The English Hymnal - Wiki Music Experiment/296

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Lily1 Code

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Lyrics copied from P3 and perl-formatted --QMacrocarpa 14:01, 15 August 2007 (PDT):

"O GLORIOUS King of Martyr hosts,"
"Thou Crown that each Confessor boasts,"
"Who leadest to celestial day"
"The Saints who cast earth's joys away:"
""
"Thine ear in mercy, Saviour, lend,"
"While unto thee our prayers ascend;"
"And as we count their triumphs won,"
"Forgive the sins that we have done."
""
"Martyrs in thee their triumphs gain,"
"Confessors grace from thee obtain;"
"We sinners humbly seek to thee,"
"From sin's offence to set us free."
""
"All laud to God the Father be,"
"All praise, eternal Son, to thee;"
"All glory, as is ever meet,"
"To God the holy Paraclete. Amen."
""


Lily2 Code

Edit this section and paste your code between the tags <code><pre> and </pre></code>.

%%% 296.png
%%% Hymn 183. O glorious King of Martyr hosts.
%%% Version 1


\version "2.10"

\include "gregorian-init.ly"

\header {
  dedication = \markup { \center-align {  "SAINTS' DAYS: GENERAL - MARTYRS"
		\hspace #0.1 }}	

  title = "183"
  
  arranger = \markup { \small { "Mode viii." }}
  
  tagline =""
}

%%%%%%%%%%%%%%%% Macros

%% macro settings for stemless long note which is 2x duration of regular white note    
ln = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteColumn #'force-hshift = #0.4 }

%% a second set of macro settings for stemless long notes ( 2x duration of regular white note )
%% this one uses X-offset instead of force-hshift.
%% All long notes are offset slightly to the right with respect to any beamed notes which 
%% they are aligned with.  Normally, this is done with force-hshift.  
%% However, when 2 long notes occur one atop the other (i.e. in S + A pats or in T + B parts), then applying force-hshift
%% to both does not work.  Hence one note needs to be moved with the regular force-hshift in the \ln macro above,
%% while the other is moved with X-offset with the macro \lnb
%% In general force-hshift is preferred whenever possible as slurs are adjusted automatically, while X-offset especially
%% when used with a bottom slur often results in a slur starting too far to the left and which then needs manual adjustment. 

lnb = {\once \override NoteHead #'duration-log = #0 
           \once \override Stem #'stencil = ##f
           \once \override NoteHead #'X-offset = #0.8 }


%%%%%%%%%%%%% End of Macro Definitions		
		
%%% plainsong voice

plainsong = \context VaticanaVoice  {  \relative c { 
	\clef "vaticana-do3"
	\set fontSize = #3
        \key c \major 
g'8 \[ a \pes b \] c \[ b \flexa a \] g a f g \bar "|" b d \bar "" \break

c b d c \[ b \flexa a \] g \bar "|" g a f g e \bar "" \break

f \[ e \flexa d \] c \bar "|" g' \[ a \pes b \] c \[ b \flexa a \] g a f g \bar "||"
}}
  
  
%%% SATB voices

global = {
  \key c \major 
  \set Staff.midiInstrument = "church organ"
}


soprano = \relative c' {
	\autoBeamOff
  g'8 a[ b] c b[ a] g a f g \bar "|" b d \bar "" \break
  c b d c b[ a] g \bar "|" g a f g e \bar "" \break
  f e[ d] c \bar "|" g' a[ b] c b[ a] g a f g \bar "||"
}


alto = \relative c' {
	\autoBeamOff
  e8 \ln e4. \ln e4. e8 d d \bar "|" d f \bar "" \break
  g \ln g4 g8 ~ g[ f] d \bar "|" e f c d c \bar "" \break
  c c[ b] a \bar "|" b \ln c4. \ln e4. c8 c d \bar "||"
}


tenor = \relative c { \clef bass
	\autoBeamOff
  c'8 \ln c4. g8[ a] b c a b \bar "|" g a \bar "" \break
  c d ~ d e ~ e[ c] b \bar "|"  \ln c4 ~ c8 b g \bar "" \break 
  a \ln a4 e8 \bar "|" e \ln e4. g8[ a] b a c b \bar "||"
}

bass = \relative c { \clef bass
	\autoBeamOff
  c8 \lnb a4. \ln e'4. c8 d g, \bar "|"  g' d \bar "" \break
  e g b, c e[ f] g \bar "|" c, f a g c, \bar "" \break
  f, \ln a4 ~ a8 \bar "|" e' \lnb a,4. \ln e'4. f8 a g \bar "||"
}


