The English Hymnal - Wiki Music Experiment/306

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Lily1 Code

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Lyrics copied from P3 and perl-formatted --QMacrocarpa 14:15, 15 August 2007 (PDT):

"O THOU whose all-redeeming might"
"Crowns every chief in faith's true fight."
"On this commemoration day"
"Hear us, good Jesu, while we pray."
""
"In faithful strife for thy dear name"
"Thy servant earned the saintly fame,"
"Which pious hearts with praise revere"
"In constant memory year by year."
""
"Earth's fleeting joys he counted nought,"
"For higher, truer joys he sought,"
"And now, with Angels round thy throne,"
"Unfading treasures are his own."
""
"O grant that we, most gracious God,"
"May follow in the steps he trod;"
"And, freed from every stain of sin,"
"As he hath won may also win."
""
"To thee, O Christ, our loving King,"
"All glory, praise, and thanks we bring;"
"Whom with the Father we adore"
"And Holy Ghost for evermore. Amen."


Lily2 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

%%% 306.png
%%% Hymn 189 O Thou whose all-redeeming might
%%% Version 1


\version "2.10"

\include "gregorian-init.ly"

\header {
  dedication = \markup { \center-align {  "SAINTS' DAYS: GENERAL - CONFESSORS"
		\hspace #0.1 }}	

  title = "189"
  
  arranger = \markup { \small { "Mode viii." }}
  
  tagline =""
}

%%%%%%%%%%%%%%%% Macros

%% macro settings for stemless long note which is 2x duration of regular white note    
ln = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteColumn #'force-hshift = #0.4 }

%% a second set of macro settings for stemless long notes ( 2x duration of regular white note )
%% this one uses X-offset instead of force-hshift.
%% All long notes are offset slightly to the right with respect to any beamed notes which 
%% they are aligned with.  Normally, this is done with force-hshift.  
%% However, when 2 long notes occur one atop the other (i.e. in S + A pats or in T + B parts), then applying force-hshift
%% to both does not work.  Hence one note needs to be moved with the regular force-hshift in the \ln macro above,
%% while the other is moved with X-offset with the macro \lnb
%% In general force-hshift is preferred whenever possible as slurs are adjusted automatically, while X-offset especially
%% when used with a bottom slur often results in a slur starting too far to the left and which then needs manual adjustment. 

lnb = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteHead #'X-offset = #0.8 }

				
%%%%%%%%%%%%% End of Macro Definitions		
		
%%% plainsong voice

plainsong = \context VaticanaVoice  {  \relative c { 
	\clef "vaticana-do3"
	\set fontSize = #3
        \key c \major 

g'8 \[ a \pes b \] c \[ b \flexa a \] g a f g \bar "|" b d c b d c \[ b \flexa a \] g \bar "|" \break
g a f g e f \[ e \flexa d \] c \bar "|" g' \[ a \pes b \] c \[ b \flexa a \] g a f g \bar "||"
}}
  
  
%%% SATB voices

global = {
  \key c \major 
  \set Staff.midiInstrument = "church organ"
}


soprano = \relative c' {
	\autoBeamOff
g'8 a[ b] c b[ a] g a f g \bar "|" b d c b d c b[ a] g \bar "|" 
g a f g e f e[ d] c \bar "|" g' a[ b] c b[ a] g a f g \bar "||"
}


alto = \relative c' {
	\autoBeamOff
e8 \ln e4. \ln e4. e8 d d \bar "|" d f g \ln g4 g8 ~ g[ f] d \bar "|" 
e f c d  c c c[ b] a \bar "|" b \ln c4. \ln e4. c8 c d \bar "||"
}


tenor = \relative c { \clef bass
	\autoBeamOff
c'8 \ln c4. g8[ a] b c a b \bar "|" g a c d ~ d e ~ e[ c] b \bar "|" 
\ln c4 ~ c8 b g a \ln a4 e8 \bar "|" e \ln e4. g8[ a] b a c b \bar "||"
}

bass = \relative c { \clef bass
	\autoBeamOff
c8 \lnb a4. \ln e'4. c8 d g, \bar "|" g' d e g b, c e[ f] g \bar "|" 
c, f a g c, f, \lnb a4 ~ a8 \bar "|" e' \lnb a,4. \ln e'4. f8 a g \bar "||"
}


