.dt Hurst & Blackett’s Standard Library (1895), by Unknown-A Project Gutenberg eBook
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HURST & BLACKETT’S||STANDARD LIBRARY.|(1895)
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To be had at all Booksellers and Railway Book-stalls.
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LONDON:
HURST AND BLACKETT, LIMITED,
13, GREAT MARLBOROUGH STREET.
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HURST & BLACKETT’S STANDARD LIBRARY
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OF NEW EDITIONS OF
POPULAR MODERN WORKS.
ILLUSTRATED BY
Sir J. É. Millais, Sir J. Gilbert, Holman Hunt, Birket Foster,
John Leech, John Tenniel, Laslett J. Pott, ETC.
Each in a Single Volume, with Frontispiece, price 5s.
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I.—SAM SLICK’S NATURE AND HUMAN NATURE.
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“The first volume of Messrs. Hurst and Blackett’s Standard Library of Cheap Editions
forms a very good beginning to what will doubtless be a very successful undertaking.
‘Nature and Human Nature’ is one of the best of Sam Slick’s witty and humorous productions,
and well entitled to the large circulation which it cannot fail to obtain in its
present convenient and cheap shape. The volume combines with the great recommendations
of a clear, bold type and good paper, the lesser, but attractive merits of being well
illustrated and elegantly bound.”—Morning Post.
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II.—JOHN HALIFAX, GENTLEMAN.
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“The new and cheaper edition of this interesting work will doubtless meet with great
success. John Halifax, the hero of this most beautiful story, is no ordinary hero, and
no ordinary book. It is a full-length portrait of a true gentleman, one
of nature’s own nobility. It is also the history of a home, and a thoroughly English one.
The work abounds in incident, and many of the scenes are full of graphic power and true
pathos. It is a book that few will read without becoming wiser and better.”—Scotsman.
“This story is very interesting. The attachment between John Halifax and his wife is
beautifully painted, as are the pictures of their domestic life, and the growing up of their
children; and the conclusion of the book is beautiful and touching.”—Athenæum.
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III.—THE CRESCENT AND THE CROSS.
BY ELIOT WARBURTON.
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“Independent of its value as an original narrative, and its useful and interesting
information, this work is remarkable for the colouring power and play of fancy with
which its descriptions are enlivened. Among its greatest and most lasting charms is its
reverent and serious spirit.”—Quarterly Review.
“Mr. Warburton has fulfilled the promise of his title-page. The ‘Realities of Eastern
Travel’ are described with a vividness which invests them with deep and abiding interest;
while the ‘Romantic’ adventures which the enterprising tourist met with in his
course are narrated with a spirit which shows how much he enjoyed these reliefs from
the ennui of every-day life.”—Globe.
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IV.—NATHALIE.
BY JULIA KAVANAGH.
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“‘Nathalie’ is Miss Kavanagh’s best imaginative effort. Its manner is gracious and
attractive. Its matter is good. A sentiment, a tenderness, are commanded by her which
are as individual as they are elegant. We should not soon come to an end were we to
specify all the delicate touches and attractive pictures which place ‘Nathalie’ high among
books of its class.”—Athenæum.
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V.—A WOMAN’S THOUGHTS ABOUT WOMEN.
BY THE AUTHOR OF “JOHN HALIFAX, GENTLEMAN.”
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“These thoughts are good and humane. They are thoughts we would wish women to
think: they are much more to the purpose than the treatises upon the women and daughters
of England, which were fashionable some years ago, and these thoughts mark the
progress of opinion, and indicate a higher tone of character, and a juster estimate of
woman’s position.”—Athenæum.
“This excellent book is characterised by good sense, good taste, and feeling, and is
written in an earnest, philanthropic, as well as practical spirit.”—Morning Post.
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VI.—ADAM GRAEME OF MOSSGRAY.
BY MRS. OLIPHANT.
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“‘Adam Graeme’ is a story awakening genuine emotions of interest and delight by its
admirable pictures of Scottish life and scenery. The plot is cleverly complicated, and
there is great vitality in the dialogue, and remarkable brilliancy in the descriptive passages,
as who that has read ‘Margaret Maitland’ would not be prepared to expect?
But the story has a ‘mightier magnet still,’ in the healthy tone which pervades it, in its
feminine delicacy of thought and diction, and in the truly womanly tenderness of its
sentiments. The eloquent author sets before us the essential attributes of Christian
virtue, their deep and silent workings in the heart, and their beautiful manifestations in
the life, with a delicacy, a power, and a truth which can hardly be surpassed.”—Morning
Post.
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VII.—SAM SLICK’S WISE SAWS AND MODERN INSTANCES.
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“We have not the slightest intention to criticise this book. Its reputation is made, and
will stand as long as that of Scott’s or Bulwer’s novels. The remarkable originality of
its purpose, and the happy description it affords of American life and manners, still continue
the subject of universal admiration. To say thus much is to say enough, though we
must just mention that the new edition forms a part of the Publishers’ Cheap Standard
Library, which has included some of the very best specimens of light literature that ever
have been written.”—Messenger.
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VIII.—CARDINAL WISEMAN’S RECOLLECTIONS OF THE LAST FOUR POPES.
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“A picturesque book on Rome and its ecclesiastical sovereigns, by an eloquent Roman
Catholic. Cardinal Wiseman has here treated a special subject with so much generality
and geniality that his recollections will excite no ill-feeling in those who are most conscientiously
opposed to every idea of human infallibility represented in Papal domination.”—Athenæum.
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IX.—A LIFE FOR A LIFE.
BY THE AUTHOR OF “JOHN HALIFAX, GENTLEMAN.”
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“‘A Life for a Life’ is a book of a high class. The characters are depicted with a
masterly hand; the events are dramatically set forth; the descriptions of scenery and
sketches of society are admirably penned; moreover, the work has an object—a clearly
defined moral—most poetically, most beautifully drawn, and through all there is that
strong, reflective mind visible which lays bare the human heart and human mind to the
very core.”—Morning Post.
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X.—THE OLD COURT SUBURB.
BY LEIGH HUNT.
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“A book which has afforded us no slight gratification.”—Athenæum.
“From the mixture of description, anecdote, biography, and criticism, this book is very
pleasant reading.”—Spectator.
“A more agreeable and entertaining book has not been published since Boswell produced
his reminiscences of Johnson.”—Observer.
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XI.—MARGARET AND HER BRIDESMAIDS.
BY THE AUTHOR OF “THE VALLEY OF A HUNDRED FIRES.”
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“We recommend all who are in search of a fascinating novel to read this work for
themselves. They will find it well worth their while. There are a freshness and originality
about it quite charming, and there is a certain nobleness in the treatment both or
sentiment and incident which is not often found.”—Athenæum.