#(ly:set-option 'point-and-click #f)

\book {

\paper {
 #(set-paper-size "a4")
%% annotate-spacing = ##t
 print-page-number = ##f
 ragged-last-bottom = ##t
 ragged-bottom = ##f
}

\score {	
  <<
  \new VaticanaStaff {\plainsong }
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  
  >>

\layout {
	
  ragged-right = ##f
  ragged-last = ##f
  \context { \Score timing = ##f }
  \context { \Score \override TimeSignature #'transparent = ##t }
  \context { \Score \remove "Mark_engraver" }
  \context { \Staff \consists "Mark_engraver" }
  
  % *** Needed to produce beamed minims - which are quavers in disguise
  \context { \Staff \override NoteHead #'duration-log = #1 }
  \context { \Staff \override Stem #'flag-style = #'no-flag }
  
  \context { \VaticanaStaff
           % *** Increases distance between lines of staff  
           \override StaffSymbol #'staff-space = #1.6            
           % *** Changes staff to black instead of default red
           \revert StaffSymbol #'color
           % *** Makes clef bigger       
           \override Clef #'font-size = #3
           % *** Would make ledger lines black, if there were any
           \revert LedgerLineSpanner #'color
           % *** Makes terminal barline visible 
           \override BarLine #'transparent = ##f 
  	   % *** Remove custos
	   \remove Custos_engraver
	   % needed for certain tweaks
	   \consists "Mark_engraver"
           }
     }
} %%% score bracket 

%%% A separate score block to generate the midi minus the plainsong voice
%%% Since minims are quavers in disguise, tempo has to be set accordingly, tempo set to 2=80

\score {	
  \new ChoirStaff <<
   \new Staff = "upper" <<
      \context Voice = sopranos {\voiceOne \global \soprano }
      \context Voice = altos {\voiceTwo \global \alto }
                      >> 
   \new Staff = "lower" <<
      \context Voice = tenors {\voiceOne \global \tenor }
      \context Voice = bass {\voiceTwo \global \bass }
	             >> 
		 >>  

\midi { 
  \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) }
       } 
}


%%% Hymn note markup

\markup { \hspace #24 \smallCaps "Note" \hspace #-1.2 ".—" \hspace #-1 \italic "This hymn is sung during Christmastide to No." "18." }


%%fake score block to occupy space and force a pagebreak.  Can't think of a better way of doing this.
\score{
	{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{	
	\context { \Staff
		\remove Time_signature_engraver
		\remove Key_engraver
		\remove Clef_engraver
		\remove Staff_symbol_engraver
}}}


%%% Second page


%%% Lyric titles and attributions

\markup { \hspace #9 \small {  \column { \line {\smallCaps  "Office Hymn."  \italic "  Common of many" \hspace #38 \italic "c. 6th cent."  }    
	\line { \hspace #4  "Martyrs. " "M." \italic "and" "E." \hspace #38 \italic "Tr. R. F. Littledale and others." } 
	\line { \hspace #33 "Rex gloriose Martyrum." }
}}}


%%% Lyrics

\markup { \hspace #30 %%add space as necc. to center the column
          \column { %% super column of everything
	              \column { %% verse 1 is a column of 2 lines  
	                  \line { \hspace #2.4 \column { \lower #2.4 \fontsize #8 "O" }   %%Drop Cap goes here
				  \hspace #-2.0    %% adjust this if other letters are too far from Drop Cap
				  \column  { \raise #0.0 "  GLORIOUS King of Martyr hosts,"
			                                 "    Thou Crown that each Confessor boasts," } }          
	                  \line {  \hspace #2.5  %%adjust hspace until this line left edge is flush with Drop Cap
				   \lower  #1.56  %%adjust this until the line spacing looks right
				   \column {   
					   "Who leadest to celestial day"
					   "The Saints who cast earth's joys away:"
					   "         " %%% adds blank spacing between verses
			  		}}
		      } 
			   \line { "2  "
			   \column {
				   "Thine ear in mercy, Saviour, lend,"
				   "While unto thee our prayers ascend;"
				   "And as we count their triumphs won,"
				   "Forgive the sins that we have done."
				    "         " %%% adds blank spacing between verses
		       }}
			  \line { "3  "
				\column {
					"Martyrs in thee their triumphs gain,"
					"Confessors grace from thee obtain;"
					"We sinners humbly seek to thee,"
					"From sin's offence to set us free."
					"         " %%% adds blank spacing between verses
			}}
			\line { "4. "
				\column {
					"All laud to God the Father be,"
					"All praise, eternal Son, to thee;"
					"All glory, as is ever meet,"
					"To God the holy Paraclete.     Amen."
     			}}
	  }
} %%% lyric markup bracket