#(ly:set-option 'point-and-click #f)

\book {

\paper {
 #(set-paper-size "a4")
%% annotate-spacing = ##t
 print-page-number = ##f
 ragged-last-bottom = ##t
 ragged-bottom = ##f
}

\score {	
  <<
  \new VaticanaStaff {\plainsong }
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  
  >>

\layout {
	
  ragged-right = ##f
  ragged-last = ##f
  \context { \Score timing = ##f }
  \context { \Score \override TimeSignature #'transparent = ##t }
  \context { \Score \remove "Mark_engraver" }
  \context { \Staff \consists "Mark_engraver" }
  
  % *** Needed to produce beamed minims - which are quavers in disguise
  \context { \Staff \override NoteHead #'duration-log = #1 }
  \context { \Staff \override Stem #'flag-style = #'no-flag }
  
  \context { \VaticanaStaff
           % *** Increases distance between lines of staff  
           \override StaffSymbol #'staff-space = #1.6            
           % *** Changes staff to black instead of default red
           \revert StaffSymbol #'color
           % *** Makes clef bigger       
           \override Clef #'font-size = #3
           % *** Would make ledger lines black, if there were any
           \revert LedgerLineSpanner #'color
           % *** Makes terminal barline visible 
           \override BarLine #'transparent = ##f 
  	   % *** Remove custos
	   \remove Custos_engraver
	   % needed for certain tweaks
	   \consists "Mark_engraver"
           }
     }
} %%% score bracket 

%%% A separate score block to generate the midi minus the plainsong voice
%%% Since minims are quavers in disguise, tempo has to be set accordingly, tempo set to 2=80

\score {	
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  

\midi { 
  \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) }
       } 
}


\markup { \hspace #53 \center-align {
	\line { \italic "This hymn is sung during Christmastide to No." "17," \italic " during Eastertide to No." "123." }
        \line { \italic "Part" "2." \italic "and during Ascentiontide to No." "141." }
	\line { \italic "The Modern Tune for this hymn is the Angers Melody at Hymn" "176." }
}}	
	
\markup { "         " } %%% force some blank space before start of lyrics
\markup { "         " } %%% force some blank space before start of lyrics


%%% Lyric titles and attributions

\markup { \hspace #8 \small {  \column { \line {\smallCaps  "Office Hymn."  \italic "  Common of a Confessor" "(" \hspace #-1 \italic "in full" \hspace #-1 ")." }    
	\line { \hspace #4 "M." \italic "and" "E." \hspace #57 \italic "8th cent.  Tr. R. M. B."  } 
	\line { \hspace #2 \italic "Part 2.  For a Matron.  " "(" \hspace #-1 \italic "York" \hspace #-1 ".)" } 
	\line { \hspace #32 "Jesu, Redemptor omnium." }
}}}


%%% Lyrics

\markup { \hspace #30 %%add space as necc. to center the column
          \column { %% super column of everything
	              \column { %%verse 1 is a column of 2 lines  
	                  \line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "O" }   %%Drop Cap goes here
				  \hspace #-1.2    %% adjust this if other letters are too far from Drop Cap
				  \column  { \raise #0.0 " THOU whose all-redeeming might"
			                                 "  Crowns every chief in faith's true fight." } }          
	                  \line {  \hspace #2.5  %%adjust hspace until this line left edge is flush with Drop Cap
				   \lower  #1.56  %%adjust this until the line spacing looks right
				   \column {   
					   "On this commemoration day"
					   "Hear us, good Jesu, while we pray."
 "           " %%% adds vertical spacing between verses
			  		}}
		      } %%end verse 1
		                 		\line { "2  "
			   \column {	     
"In faithful strife for thy dear name"
"Thy servant earned the saintly fame,"
"Which pious hearts with praise revere"
"In constant memory year by year."
				 