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XII.—THE OLD JUDGE; OR, LIFE IN A COLONY.
BY SAM SLICK.
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“A peculiar interest attaches to sketches of colonial life, and readers could not have a
safer guide than the talented author of this work, who, by a residence of half a century,
has practically grasped the habits, manners, and social conditions of the colonists he describes.
All who wish to form a fair idea of the difficulties and pleasures of life in a new
country, unlike England in some respects, yet like it in many, should read this book.”—John Bull.
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XIII.—DARIEN; OR, THE MERCHANT PRINCE.
BY ELIOT WARBURTON.
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“This last production of the author of ‘The Crescent and the Cross’ has the same
elements of a very wide popularity. It will please its thousands.”—Globe.
“Eliot Warburton’s active and productive genius is amply exemplified in the present
book. We have seldom met with any work in which the realities of history and the
poetry of fiction were more happily interwoven.”—Illustrated News.
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XIV.—FAMILY ROMANCE; OR, DOMESTIC ANNALS OF THE ARISTOCRACY.
BY SIR BERNARD BURKE, ULSTER KING OF ARMS.
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“It were impossible to praise too highly this most interesting book, whether we should
have regard to its excellent plan or its not less excellent execution. It ought to be found
on every drawing-room table. Here you have nearly fifty captivating romances with the
pith of all their interest preserved in undiminished poignancy, and any one may be read
in half an hour. It is not the least of their merits that the romances are founded on fact—or
what, at least, has been handed down for truth by long tradition—and the romance
reality far exceeds the romance of fiction.”—Standard.
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XV.—THE LAIRD OF NORLAW.
BY MRS. OLIPHANT.
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“We have had frequent opportunities of commending Messrs. Hurst and Blackett’s
Standard Library. For neatness, elegance, and distinctness the volumes in this series
surpass anything with which we are familiar. ‘The Laird of Norlaw’ will fully sustain
the author’s high reputation. The reader is carried on from first to last with an energy
of sympathy that never flags.”—Sunday Times.
“‘The Laird of Norlaw’ is worthy of the author’s reputation. It is one of the most
exquisite of modern novels.”—Observer.
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XVI.—THE ENGLISHWOMAN IN ITALY.
BY MRS. G. GRETTON.
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“Mrs. Gretton had opportunities which rarely fall to the lot of strangers of becoming
acquainted with the inner life and habits of a part of the Italian peninsula which is the
very centre of the national crisis. We can praise her performance as interesting, unexaggerated,
and full of opportune instruction.”—The Times.
“Mrs. Gretton’s book is timely, life-like, and for every reason to be recommended. It
is impossible to close the book without liking the writer as well as the subject. The work
is engaging, because real.”—Athenæum.
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XVII.—NOTHING NEW.
BY THE AUTHOR OF “JOHN HALIFAX, GENTLEMAN.”
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“‘Nothing New’ displays all those superior merits which have made ‘John Halifax’
one of the most popular works of the day. There is a force and truthfulness about these
tales which mark them as the production of no ordinary mind, and we cordially recommend
them to the perusal of all lovers of fiction.”—Morning Post.
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XVIII.—LIFE OF JEANNE D’ALBRET, QUEEN OF NAVARRE.
BY MARTHA WALKER FREER.
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“We have read this book with great pleasure, and have no hesitation in recommending
it to general perusal. It reflects the highest credit on the industry and ability of Miss
Freer. Nothing can be more interesting than her story of the life of Jeanne D’Albret,
and the narrative is as trustworthy as it is attractive.”—Morning Post.
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XIX.—THE VALLEY OF A HUNDRED FIRES.
BY THE AUTHOR OF “MARGARET AND HER BRIDESMAIDS.”
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“If asked to classify this work, we should give it a place between ‘John Halifax’ and
‘The Caxtons.’”—Standard.
“The spirit in which the whole book is written is refined and good.”—Athenæum.
“This is in every sense a charming novel.”—Messenger.
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XX.—THE ROMANCE OF THE FORUM; OR, NARRATIVES, SCENES, AND ANECDOTES FROM COURTS OF JUSTICE.
BY PETER BURKE, SERJEANT AT LAW.
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“This attractive book will be perused with much interest. It contains a great variety
of singular and highly romantic stories.”—John Bull.
“A work of singular interest, which can never fail to charm and absorb the reader’s
attention. The present cheap and elegant edition includes the true story of the Colleen
Bawn.”—Illustrated News.
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XXI.—ADÈLE.
BY JULIA KAVANAGH.
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“‘Adèle’ is the best work we have read by Miss Kavanagh; it is a charming story,
full of delicate character-painting. The interest kindled in the first chapter burns brightly
to the close.”—Athenæum.
“‘Adèle’ will fully sustain the reputation of Miss Kavanagh, high as it already ranks.”—John Bull.
“‘Adèle’ is a love-story of very considerable pathos and power. It is a very clever
novel.”—Daily News.
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XXII.—STUDIES FROM LIFE.
BY THE AUTHOR OF “JOHN HALIFAX, GENTLEMAN.”
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“These ‘Studies’ are truthful and vivid pictures of life, often earnest, always full of right
feeling, and occasionally lightened by touches of quiet, genial humour. The volume is remarkable
for thought, sound sense, shrewd observation, and kind and sympathetic feeling
for all things good and beautiful.”—Morning Post.
“These ‘Studies from Life’ are remarkable for graphic power and observation. The
book will not diminish the reputation of the accomplished author.”—Saturday Review.
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XXIII.—GRANDMOTHER’S MONEY.
BY F. W. ROBINSON.
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“We commend ‘Grandmother’s Money’ to readers in search of a good novel. The
characters are true to human nature, and the story is interesting.”—Athenæum.
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XXIV.—A BOOK ABOUT DOCTORS.
BY JOHN CORDY JEAFFRESON.
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“A book to be read and re-read; fit for the study as well as the drawing-room table and
the circulating library.”—Lancet.
“This is a pleasant book for the fireside season, and for the seaside season. Mr. Jeaffreson
has, out of hundreds of volumes, collected thousands of good things, adding thereto
much that appears in print for the first time, and which, of course, gives increased value
to this very readable book.”—Athenæum.
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XXV.—NO CHURCH.
BY F. W. ROBINSON.
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“We advise all who have the opportunity to read this book. It is well worth the
study.”—Athenæum.
“A work of great originality, merit, and power.”—Standard.
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XXVI.—MISTRESS AND MAID.
BY THE AUTHOR OF “JOHN HALIFAX, GENTLEMAN.”
