from Drop Cap
				  \column  { \raise #0.0 "OW in holy celebration"
			                                "    Sing we of that Mother blest," } }     
	                  \line {  \hspace #2.5  %%adjust hspace until this line left edge is flush with Drop Cap
				   \lower  #1.56  %%adjust this until the line spacing looks right
				   \column {   
					  "In whose flesh for men's salvation"
					  "    God incarnate deigned to rest,"
					  "When a kindred salutation"
					  "    Named in faith the mystic Guest."
			  		}} 
			         } %%% finish verse 1

	  } %%% end super column
}


%%fake score block to occupy space and force a pagebreak.  Can't think of a better way of doing this.
\score{
	{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{	
	\context { \Staff
		\remove Time_signature_engraver
		\remove Key_engraver
		\remove Clef_engraver
		\remove Staff_symbol_engraver
}}}


%%% Second page
%%% Continuation of lyrics

\markup { \hspace #34 %%add space as necc. to center the column
          \column { %% super column of everything				 	 
		        \hspace #1  % adds vertical spacing between verses  
			\line { "2*" \hspace #-0.4
			   \column {	     
				   "Lo, the advent Word confessing,"
				   "    Spake for joy the voice yet dumb,"
				   "Through his mother's lips addressing"
				   "    Her, of motherhood the sum,—"
				   "Bower of beauty, blest and blessing,"
				   "    Crowned with fruit of Life to come."
				   "                " %%% adds vertical spacing between verses
			}}
			\line { "3  "
			\column {	     
				"‘Whence,’ she cried, at that fair meeting,"
				"    ‘Comes to me this great reward?"
				"For when first I heard the greeting"
				"    Of the Mother of my Lord,"
				"In my womb, the joy repeating,"
				"    Leapt my babe in sweet accord!’"
				   "                " %%% adds vertical spacing between verses
			}}
			\line { "4  "
			\column {	     
				"Lo, at that glad commendation"
				"    Joy found voice in Mary's breast"
				"While in holy exultation"
				"    She her Maker's power confest,"
				"At whose word each generation"
				"    Now henceforward names her blest."
				   "                " %%% adds vertical spacing between verses
			}}
           		\line { "5. "
			   \column {	     
				"Triune Godhead, health supplying,"
				"    Ruler of eternity,"
				"On the Fount of grace relying,"
				"    We uplift our hearts to thee,"
				"Praying that in realms undying"
			"    We at one with Life may be.      Amen."
			}}
	  } %%% end supercolumn
} %%% end markup	  


%%% Amen score block

\score {  	
  <<
    <<
  \new VaticanaStaff <<
  \context VaticanaVoice = "plainsongamen"  {  \relative c { 	  
	\set Score.timing = ##f
	\override Staff.Clef #'#'font-size = #3
	\clef "vaticana-fa2"
	\set fontSize = #3
	\override Staff.StaffSymbol #'staff-space = #1.6
	 
        \[ d8 e8 d8 \] d4
  }} 
                    >> 
 \new Lyrics = "lyrics" { s1 }
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \global
	                                              \voiceOne g'8[ a g] \ln g4 \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \global
	                                              \voiceTwo  d8[ f d] \ln d4 \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \global
	                                          \voiceThree  bes'8[ c bes] \ln bes4  \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \global
						  \voiceFour g'8[ f g] \ln g,4  \bar "||" }}
			        >> 
   >>
  \context Lyrics = "lyrics" \lyricsto "sopranos" { \override LyricText #'font-size = #-1  A -- _ _ men. }
  >>
>>

\header { breakbefore = ##f piece = " " opus = " " }

\layout {
     indent = 13\cm
     raggedright = ##t
     packed = ##f
     \context { \Score \override TimeSignature #'transparent = ##t }
     \context { \Score \override SeparationItem #'padding = #2 }
     \context { \Staff \override VerticalAxisGroup #'minimum-Y-extent = #'( -5 . 4) }
     \context { \Score \remove "Bar_number_engraver"
		timing = ##f 
              }
     \context { \Staff \override NoteHead #'duration-log = #1 }
     \context { \Staff \override Stem #'flag-style = #'no-flag }
     \context { \VaticanaStaff %%customize vaticana staff context 
	          \revert StaffSymbol #'color
		  \revert LedgerLineSpanner #'color
		  \override BarLine #'transparent = ##f 
		  \remove Custos_engraver
 	} 
} 

}

%%% Separate score block for Amen midi minus plainsong voice
%%% Since the minims are quavers in disguise, the tempo has to be adjusted accordingly. A tempo of 2=80 is set.

\score {  	
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \global
	                                              \voiceOne g'8[ a g] \ln g4 \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \global
	                                              \voiceTwo  d8[ f d] \ln d4 \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \global
	                                          \voiceThree  bes'8[ c bes] \ln bes4  \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \global
						  \voiceFour g'8[ f g] \ln g,4  \bar "||" }}
			        >>
   >>
   
\midi {  
   \context {
       \Score 
       tempoWholesPerMinute = #(ly:make-moment 80 8) }
      }

}
	

} %% book bracket

Lily3 Notes

Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.

If you can't compile Lilypond, use the links here:

Original scan: 356.png

Links to L2 output version 1:

L2-228-v1.pdf L2-228-v1.midi L2-228-v1-amen.midi