			}}
	  } %%% end super column
}



%%fake score block to occupy space and force a pagebreak.  Can't think of a better way of doing this.
\score{
	{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{	
	\context { \Staff
		\remove Time_signature_engraver
		\remove Key_engraver
		\remove Clef_engraver
		\remove Staff_symbol_engraver
}}}

%%% Second page
%%% Continuation of lyrics

\markup { \hspace #30 %%add space as necc. to center the column
          \column { %% super column of everything
		  	\hspace #1  % adds vertical spacing between verses  
           		\line { \hspace #16 \italic "Part 2."
			   \column {	     
				  "           " %%% adds vertical spacing between verses
				  "           " %%% adds vertical spacing between verses
			}}
			   \line { "3  "
			   \column {	     
				   "Earth's fleeting joys he counted nought,"
				   "For higher, truer joys he sought,"
				   "And now, with Angels round thy throne,"
				   "Unfading treasures are his own."
				  "           " %%% adds vertical spacing between verses
			}} 
			   \line { "4  "
			   \column {	     
				   "O grant that we, most gracious God,"
				   "May follow in the steps he trod;"
				   "And, freed from every stain of sin,"
				   "As he hath won may also win."
				  "           " %%% adds vertical spacing between verses
			}}
			\line { "5. "
				\column {	     
					"To thee, O Christ, our loving King,"
					"All glory, praise, and thanks we bring;"
					"Whom with the Father we adore"
					"And Holy Ghost for evermore.     Amen."
     			}}

	  }
} %%% lyric markup bracket



%%% Amen score block

\score {  	
  <<
    <<
  \new VaticanaStaff <<
  \context VaticanaVoice = "plainsongamen"  {  \relative c { 	  
	\set Score.timing = ##f
	\override Staff.Clef #'#'font-size = #3
	\clef "vaticana-do3"
	\set fontSize = #3
	\override Staff.StaffSymbol #'staff-space = #1.6
	 
        \[ g'8 \pes a8 \]   \[
	    \override NoteHead #'extra-offset = #'(0.0 . -0.1 ) g8 
            \override NoteHead #'extra-offset = #'(-0.38 . 0.0 ) \flexa  f8 \pes 
            \override NoteHead #'extra-offset = #'(0.02 . 0.05) g8 \] }} 
                    >> 
 \new Lyrics = "lyrics" { s1 }
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \global
	                                              \voiceOne g'8[ a] g8[ f8 g8] \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \global
	                                              \voiceTwo e8[ f] c[ c d] \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \global
	                                          \voiceThree  \ln c'4 ~ \ln c4 b8 \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \global
						  \voiceFour c8[ f,8] c'8[ a8 g8] \bar "||" }}
			        >> 
   >>
  \context Lyrics = "lyrics" \lyricsto "sopranos" { \override LyricText #'font-size = #-1  "  A   " -- _ "   men." }
  >>
>>

\header { breakbefore = ##f piece = " " opus = " " }

\layout {
     indent = 13\cm
     raggedright = ##t
     packed = ##f
     \context { \Score \override TimeSignature #'transparent = ##t }
     \context { \Score \override SeparationItem #'padding = #2 }
     \context { \Staff \override VerticalAxisGroup #'minimum-Y-extent = #'( -5 . 4) }
     \context { \Score \remove "Bar_number_engraver"
		timing = ##f 
              }
     \context { \Staff \override NoteHead #'duration-log = #1 }
     \context { \Staff \override Stem #'flag-style = #'no-flag }
     \context { \VaticanaStaff %%customize vaticana staff context 
	          \revert StaffSymbol #'color
		  \revert LedgerLineSpanner #'color
		  \override BarLine #'transparent = ##f 
		  \remove Custos_engraver
 	} 
} 

}

%%% Separate score block for Amen midi minus plainsong voice
%%% Since the minims are quavers in disguise, the tempo has to be adjusted accordingly. A tempo of 2=80 is set.

\score {  	
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \global
	                                              \voiceOne g'8[ a] g8[ f8 g8] \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \global
	                                              \voiceTwo e8[ f] c[ c d] \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \global
	                                          \voiceThree  \ln c'4 ~ \ln c4 b8 \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \global
						  \voiceFour c8[ f,8] c'8[ a8 g8] \bar "||" }}
			        >> 
   >>
   
\midi {  
   \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) } }
      }
   	
      	
} %% book bracket

Lily3 Notes

Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.

If you can't compile Lilypond, use the links here:

Original scan: 306.png

Links to L2 output version 1:

L2-189-v1.pdf L2-189-v1.midi L2-189-v1-amen.midi