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“A good wholesome book, gracefully written, and as pleasant to read as it is instructive.”—Athenæum.
“A charming tale, charmingly told.”—Standard.
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XXVII.—LOST AND SAVED.
BY THE HON. MRS. NORTON.
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“‘Lost and Saved’ will be read with eager interest by those who love a touching story;
it is a vigorous novel.”—Times.
“This story is animated, full of exciting situations and stirring incidents. The characters
are delineated with great power. Above and beyond these elements of a good novel,
there is that indefinable charm with which true genius invests all it touches.”—Daily News.
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XXVIII.—LES MISERABLES.
BY VICTOR HUGO.
Authorised Copyright English Translation.
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“The merits of ‘Les Miserables’ do not merely consist in the conception of it as a
whole; it abounds with details of unequalled beauty. M. Victor Hugo has stamped upon
every page the hall-mark of genius.”—Quarterly Review.
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XXIX.—BARBARA’S HISTORY.
BY AMELIA B. EDWARDS, LL.D.
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“It is not often that we light upon a novel of so much merit and interest as
‘Barbara’s History.’ It is a work conspicuous for taste and literary culture. It is a very
graceful and charming book, with a well-managed story, clearly-cut characters, and
sentiments expressed with an exquisite elocution. The dialogues especially sparkle with
repartee. It is a book which the world will like. This is high praise of a work of art,
and so we intend it.”—The Times.
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XXX.—LIFE OF THE REV. EDWARD IRVING.
BY MRS. OLIPHANT.
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“A good book on a most interesting theme.”—Times.
“A truly interesting and most affecting memoir. ‘Irving’s Life’ ought to have a niche
in every gallery of religious biography. There are few lives that will be fuller of instruction,
interest, and consolation.”—Saturday Review.
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XXXI.—ST. OLAVE’S.
BY THE AUTHOR OF “JANITA’S CROSS.”
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“This novel is the work of one who possesses a great talent for writing, as well as
experience and knowledge of the world. The whole book is worth reading.”—Athenæum.
“‘St. Olave’s’ belongs to a lofty order of fiction. It is a good novel, but it is something
more. It is written with unflagging ability, and it is as even as it is clever. The author
has determined to do nothing short of the best, and has succeeded.”—Morning Post.
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XXXII.—SAM SLICK’S TRAITS OF AMERICAN HUMOUR.
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“Dip where you will into this lottery of fun, you are sure to draw out a prize. These
‘Traits’ exhibit most successfully the broad national features of American humour.”—Post.
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XXXIII.—CHRISTIAN’S MISTAKE.
BY THE AUTHOR OF “JOHN HALIFAX, GENTLEMAN.”
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“A more charming story has rarely been written. It is a choice gift to be able thus to
render human nature so truly, to penetrate its depths with such a searching sagacity, and
to illuminate them with a radiance so eminently the writer’s own.”—Times.
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XXXIV.—ALEC FORBES OF HOWGLEN.
BY GEORGE MAC DONALD, LL.D.
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“No account of this story would give any idea of the profound interest that pervades
the work from the first page to the last.”—Athenæum.
“A novel of uncommon merit. Sir Walter Scott said he would advise no man to try
to read ‘Clarissa Harlowe’ out loud in company if he wished to keep his character for
manly superiority to tears. We fancy a good many hardened old novel-readers will feel
a rising in the throat as they follow the fortunes of Alec and Annie.”—Pall Mall Gazette.
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XXXV.—AGNES.
BY MRS. OLIPHANT.
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“‘Agnes’ is a novel superior to any of Mrs. Oliphant’s former works.”—Athenæum.
“Mrs. Oliphant is one of the most admirable of our novelists. In her works there
are always to be found high principle, good taste, sense, and refinement. ‘Agnes’ is
a story whose pathetic beauty will appeal irresistibly to all readers.”—Morning Post.
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XXXVI.—A NOBLE LIFE.
BY THE AUTHOR OF “JOHN HALIFAX, GENTLEMAN.”
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“Few men and no women will read ‘A Noble Life’ without feeling themselves the
better for the effort.”—Spectator.
“A beautifully written and touching tale. It is a noble book.”—Morning Post.
“‘A Noble Life’ is remarkable for the high types of character it presents, and the
skill with which they are made to work out a story of powerful and pathetic interest.”—Daily
News.
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XXXVII.—NEW AMERICA.
BY W. HEPWORTH DIXON.
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“A very interesting book. Mr. Dixon has written thoughtfully and well.”—Times.
“We recommend everyone who feels any interest in human nature to read Mr.
Dixon’s very interesting book.”—Saturday Review.
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XXXVIII.—ROBERT FALCONER.
BY GEORGE MAC DONALD, LL.D.
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“‘Robert Falconer’ is a work brimful of life and humour and of the deepest human
interest. It is a book to be returned to again and again for the deep and searching
knowledge it evinces of human thoughts and feelings.”—Athenæum.
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XXXIX.—THE WOMAN’S KINGDOM.
BY THE AUTHOR OF “JOHN HALIFAX, GENTLEMAN.”
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“‘The Woman’s Kingdom’ sustains the author’s reputation as a writer of the purest
and noblest kind of domestic stories.”—Athenæum.
“‘The Woman’s Kingdom’ is remarkable for its romantic interest. The characters are
masterpieces. Edna is worthy of the hand that drew John Halifax.”—Morning Post.
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XL.—ANNALS OF AN EVENTFUL LIFE.
BY GEORGE WEBBE DASENT, D.C.L.
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“A racy, well-written, and original novel. The interest never flags. The whole work
sparkles with wit and humour.”—Quarterly Review.
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XLI.—DAVID ELGINBROD.
BY GEORGE MAC DONALD, LL.D.
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“A novel which is the work of a man of genius. It will attract the highest class of
readers.”—Times.
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XLII.—A BRAVE LADY.
BY THE AUTHOR OF “JOHN HALIFAX, GENTLEMAN.”
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“We earnestly recommend this novel. It is a special and worthy specimen of the
author’s remarkable powers. The reader’s attention never for a moment flags.”—Post.
“‘A Brave Lady’ thoroughly rivets the unmingled sympathy of the reader, and her
history deserves to stand foremost among the author’s works.”—Daily Telegraph.
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XLIII.—HANNAH.
BY THE AUTHOR OF “JOHN HALIFAX, GENTLEMAN.”
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“A very pleasant, healthy story, well and artistically told. The book is sure of a wide
circle of readers. The character of Hannah is one of rare beauty.”—Standard.
“A powerful novel of social and domestic life. One of the most successful efforts of a
successful novelist.”—Daily News.
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XLIV.—SAM SLICK’S AMERICANS AT HOME.