%%% Amen score block

\score {  	
  <<
    <<
  \new VaticanaStaff <<
  \context VaticanaVoice = "plainsongamen"  {  \relative c { 	  
	\set Score.timing = ##f
	\override Staff.Clef #'#'font-size = #3
	\clef "vaticana-do3"
	\set fontSize = #3
	\override Staff.StaffSymbol #'staff-space = #1.6
	 
        \[ g'8 \pes a8 \]   \[
	    \override NoteHead #'extra-offset = #'(0.0 . -0.1 ) g8 
            \override NoteHead #'extra-offset = #'(-0.38 . 0.0 ) \flexa  f8 \pes 
            \override NoteHead #'extra-offset = #'(0.02 . 0.05) g8 \] }} 
                    >> 
 \new Lyrics = "lyrics" { s1 }
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \global
	                                              \voiceOne g'8[ a] g8[ f8 g8] \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \global
	                                              \voiceTwo  e8[ f] c[ c d] \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \global
	                                          \voiceThree  \ln c'4 ~ \ln c4 b8 \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \global
						  \voiceFour c8[ f,8] e8[ a8 g8] \bar "||" }}
			        >> 
   >>
  \context Lyrics = "lyrics" \lyricsto "sopranos" { \override LyricText #'font-size = #-1  "  A   " -- _ "   men." }
  >>
>>

\header { breakbefore = ##f piece = " " opus = " " }

\layout {
     indent = 13\cm
     raggedright = ##t
     packed = ##f
     \context { \Score \override TimeSignature #'transparent = ##t }
     \context { \Score \override SeparationItem #'padding = #2 }
     \context { \Staff \override VerticalAxisGroup #'minimum-Y-extent = #'( -5 . 4) }
     \context { \Score \remove "Bar_number_engraver"
		timing = ##f 
              }
     \context { \Staff \override NoteHead #'duration-log = #1 }
     \context { \Staff \override Stem #'flag-style = #'no-flag }
     \context { \VaticanaStaff %%customize vaticana staff context 
	          \revert StaffSymbol #'color
		  \revert LedgerLineSpanner #'color
		  \override BarLine #'transparent = ##f 
		  \remove Custos_engraver
 	} 
} 

}

%%% Separate score block for Amen midi minus plainsong voice
%%% Since the minims are quavers in disguise, the tempo has to be adjusted accordingly. A tempo of 2=80 is set.

\score {  	
 \new ChoirStaff
   <<
   \context Staff = upper \with {  fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
                              << 
	\context Voice = "sopranos" { \relative c' { 
	                                              \clef treble \global
	                                              \voiceOne g'8[ a] g8[ f8 g8] \bar "||" }}
	\context Voice = "altos"    { \relative c' { 
	                                              \global
	                                              \voiceTwo  e8[ f] c[ c d] \bar "||" }}
	                      >>
	\context Staff = lower \with { fontSize = #-3  \override StaffSymbol #'staff-space = #(magstep -2) } 
	                      <<
	\context Voice = "tenors" { \relative c { 
		                                  \clef bass  \global
	                                          \voiceThree  \ln c'4 ~ \ln c4 b8 \bar "||" }}
	\context Voice = "basses" { \relative c { 
	                                          \clef bass  \global
						  \voiceFour c8[ f,8] e8[ a8 g8] \bar "||" }}
			        >> 
   >>
   
\midi {  
   \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) } }
      }
   	

} %% book bracket

Lily3 Notes

Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.

If you can't compile Lilypond, use the links here:

Original scan: 296.png

Links to L2 output version 1:

L2-183-v1.pdf L2-183-v1.midi L2-183-v1-amen.midi