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“This is one of the most amusing books that we ever read.”—Standard.
“‘The Americans at Home’ will not be less popular than any of Judge Halliburton’s
previous works.”—Morning Post.
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XLV.—THE UNKIND WORD.
BY THE AUTHOR OF “JOHN HALIFAX, GENTLEMAN.”
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“These stories are gems of narrative. Indeed, some of them, in their touching grace
and simplicity, seem to us to possess a charm even beyond the authoress’s most popular
novels. Of none of them can this be said more emphatically than of that which opens the
series, ‘The Unkind Word.’ It is wonderful to see the imaginative power displayed in
the few delicate touches by which this successful love-story is sketched out.”—The Echo.
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XLVI.—A ROSE IN JUNE.
BY MRS. OLIPHANT.
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“‘A Rose in June’ is as pretty as its title. The story is one of the best and most
touching which we owe to the industry and talent of Mrs. Oliphant, and may hold it own
with even ‘The Chronicles of Carlingford.’”—Times.
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XLVII.—MY LITTLE LADY.
BY E. FRANCES POYNTER.
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“This story presents a number of vivid and very charming pictures. Indeed, the whole
book is charming. It is interesting in both character and story, and thoroughly good of
its kind.”—Saturday Review.
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XLVIII.—PHŒBE, JUNIOR.
BY MRS. OLIPHANT.
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“This last ‘Chronicle of Carlingford’ not merely takes rank fairly beside the first
which introduced us to ‘Salem Chapel,’ but surpasses all the intermediate records.
Phœbe, Junior, herself is admirably drawn.”—Academy.
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XLIX.—LIFE OF MARIE ANTOINETTE.
BY PROFESSOR CHARLES DUKE YONGE.
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“A work of remarkable merit and interest, which will, we doubt not, become the most
popular English history of Marie Antoinette.”—Spectator.
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L.—SIR GIBBIE.
BY GEORGE MAC DONALD, LL.D.
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“‘Sir Gibbie’ is a book of genius.”—Pall Mall Gazette.
“This book has power, pathos, and humour.”—Athenæum.
.pm desc-end
.pm hd-start
LI.—YOUNG MRS. JARDINE.
BY THE AUTHOR OF “JOHN HALIFAX, GENTLEMAN.”
.pm hd-end
.pm desc-start
“‘Young Mrs. Jardine’ is a pretty story, written in pure English.”—The Times.
“There is much good feeling in this book. It is pleasant and wholesome.”—Athenæum.
.pm desc-end
.pm hd-start
LII.—LORD BRACKENBURY.
BY AMELIA B. EDWARDS, LL.D.
.pm hd-end
.pm desc-start
“A very readable story. The author has well conceived the purpose of high-class
novel-writing, and succeeded in no small measure in attaining it. There is plenty of
variety, cheerful dialogue, and general ‘verve’ in the book.”—Athenæum.
.pm desc-end
.pm hd-start
LIII.—IT WAS A LOVER AND HIS LASS.
BY MRS. OLIPHANT.
.pm hd-end
.pm desc-start
“In ‘It was a Lover and his Lass,’ we admire Mrs. Oliphant exceedingly. It would be
worth reading a second time, were it only for the sake of one ancient Scottish spinster,
who is nearly the counterpart of the admirable Mrs. Margaret Maitland.”—Times.
.pm desc-end
.pm hd-start
LIV.—THE REAL LORD BYRON—THE STORY OF THE POET’S LIFE.
BY JOHN CORDY JEAFFRESON.
.pm hd-end
.pm desc-start
“Mr. Jeaffreson comes forward with a narrative which must take a very important
place in Byronic literature; and it may reasonably be anticipated that this book will be
regarded with deep interest by all who are concerned in the works and the fame of this
great English poet.”—The Times.
.pm desc-end
.pm hd-start
LV.—THROUGH THE LONG NIGHT.
BY MRS. E. LYNN LINTON.
.pm hd-end
.pm desc-start
“It is scarcely necessary to sign ‘Through the Long Night,’ for the practised pen of
Mrs. Lynn Linton stands revealed on every page of it. It is like so many of its predecessors,
hard and bright, full of entertaining reflection and brisk development of plot.”—Saturday
Review.
.pm desc-end
.bn 11.png
.pn +1
.sp 4
.h2
WORKS BY THE AUTHOR OF|JOHN HALIFAX, GENTLEMAN.
.nf c
Each in One Volume, Frontispiece, and Uniformly Bound, Price 5s.
.nf-
.pm hd-start
JOHN HALIFAX, GENTLEMAN.
.pm hd-end
.pm desc-start
“This is a very good and a very interesting work. It is designed to trace the career
from boyhood to age of a perfect man—a Christian gentleman; and it abounds in incident
both well and highly wrought. Throughout it is conceived in a high spirit, and written
with great ability. This cheap and handsome new edition is worthy to pass freely from
hand to hand as a gift-book in many households.”—Examiner.
“The story is very interesting. The attachment between John Halifax and his wife is
beautifully painted, as are the pictures of their domestic life, and the growing up of their
children, and the conclusion of the book is beautiful and touching.”—Athenæum.
“The new and cheaper edition of this interesting work will doubtless meet with great
success. John Halifax, the hero of this most beautiful story, is no ordinary hero, and this
his history is no ordinary book. It is a full-length portrait of a true gentleman, one of
nature’s own nobility. It is also the history of a home, and a thoroughly English one.
The work abounds in incident, and is full of graphic power and true pathos. It is a book
that few will read without becoming wiser and better.”—Scotsman.
.pm desc-end
.pm hd-start
A WOMAN’S THOUGHTS ABOUT WOMEN.
.pm hd-end
.pm desc-start
“A book of sound counsel. It is one of the most sensible works of its kind, well written,
true hearted, and altogether practical. Whoever wishes to give advice to a young lady
may thank the author for means of doing so.”—Examiner.
“These thoughts are worthy of the earnest and enlightened mind, the all-embracing
charity, and the well-earned reputation of the author of ‘John Halifax.’”—Standard.
“This excellent book is characterised by good sense, good taste, and feeling, and is
written in an earnest, philanthropic, as well as practical spirit.”—Post.
.pm desc-end
.pm hd-start
A LIFE FOR A LIFE.
.pm hd-end
.pm desc-start
“We are always glad to welcome this author. She writes from her own convictions,
and she has the power not only to conceive clearly what it is that she wishes to say, but
to express it in language effective and vigorous. In ‘A Life for a Life’ she is fortunate
in a good subject, and she has produced a work of strong effect. The reader, having read
the book through for the story, will be apt (if he be of our persuasion) to return and read
again many pages and passages with greater pleasure than on a first perusal. The whole
book is replete with a graceful tender delicacy; and, in addition to its other merits, it is
written in good careful English.”—Athenæum.
.pm desc-end
.pm hd-start
NOTHING NEW.
.pm hd-end
.pm desc-start
“‘Nothing New’ displays all those superior merits which have made ‘John Halifax’
one of the most popular works of the day.”—Post.
“The reader will find these narratives calculated to remind him of that truth and
energy of human portraiture, that spell over human affections and emotions, which have
stamped this author as one of the first novelists of our day.”—John Bull.
.pm desc-end
.pm hd-start
THE WOMAN’S KINGDOM.
.pm hd-end
.pm desc-start
“‘The Woman’s Kingdom’ sustains the author’s reputation as a writer of the purest
and noblest kind of domestic stories. The novelist’s lesson is given with admirable force
and sweetness.”—Athenæum.
“‘The Woman’s Kingdom’ is remarkable for its romantic interest. The characters
are masterpieces. Edna is worthy of the hand that drew John Halifax.”—Post.
.pm desc-end
.pm hd-start
STUDIES FROM LIFE.
.pm hd-end
.pm desc-start
“These studies are truthful and vivid pictures of life, often earnest, always full of right
feeling, and occasionally lightened by touches of quiet genial humour. The volume is remarkable
for thought, sound sense, shrewd observation, and kind and sympathetic feeling
for all things good and beautiful.”—Post.
.pm desc-end
.bn 12.png
.pn +1
.pm hd-start
CHRISTIAN’S MISTAKE.
.pm hd-end
.pm desc-start
“A more charming story, to our taste, has rarely been written. Within the compass
of a single volume the writer has hit off a circle of varied characters, all true to nature—some
true to the highest nature—and she has entangled them in a story which keeps us
in suspense till the knot is happily and gracefully resolved; while, at the same time, a
pathetic interest is sustained by an art of which it would be difficult to analyse the secret
It is a choice gift to be able thus to render human nature so truly, to penetrate its depths
with such a searching sagacity, and to illuminate them with a radiance so eminently the
writer’s own. Even if tried by the standard of the Archbishop of York, we should expect
that even he would pronounce ‘Christian’s Mistake’ a novel without a fault.”—The Times.
“This is a story good to have from the circulating library, but better to have from one’s
bookseller, for it deserves a place in that little collection of clever and wholesome stories
which forms one of the comforts of a well-appointed home.”—Examiner.
.pm desc-end
.pm hd-start
MISTRESS AND MAID.
.pm hd-end
.pm desc-start
“A good, wholesome book, as pleasant to read as it is instructive.”—Athenæum.
“This book is written with the same true-hearted earnestness as ‘John Halifax.’ The
spirit of the whole work is excellent”—Examiner.
“A charming tale charmingly told.”—Standard.
.pm desc-end
.pm hd-start
A NOBLE LIFE.
.pm hd-end
.pm desc-start
“This is one of those pleasant tales in which the author of John Halifax’ speaks out
of a generous heart the purest truths of life.”—Examiner.
“Few men, and no women, will read ‘A Noble Life’ without finding themselves the
better.”—Spectator.
“A story of powerful and pathetic interest.”—Daily News.
.pm desc-end
.pm hd-start
A BRAVE LADY.
.pm hd-end
.pm desc-start
“A very good novel, showing a tender sympathy with human nature, and permeated
by a pure and noble spirit.”—Examiner.
“A most charming story.”—Standard.
“We earnestly recommend this novel. It is a special and worthy specimen of the
author’s remarkable powers. The reader’s attention never for a moment flags.”—Post.
.pm desc-end
.pm hd-start
HANNAH.
.pm hd-end
.pm desc-start
“A powerful novel of social and domestic life. One of the most successful efforts of a
successful novelist.”—Daily News.
“A very pleasant, healthy story, well and artistically told. The book is sure of a wide
circle of readers. The character of Hannah is one of rare beauty.”—Standard.
.pm desc-end
.pm hd-start
THE UNKIND WORD.
.pm hd-end
.pm desc-start
“The author of ‘John Halifax’ has written many fascinating stories, but we can call to
mind nothing from her pen that has a more enduring charm than the graceful sketches in
this work. Such a character as Jessie stands out from a crowd of heroines as the type of
all that is truly noble, pure, and womanly.”—United Service Magazine.
.pm desc-end
.pm hd-start
YOUNG MRS. JARDINE.
.pm hd-end
.pm desc-start
“‘Young Mrs. Jardine’ is a pretty story, written in pure English.”—The Times.
“There is much good feeling in this book. It is pleasant and wholesome.”—Athenæum.
“A book that all should read. Whilst it is quite the equal of any of its predecessors
in elevation of thought and style, it is perhaps their superior in interest of plot and
dramatic intensity. The characters are admirably delineated, and the dialogue is natural
and clear.”—Morning Post.
.pm desc-end
.bn 13.png
.pn +1
.sp 4
.h2
WORKS BY| GEORGE MAC DONALD, LL.D.
.nf c
Each in One Volume, Frontispiece, and Uniformly Bound, Price 5s.
.nf-
.pm hd-start
ALEC FORBES OF HOWGLEN.
.pm hd-end
.pm desc-start
“No account of this story would give any idea of the profound interest that pervades
the work from the first page to the last.”—Athenæum.
“A novel of uncommon merit. Sir Walter Scott said he would advise no man to try
to read ‘Clarissa Harlowe’ out loud in company if he wished to keep his character for
manly superiority to tears. We fancy a good many hardened old novel-readers will feel
a rising in the throat as they follow the fortunes of Alec and Annie.”—Pall Mall Gazette.
“The whole story is one of surpassing excellence and beauty.”—Daily News.
“This book is full of good thought and good writing. Dr. Mac Donald looks in his stories
more to the souls of men and women than to their social outside. He reads life and
Nature like a true poet.”—Examiner.
.pm desc-end
.pm hd-start
ROBERT FALCONER.
.pm hd-end
.pm desc-start
“‘Robert Falconer’ is a work brimful of life and humour and of the deepest human
interest. It is a work to be returned to again and again for the deep and searching
knowledge it evinces of human thoughts and feelings.”—Athenæum.
“This story abounds in exquisite specimens of the word-painting in which Dr. Mac
Donald excels, charming transcripts of Nature, full of light, air, and colour.”—Saturday
Review.
“This noble story displays to the best advantage all the powers of Dr. Mac Donald’s
genius.”—Illustrated London News.
“‘Robert Falconer’ is the noblest work of fiction that Dr. Mac Donald has yet produced.”—British
Quarterly Review.
“The dialogues in ‘Robert Falconer’ are so finely blended with humour and pathos as
to make them in themselves an intellectual treat to which the reader returns again and
again.”—Spectator.
.pm desc-end
.pm hd-start
DAVID ELGINBROD.
.pm hd-end
.pm desc-start
“A novel which is the work of a man of genius. It will attract the highest class of
readers.”—Times.
“There are many beautiful passages and descriptions in this book. The characters are
extremely well drawn.”—Athenæum.
“A clever novel. The incidents are exciting and the interest is maintained to the
close. It may be doubted if Sir Walter Scott himself ever painted a Scotch fireside with
more truth than Dr. Mac Donald.”—Morning Post.
“David Elginbrod is the finest character we have met in fiction for many a day. The
descriptions of natural scenery are vivid, truthful and artistic; the general reflections are
those of a refined, thoughtful, and poetical philosopher, and the whole moral atmosphere
of the book is lofty, pure, and invigorating.”—Globe.
.pm desc-end
.pm hd-start
SIR GIBBIE.
.pm hd-end
.pm desc-start
“‘Sir Gibbie’ is a book of genius.”—Pall Mall Gazette.
“This book has power, pathos, and humour. There is not a character which is not
lifelike. There are many powerful scenes, and the portraits will stay long in our
memory.”—Athenæum.
“‘Sir Gibbie’ is unquestionably a book of genius. It abounds in humour, pathos,
insight into character, and happy touches of description.”—Graphic.
“‘Sir Gibbie’ contains some of the most charming writing the author has yet produced-”—Scotsman.
“‘Sir Gibbie’ is one of the most touching and beautiful stories that has been written
for many years. It is not a novel to be idly read and laid aside; it is a grand work, to be
kept near at hand, and studied and thought over.”—Morning Post.
.pm desc-end
.bn 14.png
.pn +1
.sp 4
.h2
WORKS BY THE AUTHOR OF|‘SAM SLICK, THE CLOCKMAKER.’
.nf c
Each in One Volume, Frontispiece, and Uniformly Bound, Price 5s.
.nf-
.pm hd-start
NATURE AND HUMAN NATURE.
.pm hd-end
.pm desc-start
“We enjoy our old friend’s company with unabated relish. This work is a rattling
miscellany of sharp sayings, stories, and hard hits. It is full of fun and fancy.”—Athenæum.
“Since Sam’s first work he has written nothing so fresh, racy, and genuinely humorous
as this. Every line of it tells in some way or other—instructively, satirically, jocosely, or
wittily. Admiration of Sam’s mature talents, and laughter at his droll yarns, constantly
alternate as with unhalting avidity we peruse the work. The Clockmaker proves himself
the fastest time-killer a-going.”—Observer.
.pm desc-end
.pm hd-start
WISE SAWS AND MODERN INSTANCES.
.pm hd-end
.pm desc-start
“This delightful book will be the most popular, as beyond doubt it is the best, of all the
author’s admirable works.”—Standard.
“The book before us will be read and laughed over. Its quaint and racy dialect will
please some readers—its abundance of yarns will amuse others. There is something to
suit readers of every humour.”—Athenæum.
“The humour of Sam Slick is inexhaustible. He is ever and everywhere a welcome
visitor; smiles greet his approach, and wit and wisdom hang upon his tongue. We promise
our readers a great treat from the perusal of these ‘Wise Saws,’ which contain a
world of practical wisdom, and a treasury of the richest fun.”—Morning Post.
.pm desc-end
.pm hd-start
THE OLD JUDGE; OR, LIFE IN A COLONY.
.pm hd-end
.pm desc-start
“By common consent this work is regarded as one of the raciest, truest to life, most
humorous, and most interesting works which have proceeded from the prolific pen of its
author. We all know what shrewdness of observation, what power of graphic description,
what natural resources of drollery, and what a happy method of hitting off the
broader characteristics of the life he reviews, belong to Judge Haliburton. We have all
those qualities here; but they are balanced by a serious literary purpose, and are employed
in the communication of information respecting certain phases of colonial experience
which impart to the work an element of sober utility.”—Sunday Times.
.pm desc-end
.pm hd-start
TRAITS OF AMERICAN HUMOUR.
.pm hd-end
.pm desc-start
“No man has done more than the facetious Judge Haliburton, through the mouth of the
inimitable ‘Sam’ to make the old parent country recognise and appreciate her queer
transatlantic progeny. His present collection of comic stories and laughable traits is a
budget of fun, full of rich specimens of American humour.”—Globe.
“Yankeeism, portrayed in its raciest aspect, constitutes the contents of these superlatively
entertaining sketches. The work embraces the most varied topics—political parties,
religious eccentricities, the flights of literature, and the absurdities of pretenders to learning,
all come in for their share of satire; while we have specimens of genuine American
exaggerations and graphic pictures of social and domestic life as it is. The work will
have a wide circulation.”—John Bull.
.pm desc-end
.pm hd-start
THE AMERICANS AT HOME.
.pm hd-end
.pm desc-start
“In this highly entertaining work we are treated to another cargo of capital stories
from the inexhaustible store of our Yankee friend. In the volume before us he dishes up,
with his accustomed humour and terseness of style, a vast number of tales, none more
entertaining than another, and all of them graphically illustrative of the ways and manners
of brother Jonathan. The anomalies of American law, the extraordinary adventures
incident to life in the backwoods, and, above all, the peculiarities of American society, are
variously, powerfully, and, for the most part, amusingly exemplified.”—John Bull.
“In the picturesque delineation of character, and the felicitous portraiture of national
features, no writer equals Judge Haliburton, and the subjects embraced in the present
delightful book call forth, in new and vigorous exercise, his peculiar powers. ‘The
Americans at Home’ will not be less popular than any of his previous works.”—Post.
.pm desc-end
.bn 15.png
.pn +1
.sp 4
.h2
WORKS BY| MRS. OLIPHANT.
.nf c
Each in One Volume, Frontispiece, and Uniformly Bound, Price 5s.
.nf-
.pm hd-start
ADAM GRAEME OF MOSSGRAY.
.pm hd-end
.pm desc-start
“‘Adam Graeme’ is a story awakening genuine emotions of interest and delight by its
admirable pictures of Scottish life and scenery. The plot is cleverly complicated, and
there is great vitality in the dialogue, and remarkable brilliancy in the descriptive passages,
as who that has read ‘Margaret Maitland’ would not be prepared to expect?
But the story has a ‘mightier magnet still,’ in the healthy tone which pervades it, in its
feminine delicacy of thought and diction, and in the truly womanly tenderness of its
sentiments. The eloquent author sets before us the essential attributes of Christian
virtue, their deep and silent workings in the heart, and their beautiful manifestations in
the life, with a delicacy, a power, and a truth which can hardly be surpassed.”—Morning
Post.
.pm desc-end
.pm hd-start
THE LAIRD OF NORLAW.
.pm hd-end
.pm desc-start
“We have had frequent opportunities of commending Messrs. Hurst and Blackett’s
Standard Library. For neatness, elegance, and distinctness the volumes in this series
surpass anything with which we are familiar. ‘The Laird of Norlaw’ will fully sustain
the author’s high reputation. The reader is carried on from first to last with an energy
of sympathy that never flags.”—Sunday Times.
“‘The Laird of Norlaw’ is worthy of the author’s reputation. It is one of the most
exquisite of modern novels.”—Observer.
.pm desc-end
.pm hd-start
IT WAS A LOVER AND HIS LASS.
.pm hd-end
.pm desc-start
“In ‘It was a Lover and his Lass,’ we admire Mrs. Oliphant exceedingly. Her story is
a very pretty one. It would be worth reading a second time, were it only for the sake of
one ancient Scottish spinster, who is nearly the counterpart of the admirable Mrs. Margaret
Maitland.”—Times.
.pm desc-end
.pm hd-start
AGNES.
.pm hd-end
.pm desc-start
“‘Agnes’ is a novel superior to any of Mrs. Oliphant’s former works.”—Athenæum.
“Mrs. Oliphant is one of the most admirable of our novelists. In her works there are
always to be found high principle, good taste, sense, and refinement. ‘Agnes’ is a story
whose pathetic beauty will appeal irresistibly to all readers.”—Morning Post.
.pm desc-end
.pm hd-start
A ROSE IN JUNE.
.pm hd-end
.pm desc-start
“‘A Rose in June’ is as pretty as its title. The story is one of the best and most
touching which we owe to the industry and talent of Mrs. Oliphant, and may hold its own
with even ‘The Chronicles of Carlingford.’”—Times.
.pm desc-end
.pm hd-start
PHŒBE, JUNIOR.
.pm hd-end
.pm desc-start
“This last ‘Chronicle of Carlingford’ not merely takes rank fairly beside the first
which introduced us to ‘Salem Chapel,’ but surpasses all the intermediate records.
Phœbe, Junior, herself is admirably drawn.”—Academy.
.pm desc-end
.pm hd-start
LIFE OF THE REV. EDWARD IRVING.
.pm hd-end
.pm desc-start
“A good book on a most interesting theme.”—Times.
“A truly interesting and most affecting memoir. ‘Irving’s Life’ ought to have a niche
in every gallery of religious biography. There are few lives that will be fuller of instruction,
interest, and consolation.”—Saturday Review.
.pm desc-end
.bn 16.png
.pn +1
.sp 4
.h2
STANDARD EDITIONS
.nf c
EACH IN ONE VOLUME CROWN 8vo—FIVE SHILLINGS.
.nf-
.pm hd-start
LIFE OF JEANNE D’ALBRET, QUEEN OF NAVARRE.
BY MISS FREER.
.pm hd-end
.pm desc-start
“We have read this book with great pleasure, and have no hesitation in recommending
it to general perusal. It reflects the highest credit on the industry and ability of Miss
Freer. Nothing can be more interesting than her story of the life of Jeanne D’Albret,
and the narrative is as trustworthy as it is attractive.”—Morning Post.
.pm desc-end
.pm hd-start
THE LIFE OF THE REV. EDWARD IRVING.
BY MRS. OLIPHANT.
.pm hd-end
.pm desc-start
“A truly interesting and most affecting memoir. ‘Irving’s Life’ ought to have a niche
in every gallery of religious biography. There are few lives that will be fuller of instruction,
interest, and consolation.”—Saturday Review.
.pm desc-end
.pm hd-start
THE LIFE OF MARIE ANTOINETTE.
BY PROFESSOR CHARLES DUKE YONGE.
.pm hd-end
.pm desc-start
“A work of remarkable merit and interest, which will, we doubt not, become the most
popular English history of Marie Antoinette.”—Spectator.
.pm desc-end
.pm hd-start
THE REAL LORD BYRON—THE STORY OF
THE POET’S LIFE.
BY JOHN CORDY JEAFFRESON.
.pm hd-end
.pm desc-start
“Mr. Jeaffreson comes forward with a narrative which must take a very important
place in Byronic literature; and it may reasonably be anticipated that this book will be
regarded with deep interest by all who are concerned in the works and the fame of this
great English poet.”—The Times.
.pm desc-end
.pm hd-start
THE CRESCENT AND THE CROSS.
BY ELIOT WARBURTON.
.pm hd-end
.pm desc-start
“Independent of its value as an original narrative, and its useful and interesting
information, this work is remarkable for the colouring power and play of fancy with
which its descriptions are enlivened. Among its greatest and most lasting charms is its
reverent and serious spirit.”—Quarterly Review.
.pm desc-end
.pm hd-start
A BOOK ABOUT DOCTORS.
BY JOHN CORDY JEAFFRESON.
.pm hd-end
.pm desc-start
“This is a pleasant book for the fireside season, and for the seaside season. Mr. Jeaffreson
has, out of hundreds of volumes, collected thousands of good things, adding thereto
much that appears in print for the first time, and which, of course, gives increased value
to this very readable book.”—Athenæum.
.pm desc-end
.pm hd-start
FAMILY ROMANCE; OR, DOMESTIC ANNALS OF THE ARISTOCRACY.
BY SIR BERNARD BURKE, ULSTER KING OF ARMS.
.pm hd-end
.pm desc-start
“It were impossible to praise too highly this most interesting book, whether we should
have regard to its excellent plan or its not less excellent execution. It ought to be found
on every drawing-room table. Here you have nearly fifty captivating romances with the
pith of all their interest preserved in undiminished poignancy, and any one may be read
in half-an-hour.”—Standard.
.pm desc-end
.bn 17.png
.pn +1
.sp 2
.nf c
BEATRICE WHITBY’S NOVELS.
EACH IN ONE VOLUME CROWN 8vo—3s. 6d.
.nf-
.pm hd-start
THE AWAKENING OF MARY FENWICK.
.pm hd-end
.pm desc-start
“We have no hesitation in declaring that ‘The Awakening of Mary Fenwick’ is the
best novel of its kind that we have seen for some years. It is apparently a first effort,
and, as such, is really remarkable. The story is extremely simple. Mary Mauser marries
her husband for external, and perhaps rather inadequate, reasons, and then discovers
that he married her because she was an heiress. She feels the indignity acutely, and
does not scruple to tell him her opinion—her very candid opinion—of his behaviour. That
is the effect of the first few chapters, and the rest of Miss Whitby’s book is devoted to
relating how this divided couple hated, quarrelled, and finally fell in love with one another.
Mary Fenwick and her husband live and move and make us believe in them in a way
which few but the great masters of fiction have been able to compass.”—Athenæum.
.pm desc-end
.pm hd-start
ONE REASON WHY.
.pm hd-end
.pm desc-start
“Our old friend the governess makes a re-entry into fiction under the auspices of Beatrice
Whitby in ‘One Reason Why.’ Readers generally, however, will take a great deal
more interest, for once, in the children than in their instructress. ‘Bay’ and ‘Ellie’ are
charmingly natural additions to the children of novel-land; so much so, that there is a
period when one dreads a death-bed scene for one of them—a fear which is happily unfulfilled.
The name of the authoress will be remembered by many in conjunction with
‘The Awakening of Mary Fenwick.’”—Graphic.
.pm desc-end
.pm hd-start
PART OF THE PROPERTY.
.pm hd-end
.pm desc-start
“The book is a thoroughly good one. The theme is fairly familiar—the rebellion of a
spirited girl against a match which has been arranged for her without her knowledge or
consent; her resentment at being treated, not as a woman with a heart and will, but as
‘part of the property’; and her final discovery, which is led up to with real dramatic skill,
that the thing against which her whole nature had risen in revolt has become the one
desire of her heart. The mutual relations each to each of the impetuous Madge, her self-willed,
stubborn grandfather, who has arranged the match, and her lover Jocelyn, with
his loyal, devoted sweetly-balanced nature, are portrayed with fine truth of insight; but
perhaps the author’s greatest triumph is the portrait of Mrs. Lindsay, who, with the
knowledge of the terrible skeleton in the cupboard of her apparently happy home, wears
so bravely the mask of light gaiety as to deceive everybody but the one man who knows
her secret.”—Spectator.
.pm desc-end
.pm hd-start
IN THE SUNTIME OF HER YOUTH.
.pm hd-end
.pm desc-start
“A description of a home stripped by the cold wind of poverty of all its comforts, but
which remains home still. The careless optimism of the head of the family would be incredible,
if we did not know how men exist full of responsibilities yet free from solicitudes,
and who tread with a jaunty step the very verge of ruin; his inconsolable widow
would be equally improbable, if we did not meet every day with women who devote themselves
to such idols of clay. The characters of their charming children, whose penury we
deplore, do not deteriorate, as often happens in that cruel ordeal. A sense of fairness
pervades the book which is rarely found in the work of a lady. There is interest in it
from first to last, and its pathos is relieved by touches of true humour.”—Illustrated
London News.
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MARY FENWICK’S DAUGHTER.
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“This is one of the most delightful novels we have read for a long time. ‘Bab’ Fenwick
is an ‘out of doors’ kind of girl, full of spirit, wit, go, and sin, both original and
acquired. Her lover, Jack, is all that a hero should be, and great and magnanimous as
he is, finds some difficulty in forgiving the insouciante mistress all her little sins of omission
and commission. When she finally shoots him in the leg—by accident—the real
tragedy of the story begins. The whole is admirable, if a little long.”—Black and White.
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.bn 18.png
.pn +1
Each in One Volume, Crown Octavo, 3s. 6d.
MARY FENWICK’S DAUGHTER.
By Beatrice Whitby.
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“This is one of the most delightful novels we have read for a long time. ‘Bab’ Fenwick
is an ‘out of doors’ kind of girl, full of spirit, wit, go, and sin, both original and
acquired. Her lover, Jack, is all that a hero should be, and great and magnanimous as
he is, finds some difficulty in forgiving the insouciante mistress all her little sins of omission
and commission. When she finally shoots him in the leg—by accident—the real
tragedy of the story begins. The whole is admirable, if a little long.”—Black and White.
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ROBERT CARROLL.
By the Author of ‘Mistress Beatrice Cope.’
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“M. E. Le Clerc devotes herself to historic fiction, and her success is sufficient to justify
her in the occasional production of stories like ‘Mistress Beatrice Cope’ and ‘Robert Carroll.’
Beatrice Cope was a Jacobite’s daughter, so far as memory serves, and Robert Carroll
was the son of a Jacobite baronet, who played and lost his stake at Preston, fighting for the
Old Pretender. Of course the hero loved a maiden whose father was a loyal servant of
King George, and, almost equally of course one of this maiden’s brothers was a Jacobite.
A second brother, by the way, appears as a lad of sixteen in the spring of 1714, and as a
wounded colonel of cavalry on the morrow of the fight at Preston less than two years
later—rapid promotion even for those days, though certainly not impossible. The author
has taken pains to be accurate in her references to the events of the time, and her blend
of fact and fiction is romantic enough.”—Athenæum.
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THE HUSBAND OF ONE WIFE.
By the Author of ‘Some Married Fellows.’
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“It is a comfort to turn from the slipshod English and the tiresome slang of many
modern novels to the easy and cultured style of ‘The Husband of One Wife,’ and we have
been thoroughly interested in the story, as well as pleased with the manner in which it is
told. As for Mrs. Goldenour, afterwards Mrs. Garfoyle, afterwards Mrs. Pengelley, she is
certainly one of the most attractive as well as one of the most provoking of heroines, and
Mrs. Venn has succeeded admirably in describing her under both aspects. The scene of
the dinner-party, and the description of the bishop’s horror at its magnificence is very
clever. We are very glad to meet several old friends again, especially Mrs. Gruter, who
is severe and amusing as ever. Altogether we feel that Mrs. Venn’s novels are books to
which we can confidently look forward with pleasure.”—Guardian.
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BROTHER GABRIEL.
By M. Betham-Edwards.
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“The story will be followed with unfaltering interest. Nor is anything short of unmixed
praise due to several of the episodes and separate incidents of which it is composed.
The principal characters—Delmar, Zoé’s cousin and lover—stand out in decided and life-like
relief. In the sketches of scenery, especially those of the coast of Brittany and the
aspect of its sea, both in calm and storm, Miss Betham-Edwards need not fear comparison
with the best masters of the art.”—Spectator.
“The book is one that may be read with pleasure; it is fluently, flowingly, carefully
written; and it contains very pleasant sketches of character.”—Academy.
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.sp 4
.nf c
LONDON: HURST AND BLACKETT, LIMITED.
.nf-
.pb
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.sp 2
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.it Transcriber’s Notes:
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.it Missing or obscured punctuation was silently corrected.
.it Typographical errors were silently corrected.
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.it Text that was in italics is enclosed by underscores (_italics_).
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